The Big Lebowski

The Big Lebowski begins with a case of mistaken identity which escalates when Jeffrey Lebowski-alias The Dude-attempts to seek recompense for the despoliation of his ratty-ass little rug, and then finds himself entangled in a kidnapping caper as a bagman-a situation that goes from bad to worse due to the interference of his hapless bowling partners.

In this film the Coen brothers have taken on the preoccupations of Raymond Chandler, but have given them a postmodern spin, while at the same time leaving Philip Marlowe's ethos intact as The Dude wanders through the fractured world of nineties L.A. trying to do the right thing. Like the award winning Fargo, The Big Lebowski is suffused with a droll humor and a verbal felicity that is as delightful as it is startling.

Text and illustrations combine to reveal the Coens' combination of quirkiness and craft, and the ways that the singular (or is it binary?) vision of the brothers combines with actors and crew in the group effort necessary to produce a finished film. This book doesn't attempt a critical analysis of the work of Joel and Ethan Coen--the complexity of their vision resists such an approach. Instead, we're treated to a fly-on-the-wall view of the creative process, and it's enough to get the most casual film lover to grab a notebook, rent a camera, and start making movies! --Simon Leake

So, he writes this book with an insider's perspective. At every opportunity he makes fun of them (as only a close friend can) and spends the first part of the book tracing their career up to The Big Lebowski. The rest of the book plays out as a quasi-Making Of that is quite an entertaining read. For example, he places their film in the grand tradition of bowling noir, a very rarified subgenre of the film noir. Robertson is quite funny as he pontificates about this subgenre at some length.

If I had one complaint about the book is the amount of detail that is gone into about the storyboarding process which I could have done without. But this is a minor quibble at best.

Robertson's style of writing is very casual and easy to read--it won't take you long to get through this book. If you are a hardcore fan of the Coens, then you will definitely enjoy this book and all the little, inside jokes. It will certainly deepen your appreciation for the film and acts as a great companion-piece.

The ultimate fan’s guide to the Coen Brothers’ cult classic, with an introduction by the Dude himself, Jeff Bridges.

To some The Big Lebowski is just a movie, to others it’s THE MOVIE. Over the past several years the movie has developed a massive and passionate cult following, led by the creation of Lebowski Fest, a traveling festival celebrating all things Lebowski. Held in a bowling alley, it features bowling, costume and trivia contests, live music, a screening of the movie, White Russians, and what-have-you. Attendance has grown exponentially and the Fest has been featured in virtually every national media outlet, from NPR to the New York Times. The Associated Press called it “kind of a ‘Star Trek’ convention, but without all the geeks.” SPIN Magazine called it one of the “19 events you can’t miss!” Now, at last, comes the book that the legion of Lebowski fans (aka Achievers) has been waiting for. I’m a Lebowski, You’re a Lebowski is a treasure trove of trivia and commentary, hilarious throughout and illustrated with photos from the film, including dozens taken on the set by Jeff Bridges. It includes interviews with virtually every major and minor cast member including John Goodman, Julianne Moore and John Turturro, as well as the real-life individuals who served as inspiration for the characters such as Jeff Dowd and John Milius. Fellow Achievers Patton Oswalt, Tony Hawk and Powerpuff Girls creator Craig McCracken give their thoughts on the movie and the phenomenon that surrounds it. The book features a handy guide to speaking Achiever, tips on how to Dude-ify your car, office, and living space, Lebowski Fest highlights and so much more.