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Joy In Mudville: The Big Book of Baseball Humor
Manufacturer: Main Street Books ProductGroup: Book Binding: Paperback Similar Items: ASIN: 0385469535 Release Date: 1997-02-17 |
Book Description
A comic lineup of stories, essays, cartoons, and more, from Lardner and Runyon to Philip Roth, Charles Addams to Charles Schulz, plus dozens of other funny fans. "The best baseball book of the season." -- Los Angeles Times Book Review.Customer Reviews:
Hilarious.......2001-03-12
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Joy In Mudville: Being a Complete Account of the Unparalleled History of the New York Mets From Their Most Perturbed Beginnings to Their Amazing Rise to Glory and Renown
George Vecsey Manufacturer: McCall Pub. Co ProductGroup: Book Binding: Hardcover Similar Items: ASIN: 0841500169 |
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FANTASY AND SCIENCE FICTION - Volume 9, number 5 - November Nov 1955: Widget the Wadget and Boff; Brass Cannon; Asking; Piece of Eight; Logic of Rufus Weir; Expert Touch; Youth Anybody; Joy in Mudville; Dreamworld
Anthony (editor) (Theodore Sturgeon; Lee Correy; Idris Seabright; Frank Gruber; Arthur Porges; Alan E. Nourse; Cleve Cartmill; Poul Anderson; Gordon R. Dickson; Isaac Asimov) Boucher Manufacturer: Fantasy House ProductGroup: Book Binding: Paperback ASIN: B000HLAX3Q |
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THE INFINITE ARENA: Bullard Reflects; Run to Starlight; The Great Kladnar Race; Mr Meek Plays Polo; Sunjammer; The Body Builders; Joy in Mudville
Terry (editor) (Malcolm Jameson; George R. R. Martin; Randall Garrett; Robert Silverberg; Clifford D. Simak; Arthur C. Clarke; Keith Laumer; Gordon R. Dickson; Poul Anderson) Carr Manufacturer: Thomas Nelson - Good Luck Books ProductGroup: Book Binding: Hardcover ASIN: B000IG9UL6 |
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The Infinite Arena: Seven Science Fiction Stories About Sports: Joy in Mudville, Bullard Reflect, Body Builders, Great Kladnar Race, Mr. Meek Plays Polo, Sunjammer, Run to Starlight
Poul Anderson , Gordon R. Dickson , Malcolm Jameson , Keith Laumer , Robert Silverberg , Randall Garrett , Clifford D. Simak , Arthur C. Clark , and George R. Martin Manufacturer: Thomas Nelson ProductGroup: Book Binding: Hardcover ASIN: 0525665382 |
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Joy in Mudville
Gordon McAlpine Manufacturer: Dutton Adult ProductGroup: Book Binding: Hardcover ASIN: 0525247483 |
Book Description
JOY / / It's 1932 and a new star has risen from the east, arching toward Los Angeles. / / A man, woman and child set off by rail from Chicago to follow the star. / / Along the way they'll meet figures from the pantheon of the American imagination -- figures who make us the people we are today: Woody Guthrie, Clark Kent, Al Capone, Babe Ruth, the Wizard of Oz and the ghost of Abner Doubleday. / / And when the three find their fates, the stars that guide us all will be forever changed. / / / "An absolutely joyful novel . . . wonderfully funny and uplifting. A mixture of fact and fantasy, fiction and frolic, this novel skips, jumps, and ultimately flies." / -- West Coast Review of Books / / "A fast-moving and entertaining romp across country and through time." / -- Los Angeles Times / / "McAlpine is a gifted stylist, with clean, clear and muscular prose." / -- Publisher's Weekly / / "A quirky, quixotic tale . . . Unusual and entertaining." / -- Library JournalCustomer Reviews:
An American Pie.......1998-01-19
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Joy in Mudville -
Geroge Vecsey - Manufacturer: McCall Publishing - ProductGroup: Book Binding: Hardcover ASIN: B000O0BYRE |
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Joy in Mudville. The Big Book of Baseball Humor
Dick and Mort Gerberg Schapp Manufacturer: Doubleday & Co. Inc. 1992 ProductGroup: Book Binding: Hardcover ASIN: B000K5TVTQ |
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Joy in Mudville: A Little League Memoir
Greg Mitchell Manufacturer: Washington Square Press ProductGroup: Book Binding: Paperback Similar Items: ASIN: 0671035320 |
Amazon.com
Little League baseball parents are the stage mothers of our era. Hardly a summer goes by without another story about them brawling, threatening the umpire, or berating their own kids or others to the point of tears. Former Crawdaddy editor Greg Mitchell's father wasn't like that: he played catch with young Greg exactly once. Determined to do better, Mitchell volunteered to manage his son Andy's Little League team in Nyack, New York. Joy in Mudville is the delightful result, restoring sanity, perspective, and fun to what is, after all, a kids' summer game.The book chronicles Mitchell's first two seasons as manager of the Red Sox and the A's, nicknamed the Aliens for the rubber alien head mascot that the kids rub for luck before (almost) every game or at-bat. The Aliens' inspiring 1998 season provides the drama, from draft-day rumor-mongering to the brilliant late-inning playoff stratagem Mitchell employed to protect a thin lead (and his son the pitcher's psyche). With solid knowledge of baseball traditions--superstitions, nicknames, even a pilgrimage to Cooperstown--coupled with a good father's sense of what's best for his son, Mitchell spins a masterful yarn sure to keep parents and fans of all ages on the edges of their seats--when they're not laughing out loud.
Best known for political books (Tricky Dick and the Pink Lady, The Campaign of the Century), Mitchell shows his versatility with this warm, lighthearted, and deftly told memoir of one of the great pleasures of summer. Joy in Mudville will have readers in stitches, and it might even keep a few Little League parents out of the headlines. --Bill Penrose
Book Description
Joy in Mudville chronicles the author's time as manager of his son's Little League team, and explores the many issues surrounding this seemingly simple situation: the relationship between father and sons, coaches and players, kids of different races and backgrounds all playing the same game. Mitchell also reflects on his own childhood baseball and Little League experiences. In the end, Mitchell and his son Andy's team go from losers to champs, and everyone takes away life lessons that far outweigh the ecstatic pleasure of a winning season. Published in time for Father's Day, the book will surely strike a chord as it touches on some of the most American of subjects: Dads and baseball.Customer Reviews:
A Sinking Feeling.......2001-04-10
A Joyous Read.......2000-08-02
Little League is for the kids, not the parents.......2000-07-27
It's Funny Because It's True.......2000-07-10
It's Funny Because It's True.......2000-07-10
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The Magazine of Fantasy and Science Fiction November, 1955: Joy in Mudville (a Hoka novelet)
Poul; Dickson, Gordon R. Anderson Manufacturer: Fantasy House, Inc. ProductGroup: Book Binding: Paperback ASIN: B000KP5MOE |
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The Good Life: The Autobiography Of Tony Bennett
Tony Bennett Manufacturer: Atria ProductGroup: Book Binding: Hardcover Similar Items:
ASIN: 0671024698 |
Book Description
He's that regular guy from Astoria, Queens, who left his heart in San Francisco. He's the postwar heartthrob who inspired hundreds of young girls to wear black outside St. Patrick's Cathedral on his wedding day. He's the darling of the MTV generation who made music history when, at the age of 68, he won the coveted Grammy Award® for Album of the Year. He's the consummate artist known worldwide for his paintings. He's Tony Bennett, whose star shines brighter than ever as he enters his fifth decade of performing. Now, for the first time, this legend shares his amazing life story -- in a voice that's pure Tony Bennett: warm, resonant, and unforgettable."Tony Bennett has not just bridged the generation gap, he has demolished it," praised The New York Times. Since his appearance with the Red Hot Chili Peppers of the 1993 MTV Video Awards, and the addition of his seminal video, "Steppin' Out," to the MTV playlist, Bennett has become the hottest -- and coolest -- pop-culture icon for today's younger listeners, while remaining beloved by their parents and grandparents. An astonishing four generations have experienced the Tony Bennett magic -- the mesmerizing spell of a singer in love with singing, who embraces his audience with a soulful serenity communicated by both the man and his music.
Honored with countless awards, including eight Grammys, and with more than ninety albums to his credit (more than thirty million sold for the Columbia label alone), no other recording artist has attained Bennett's stature -- or garnered the half-century of memories shared in The Good Life. From Sinatra, Judy Garland and Ella Fitzgerald, to k.d. lang and Elvis Costello, Bennett shares his unique takes on the most fascinating talents of our time. Here is the story of his lifelong love affair with art, music, and performing -- from his childhood in Depression-era Queens, where opera and Billie Holiday flowed freely; to his stint as a singing waiter; to soaking up the New York jazz scene in the 1940s. With crisp wit and firmly grounded emotion, Bennett captures the people and places that shaped his sublime performances. The dozens of hits he introduced to the great American songbook, including "Because of You," "Rags to Riches," "Cold, Cold Heart," and his signature song, "I Left My Heart in Son Francisco," remain a legacy of truth and beauty for the classic art of intimate singing.
In this wonderfully revealing self-portrait, we get to know Tony Bennett as he really is: an unpretentious and thoughtful human being. His key to success is consistency: His constant dedication in his pursuit of excellence has never wavered, despite the trials and tribulations one can encounter when placing integrity above all else. Through all of his personal and artistic challenges, he has remained, in his own words, "a humanist" whose Zen-like philosophy of life is an inspiration for all ages. Like the fascinating story he shares in The Good Life, Tony Bennett is one of a kind, an American treasure, an enduring artist seasoned with experience and self-knowledge, and a true class act.
Customer Reviews:
It's As If We Were Having A Conversation.......2007-10-04
A surprisingly good read, in many ways . . ........2001-12-18
This is the Tony Bennett you get to meet in the pages of "The Good Life." If you're a fan, nothing in this book will change your mind. If you're not, well then, despite the fact that there does appear a certain sense of "glossiness" in his account of his life, loves, marriages, etc., you may well find yourself coming to nonetheless admire the man.
A word about that "glossiness": It may well arise from nothing more than a yearning towards fairness (and not only to himself). He discusses failed marriage, for example, as well as his work-induced absences as a parent, taking responsibility for his actions without -- on the one hand -- pointing out that it "takes two to tangle," or -- on the other -- seeking to overly justify his absences as the price of building a successful career. He also talks of his marijuana use (as first disclosed by his exwife, years after they'd split) in an explanatory tone, with regret, and without seeking to justify that use. Again, there is a sense of fairness about him, even as he talks of a fairly prevalent drug use among musicians of the era. In his desire to explain the musician's life and its pressures and demands, there is what some may (wrongfully)interpret as an impulse to self-expiate. This is wrong, as evidenced, not only by his own mea culpa approach, but by his account of a conversation with longtime friend -- and onetime collaborator -- Bill Evans, shortly before the latter's death.
This fairness carries over in his account of his early disputes with then-Columbia Records A&R head, Mitch Miller (best remembered today, probably, for his subsequent "Sing Along With Mitch" records and TV series of the late '50s). By all accounts, Miller was -- to say the least -- dictatorial and patriarchial in his belief that he knew what was best for the artists under his control. Bennett could have savaged the man in this account (and justifiably); after all, Miller's long gone from the scene, others have already reminisced about his iron-handed control; so what stops Bennett . . . save for a humanistic impulse toward fairness?
For me, one of the most telling portions of this autobiography occur in Bennett's recounting of his World War II experiences as a G.I. in the European theatre. Without self-aggrandizement, he talks -- movingly so -- of what he saw, and how those horrors turned him against war for all time; strikingly, it is this same absence of 'been-there-done-that' self-absorption that colors (and which underplays) the reminiscences of his considerable involvement in the early-60s civil rights movement down in Mississipi-Alabama. If he avoids the urge to expiate himself, he likewise eschews the temptation towards self-canonization.
From his August 3, 1926 birth (one day too late, by the way, to be my twenty-years-older "birthday twin"), through the intervening years including his "renaissance" for yet future generations via MTV, Bennett presents himself in this autobiography as a man who caught more than his share of lucky breaks (and who, inferentially, made a few more of his own, although you won't get him to admit it, at least in this book) on his way to (as in the title of one his best-known songs) "The Good Life."
Is there all that is?.......2001-08-22
Kudos To Tony.......1999-11-15
Wish It Could Have Been Longer.......1999-03-24
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The Good Life: The Autobiography Of Tony Bennett Uk Edition
Bennett Manufacturer: Simon & Schuster ProductGroup: Book Binding: Hardcover ASIN: 068485872X |
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The Good Life: The Autobiography Of Tony Bennett
Tony Bennett Manufacturer: Atria ProductGroup: Book Binding: Paperback ASIN: 1416573666 |
Book Description
He's that regular guy from Astoria, Queens, who left his heart in San Francisco. He's the postwar heartthrob who inspired hundreds of young girls to wear black outside St. Patrick's Cathedral on his wedding day. He's the darling of the MTV generation who made music history when, at the age of 68, he won the coveted Grammy Award® for Album of the Year. He's the consummate artist known worldwide for his paintings. He's Tony Bennett, whose star shines brighter than ever as he enters his fifth decade of performing. Now, for the first time, this legend shares his amazing life story -- in a voice that's pure Tony Bennett: warm, resonant, and unforgettable."Tony Bennett has not just bridged the generation gap, he has demolished it," praised The New York Times. Since his appearance with the Red Hot Chili Peppers of the 1993 MTV Video Awards, and the addition of his seminal video, "Steppin' Out," to the MTV playlist, Bennett has become the hottest -- and coolest -- pop-culture icon for today's younger listeners, while remaining beloved by their parents and grandparents. An astonishing four generations have experienced the Tony Bennett magic -- the mesmerizing spell of a singer in love with singing, who embraces his audience with a soulful serenity communicated by both the man and his music.
Honored with countless awards, including eight Grammys, and with more than ninety albums to his credit (more than thirty million sold for the Columbia label alone), no other recording artist has attained Bennett's stature -- or garnered the half-century of memories shared in The Good Life. From Sinatra, Judy Garland and Ella Fitzgerald, to k.d. lang and Elvis Costello, Bennett shares his unique takes on the most fascinating talents of our time. Here is the story of his lifelong love affair with art, music, and performing -- from his childhood in Depression-era Queens, where opera and Billie Holiday flowed freely; to his stint as a singing waiter; to soaking up the New York jazz scene in the 1940s. With crisp wit and firmly grounded emotion, Bennett captures the people and places that shaped his sublime performances. The dozens of hits he introduced to the great American songbook, including "Because of You," "Rags to Riches," "Cold, Cold Heart," and his signature song, "I Left My Heart in Son Francisco," remain a legacy of truth and beauty for the classic art of intimate singing.
In this wonderfully revealing self-portrait, we get to know Tony Bennett as he really is: an unpretentious and thoughtful human being. His key to success is consistency: His constant dedication in his pursuit of excellence has never wavered, despite the trials and tribulations one can encounter when placing integrity above all else. Through all of his personal and artistic challenges, he has remained, in his own words, "a humanist" whose Zen-like philosophy of life is an inspiration for all ages. Like the fascinating story he shares in The Good Life, Tony Bennett is one of a kind, an American treasure, an enduring artist seasoned with experience and self-knowledge, and a true class act.
Customer Reviews:
It's As If We Were Having A Conversation.......2007-10-04
A surprisingly good read, in many ways . . ........2001-12-18
This is the Tony Bennett you get to meet in the pages of "The Good Life." If you're a fan, nothing in this book will change your mind. If you're not, well then, despite the fact that there does appear a certain sense of "glossiness" in his account of his life, loves, marriages, etc., you may well find yourself coming to nonetheless admire the man.
A word about that "glossiness": It may well arise from nothing more than a yearning towards fairness (and not only to himself). He discusses failed marriage, for example, as well as his work-induced absences as a parent, taking responsibility for his actions without -- on the one hand -- pointing out that it "takes two to tangle," or -- on the other -- seeking to overly justify his absences as the price of building a successful career. He also talks of his marijuana use (as first disclosed by his exwife, years after they'd split) in an explanatory tone, with regret, and without seeking to justify that use. Again, there is a sense of fairness about him, even as he talks of a fairly prevalent drug use among musicians of the era. In his desire to explain the musician's life and its pressures and demands, there is what some may (wrongfully)interpret as an impulse to self-expiate. This is wrong, as evidenced, not only by his own mea culpa approach, but by his account of a conversation with longtime friend -- and onetime collaborator -- Bill Evans, shortly before the latter's death.
This fairness carries over in his account of his early disputes with then-Columbia Records A&R head, Mitch Miller (best remembered today, probably, for his subsequent "Sing Along With Mitch" records and TV series of the late '50s). By all accounts, Miller was -- to say the least -- dictatorial and patriarchial in his belief that he knew what was best for the artists under his control. Bennett could have savaged the man in this account (and justifiably); after all, Miller's long gone from the scene, others have already reminisced about his iron-handed control; so what stops Bennett . . . save for a humanistic impulse toward fairness?
For me, one of the most telling portions of this autobiography occur in Bennett's recounting of his World War II experiences as a G.I. in the European theatre. Without self-aggrandizement, he talks -- movingly so -- of what he saw, and how those horrors turned him against war for all time; strikingly, it is this same absence of 'been-there-done-that' self-absorption that colors (and which underplays) the reminiscences of his considerable involvement in the early-60s civil rights movement down in Mississipi-Alabama. If he avoids the urge to expiate himself, he likewise eschews the temptation towards self-canonization.
From his August 3, 1926 birth (one day too late, by the way, to be my twenty-years-older "birthday twin"), through the intervening years including his "renaissance" for yet future generations via MTV, Bennett presents himself in this autobiography as a man who caught more than his share of lucky breaks (and who, inferentially, made a few more of his own, although you won't get him to admit it, at least in this book) on his way to (as in the title of one his best-known songs) "The Good Life."
Is there all that is?.......2001-08-22
Kudos To Tony.......1999-11-15
Wish It Could Have Been Longer.......1999-03-24
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