Book Description
Karl Gerstner is one of Switzerland's preeminent graphic designers. In 1959, he and Markus Kutter founded the agency Gerstner + Kutter, which later became Gerstner, Gredinger, and Kutter (GGK). Before long, the agency had become one of the largest internationally acclaimed advertising firms in Switzerland. After withdrawing from active agency work, Gerstner designed the corporate identities for such companies as Swiss Air, Burda and Langenscheidt, in addition to working as worldwide identity consultant and designer for IBM. In visual language, Gerstner recapitulates his now 50 years of active work as a graphic designer. The ups and downs of a designer's professional life are vividly illustrated with samples of work that were both realized and rejected by his clients. Describing in detail how he managed to be such a successful and groundbreaking designer, Gerstner relates a narrative that is essential to the history of postwar design. Astutely written and brilliantly designed, visual language follows in the tradition of Gerstner's earlier period-defining classics, Designing Programs and Compendium for Literates.
Customer Reviews:
Mr Gerstner and the true meaning of Akzidenz Grotesk........2004-02-04
I first be came aware of the work of Karl Gerstner while at art college in the late Fifties. I bought a copy of his first book 'Cold Art?', written in German, so I couldn't read it but I could follow the excellent analytical diagrams explaining the basis of mathematical abstracts as produced by Piet Mondrian, Josef Albers, Max Bill, Richard P Lohse, Gerstner and others. Thirteen pages of 'Cold Art' and spreads from his other books are also shown in this beautiful book of Gerstner's career.
His creative work from the fifties and sixties always used the typeface Akzidenz Grotesk (Standard Medium in English speaking countries) for text and headlines, despite, as he says, there being no italic. To make this type more complete he redesigned it as Gerstner Program and his work on this and another of his faces, IBM Original is explained in detail in the book.
His books, publication design, typefaces, logos, ads, packaging and thoughts on design and related areas of creativity are well presented throughout the book. I especially liked the last few pages which have some examples of his amazing computer generated art (in spreads from the Swiss magazine Basler Magazin) and this is why I find Gerstner so interesting, his graphic work covers such a wide area and interestingly, in the book, he also provides an intellectual underpinning of his creativity.
BTW the same publisher has produced a book devoted to Gerstner's paintings, graphics and computer art (ISBN 3775791515).
Book Description
Karl Gerstner’s work is a milestone in the history of design. One of his most important works is Designing Programmes, which is presented here in a new edition of the original 1964 publication. In four essays, the author provides a basic introduction to his design methodology. Instead of set recipes, the method suggests a model for design in the early days of the computer era.
The intellectual models it proposes, however, continue to be useful today. What it does not purvey is cut-and-dried, true-or-false solutions or absolutes of any kind - instead, it develops fundamental principles in an innovative and future-oriented way. The book is especially topical and exciting in the context of current developments in computational design, which seem to hold out the possibility of programmed design. With many examples from the worlds of graphic and product design, music, architecture, and art, it inspires the reader to seize on the material, develop it further, and integrate it into his or her own work.
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Spirit of Colors: The Art of Karl Gerstner
Karl Gerstner
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0262070847 |
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Kompendium Fur Alphabeten
Karl Gerstner
Manufacturer: Arthur Niggli
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Binding: Hardcover
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ASIN: 3721202368 |
Book Description
Swiss artist and designer, Karl Gerstner draws on artistic literary, and scientific sources, as well as on his own studio work to investigate the basic visual elements of color and form. Inspired by Wassily Kandinsky, Gerstner explores the ideas of continuous and evenly measured changes in the three dimensions of color - hue, tone, and saturation.
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Marcel Duchamp: Tu m': Puzzle Upon Puzzle
Marcel Duchamp , and
Karl Gerstner
Manufacturer: Hatje Cantz Publishers
ProductGroup: Book
Binding: Hardcover
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ASIN: 3775791272
Release Date: 2003-07-02 |
Book Description
The oeuvre Duchamp left us is small and repeatedly subject to multiple interpretations of the art historical, psychological, socio-critical and alchemical persuasion. And yet, how odd: Duchamp's last painting, Tu m' from 1918, has never drawn extensive attention among his exegetes. The title itself poses a riddle: Does it mean "tu m'aimes" (you love me), "tu m'emb'tes" (you bore me) or "tu m'emmerdes" (you can kiss my ass)? Karl Gerstner, a prominent Swiss graphic designer who knew Duchamp personally, was taken aback the first time he saw Tu m', but also intrigued. Having acquired a reproduction of the picture, Gerstner proceeded to penetrate its meanings and surfaces more and more deeply; as his surprise faded, his fascination grew. Enter this book, encouraged by artist Richard Hamilton (perhaps the most intimate of Duchamp connoisseurs), and its 20 analytical essays of riddle-solving.
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Compendio Para Alfabetos
Karl Gerstner
Manufacturer: Editorial Gustavo Gili
ProductGroup: Book
Binding: Hardcover
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ASIN: 8425215064 |
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Compendium for Literates
Karl Gerstner
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0262070618 |
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Der Kunstler und die Mehrheit: Essays (Taschenbucher Syndikat/EVA)
Karl Gerstner
Manufacturer: Syndikat
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Binding: Perfect Paperback
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ASIN: 343446073X |
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- Just Mahalia, Baby!
- "Don't Make Me No Saint, Baby"
- Just Wonderful
|
Just Mahalia, Baby: The Mahalia Jackson Story
Manufacturer: Pelican Publishing Company
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Mahalia Jackson - The Power and the Glory: The Life and Music of the World's Greatest Gospel Singer
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Mahalia: A Life In Gospel Music
-
Mahalia Jackson - Give God the Glory
ASIN: 0882894412 |
Book Description
"It brings to life not only Mahalia (Jackson) but an entire ethos for people who will never be able to have any other contact with it". Choice
Customer Reviews:
Just Mahalia, Baby!.......2007-01-23
Great biography! I have always enjoyed reading about the world's greatest singer, and this biography simply takes out all the stops and tells about the true Mahalia, in her own words. Mahalia, I miss you more and more each day, because no one sings like you or as well as you sang.
"Don't Make Me No Saint, Baby".......2002-12-20
I read this lengthy story many years ago. In the meantime I was privileged to meet one of Mahalia's former pianists, Rev. J. D. Strawther, who is so listed in the book. Hearing Strawther's chronicle of his experience with the powerful singer made the book come alive to me. I am a very strong admirer of the late Clara Ward, and enjoyed reading, from Mahalia's viewpoint, about the relationship of the Ward Singers and Miss Jackson.
It is extremely admiral to see how that Mahalia pulled herself up by her own bootstraps in a day and time when that was very difficult, and given her problem with timing in regards to her vocal singing. It must have taken a lot of courage for Laurraine to write the good, the bad and the ugly; and some instances were rather disappointing. But she wrote as she was instructed, "Don't make me no saint, baby."
Just Wonderful.......2002-02-18
Just great...but very long. In my school library, we have 2 copies of of this book, and I believe that I've checked them out close to 15 times. I really enjoyed the parts that I've been able to read.
It had it's contented times and it had it's sad times. There's information about Mahalia's concerts/T.V appearances...what went on backstage, during the concert, and after the concert. One of my favorites was the part where Mahalia was a guest on Dinah Shore's show and they sang many songs, and then it came time to sing my favorite song, "Elijah Rock." Dinah said that she couldn't remember the words, but tried everything in her power to distract her singing by clapping or adding stuff in the song. I believe that I remember reading that Mahalia, shortly after beginning the song, saw that Dinah forgot the song and kept looking at her in a joking manner. I laugh everytime I read that.
This book was great, and you should read it to...SERIOUSLY!
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Mahalia Jackson: Gospel Singer and Civil Rights Champion (Young Patriots series)
Montrew Dunham
Manufacturer: Patria Press, Inc
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Lew Wallace, Boy Writer (Young Patriots series)
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ASIN: 1882859383 |
Book Description
“Haley” Jackson grew up in poverty on the levees of New Orleans, hunting alligators along the Mississippi River for food and gathering driftwood for fuel with her brother Peter. But every Sunday, when her father preached at the Baptist Church, young Mahalia sang proudly in the choir—the youngest member at age 5! Lively illustrations and engaging text pull young readers into the world in which Mahalia Jackson grew up. Whether constructing her doll’s braid from blades of grass, stuffing a cornhusk mattress, or adjusting to life in her Aunt Duke’s home after her mother died, young Mahalia displayed the persistence and courage that foreshadowed the civil rights champion and world-famous gospel singer she would become. Working as a maid and a laundress, she always found the time for her passion—singing her special brand of music known as gospel in churches. She met the challenge of being black in what was largely a white entertainment world, overcoming poverty and prejudice and pioneering the way for all aspiring African Americans who succeeded her. Singing for royalty, presidents, and working closely with her friend Martin Luther King, Haley never forgot her early days on the levee and she found special joy encouraging young African-Americans to follow their ambitions.
Download Description
"Haley" Jackson grew up in poverty on the levees of New Orleans, hunting alligators along the Mississippi River for food and gathering driftwood for fuel with her brother Peter. But every Sunday, when her father preached at the Baptist Church, young Mahalia sang proudly in the choir-the youngest member at age 5! Lively illustrations and engaging text pull young readers into the world in which Mahalia Jackson grew up. Whether constructing her doll's braid from blades of grass, stuffing a cornhusk mattress, or adjusting to life in her Aunt Duke's home after her mother died, young Mahalia displayed the persistence and courage that foreshadowed the civil rights champion and world-famous gospel singer she would become. Working as a maid and a laundress, she always found the time for her passion-singing her special brand of music known as gospel in churches. She met the challenge of being black in what was largely a white entertainment world, overcoming poverty and prejudice and pioneering the way for all aspiring African Americans who succeeded her. Singing for royalty, presidents, and working closely with her friend Martin Luther King, Haley never forgot her early days on the levee and she found special joy encouraging young African-Americans to follow their ambitions.
Amazon.com
Born black and poor into a small house crammed with 13 people, Mahalia Jackson hardly seemed destined to "walk with kings and queens," as her beloved Aunt Bell predicted. Yet, with deep faith in God and a voice that could turn a sedate audience into a writhing, foot-stomping frenzy, Mahalia did indeed find spectacular and satisfying fame and glory. Credited as one of the voices that introduced gospel music to the world at large, Mahalia remained true to her faith even as she climbed the road to superstardom. From down-home churches to Carnegie Hall, from the 1963 equal rights march on Washington to the funeral of her good friend Reverend Martin Luther King Jr., Mahalia sang her heart out.
Roxane Orgill's handsome biography, with many black-and-white photos, follows the remarkable career of this New Orleans washer-girl who became an internationally acclaimed singer and supporter of the civil rights movement. Like the thousands of rapt audience members over her lifetime, readers will be moved and inspired by this powerful woman and her unwavering convictions. (Ages 10 and older) --Emilie Coulter
Book Description
Mahalia Jackson’s rise from a young choir soloist in New Orleans to America’s most famous gospel singer is a stirring story of social and musical history.
Born poor in New Orleans in 1911, young Mahalia Jackson was told to
"let it out" when she sang the gospel at church each Sunday. Swaying and clapping her hands, she astonished everyone who heard her powerful voice. As her fame grew, her soulful voice helped introduce gospel music to the world and brought hope to thousands of civil rights workers who marched for equality in the 1960s. Through it all, Mahalia’s faith in God never wavered and her talent remained a shining light. Roxane Orgill’s compelling narrative, accompanied by more than fifty photographs, brings drama, depth, and immediacy to the life of the world’s most famous gospel singer.
Customer Reviews:
A book for everyone.......2002-08-14
This is not the first book Ms. Orgill has written about musicians. In this, as in the others, her passion for, and knowlege about music shines through her words.
MAHALIA is not only a meticulously researched biography, but also an excellent portrayal of the times in which Mahalia lived. It is definately not just a book to be pulled out during Black History Month. It's a well told, important story for everyone, and should be in every library and school library in the country.
Gospel and Civil Rights bound together in a marvelous book.......2002-04-30
This is a wonderful look at the determination of the great gospel singer Mahalia Jackson. She not only brought Gospel singing to the world, she was a force in the civil rights movement as well. Ms. Orgill has written a compelling biography and writes in a style that practically "sings" like Mahalia herself. This beautifully written book with its wealth of photographs bring Mahalia and that time in history vividly back to life.
Mahalia.......2002-01-26
I couldn't wait for this book to hit the bookstores! It was refreshing to read a "new" book on this incredible woman. Mrs. Orgill included many photos to help the reader sense what the times were like for Mahalia during her growing up years right on through to the high point in her career. The book showed photos of the home Mahalia grew up in and also the first home she owned. Mahalia lived a very hard life but her faith in God saw her through. She devoted herself to a life in Gospel music and never let anything or anyone tempt her to change her mission in life. Mahalia was one of Gospel music's pioneers and no one since has been able to fill her shoes. This book was a job well done. Excellent reading...
Product Description
She considered her talent a gift from God and used it to inspire audiences all over the world.
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Mahalia Jackson: Queen of Gospel Song (Impact Books- Biographies Series)
Leslie Gourse
Manufacturer: Franklin Watts
ProductGroup: Book
Binding: School & Library Binding
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ASIN: 0531112284 |
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- Leaving New Orleans - to come back one day ...
- Leaving New Orleans - to come back one day ...
|
Mahalia Jackson: The Voice of Gospel and Civil Rights (African-American Biographies)
Barbara Kramer
Manufacturer: Enslow Publishers
ProductGroup: Book
Binding: Library Binding
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ASIN: 0766021157 |
Customer Reviews:
Leaving New Orleans - to come back one day ..........2005-09-09
Everything had started very Spartan for Mahalia Jackson (1911-1972), in New Orleans: She had to scavenge coal from the railroad tracks or collect wood from the river bank after the early death of her mother for the family of her strict aunt Duke. New Orleans had many shade sides for Mahalia: She hated the rigorous racial segregation. And she hated "Mardi Gras": Using carnival rites, hiding their identities behind their masks criminals killed. (The son of her aunt died at such a "Mardi Gras" event.) She therefore used the chance 1927, aged 16, and accompanied another sister (Hannah) of her deceased mother to Chicago. Somebody named Louis Armstrong had made up his mind similarly at that time. She got in the north of the USA the opportunity to join a quartet - soon after her voice had jealously been classified as too striking in the church choir. At first she had a hard row to hoe with a minister, who did not like her hand clapping and did not tolerate her rhythmical body movements. He furiously recommended her the return to the south. She stayed in Chicago, succeeded with her style, but it still should last long until she could drive a lavender-colored Cadillac, could buy a seven-room house in a white neighborhood, guarded by police. At least she had success. She celebrated her annual appearances in the New York Carnegie Hall or in radio shows, was praised by Martin Luther King or sang for president Eisenhower (in the 1950s) or for the inaugural at of John F. Kennedy (in the 1960s). She sang for the civil rights March on Washington or met Indira Gandhi. When she appeared (for a recording session) on the occasion of a symposium of music professors in Lenox, Massachusetts, she afterwards was assigned to sleep in a converted stable. When she woke up in her horse stall early in the morning, she heard tape recordings of her own voice floating out of the splendid villa windows. She felt very angry. She would never forget this situation. And she never has forgotten her very beginning: In New Orleans she had heard the voice of Enrico Caruso out of the windows of white neighborhoods. And she listened to the voice of Bessie Smith, coming out of the windows in black neighborhoods. A mixture of it became her own unmistakable style. Moreover, her musical heart had been set on fire at the funeral rites in New Orleans - particularly at the happier pieces following the respective burial. The blues made her too sad, she said. She disapproved by the way, that the honor of a traditional, street party like New Orleans funeral never was granted to a woman. Therefore she wrote the song "Jesus met the woman at the well". In January 1972 Mahalia was treated to a traditional New Orleans funeral. She liked bands, playing slow dirges, following a coffin drawn by white horses...
Leaving New Orleans - to come back one day ..........2005-09-09
Everything had started very Spartan for Mahalia Jackson (1911-1972), in New Orleans: She had to scavenge coal from the railroad tracks or collect wood from the river bank after the early death of her mother for the family of her strict aunt Duke. New Orleans had many shade sides for Mahalia: She hated the rigorous racial segregation. And she hated "Mardi Gras": Using carnival rites, hiding their identities behind their masks criminals killed. (The son of her aunt died at such a "Mardi Gras" event.) She therefore used the chance 1927, aged 16, and accompanied another sister (Hannah) of her deceased mother to Chicago. Somebody named Louis Armstrong had made up his mind similarly at that time. She got in the north of the USA the opportunity to join a quartet - soon after her voice had jealously been classified as too striking in the church choir. At first she had a hard row to hoe with a minister, who did not like her hand clapping and did not tolerate her rhythmical body movements. He furiously recommended her the return to the south. She stayed in Chicago, succeeded with her style, but it still should last long until she could drive a lavender-colored Cadillac, could buy a seven-room house in a white neighborhood, guarded by police. At least she had success. She celebrated her annual appearances in the New York Carnegie Hall or in radio shows, was praised by Martin Luther King or sang for president Eisenhower (in the 1950s) or for the inaugural at of John F. Kennedy (in the 1960s). She sang for the civil rights March on Washington or met Indira Gandhi. When she appeared (for a recording session) on the occasion of a symposium of music professors in Lenox, Massachusetts, she afterwards was assigned to sleep in a converted stable. When she woke up in her horse stall early in the morning, she heard tape recordings of her own voice floating out of the splendid villa windows. She felt very angry. She would never forget this situation. And she never has forgotten her very beginning: In New Orleans she had heard the voice of Enrico Caruso out of the windows of white neighborhoods. And she listened to the voice of Bessie Smith, coming out of the windows in black neighborhoods. A mixture of it became her own unmistakable style. Moreover, her musical heart had been set on fire at the funeral rites in New Orleans - particularly at the happier pieces following the respective burial. The blues made her too sad, she said. She disapproved by the way, that the honor of a traditional, street party like New Orleans funeral never was granted to a woman. Therefore she wrote the song "Jesus met the woman at the well". In January 1972 Mahalia was treated to a traditional New Orleans funeral. She liked bands, playing slow dirges, following a coffin drawn by white horses...
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Mahalia Jackson: Young Gospel Singer (Childhood of Famous Americans)
Montrew Dunham
Manufacturer: Aladdin Paperbacks
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ASIN: 0689717865 |
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Best of Mahalia Jackson
Manufacturer: Brentwood Music
ProductGroup: Book
Binding: Unknown Binding
ASIN: 1558976914 |
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