Book Description
This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail--information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.
Customer Reviews:
Good Resource for Documentarians.......2000-09-06
Although this book is geared toward professional, experienced filmmakers, film students or aspiring documentarians will learn from this text, as well. The book has thoughtful details, descriptive paragraphs, and helpful advice on how to create effective "ethnographic films." But despite this focus, the book's guidelines can be applied to any kind of documentary project. It's also simply a good read.
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Timothy Asch and Ethnographic Film (Studies in Visualculture)
E.D Lewis
Manufacturer: Routledge
ProductGroup: Book
Binding: Hardcover
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ASIN: 0415327741 |
Book Description
Beautifully illustrated and featuring articles from many of Asch's friends, colleagues, and collaborators as well as an important interview with Asch himself, this is an ideal introduction to his work.
Book Description
Charting the intersection of technology and ideology, cultural production and social science, Fatimah Tobing Rony explores early-twentieth-century representations of non-Western indigenous peoples in films ranging from the documentary to the spectacular to the scientific. Turning the gaze of the ethnographic camera back onto itself, bringing the perspective of a third eye to bear on the invention of the primitive other, Rony reveals the collaboration of anthropology and popular culture in Western constructions of race, gender, nation, and empire. Her work demonstrates the significance of these constructions—and, more generally, of ethnographic cinema—for understanding issues of identity.
In films as seemingly dissimilar as Nanook of the North, King Kong, and research footage of West Africans from an 1895 Paris ethnographic exposition, Rony exposes a shared fascination with—and anxiety over—race. She shows how photographic “realism” contributed to popular and scientific notions of evolution, race, and civilization, and how, in turn, anthropology understood and critiqued its own use of photographic technology. Looking beyond negative Western images of the Other, Rony considers performance strategies that disrupt these images—for example, the use of open resistance, recontextualization, and parody in the films of Katherine Dunham and Zora Neale Hurston, or the performances of Josephine Baker. She also draws on the work of contemporary artists such as Lorna Simpson and Victor Masayesva Jr., and writers such as Frantz Fanon and James Baldwin, who unveil the language of racialization in ethnographic cinema.
Elegantly written and richly illustrated, innovative in theory and original in method, The Third Eye is a remarkable interdisciplinary contribution to critical thought in film studies, anthropology, cultural studies, art history, postcolonial studies, and women’s studies.
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New World Hasidism: Ethnographic Studies of Hasidic Jews in America (Suny Series in Anthropology and Judaic Studies)
Manufacturer: State University of New York Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0791422453 |
Book Description
Hasidim has long been the subject of historical, philosophical, and literary accounts, but it is only in recent years that it has begun to attract the close attention of social scientists. This book highlights contemporary ethnographic perspectives that convey the richness and complexity of Hasidic life. Political engagement, gender roles, ritual life, proselytizing activities, and community revitalization are just some of the topics covered in this study that casts light on one of the more enigmatic religious communities of contemporary America.
Book Description
In the first coprehensive introduction to the nature and development of ethnographic film, Peter Loizos reviews fifty of the most important films made between 1955 and 1985. Going beyond programmatic statements, he analyzes the films themselves, identifying and discussing their contributions to ethnographic documentation.
Loizos begins by reviewing works of John Marshall and Timothy Asch in the 1950s and moves through those of Jean Rouch, Robert Gardner, and many more recent filmmakers. He reveals a steady course of innovations along four dimensions: production technology, subject matter, strategies of argument, and ethnographic authentication. His analyses of individual films address questions of realism, authenticity, genre, authorial and subjective voice, and representation of the films' creators as well as their subjects.
Innovation in Ethnographic Film, as a systematic and iluminating review of developments in ethnographic film, will be an important resource for the growing number of anthropologists and other scholars who use such films as tools for research and teaching.
Book Description
From reviews of the first edition:
"
Ethnographic Film can rightly be considered a film primer for anthropologists."
—
Choice
"This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it."
—
Ethnohistory
Even before Robert Flaherty released
Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching.
Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference.
In this new edition, Karl G. Heider thoroughly updates
Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.
Book Description
At once the most light-hearted and most disturbing of Mozart and Da Ponte's Italian comic operas, Così fan tutte has provoked widely differing reactions from listeners for more than two centuries. Bruce Alan Brown offers several paths toward a closer understanding of the work, providing a detailed account of the libretto's complex origins in myth and Italian literary classics. The Handbook also reveals surprising new information on the role played by Mozart's rival Salieri. It contains a full synopsis, performance history, illustrations from key productions, and a bibliography,
Book Description
Few operas have had more written about them than Die Zauberflöte, yet few are as often exposed to misguided comment--or to idiosyncratic productions. This book sets out to provide a straightforward account of Mozart's most beloved opera, exposing the half-truths and legends that have proliferated since its first production in 1791. The sources for the opera are discussed, and there are chapters devoted to composition of the work, the authorship and qualities of the libretto, the music (analyzed by Erik Smith), early productions and performance history, and the practical problems of directing a production (examined by Anthony Besch). The book contains illustrations, a synopsis, bibliography, and discography and will be of interest to music students, scholars and operagoers.
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Mozart: The 'Haydn' Quartets (Cambridge Music Handbooks)
John Irving
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Paperback
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Complete String Quartets
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The Classical Style: Haydn, Mozart, Beethoven
ASIN: 0521585619 |
Book Description
This book is a guide to Mozart's six most famous string quartets, dedicated to his friend, Joseph Haydn. In addition to providing a full synopsis of each quartet this book examines the music in relation to Mozart's earlier quartets, considers the genesis of these six pieces and charts their reception through a broad range of sources: letters and diary entries, contemporary criticism and early biographies.
Book Description
This book is a study of Mozart’s Don Giovanni, his second opera to a libretto by da Ponte. Although it is one of the handful of best-known and most often performed operas of the last two hundred years, Don Giovanni is seldom given in an authentic form and arguments persist as to its nature. Julian Rushton takes the view that, notwithstanding the tragic nature of certain scenes, it must be regarded as an opera buffa. He gives a brief summary of its history and life in the theatre, but the chief historical essay (by Edward Forman) concerns the subject-matter before it reached da Ponte. The book includes a very detailed synopsis which forms the basis of an extended commentary on the librettist’s handling of a plot constructed of both original and inherited ideas. Bernard Williams contributes an essay on Don Giovanni as an idea in literature and philosophy since Mozart. The book concludes with an extensive bibliography, and a discography of complete recordings compiled by Malcolm Walker.
Book Description
A convenient, pocket-sized GUIDE to Mozart's COSI FAN TUTTE which includes the PRINCIPAL CHARACTERS in the opera, the STORY SYNOPSIS, a STORY NARRATIVE WITH ONE-BAR MUSIC HIGHLIGHT examples, and an essay providing background about the opera and its composer, analysis, and insightful commentary.
Customer Reviews:
Mini-sized guide with maxi-helpful information.......2000-09-07
The Opera Journeys Mini Guide Series is just wonderful; it's like a "Cliff Note" of the opera, and extremely informative and educational. I particularly like the size; these guides are not cumbersome and fit right into my shirt pocket. The ladies will find sufficient room in their pocketbooks.
The story narrative with the music examples is excellent. I prefer it to a libretto; indeed, it's a much easier way to follow the essence of the story. The essay is magnificent; very well written, not pedantic, and extremely insightful and comprehensible. I congratulate Burton Fisher for a job very well done and Amazon for making these handy, information-laden booklets available. The Opera Journeys Mini Guide Series is a wonderful contribution to opera education and opera appreciation.
My tip: acquire the entire collection because you will be in easy reach of superbly presented opera guides consisting of story analysis, principal characters in the opera, story narrative with music highlights, background, analysis, and commentary.
Heinz Dinter, Ph.D.
Book Description
Idomeneo, by common consent Mozart’s greatest opera seria, is a rich synthesis of the dramatic potentialities of Italian opera seria, French tragédie lyrique, and recent German opera. It was composed for the finest orchestra in Germany and some excellent singers. Mozart’s relish of the challenge and his problems with some performers and the bureaucracy are uniquely documented in his letters home and these form the basis of a vivid account of the genesis of the opera. A detailed synopsis relates the musical and dramatic action of the opera. Further chapters trace the historical development of its subject matter ‘from myth to libretto’ and chart the opera’s performance history, including a description of Richard Strauss’s 1931 reworking. Later chapters consider the opera’s general structure and the musical forms, and analyse passages of particular interest.
Book Description
This handbook provides the reader with the first comprehensive guide to Mozart's Le nozze di Figaro. Tim Carter discusses the composition of the opera and the social, cultural and musical context in which it was produced, its critical reception and performance history. He provides a full analytical synopsis, a chapter on the verse structure of the libretto and a discussion of Mozart's matching of music to drama. Other chapters also consider relevant topics, including the 'comic' possibilities of the Classical style, and Michael Robinson writes on opera buffa in the 1770s and 1780s.
Book Description
This guide to Mozart's two most popular piano concertos--the D minor, K. 466, and the C major, K. 467 (the so-called "Elvira Madigan")--presents the historical background of the works, placing them within the context of Mozart's compositional and performance activities at a time when his reputation as both composer and pianist was at its peak. The special nature of the concerto, as both a form and genre, is explored through a selective survey of some of the approaches that various critics have taken in discussing Mozart's concertos. The concluding chapter discusses a wide range of issues of interest to modern performers.
Book Description
Mozart's Clarinet Concerto is of supreme importance as his last instrumental work. Yet there are a number of special problems surrounding the piece, since the autograph is lost and the unique instrument for which it was written has not survived. This book presents a wealth of background information, an analysis of the Concerto, discussion of performance practice and details of surviving relevant instruments.
Customer Reviews:
Advanced Music Appreciation, but worth the effort.......2001-11-06
Mozart's K. 622 is certainly one of his greatest concerti. If you have listened to this work several times, or simply want a better understanding, Lawson's book is ideal. Although I am not a clarinetist, this book has profoundly shaped my listening and appreciation of this masterpiece.
True to this Cambridge series, the concerto is put into its historical context. Did you know that the clarinet used in the late 1700s was toned differently than today's? Did you know there is no cadenza?
The chapter on design and structure is arguably the best set of program notes on the piece. The descriptions are nearly bar-by-bar, so you will need to have a score handy. For example, the development section of the first movement (Allegro) changes tonality from E major to F# minor to D major to B minor to F# minor in about 20 bars. Where the book does justice is to show parrallels both within movements as well as between movements.
Indeed, there are even references to other Mozart works, especially to the esteeemd Clarinet Quintet and even clarinet portrayls in Don Giovanni and Cosi Fan Tutte. Ideally, this book would have been more accessible through an interactive CD-ROM with links to those themes. This then is the reason to get the book--the rich context, both musically and historically, in which this piece is put. In other words, a careful reading of Chapter 6, with a recording and the score, and my finger on the pause button, have given me increased insight into not only this piece, but several other Mozart conerti and arias.
Please note that the book is scholarly and I have onl described a single chapter. For most other books, I would not consider the purchase of a book for a single chapter a good value. Hoewver, bearing in mind that Mozart's Clarinet Conerto is THE definitive clarinet concerto and a piece no Mozart lover should be without, it is a worthwhile investment. To the first time listener, the last movement, with its rapid changes in tessitura, rich textures, and addictive melodies will offer the listener bubbling satisfaction. By reading the book, it will offer increased insight into this masterpeice of this genius.
Mozart Clarinet Concerto.......2001-02-05
An excellant book for the clarinet player and Mozart enthusiast. It provides clear concise information regarding the conception of the concerto as well as the various people who helped shape the piece. Included is a comparision of the concerto today and the original version and how it has been modified in the 200+ years of it's existance due to the changes made to the clarinet, etc. A must have piece of literature, as a clarinet player and advancing musician, I highly reccommend it.
Product Description
Teacher handbook to accompany the Music for Little Mozart piano course for very young children ages 4-6
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