Average customer rating:
- Good discussion questions and exercises for cinema class...
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Cinema for French Conversation: Le Cinema en Cours de Francais, Second Edition
Anne-Christine Rice
Manufacturer: Focus Publishing/R. Pullins Company
ProductGroup: Book
Binding: Paperback
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Cinema for French Conversation: Instructor's Manual, Second Edition
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En Bonne Forme
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ASIN: 1585100722 |
Book Description
This best-selling textbook, by author Anne-Christine Rice, has defined the market of language learning through film.
NEW IN THE 2ND EDITION:
- 4 new films
- Supplementary reading selections
(Historical documents, literary works, interviews, critiques and excerpts from screenplays)
- Critical analysis of the original French dialogues and their English subtitles
- Expanded biographies of the directors and actors
- Enhanced focus on cultural understanding and research
- Exploration of parallels between films
Customer Reviews:
Good discussion questions and exercises for cinema class..........2001-01-08
I found this book to be helpful in facilitating class discussions, which in turn led to a greater understanding of the films we discussed.
Book Description
18 transcriptions from one of the greatest and most revered jazz pianists, including: A Child Is Born * The Continental * The Girl from Ipanema * Gravy Waltz * I'm Old Fashioned * It Ain't Necessarily So * Little Girl Blue * Love Is Here to Stay * Moanin' * My One and Only Love * Noreen's Nocturne * On the Trail * Over the Rainbow * Place St. Henri * Rockin' Chair * 'Round Midnight * Stella by Starlight * Sweet Georgia Brown.
Customer Reviews:
oscar peterson.......2007-02-23
I liked this book and the way it is transcribed. The book really isn't for beginner's.I'd class it intermediate to advanced. I'm a big Oscar jazz fan and have another book of his. This books nice because the notations are spread out instead of cramed tight. I'm happy with it and would buy other books of his music if formatted the same.
Excellent series.......2006-07-06
Any transcription of OP is worth serious attention especially when we should be doing our own... However, this book is a gem and kudos to the guy(s) who did the transcriptions. The Hal Leonard series of Artist Transcriptions are all uniformly excellent (I have many) and are absolutely indispensible for learning from the greats. What's more all the books are beautifully produced. For what it contains this book is essential. So, do not hesitate. Buy it now!
Very good and almost the very best of OP.......2006-02-27
OP was never given quite the credit he rightfully deserves. Technically he stands on his own mountain peak, and whereas a technical comparison with Art Tatum might spur a heated debate, its not really so interesting, since OP, in any event, is Tatum infinitely superior in the art of conveying deep inner emotion to the listener. Its wonderful several very good transcriptions of OP's music has seen the light of day last 5 years. I wonder what kept you ?! The main dispute here may arise over the selection of numbers made. I suppose no-one will ever agree 100% as to what "the very best" are. In this case I find that the selection is good, no doubt, and includes some indisputable highlights. It is strange, though, that the editor didnt focus more on OP's solo music, in view of the numerous trio-transcriptions done already. What happened to "Lulu's back in town" or "Just a Gigolo" ? Also, its a pitty that OP's most famous composition, most discussed and re-arranged number, from his most sold album ever, in that very characteristic blusy OP style, "Hymn to Freedom" from "Night Train" didnt make it. Maybe next publication ? In conclusion, buy this fantastic book, you will not regret it.
Oscar is "The Man".......2006-02-24
Oscar is an inspiration and a fascination for jazz players and listners alike. These are superb transcriptions and offer a chance for the mere mortals among us to have a taste of what it's like to play like Oscar. If you have the patience, it will be well rewarded. The quality of the publication is excellent as well with large easy to read font. If you can read piano music, this will be among the best $20 you ever spent - incredible value - enjoy!
Book Description
Legendary jazz pianist Oscar Peterson has long been devoted to the education of piano students. In this book he offers dozens of pieces designed to empower the student, whether novice or classically trained, with the technique needed to become an accomplished jazz pianist.
Book Description
Learn the piano styles and techniques of Bill Evans, Oscar Peterson, Errol Garner, Nat "King" Cole, Ahmad Jamal, and more with this great book/CD pack. Rizzo teaches the styles using examples from actual songs, 15 in all. Includes: Caravan * Come Rain or Come Shine * How Deep Is the Ocean (How High Is the Sky) * I'll Remember April * In a Sentimental Mood * It's Only a Paper Moon * No Moon at All * On a Clear Day (You Can See Forever) * Satin Doll * Speak Low * St. Louis Blues * Stompin' at the Savoy * Take the "A" Train * There Is No Greater Love * Wrap Your Troubles in Dreams (And Dream Your Troubles Away). CD includes demonstrations of each.
Book Description
Based on extensive interviews, Oscar Peterson is a well-informed and provocative exploration of Peterson's music.
Customer Reviews:
A brilliant read.......2007-08-27
If you listen to Oscar Peterson recordings and ever wonder just how and why he became so great this is he book to read. An accurate and facinating biography of Peterson from birth right up the year 2000 in this updated edition.
The book is full of little musical details that you won't know about. Stories about Oscar's influences, his musical competetiveness and his abhorence of racism. There is lot written on the mixed reaction to Oscars playing over the years. Nobody disputes he has (or had) technique of the highest standard, but some critised him for lacking originality and Miles Davis (in)famously once said "...he even had to learn how to play the blues". All this is discussed and more.
A great biography of a great artist.
Lees paints portrait of legendary pianist.......2000-08-08
This updated version of the great jazz pianist is an excellent work by Mr. Lees. Few other writers could do justice to this project. Gene Lees has known most of the legends of jazz and counts many as personal friends. Only someone like Lees could have done such an extensive piece on this celebrated artist. The story of Oscar Peterson and his impact on modern jazz is worthy of 5 stars. Highly recommended for students of jazz history and those many fans that have collected OP's recordings for decades. A marvelous effort by the author.
Book Description
19 authentic transcriptions from this jazz legend, including: Blues Etude * Hymn to Freedom * Misty * Quiet Nights of Quiet Stars * Witchcraft * and more.
Customer Reviews:
Accurate and Difficult.......2007-08-08
This volume of transcriptions is well worth getting if you are a keen Jazz Pianist. Containing 19 transcriptions which will demand a lot of hard work to play them, even at 50% of the speed Oscar Peterson plays them.
All of Oscars improvisations are complete. So if these look a little daunting then playing through some of the tunes, such as his own wonderful composition 'Hymn To Freedom' may be a realistic starting objective, as these are much more playable. Because these are transcriptions from Trio recordings the solos (if you can play them) will sound a little empty because Oscar Peterson always had a bass player for these recordings. If you can find a like-minded bass player this will fill in the gaps.
At the back of the book is a list of the albums where you can hear the transcriptions. Its a shame they couldn't have provided a cd with the book - I would have happily paid more. Overall a marvellous collection, but you will need to practise a lot!
Book Description
17 transcriptions of one of the greatest piano players of our time performing the works of one of the greatest composers of our time. Includes: Band Call * C-Jam Blues * Caravan * Cotton Tail * Do Nothin' Till You Hear from Me * Don't Get Around Much Anymore * I Got It Bad and That Ain't Good * In a Mellow Tone * John Hardy's Wife * Just a Settin' and a Rockin' * Night Train * Prelude to a Kiss * Rockin' in Rhythm * Satin Doll * Sophisticated Lady * Take the "A" Train * Things Ain't What They Used to Be.
Customer Reviews:
Very Difficult!.......2007-10-03
This is a great volume of sheet music to get, it includes many classic Ellington tunes as perfomed by Oscar Peterson. I didn't realise when I purchased it that, the version of C-Jam Blues here is an exact transcription of the recording on the Night Train album. This alone makes the purchase worthwhile.
Naturally these transcriptions are very difficult and will require a lot of time and effort to get anywhere near the original recordings. Its worth pointing out, that most, if not all the recordings these transcriptions are based on, are available to buy. So at least you will be able to hear how they are supposed to be played, even if you never quite reach that standard!
Learn From the Master.......2007-04-20
Heralded as one of the greatest pianists to ever live by critics. This book is a good resource for those to see the genius of Peterson and how he composed and improvised. The licks and chord voicings are wonderful.
Excellent Transcriptions.......2005-08-30
This book is great for anyone who listens to an Oscar Peterson recording and thinks, "I'd love to see that solo written out so I could try to play it." The transcriptions are fantastic-- trying to play along is a great way to begin to understand how OP would perform a piece. It also gives you insight into how talented this man truly is! Perfect for the aspiring jazz pianist.
Book Description
Includes 8 Peterson classics for jazz piano: The Continental * Gravy Waltz * Hallelujah Time * Hymn to Freedom * Roundalay * Blues for Smedley * The Smudge * The Strut.
Book Description
17 songs transcribed from Peterson recordings, including: All the Things You Are * Baubles, Bangles and Beads * Body and Soul * Come Rain or Come Shine * Easter Parade * If I Were a Bell * Just in Time * The Lady Is a Tramp * On a Clear Day * People * Strike up the Band * Summertime * The Surrey with the Fringe on Top * There's a Small Hotel * 'Til Tomorrow * Who Can I Turn To * Wouldn't It Be Loverly.
Customer Reviews:
On a clear day-Maria.......2006-11-05
On a clear day has wrong key.Oscar Peterson play in Bb not in B.This
live consert has been slow down in tempo by mistake. Where is Maria?
Average customer rating:
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A Jazz Odyssey
Oscar Peterson
Manufacturer: Continuum International Publishing Group
ProductGroup: Book
Binding: Paperback
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ASIN: 0826467253 |
Book Description
'I can't truthfully recall my first meeting with the piano,' begins Oscar Peterson's 'Jazz Odyssey', his long-awaited autobiography, which tells the full story of the world's most famous jazz pianist. Edited by Richard Palmer, it covers Peterson's childhood in Montreal, his meetings with giants such as Art Tatum, and his rapid rise to international stardom after appearing on 'Jazz at the Philharmonic'. As might be expected from such a great communicator, this is a beautifully written, candid account of a stellar career, with Peterson's down-to-earth attitude providing insights into his colleagues, his many recordings, his philosophy, and his long love affair with the piano.
Customer Reviews:
A heavy gold bracelet.......2007-03-06
Almost 25 years ago when Oscar Peterson last performed here in Winnipeg, my wife and I enjoyed prime seats at our concert hall for what would be the most remarkable musical performance by ANYONE, that either of us has ever had the pleasure to witness.
It was Oscar Peterson at the peak of his powers, `alone together' with Joe Pass (the guitar genius, who was born Joseph Anthony Passalaqua in New Jersey, and who died in L.A. 13 years ago). I remember we could see a heavy gold bracelet, glinting in the spotlight, dancing on Oscar's right wrist as he made music at the speed of light!
In the years since, whenever we'd see that glint of gold on Oscar's wrist -- during rare television appearances - we'd say to ourselves, What's the story on that bracelet?
Tonight I picked up a copy of this "Jazz Odyssey" autobiography, and went straight for the index, looking up "Sinatra, Frank" (my favorite male singer - Oscar's too) and . . . sure enough, there was the answer to my question! (on page 206).
"At the end of the final (recording) session with Fred Astaire, Fred presented each member of the group with a beautiful gold identification bracelet -- which he had autographed.
"I have worn mine ever since; years later, when I met Fred Astaire at a party Frank Sinatra was giving for me, he told me he'd seen me on television a few nights before and had been `thrilled' to see I was wearing his bracelet!
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Oscar's "report" on those marvelous recordings with Astaire - his acute observations of little things he noticed and vividly recalls fifty years later -- is what makes this musical autobiography truly unique. How many musicians have we heard interviewed, who think and express themselves at the following level?
"As I waited for Fred (to arrive) I started toying with a few phrases I thought unusual in the songs likely to be used - Top Hat, for example (and) As I sat there engrossed, I became aware of a presence nearby, and looked up into the smiling face of Astaire himself. He wore a tweed sports jacket a soft pair of brown slacks (engagingly held up by a man's tie) and a hat set at an almost rakish angle.
"He was at once immensely likeable, and awe-inspiring: sensing my diffidence, he said kindly, `Sounds awfully good to me, Oscar!'"
"After the initial rehearsal went very well - although Fred voiced some doubts about his competence as a vocalist - he was very clear on the feel and treatment he wanted on most of the songs; on others he was less sure, and wondered aloud, `I've never understood why he wrote that kind of lyric for this particular tune," or "I've never felt comfortable with this passage.
"It would be idle to pretend that the sessions passed without a hitch. For all his rhythmic feel, Fred was not naturally attuned to jazz phrasing, and it was at times perilously easy to throw him, via the wrong intro or a misplaced fill.
"We learned to gauge our ad lib lines around and behind him very carefully, giving him enough time to hear his place of re-entry coming up. We also stuck firmly to the normal harmonic clusters, as any kind of `modern' dissonance could faze him, or make him worried about his own intonation.
"I found it fascinating to discover how different were Fred's senses of time as a vocalist and as dancer: Dancing, his time was so strict that he could make an accompaniment sound early or late; his vocal time however, was VERY loose, uninhibited, and unmeasured.
"I found the best way to accompany Fred was to give him a long harmonic chord cushion and let him take his natural liberties with metronomic time.
"It was also riveting to watch Fred on some of the slow ballads. His normal posture was to hold one hand cupped over his ear as he sang, but on some tunes he would lower the hand and instinctively fall into a semi-swirl, so familiar from his gliding ballroom performances.
"And we were all touched by his nervous, boyish anxiety: he'd rush to the piano after every take asking, `How was that?' or `Did I stay in tune?'
"One or two surprises remained. We found out that he LOVED playing drums (he had a full set in his living room) and we cajoled him into sitting-in during a rehearsal! It was a riot! To hear his time, in conjunction with Ray Brown's vast sound was quite an event - and the look of rapt attention on his face was a joy to behold!
-----
In a sort of `afterward' titled "THE WILL TO PERFECTION," Oscar writes,
"Creating an uninhibited, off-the-cuff musical composition in front of a large audience is a dare-devil enterprise, one that draws on everything about you, not just your musical talent. It requires you to collect all your senses, emotions, physical strength, and mental power and focus them totally onto the performance - utter dedication every time you play."
The pay-off, Oscar says, is "scary (but) also uniquely exciting. Once it's bitten you, you never get rid of it. Nor do you want to: for you come to believe that if you get it ALL right, you will be capable of virtually anything. That is what drives me, and I know it will always do so."
Delightful reading!.......2005-10-20
Oscar's "autobiography" is delightful reading! It's written in a very conversational style. It covers various aspects of his youth, family, teachers and training, career, musical influences, and his fellow musicians. I have also read "The Will To Swing" by Gene Lees. Oscar's book is a great compliment to that book. It's nicer, in a way, since it's written by Oscar. The reader feels that we're meeting Oscar Peterson in person. In order to know Oscar beyond this, listen to the music. That was his life, after all!
The Title Says It All.......2005-04-10
A wonderful book! about a life well lived and enjoyed, and thankfully Mr. P is still on the planet. I must take issue with the Publishers Weekly review; it does not follow a predictable format, and why would it? Anyone who has heard this musical giant in live performance or on recordings realizes that the superlative, wonderful music that pours from his soul and through his fingers is truly a Jazz Odyssey. OP may have some idea of where he wants it to go, but in the end his musical journey of surprise and discovery is ours too. This is a book to read and re-read - just like his recordings, you will discover something new that you missed the last time around. Kudos!
Warm and endearing.......2002-07-12
Aside from having one of the most beautiful cover jackets I've seen on a book in a long time, this is an engaging, lovely book to read. I have to take issue with the reviewer from Publishers Weekly above - once you know that Oscar has suffered a stroke, I don't think it's fair to expect a perfectly written or perfectly structured book. What we get, instead, is a collection of reminiscences - nearly all of which shine with Oscar's warmth and intelligence and extraordinary feel for his subject: the life of a jazz man. Here's a good example, where he discovers a new piano, as a child:
'Early on I imagined that all the pianos I would play would be uprights. Not so! One day I was sent to the auditorium of my High School on an errand, and there stood a beautiful baby grand piano. I couldn't resist it: the errand vanished from my mind as I sat down to play this exquisite discovery. It was fantastic! The sound from its horizontal strings was a revelation after the vertical, harp-like strings I was used to: it seemed to reach inside me and grab at the pit of my stomach. The bell-like treble end particularly intrigued me, as I tried out numerous harmonic clusters in my left hand against moving phrases in the upper register, and I came away determined that one day one of these musical marvels would be mine. My own grand piano.' (page 297)
I can truly recommend this book if you're a fan of jazz piano. According to the book, there is a CD available of some of Oscar's best work to tie in with this, but I have not seen it anywhere yet.
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