Citizen Kane (BFI Film Classics)

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This is a brilliant introduction to what many consider to be the greatest American film. Critic Laura Mulvey provides new insight into the creative collaboration of screenwriter Herman Mankiewicz, cinematographer Gregg Toland, and writer-director-star Orson Welles. She sheds new light on the relationship between the fictional Kane and the character upon which he is based, legendary newspaper tycoon William Randolph Hearst. Mulvey is especially sensitive to the way Citizen Kane--and Hearst--negotiated liberal and conservative politics; for her, Kane's psyche mirrors the political unconscious of the United States in the early 1940s. The appendix reprints a press statement by Welles himself in which he describes his reasons for making the film.

Book Description

Citizen Kane's unchallenged reputation as one of the greatest films in all cinema is matched only by the accumulation of critical commentary that surrounds it. What more can there be to say about a masterpiece so universally acknowledged? As Laura Mulvey shows in a fresh and original reading, the richness of the film, both thematically and stylistically, is inexhaustible. In a lucid and perceptive critique she investigates the psychoanalytic structure that underlines the film's presentation of Kane's biography, for once taking seriously what Orson Welles himself disparagingly referred to as "dollar-book Freud." She also illuminates the film's historical context, revealing it to be a prescient commentary on the isolationist politics of prewar America.

Customer Reviews:

A formal treatment of the psycoanalytic aspects of the film.......2004-10-17

This book has laid a fundation for understanding the film from a psychoanalytic perspective. The author re-examined the visual style of the film, its narrative structure, the historical context during production and the director's political activities, discovered new facts and finally came to an interpretation in psychoanalytic terms in which all the clues would fall into places. Although some of the arguments were not given in full length and rigidness (there are only 87 pages), this book certainly built a new system of meanings regarding the film that includes many facts discovered in the past several decades.

A wonderful film that deserves a book like this........2000-02-26

This is an example of what the BFI classics should hope to attain for each of their forthcoming books.

A great insight into the film and the events surrounding it. Praise, I suppose, is due to the fact that there was so much that went on around the making of this film that it would be hard to write a bad book about it.

Feminist analysis of "Citizen Kane".......1998-05-13

Laura Mulvey writes well, and her analysis of "Citizen Kane" is, in several aspects, a joy to read. But, for an in-depth coverage of the subject, I really recommend Ronald Gottesman's "Focus on Citizen Kane", or, better yet, his "Perspectives on Citizen Kane", which I think should be required reading on the film, along with Carringer's "The Making of Citizen Kane". In other words, if you needed to read just one book on the subject, this one would not be it.

The Making of
<i>Citizen Kane</i>, Revised edition

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easily the best book about Citizen Kane!
who could resist this

The Making of Citizen Kane, Revised edition
Robert L. Carringer
Manufacturer: University of California Press
ProductGroup: Book
Binding: Paperback

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Citizen Kane (BFI Film Classics)
Orson Welles's Citizen Kane: A Casebook (Casebooks in Criticism)
Orson Welles: A Critical View
Double Indemnity (BFI Film Classics)
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ASIN: 0520205677

Amazon.com

Ever since Pauline Kael wrote her controversial essay "Raising Kane" (available in print in her omnibus collection For Keeps), film fans and scholars have debated the "authorship" of Citizen Kane. Most audiences and critics agree that it is one of the greatest American movies, but Kael claimed that the genius behind Kane was not writer-director-producer-actor Orson Welles, but coscenarist Herman Mankiewicz. Others attribute the film's power to the influence and contributions of John Houseman or the incredible innovations of cinematographer Gregg Toland. In this superbly researched book, Robert Carringer proves conclusively that Kane is not the product of any individual artist, but the collective work of a brilliant team working under Welles's supervision. Without Mankiewicz, Toland, and the talented designers and technicians who worked on the film, Kane could never have become what it is. As Carringer covers each step of the film's production, from conception to final release, he leads readers through the enormously complex process of making a great movie. He also provides an introductory chapter about an unfilmed project Welles worked on before Kane, an adaptation of Joseph Conrad's Heart of Darkness. In his concluding chapter on The Magnificent Ambersons, Welles's follow-up to Kane, Carringer argues that the latter film suffered precisely because its collaborators failed to achieve the artistic harmony that had made Kane so successful. --Raphael Shargel

Book Description

Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs.

Customer Reviews:

easily the best book about Citizen Kane!.......2003-06-24

Carringer's exhaustive tome on the making of Orson Welles' signature film covers all the bases: from its rocky road to inception (covering Welles' fascinating attempt to adapt Conrad's HEART OF DARKNESS into a movie) to every conceivable aspect of the production and post-production. This is required reading for any Welles fan and an invaluable tool for anybody who has to write an essay on CITIZEN KANE.

Carringer's writing style is engaging and eloquent without being too academic. He doesn't bombard the reader with a million esoteric film terms but instead instills his prose with an infectious passion for his subject. Reading this book will make you want to re-discover KANE all over again -- which is what a good film book should do!

This is a great companion book with the awesome two-DVD set of KANE that was release a little while ago.

who could resist this.......2000-04-02

Who could resist the behind the scenes making of the greatest movie of all time. This book is excellent it covers every thing you need or would want to know about the film. It is very well told and crafted. If you loved the movie you'll be fascinated by this book.

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Citizen Kane (Methuen Film)
Orson Welles , and Herman Mankiewicz
Manufacturer: Methuen Drama
ProductGroup: Book
Binding: Paperback

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Citizen Kane

ASIN: 0413771873

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The Citizen Kane Book
Pauline Kael
Manufacturer: Limelight Editions
ProductGroup: Book
Binding: Paperback

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Citizen Kane

ASIN: 0879100168

Orson Welles's Citizen Kane: A Casebook (Casebooks in Criticism)

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Orson Welles's Citizen Kane: A Casebook (Casebooks in Criticism)

Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover

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The Making of Citizen Kane, Revised edition
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Discovering Orson Welles

ASIN: 0195158911

Book Description

Citizen Kane is arguably the most admired and significant film since the advent of talking pictures. No other film is quite so interesting from both artistic and political points of view. To study it even briefly is to learn a great deal about American history, motion-picture style, and the literary aspects of motion-picture scripts. Rather than a sterile display of critical methodologies, James Naremore has gathered a set of essays that represent the essential writings on the film. It gives the reader a lively set of critical interpretations, together with the necessary production information, historical background, and technical understanding to comprehend the film's larger cultural significance. Selections range from the anecdotal --Peter Bogdanovich's interview with Orson Welles--to the critical, with discussions on the scripts and sound track, and a discussion of what accounts for the film's enduring popularity. Contributors include James Naremore, Peter Bogdanovich, Jonathan Rosenbaum, Robert L. Carringer, Francois Thomas, Michael Denning, Laura Mulvey, Peter Wollen, and Paul Arthur.

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The Citizen Kane Book
Pauline Kael
Manufacturer: Bantam Books
ProductGroup: Book
Binding: Paperback
ASIN: B000GC5V06

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The Citizen Kane Book
Pauline Kael
Manufacturer: Atlantic/Little Brown
ProductGroup: Book
Binding: Hardcover
ASIN: B000HBB9TS

Nihilism in Film and Television: A Critical Overview from Citizen Kane to the Sopranos

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Nihilism in Film and Television: A Critical Overview from Citizen Kane to the Sopranos
Kevin L. Stoehr
Manufacturer: McFarland & Company, Inc., Publishers
ProductGroup: Book
Binding: Paperback

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ASIN: 0786425474

Book Description

This book explores the idea of nihilism, emphasized by German philosopher Friedrich Nietzsche, through its appearance in modern popular culture. The author defines and reflects upon nihilism, then explores its manifestation in films and television shows.

Among the subjects examined are the award-winning television series The Sopranos and the film noir genre that preceded and influenced it. Films probed include Orson Welles's masterpiece Citizen Kane, the films of Stanley Kubrick, Neil Jordan's controversial The Crying Game and Richard Linklater's unconventional Waking Life.

Finally, the author considers nihilism in terms of the decay of traditional values in the genre of westerns, mostly through works of filmmaker John Ford. In the concluding chapter the author broadens the lessons gleaned from these studies, maintaining that the situated and embodied nature of human life must be understood and appreciated before people can overcome the life-negating effects of nihilism.

Citizen Kane
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Citizen Kane
Lynne Piade
Manufacturer: Smithmark Publishers
ProductGroup: Book
Binding: Hardcover

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ASIN: 0831745738

The Citizen Kane Book
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The Citizen Kane Book
Orson] Mankiewicz, Herman J. and Orson Welles [Welles
Manufacturer: Atlantic/Little, Brown
ProductGroup: Book
Binding: Hardcover
ASIN: B000KVEJNS

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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Worthy companion to Bernac

A French Song Companion
Graham Johnson , and Richard Stokes
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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Song: A Guide To Art Song Style And Literature
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ASIN: 0199249660

Amazon.com

Filling a long-standing need with great success, A French Song Companion is one of the most welcome books of the year. The translations of the French poetry (fine work by Richard Stokes) are almost as rewarding as the originals. Great care has been taken with line breaks and separation of stanzas; the acrostic of Apollinaire's "Carte postale" and the sweep of his "Bleuet" are seldom observed as they are here.

These translations, mercifully, are not of the forced-rhyming type, and the more obscure references are helpfully footnoted. Poems are grouped under composer chapters rather than (as in Philip L. Miller's The Ring of Words) by poet. Though coverage is of necessity not complete for each composer (more on Saint-Saëns and Milhaud would have been useful), there are still hundreds of poems included, even extending to the chamber music and orchestral song genres.

Stokes has reached deep into the poetry. His is the only translation of the second of Ravel's "Five Greek Songs," in which the pilgrims are "buried" beneath the church, that makes sense. Each composer chapter also has an opening essay by peerless song pianist Graham Johnson (the one on Satie is especially interesting), and he even covers non-French composers who set French texts. (He finds Leonard Bernstein to be "not the most retiring of composers.")

Johnson shares the insights of a lifetime of intimacy with these songs; his description of "en sourdine" could not be more helpful. There are a few Britishisms, and space did not permit the translation of poetic lines not set by the composer, but this book is nothing less than essential in an age when so many CD releases are without texts. Though the asking price is steep, this volume surely will never be bettered, and it is particularly well bound for years of rewarding use. --William R. Braun

Book Description

The French Song Companion is the most comprehensive book of French melodie in any language. The great accompagnist Graham Johnson, a noted authority of song, provides repertoire guides to the work of some 150 composers - the majority of them from France, but including British, American, German, Spanish, and Italian musicians who have written French vocal music. There are major articles on such figures as Faure, Duparc, Debussy, Ravel, and Poulenc; substantial articles on Bizet, Chabrier, Gounod, Chausson, Hahn, and Satie; and reassessments of such composers as Massenet, Koechlin, and Leguerney. A host of less celebrated figures who have contributed to the genre take their place in a book which is both informative and entertaining. The biographical articles are supplemented by the song translations of Richard Stokes, some 700 in all, and a veritable treasury of great French poetry from the fifteenth to the twentieth centuries. These stand in their own right as indispensable to music lovers, concert-goers, and professional singers and their accompanists. This is a book which not only reflects the repertoire as found in today's concert halls, but also encourages performers and armchair enthusiasts to explore the neglected highways and biways of an endlessly fascinating and highly civilised body of music.

Customer Reviews:

Worthy companion to Bernac.......2002-09-21

Pierre Bernac's _Interpretation of French Song_ has long been the indispensable reference volume for singers and coaches of this rich musical literature. The focus of the present volume is somewhat different, more comprehensive in its listings of composers (any composer of significance who set French texts is included, resulting in some surprising listings, Bernstein and Dinu Lipatti, for example), but less didactic in terms of pronounciation and performance. The translations by Richard Stokes are so good that one wishes even more had been included. Graham Johnson's commentaries on composers and songs are readable and full of insight. There are useful indices and suggestions for further reading. Altogether, this is a comprehensive and fascinating volume for both performing musicians and other lovers of French art song.

Favorite French Art Songs - Volume 1, Low Voice: with a companion CD of accompaniments and pronunciation lessons The Vocal Library

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Favorite French Art Songs - Volume 1, Low Voice: with a companion CD of accompaniments and pronunciation lessons The Vocal Library

Manufacturer: Hal Leonard Corporation
ProductGroup: Book
Binding: Paperback

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Favorite German Art Songs - Volume 1, Low Voice
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Favorite German Art Songs - Volume 1, High Voice: with a companion CD of accompaniments and pronunciation lessons The Vocal Library
15 American Art Songs

ASIN: 0793562449

Book Description

This collection of the most popular French songs includes exquisite recordings of the piano accompaniments by pianist Gary Arvin, a specialist in song literature on the faculty of Indiana University. Includes translations and IPA pronunciation guides. The pronunciation lessons on the CD are from a native French speaker. Useful for High school contest soloists, college/university students and professional singers. Contents: Aimons-nous (Saint-Saens) * Apres un Reve (Faure) * Aurore (Faure) * Beau Soir (Debussy) * Chanson triste (Duparc) * Ici Bas (Faure) * La Procession (Franck) * Mandoline (Faure) * Nuit d'etoiles (Debussy) * Psyche (Paladilhe).

A French Song Companion. (Book Reviews).: An article from: Notes

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A French Song Companion. (Book Reviews).: An article from: Notes
James R. Briscoe
Manufacturer: Music Library Association, Inc.
ProductGroup: Book
Binding: Digital

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Book Description

This digital document is an article from Notes, published by Music Library Association, Inc. on December 1, 2001. The length of the article is 890 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: A French Song Companion. (Book Reviews).
Author: James R. Briscoe
Publication: Notes (Refereed)
Date: December 1, 2001
Publisher: Music Library Association, Inc.
Volume: 58 Issue: 2 Page: 339(3)

Article Type: Book Review

Distributed by Thomson Gale

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French Song Companion
Graham Johnson
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback
ASIN: B000OKTZZC

Word-by-Word Translations of Songs and Arias: Part I - German and French: A Companion to the Singer

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Word-by-Word Translations of Songs and Arias: Part I - German and French: A Companion to the Singer
Berton Coffin; Werner Singer And Pierre Delattre
Manufacturer: SCARECROW PRESS, INC.
ProductGroup: Book
Binding: Hardcover
ASIN: 1399761382

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