Average customer rating:
- awesome
- Sly Moves is pure inspiration
- Sly Moves
- LIke the book generally but in light of.....
- Memorable advice.
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Sly Moves: My Proven Program to Lose Weight, Build Strength, Gain Will Power, and Live your Dream
Sylvester Stallone
Manufacturer: Collins
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Binding: Hardcover
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ASIN: 0060737875
Release Date: 2005-05-10 |
Amazon.com
Movie fans can argue the merits of Rocky vs. Rambo, but no one can accuse Sylvester Stallone of being a couch potato. In Sly Moves, Stallone recounts the training methods that turned him into one of the true Hollywood hard-bodies of all time, tailoring the best and worst of what he's learned from forty years in the gym and testing trendy diets into a simple (3-hour-a-week) workout/eating program anyone can follow.
Stallone mixes in plenty of personal tales from his storied career along with practical advice, including a three-day look inside the life of an action hero approaching age 60: what he eats, when he works out, what famous people he bumps into at his private Beverly Hills gym and the L.A. hot spots where he does dinner. Sly might help you tighten up those abs with three kinds of crunches, but odds are the new six pack won't get you a table next to him at Spago. Still, all the trappings of celebrity aside, you only have to check out the photos of him demonstrating his "Rambo pulldowns," "Rocky chins," or other exercises ("moves") he recommends to see he knows a thing or two about staying fit. As for how to "gain will power" and "live your dream," you could do a lot worse than listen to a guy of humble beginnings who willed himself into everything he ever dreamed of becomingone hammer curl at a time. --Patrick Jennings
Book Description
Are you ready to be a contender? Sylvester Stallone's action–oriented program for getting fit and eating right is also a revealing portrait of one of Hollywood's biggest stars.
Sly Moves is more than just a handbook on fitness and nutrition. It's a provocative and candid inside look at the trials and triumphs of one of Hollywood's most famous stars. Throughout his career, Sly has always been body conscious, and as he experimented with intense training methods for various films, he has learned – often the hard way – what works and what definitely doesn't. His goal here is to help readers change harmful fitness habits, learn to counter reckless eating, and appreciate who they are even when they don't feel much like action heroes.
Part 1 is a history of Sylvester Stallone's physique, as the Rocky star shares stories about his being bullied as a child, finding comfort and strength at the gym, and then later, the wild ride of fad diets, crash–training regimens and workout disasters that fringed on obsession.
Part 2, The Sly Moves workout, outlines four exercise programs: classic, advanced, women's and hardcore. The workouts only require a commitment of about three hours a week (exactly the same amount of time Sly works out).
The Sly Moves eating plan (Part 3) is Sly's nutrition guide, highlighted by a unique meal plan for a lifetime of good eating.
Part 4 gives Sly an opportunity to inspire and encourage readers to make Sly Moves part of a long–term picture of health, fitness and wellbeing, with tips on everything from keeping goals and relaxation techniques to lessons learned from The Contender.
Customer Reviews:
awesome.......2007-04-18
how else are you going to learn how to look like rambo? this combined with arnold's encyclopedia of bodybuilding is perfect.
Sly Moves is pure inspiration.......2007-04-17
This is a down to earth book. Stallone writes in a simple straight forward style that is very clear and easy to follow and read. He's one of Hollywood's best writers and should go down in history as one of our great national treasures. I'm sure philadelphia would agree. His workout format is truly inspiring as well as all the difficulties he's had to overcome to master his own challenges and bring his body into discipline. I really like the book and when I bought it for me, my husband picked it up and couldn't put it down. There are tons of pictures and advice as well as behind the scenes every day life stuff he talks about here and there. I've worked hard at discovering for myself what works and what doesn't work and this book only reaffirmed lots of the good habits and conclusions I've already been doing. I've implemented some of his training into my own program and noticed an immediate difference, especially with working the abs. The diet section, his recommendations on how to approach the food stuffs, is down to earth and very practical. I already had been eating healthfully this way for some time. When I read it his approach, I reached a conclusion that his method has been tried and tested because I went through the same ropes to learn the same things. It doesn't take a genius and he's figured out the common sense way to make it simple and with results. However, Stallone's indulgences for sweets is evident and he allows himself one day a week for a splurge. I never do this and so perhaps my own diet is stricter than his! The book is written as both an instructional book for beginners, intermediate strength building athletes and has some advanced exercises for advanced training. He has great exercises for building up the core and working the interior back muscles along the spine and not just the cosmetic aspects of the back. These are great exercises, especially for someone like me who needs to strengthen the back and spine. This book is also an inspirational fitness book. I think what strikes me most about the book is the personality that bubbles out from the pages - like the essence of the man and his strength,energy, and great sense of humor - it all comes off the pages and seems to reach people on this basic level - like his Rocky character - no frills and straight from the heart. He even goes into the pitfalls of self competition and what he learned along the way. Love it. The book is an easy to read book and even includes a section for women's fitness and features Stallone's beautiful wife, Jennifer. It's a good book to add to your fitness library. I read it and turn to it almost daily for tidbits of information to add to my workouts and health regime.
Regarding the latest stint about steroids - well that has nothing to do with the book. The book was written several years ago and there is nothing about it that is not true in terms of fitness. I give the book a five star rating because of its content alone. I don't compare it to something outside of it's subject matter like steriods, which is outside of the book's content. I rated the book by its own merit and not because I agree with or don't agree with the current news lines about steriods. That is a topic and circumstance outside the topic of the book.
Sly Moves.......2007-03-19
I started this book expecting it to be another body builder babbling on about who knows what, but it was suprisingly down to earth and interesting.
LIke the book generally but in light of............2007-03-18
I like this book, but I take it with a grain of salt now that he was found holding growth hormone in Australia, which makes it way easier to stay lean. Older guys are definitely purchasers of this book & without mentioning HGH it is a little misleading.
General principles & stories are good though.
Memorable advice........2007-03-17
Unlike most celebrities who write diet or exercise books, this is from someone who really knows their stuff. The proof is up there on the screen.
The book starts off with an account of his movies that I was tempted to skip but found that it all relates to exercise. He comes across as a very sincere guy. One story that will stick with me is when Stallone was working on the recent Contender TV series. He threw out all the junk food the boxers were eating. When they complained to him he told them "Look. I'm in better shape than you and I'm not even a real fighter. And I'm twice your age!" You could learn a lot from a guy like this. I'm glad he wrote the book.
Customer Reviews:
A Picture is Worth Ten Thousand Words.......2004-11-19
This little book, first published in 1617 at the height of the Rosicrucician furor, has never received full recognition as an important and authentic early Rosicrucian document. That's a real shame, because in these 40 engraved drawings, Cramer was able to explore the Rosicrucian mysteries in a way that many volumes of the written word could never accomplish.
The emblems themselves are simple, arranged in four 'decades' of ten symbols each. Each emblem is accompanied by a single verse of Scripture and an original two-line stanza. Although these lines allude to the meaning of each diagram, however, they explain nothing-- clearly, whatever lessons are to be learned from each image will not be found in the letter of its accompanying text!
Daniel Cramer obviously intended these emblems to be used in meditation, but the beginning student may be daunted by the complex layers of symbolism contained in each image. That's okay, because esoteric symbolism operates on the subconscious level anyway! The important thing to remember is that there are no "right" or "wrong" ideas when exploring your innerspace-- each new discovery is yours and yours alone, and your higher consciousness is capable of assimilating and integrating seemingly disparate ideas. Trust that "inner voice!"
As rational beings, however, it's always easier to work with symbols that we understand. If you really need a structured approach, there are a number of different ways that these symbols can be arranged or organized. First of all, Cramer's forty emblems lend themselves quite easily to Qabalistic interpretation, since each of the ten spheres on the Qabalistic Tree of Life can be considered separately in each of the Four Archetypal Worlds. It's also possible to view the emblems in purely alchemical terms, wherein each symbol represents an aspect or a phase of Inner Alchemy. Adam Maclean, in his brief commentary, suggests a unique grouping together of symbols based on their similarities and differences. For that matter, there's certainly no reason why brainstorming or making "free associations" with this symbolism is less valid than any other approach. Indeed, whatever system is employed, the real meaning of each symbol is a discovery that each individual student will have to discover on his or her own!
I recommend this little picture-book to anybody with an interest in esoteric symbolism!
Book Description
Michael Maier was a 17th-century alchemist and physician to the court of Emperor Rudolf II in Prague. Between 1614 and his death in 1622, Maier published a number of alchemical works, of which Atalanta Fugiens was undoubtedly the richest and most important. First published in 1617, it is one of the finest alchemical emblem books and unique in its own right. Michael Maier's work is richly illustrated with original prints by M. Merian; each of the 50 emblems presented consists of a motto, print, epigram, and a three-part musical setting of the epigram, followed by an exposition of its meaning. In the new publication of this important 17th-century work, Dr. H. M. E. de Jong translates the mottos and epigrams of the original 50 emblems and provides a summary of both Maier's exposition and a commentary on each emblem. She discuisses the meaning and importance of the Atalanta Fugiens, the sources Maier used, and the mutual relationships between the emblems. She also includes an additional 30 alchemical engravings that explain her research, including several hard-to-find foldouts reproduced here in this volume. De Jong shows how Maier borrowed mottos from old alchemical sources and that the emblems have a number of meanings and express ideas from alchemy, medicine, and the Rosicrucian system. The inter-relationships that can be shown to exist between the emblems give an added depth to the meaning of each.
Book Description
One is a science, the other an art; one useful, the other seemingly decorative, but mathematics and music share common origins in cult and mystery and have been linked throughout history. Emblems of Mind is Edward Rothstein’s classic exploration of their profound similarities, a journey into their “inner life.” Along the way, Rothstein explains how mathematics makes sense of space, how music tells a story, how theories are constructed, how melody is shaped. He invokes the poetry of Wordsworth, the anthropology of Lévi-Strauss, the imagery of Plato, and the philosophy of Kant. Math and music, Rothstein shows, apply comparable methods as they create their abstractions, display similar concerns with ratio and proportion, and depend on metaphors and analogies to create their meanings. Ultimately, Rothstein argues, they reveal the ways in which we come to understand the world. They are images of the mind at work and play; indeed, they are emblems of Mind itself.
Jacques Barzun called this book “splendid.” Martin Gardner said it was “beautifully written, marvelous and entertaining.” It will provoke all serious readers to think in new ways about the grand patterns in art and life.
“Lovely, wistful. . . . Rothstein is a wonderful guide to the architecture of musical space, its tensions and relations, its resonances and proportions. . . . His account of what is going on in the music is unfailingly felicitous.”—New Yorker
“Provocative and exciting. . . . Rothstein writes this book as a foreign correspondent, sending dispatches from a remote and mysterious locale as a guide for the intellectually adventurous. The remarkable fact about his work is not that it is profound, as much of the writing is, but that it is so accessible.”—Christian Science Monitor
Customer Reviews:
A thoughtful, engaging discussion of a complex relationship.......2002-08-10
I have read Rothstein's book several times since it was printed, and I have also used it as a text in several Honors College courses devoted to the the relationship between music and mathematics. One way of defining music is that it's a five letter word in the English language for a lot of different things that people do with patterns of sound and silence. And one way of defining mathematics is that it's an eleven letter word in the English language for a lot of different things that people do with pattern. By exploring the ways in which music and mathematics handle pattern, one is naturally pointed in other directions (weaving, art, science) that demonstrate how valuable it is to recognize and explore the inter-connectedness of apparently "different" fields. Rothstein's book is an elegant exploration of this kind of inter-connectedness. Although both musicians and mathematicians might find themselves alternately arguing with Rothstein about an issue in their own field, or befuddled because he is talking about something they do not understand, "Emblems of Mind" provides both with a thought-provoking and outstanding contribution to the literature on the topic. While other texts have tended to be so sophomoric as to be useless, Rothstein's book challenges the reader to explore more deeply a connection which seems so obvious yet amorphous when one looks at it more closely. It's unfortunate he doesn't write more about it.
Tough reading.......2002-04-09
The subject matter of this book should be a well known fact - that music and mathematics have much in common. The author's expertise in both subjects is presumably well developed and his experience as music critic of the New York Times should have endowed him with eloquence and clarity. Sadly, none of this comes through to me. The book is very heavy reading with many tortuous sentences and themes which wander all over the place. The approach taken to identifying the similarities between music and mathematics actually cause me to ask myself: "yes, but many of these characteristics could equally be applied to engineering, art, language, poetry - even crowd dynamics!" It is hard to see from his development of the subject why these factors apply exclusively to music and mathematics. Thus the esoteric similarity between musical notation and mathematical symbols is not exclusive to those disciplines. I think the author missed a wonderful opportunity to expand on a fascinating subject with insight and clarity.
I found I was unable to finish reading the book. The writing style and theme development was too daunting.
Disparate but Interesting Ideas are Developed.......2001-02-09
These reviews cast a poor light on this book. Although I read it some time ago (1999), the book seemed to be interesting because it tracked the development of mathematical thought and musical thought over several centuries. It might be poorly written, but what can one expect from a mathematician? Even if the links between math and music are not clearly developed, I found both topics interesting. This interest may be related to my ignorance of pure math and musical theory; nonetheless, it provides people like me with a port of entry into two topics that could easily be treated with too much complexity. Maybe this book is just a collection of very interesting and unrelated topics.
Good Food for thought.......2000-04-25
The goal of Emblems of Mind is not to answer questions and draw concrete parallels, but rather to illuminate two disciplines often poorly understood by layman. As a classically educated musician, I found that the mathematical concepts were intriguing and informative, and while the music theory was basic it was a nice refresher course. The real strength of this book though, is the questions it causes you to ask of yourself, particularly if you are musician, about the nature of and perception of art. The answers aren't in the book, but they really can't be for they will be different for everyreader. Overall the book is intriguing and I doubt that anyone will come away from it having learned nothing.
Interesting but fails to relate music to mathematics.......1999-11-15
This book has a lot of interesting information about both music and mathematics. But it seems to me to be two different books interleaved with each other in one volume. The mathematics covers factors and primes, the Golden Ratio, and infinity; none of these are related to music by the author. The music analyzes by what seems to be traditional methods musical compositions such as Beethoven's Appassionata Sonata and Chopin's Prelude in A minor Op 28 No. 2 (I call this one "The Monster"). The analysis of the latter is faulty in one respect: at the climax the author says that the chords can't be named; I can name the main chord: a D# diminished chord with a minor seventh on top; actually the piece reminds me of someone trying to be funny by ending a D major piece with a sour-note D# in the melody.
There is relationship between music and mathematics; for example, the structure of the scale and that the A of G major differs from the A in C major in just intonation by the ratio of 81/80; or the relationship of rhythm styles with numbers in binary notation. But none of this is mentioned. To me this is two separate books; interesting to read (especially on Chopin's monstrous prelude above) but still with a split identity.
Book Description
Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., The Hieroglyphics of Horapollo is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass.
In his introduction Boas explores the influence of The Hieroglyphics and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht Dürer on the verso pages of his copy of a Latin translation.
Amazon.com
With its gorgeous layout, slick paper, catchy cover, and French flaps, the Dictionary of Symbols: An Illustrated Guide to Traditional Images, Icons, and Emblems is exactly what you'd expect from Chronicle Books (the publishers of Griffin and Sabine). It's a perfect gift book right down to the small trim size and new-book smell; the blue, black, and white illustrations, inset feature panels, and margin cross-references combine to make it an irresistible browse.
Romp through the alphabetic arrangement for access to informative histories of hundreds of symbols, from "eleven" (which signified sin to St. Augustine but fecundity to African shamans) to "trickster," from "mistletoe" to "monkey" to "mimosa" (the certainty of resurrection in Western traditions). Consult the "Index of Supplementary Words" to track down the hoards of additional terms that are referenced in main entries.
Beware that the two-column layout detracts somewhat from the clarity of the text (the writing is too dense to be read easily in short lines), and that no bibliographic citations are included. For a less beautiful, more academic option, consider the Dictionary of Symbolism: Cultural Icons and the Meanings Behind Them. But is it a combination of entertainment and erudition that you seek? Then there's no need to look any further. --Elizabeth Briskin
Book Description
The crow spelled death for medieval Europeans, but for Native Americans it represents a guide from the spirit world. Dictionary of Symbols explores 1,000 symbols from across the world's cultures and throughout the ages. Unlike other books on the subject, it is truly comprehensive, including entries, arranged alphabetically, for everything from amaranth (a Greek symbol of immortality) to ziggurat (a temple-shaped Mesopotamian icon). Indexed, cross-referenced, and packed with over 100 drawings, this is an indispensable reference for writers, artists, and anyone intrigued by the power of primal metaphors.
Customer Reviews:
Useful and I got it on sale so...........2005-09-07
I found the book useful for my publishing business ( an RPG company) and I have used the book to stir the grey matter as it where when coming up with ideas.
fun book.......2003-07-16
one of my favorites on symbols. Not exactly encyclopedic, but extremely palatable, useful and written in a fun style.
Very cool.
Infatuated with Universals.......2000-10-23
I would call this dictionary an average reference book. It contains pictures to keep the graphically inclined happy. The marginalia directing readers to related topics is helpful. The longer articles giving more general descriptions are fun to read. On the other hand, Tressider seems to try too hard to come up with universal meanings for the symbols he describes, pointing out the common elements while ignoring instances where a symbol may have radically different meaning. His articles are often short and incomplete. This is not as comprehensive a book as Chevalier's Dictionary of Symbolism (which I would recommend for the serious student of art and literature over this one), but many readers will find it's clean format and short explanations entertaining and attractive. It deserves to be part of a library of symbolism, but I would not make it my only source.
not enough.......2000-03-27
This book has a lot of useful information, but a lot of it is general. First of all, this book is supposed to be illustrated - and it is to an extent, small blue line drawings or several icons/symbols, but I expected more. Also I found that a lot of the explanations of symbols were not complete, or fully explained. Not only that, but there is a lot of symbolism left out. Several times, I have gone to look up an item in the book and it wasnt even there, I feel like there wasnt enough research done in the production. (but then again, to have a more complete book of symbols, you would need a VERY LARGE BOOK, and this book is tiny.) Good for quick general referances, but not good detailed information about the different interpretations of symbols.
symbols for brotherly love or brotherhood or family.......1999-03-26
symbols of brotherhoo
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Druidism in the Emblems of Freemasonry
W. Winwood Reade
Manufacturer: Kessinger Publishing
ProductGroup: Book
Binding: Paperback
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Druidism
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ASIN: 1425339662 |
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Emblem of Liberty: The Image of Lafayette in the American Mind
Anne C. Loveland
Manufacturer: Louisiana State University Press
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Binding: Paperback
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ASIN: 0807124621 |
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A Masonic Emblem Which Antedates Freemasonry
Frank C. Higgins
Manufacturer: Kessinger Publishing
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ASIN: 1425302963 |
Book Description
1930. The story of the life of Mary Baker Eddy, the founder of the Christian Science movement and the only American woman to establish a worldwide religion. Although controversy surrounded Mrs. Eddy's Christian Science movement over the issue of whether its origins were hers alone or actually existed in the teaching and practice of Phineas P. Quimby, she is still credited for using her strong organizational skills to have this healing message heard round the world. One of her last and greatest accomplishments was founding The Christian Science Monitor in 1908, a newspaper respected around the world for its editorial integrity and news insight. Contents: A Quest for Minerva's Parentage; A Book to Conjure With; A Woman Becomes a Deity; The Secret Place of the Most High; and The Twilight of a God.
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The Recent Remarkable Discovery Of Masonic Emblems In Egypt
Moses W. Redding
Manufacturer: Kessinger Publishing, LLC
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ASIN: 142530012X |
Book Description
THIS 44 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Scarlet Book of Freemasonry, by Moses W. Redding. To purchase the entire book, please order ISBN 1564592839.
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