Average customer rating:
- A very accessible, comprehensive collection
- The Man Who Wrote to Everyone
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Affectionately, Marcel
Marcel Duchamp
Manufacturer: Ludion
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Marcel Duchamp in Perspective
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Marcel Duchamp: The Bachelor Stripped Bare: A Biography
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The Duchamp Effect (October Books)
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Writings of Marcel Duchamp PB (A Da Capo Paperback)
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Dada: Zurich, Berlin, Hanover, Cologne, New York, Paris
ASIN: 9055442496
Release Date: 2000-10-02 |
Book Description
Marcel Duchamp left behind a large volume of correspondence, more than a thousand documents forming a valuable archive of primary source materials on one the 20th Century's most important cutural figures. In his letters, Duchmap writes about his latest plans, works in progress, concepts such as the "ready-made," his passion for chess, the mundane details of life, as well as extraordinary ideas. The letters are reproduced in their entirety along with chronological and biographical data illumintaing the circumstances behind the letters. An essential volume for art historians and students of 20th Century culture.
Customer Reviews:
A very accessible, comprehensive collection.......2001-06-05
This collection gathers selected correspondence of artist Marcel Duchamp, selecting carefully from a huge volume of letters to provide correspondence to many of his notable friends. The art historian author spent twenty years assembling, translating and annotating these letters; add historical context and background and you have a very accessible, comprehensive collection.
The Man Who Wrote to Everyone.......2000-12-05
Impeccibly researched, designed, and presented, these selected letters retain their original type, language, and format, so you feel like Duchamp's personality is laid bare. This book has been invaluable for me in understanding the person behind some of the 20th century's most amazing artistic practices. If you're interested in modern art, buy this book!
Average customer rating:
- Excellent biography
- BRILLIANT!
- A wonderful, though-provoking biography
- A fascinating, well-written, accessable biography.
- You Don't Have to Like Modern Art!
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Duchamp: A Biography
Calvin Tomkins
Manufacturer: Henry Holt & Company
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Binding: Hardcover
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Writings of Marcel Duchamp PB (A Da Capo Paperback)
ASIN: 0805008233 |
Amazon.com
Marcel Duchamp, born into an artistic middle-class French family in 1887, first gained recognition as an artist in 1913 when he submitted his painting Nude Descending a Staircase, No. 2 to the Armory Show in New York. The newspapers latched onto it after discovering that there was no trace of a nude, or even a real figure, in the painting, which came to symbolize the movement of modern art toward absurdity, humor, and avant-garde disregard for expectations. As an artist, Duchamp never matched the success and recognition of his most well-known work; later in his career, his works of "art" consisted of signed ceramic urinals. Calvin Tomkins, a writer for The New Yorker who befriended Duchamp in New York in the 1960s, has written the first full-length biography of the enigmatic Dadaist.
Book Description
A New York Times Notable Book of 1996Booklist Editor's Choice, 1996The celebrated, full-scale life of the century's most influential artist. One of the giants of the twentieth century, Marcel Duchamp changed the course of modern art. Visual arts, music, dance, performance--nothing was ever the same again because he had shifted art's focus from the retinal to the mental. Duchamp sidestepped the banal and sentimental to find the relationship between symbol and object and to unearth the concepts underlying art itself. The author's intimacy with the subject and glorious prose style, wit, and deep sense of irony--"the only antidote to despair"--make him the perfect writer to bring this stunning life story to intelligent readers everywhere.
Customer Reviews:
Excellent biography.......2001-05-24
The fantastic New Yorker art critic turns his eye towards one of his favorite artists. This book balances both a traditional historical biography of Duchamp along with a critique and examination of his art. A good read of an artist with an interesting (and pleasantly surprisingly un-tortured) life.
BRILLIANT!.......2000-01-26
I wholeheartedly recommend this wonderful book to everyone who knows how to read English. Marcel Duchamp was perhaps the premier iconclast of the twentieth century, and the runners up might be Buckminster Fuller & Le Corbusier. The book is NOT a boring monograph; it is a lot of fun to read. Tompkins is a Duchamp enthusiast but manages to wade through the mythology and bull to present the reader with the rosetta stone of Duchamp's life and art. Whether you took a twentieth century art survey in college and only know Duchamp as the guy who wrote R. Mutt on an upside-down urinal or you have read any number of books about the artist you should read this book! Tompkins sucks the reader right into the mind of Duchamp on the first page with a discussion and analysis of The Bride Stripped Bare By Her Bachelors, Even, one the the greatest and most misunderstood and unappreciated works of the last century. I was an Art History major in college and hence suffered through so many authoritative, pretentious, dry, bland, misinformed, prejudiced and yawn-inducing books that it was such a pleasure to stumble onto Tompkin's Duchamp, which is a reader's book, totally apt since Duchamp was a man's man, a genius, not a theorizing weasal. This book is important because it inspires everyone to question everything you take for granted, and enjoy puns and jokes and the lighter side of life, and that art is there for everyone, not for patrons and the elite, for you and me, and that the contrary notion is absurd.
A wonderful, though-provoking biography.......1999-06-10
DUCHAMP: A BIOGRAPHY is a wonderful biography of the artist whom, Tompkins argues persuasively, is the most influential of our almost-completed century. That the art work must be a mental act (a 'cosa mentale,' Leonardo da Vinci had argued many years before); that to be truly creative we need to work AGAINST our esthetic expectations; that art should aspire to be 'non-retinal': these are only some of Duchamp's major perceptions included in this book. What is particularly enjoyable is the way in which Tompkins meshes DuChamps' remarkable life -- one of the most sexually attractive of men, a chess player at the highest levels, an extraordinarily charming and easy person (yet a man who, not matter how much he tried to avoid the repetitive patterns involved in 'art,' was always the consummate artist)with the works of art and 'readymades' which emerged in and from that life. Duchamp's life makes for wonderful reading. What I most recommend about the book is that it stimulates one's own thinking, challenging so much of our conventional beliefs -- in art, in convention, in the concepts of both accomplishment and genius.
A fascinating, well-written, accessable biography........1998-12-09
As an artist interested in Marcel Duchamp and his works, I foud this book to be very informative. It's a book that will fascinate even those who have little interest in modern art.
You Don't Have to Like Modern Art!.......1998-06-24
You don't have to like modern art to enjoy this remarkable biography about the most influention and controversial artists of the twentieth century. Tompkins explores the various interpretations of the art of Marcel Duchamp, most amusing of which is that of the artist himself (he was very laissez-fair when it came to expounding upon his own art). If the reader is not a fan of modern art (least of all the Dada movement) he or she will still find pleasure in reading about the life and times of this man of extreme wit and humor. The book reads like a who's-who of the pre and post world war II art world. Dealers, artists, and collectors who filled Duchamps world are just as amusing as characters in a comical work of fiction. The day to day life of people like Peggy Guggenheim and Max Ernst, Francis Picabia and Gabrielle Buffet-Picabia, Katherine Dryer, and Andre Breton, and the ever popular and exclusive members of the surrealist group is explored in comical detail. This book can also be looked at as a crash course in twentieth art history. Duchamp is explored in the most scholarly manner, but Tompkins keeps his study on a level that makes it easy to read.
Book Description
Why another book on Duchamp? Because of all the previous books on Duchamp. Arguably the most influential artist of the 20th century, Duchamp, the son of a successful notary, was also a shrewd manager of his image and interests--so much so that many of those who have written about him have been dazzled by his self-created persona when trying to assess his elusive legacy and equally elusive character. Marcel Duchamp: The Bachelor Stripped Bare is not the first full-length biography of Duchamp, but it is the first to present him in all his human contradictions and to take a refreshingly objective look at his real contribution to modern art. The well-known facts are beautifully explored here: Duchamp's myriad personal relations (with family, lovers, collectors, and artists ranging from Man Ray, Picabia, and Breton to the Stettheimer sisters and the Arensbergs); the creation of major works such as the "readymades" and the "Large Glass"; his passion for chess and presumed abandonment of painting. But beyond this, author Alice Goldfarb Marquis looks past the diffident, humorous mask that Duchamp wore with friend and acquaintance alike, to explore the passions and insecurities that motivated many of his artistic and personal evolutions. She separates the artist from the con artist, to determine just how profound an influence Duchamp has really been. Based on numerous unpublished sources and first-hand interviews, Marcel Duchamp: The Bachelor Stripped Bare stands as a groundbreaking contribution to the ever-burgeoning field of Duchamp studies.
Customer Reviews:
Rocking the Duchamp throne.......2007-10-01
If you believe in God, read the Calvin Tomkins bio instead. If you don't, read this one. If you're not sure, read 'em both.
I believe this is only the second book-length biography of the Dadaist, non-Dadaist (perhaps pre-post-Modernist) painter, artist, post-painter, icon and darling of many. Duchamp is a figure that inspires much talk of isms. He was embraced by the Surrealists, the Pop artists and experimental types during the Sixties, the Postmodernists of the Eighties, and a whole lot more since. By signing a urinal (or was it a toilet bowl?) he created much existentialist angst among the artistic classes. His legacy includes those who cart wheelbarrows full of junk into expensive gallery settings, as well as others almost as sauve as he was. He put his name on the map by throwing out the idea that art can only be made with materials bought in art stories, i.e. paints and clay. He for one preferred shopping in hardward stores. Was he a genius or a hoax? This is the question people like to debate. Certainly he was a humorist, and very ironical. Since his early disillusionment with the Art Establishment, he made much of the idea that the only thing left for art to do was shock. And he was very good at this. The superlative I'll add is that he inspired more thought about art than anyone else in the Twentieth Century. Painting will no longer be just "retinal" (or "painterly" as someone has translated this term).
If you enjoy this kind of back-and-forth, you will enjoy this book. Given he was a master ironist, it is fittingly ironical that he should get this more critical handling than usual, by Alice Goldfarb Marquis. Perhaps it's the sign of the times. In another even less kind book, Donald Kuspit blames him in part for ushing in the End of Art. (Surely rubbish, even if too much rubbish has indeed entered the so-called hallowed walls of art.)
You get the picture - if you want a fauning bio, this aint the one. But perhaps it's a necessary corrective after so much gushing. Marcel Duchamp once gave his own version of the dictum, "the only bad publicity is no publicity." By that measure, this volume, which is quite well researched, certainly adds to the MD stock. Ms. Marquis is as much about assessing the damage he has wrought on art as the things he has brought to it. Or to rephraze it from the point of view of a believer, of the damage others have wrought in his name. In one of the more shocking lines, she says that "the Avant-Garde has been marching to his beat ever since, as it marches off a cliff." Strong words, but perhaps this is a moment for art to take a new direction.
During his life Marcel Duchamp very much promoted the idea that there should be no single correct interpretation of his work, or any work. He saw the spectator as playing an important role in the creation of the art. And so it seems just to have this new biography, that veers from the traditional platitudes about the great man. While I don't necessarily subscribe to all the feminist interpretations now being circulated (Kuspit, Amelia Jones, Marquis) I nevertheless find it refreshing to hear this one. For instance: the Large Glass (his masterwork) is a temple to the female Christ...
Customer Reviews:
The Beginning of My Love Affair with Duchamp.......2001-05-03
This book is highly recommended. The information available within the covers is something that I could not find in my art history book. The reader will gain insight into Duchamp's views and his thoughts leading up to his decisions to take the road, artistically, that he did. Wonderfully written, glorious color photos and beautiful insights, I would recommend this book to anyone looking to add to a library.
Book Description
A revealing account of an artist whose enduring obsession with chance and coincidence shaped both his life and work, Marcel Duchamp illuminates one of the most important and influential figures in all of modern art. Drawing on the artist’s own correspondence as well as interviews, Paris-based curator and art critic Caroline Cros explores the creative processes behind Duchamp’s works—including his famous anti-sculptures, the "Readymades"; the enigmatic Grand Verre; and the seductive, disturbing Etant Donnés—as well as the often hostile reception he encountered in Paris and around the world. Cros also examines Duchamp’s work after he abandoned his art at the age of thirty-six. Notoriously, Duchamp claimed that he would dedicate the remainder of his life to chess, but here we learn of his ongoing contributions to the art world, including his intense involvement in museums, foundations, and surrealist publications. With two major Dada exhibitions planned for 2006, at the National Gallery of Art in Washington, D.C., and the Museum of Modern Art in New York, Marcel Duchamp will be this year’s ultimate guide to the master of the movment.
Average customer rating:
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Duchamp Crown Art Lib
Sarane Alexandrian
Manufacturer: Crown
ProductGroup: Book
Binding: Hardcover
Duchamp, Marcel
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ASIN: 0517530082
Release Date: 1985-01-11 |
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Duchamp (Masters of Modern Art)
Jean Christophe Bailly
Manufacturer: Palgrave Macmillan
ProductGroup: Book
Binding: Paperback
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ASIN: 0876638876 |
Customer Reviews:
Handy, but limited.......2001-04-07
This is a small (120 pages, about 6 inches by 6 inches) book about Marcel Duchamp. It's a overview of his career, with probably 40 or 50 plates. Almost all of the plates are black and white.
The accompanying text is well written and clear. In fact, the text is probably more worthwhile than are the images. If you have a chance to get a large coffee table book of Duchamp's art, do that. The images in this book are simply too small to be of much use. However, the explication of the artist's career is interesting and worth reading.
Duchamp was one of the most interesting and pivotal figures in early 20th century art. This book is a good introduction. This book is best supplemented by a coffee-table Duchamp book. However, the analysis is astute and concise. It's not difficult to read, and it makes for a decent introduction to the artist.
ken32
Average customer rating:
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Marcel Duchamp
Jennifer Gough-Cooper , and
Jacques Caumont
Manufacturer: Exact Change
ProductGroup: Book
Binding: Hardcover
Duchamp, Marcel
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ASIN: 1900565153 |
Book Description
A must for Duchamp devotees everywhere!
This little introduction to the life and works of Marcel Duchamp was originally published to accompany a Duchamp retrospective at the Pompidou Centre in Paris. Modelled on a children's book it contains 12 dead-pan full-page colour illustrations of events in Duchamp's life with an equally tongue-in-cheek, and entirely accurate, biography. The book was much admired at the time (Andy Warhol being an enthusiast, among others), this is its first appearance in English.
Average customer rating:
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Marcel Duchamp
Sarane Alexandrian
Manufacturer: Easton Press
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ASIN: B000720LZA |
Average customer rating:
- Protestant Propaganda Masquerading as History
- Disappointment
- Just Barely Kept My Interest
- Mildly entertaining, but deeply flawed
- An very unenlightening list
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Bloody Mary's Martyrs: The Story of England's Terror
Jasper Ridley
Manufacturer: Carroll & Graf Publishers
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Bloody Mary
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ASIN: 0786708549 |
Book Description
In this chronicle of a Catholic monarch's heartless rage, a nation's fear, and the unimaginable courage of the Protestants who died for their faith, the award-winning historical biographer Jasper Ridley explores the dark years of Mary Tudor's reign and the most extreme persecution ever to occur in England -- more than three hundred victims in less than three years. Within months of her ascension to the English throne in 1553, Mary restored Roman Catholicism to the nation, reinstated papal supremacy, wedded the Spanish prince Philip, and sealed an alliance with Catholic Spain. Her marriage failed to produce an heir, however. That failure -- a sign, in Mary's view, of God's displeasure with the practice of "heretic" religion in England -- prompted the childless queen to initiate her purge. Thus began the fires at Smithfield, and hundreds of Protestants -- among them the Anglican bishop Hugh Latimer and Archbishop of Canterbury Thomas Cranmer, as well as many prominent members of the nobility -- met their death at the stake. In an absorbing narrative, this meticulously researched history relates their tragic, brutal, and often inspiring tale.
Customer Reviews:
Protestant Propaganda Masquerading as History.......2006-03-14
Mary's rounding up of Protestant revolutionaries, while deplorable, pales in comparison to the crimes of her father King Henry VIII and her half-sister Queen Elizabeth I.
Prior to Henry and Elizabeth, Catholicism was woven into the fabric of English society. You can still find echoes of it today in everything from patterns of speech (the omnipresent adjective "bloody" is a truncation of the oath "By Our Lady") to place names (Blackfriars refers to a Dominican priory).
That is why it was necessary for Henry and then Elizabeth to turn England into a virtual police state to effect the former's violent, imposed Anglican revolution. Elizabeth executed more than 800 Englishmen in the first year alone of her forty-year reign.
Much as Protestants imitated and countered Catholic books on authentic martyrs once they grew in popularity (through the so-called "Foxe's Book of Martyrs" upon which this volume is based), so too does this book merely attempt to undo the growing recognition by scholars that the anti-Catholic "Whig interpretation" of history that held sway for centuries was and is nothing more than state propaganda.
Disappointment.......2005-10-24
Ridley, a well known scholar and writer of UK history, really disappoints with this biased and amateur account(more like a retelling of a more famous book) of one of the Tudor's most infamous periods. Expecting so much more, from the first page it's obvious that Ridley (A Catholic?), seeks to place the blame on someone without looking at the psychological warfare that was going on inside Queen Mary (the first)to begin with.
It's never referred to and never accounted for the number of "Privy Councillors" that Mary had and listened to compared to the other Tudor Monarch's that were there step by step and through ever day of her reign. At one point, it got up to well over twenty, whereas in comparison, Elizabeth never went beyond five !! Then there is also the presence of the Hapsburgs particulary Phillip II who I hold responsible, in every way just as much as Mary was.
What you get is a finger pointing excerise and poorly written at that. May as well just find a copy of Foxes "Book Of Martyrs" and be done with it.
Just Barely Kept My Interest.......2004-12-01
I think that I am with Todd (see his review below) on this one. It is a great topic, but one that seems unduly light in the hands of Ridley. I do not mind the salacious aspects of the burnings at all. The problem is that Ridley cannot make up his mind if he is going to regal us with stories of grisly burnings till we can almost smell the burning flesh, or rather engage in a sort of mildly analytical narrative of the fluctuations of the Catholic vs. Protestant battles that went on in the hearts and minds of people in 16th Century England and Europe.
Both objectives would be fine by me. But he really just starts on track and then quickly switches to another. I can handle the fact that he is merely regurgitating "Foxe's Book of Martyrs" --there are a lot of august historians that make their honest living doing this well -- but Ridley really never pulls it off.
There is of course some of the value judgements that rear their heads at obscure and incomplete times. At times Ridley reminds me of some of the disjointed conversations I used to have with some of my (ancient English) relatives on the perils of Popery! in the 21st Cen! --- One would think that we could get past that. In other passages Ridley talks about the struggle in the hearts of all people and the brutal "terror" of the burning -- which easily eclipsed the rather limited burnings of Henry VIII.
Just barely kept my interest. I selected it as my ripping read of the week (you know, the one you read after you have grown bored with reading philosophy of science books and you can no longer concentrate on Hobsbawm -- the time where you just want to revel in the joys of Counter Reformation excess before crawling off to bed), but this book did not accomplish that for me....
It was OK, but with a read like this it does not encourage one to read Ridley's other works.
Mildly entertaining, but deeply flawed.......2002-09-13
There is no question that Ridley's book is mildly entertaining to read--any work based upon Foxe's "Book of Martyrs" should contain a certain amount of gripping material. Unfortunately, this book is little more than a rather tepid summary of some of the more salacious portions of Foxe. Ridley's prose occasionally evinces a dry wit, but more often it is simply banal and overly simplistic. It almost seems as though he was writing for a juvenile audience. Moreover, he makes little attempt to analyze the experience of the martyrs, preferring instead simply to repeat the narrative details supplied in Foxe. Most unforgivable, however, are Ridley's continually distorted moral and historical judgments, which render this book a very pale shadow of serious history. Opinions are certainly welcome in the study of history, but surely Ridley could have done better than to repeat some rather tired old cliches. It's really a shame and a surprise that this book is not better, considering the fine books Ridley has written in the past (e.g. biographies of Thomas Cranmer and Nicholas Ridley, two of the most prominent Marian martyrs.)
An very unenlightening list.......2002-06-26
Bloody Mary's executions of Protestants created a deep seated hatred of Catholics in the English soul and cast a long shadow. Understanding what happened in this period of English history is essential to understanding the next 400 years. However this book is primarily a distillation of John Foxe's Book of Martyrs, and provides little more than a list of martyrs with only a limited attempt at understanding the forces at play.
Average customer rating:
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Bloody Mary's Martyrs
Jasper Ridley
Manufacturer: Constable and Robinson
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Binding: Paperback
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ASIN: 1841195359 |
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Bloody Mary, the Suffolk Martyrs
Jenny Webb
Manufacturer: Barny Books
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