Amazon.com
"Photography is nothing, it's life that interests me." With his ever-present Leica camera, Henri Cartier-Bresson captured the raw and the sweet, the comic and the profound moments of lives that were lost in the grind or relegated to someone else's memory--the coincidental moment at which a reflection in a puddle of water mimics a poster on a nearby wall or when lovers kiss, oblivious to the not-so-pristine world around them. It is the familiar beauty and cruelty of the day-to-day that is so engaging in his photographs: two cosmopolitan woman chat nonchalantly while surrounded by empty lettuce crates; mourners at a funeral stare directly into the camera; postwar Paris awakens in the fog. Cartier-Bresson was the master of the "decisive moment," that fleeting instant for which a picture really is worth a thousand words, which is the essence of photojournalism. In no place is this more exemplified than in his images of Paris.
Cartier-Bresson personally selected the more than 130 black-and-white photographs of Paris for this publication. With photographs taken over a period of 50 years, the work is beautifully and generously printed in duotone. The accompanying essays, both short and unobtrusive, are also familiar and personal. One essayist captures the essence of Cartier-Bresson's camera work: "When life calls, he is always there, to assist, or to admire; to rebel, or to say no to exploiters and imposters, and to all those who demean its value." --Manine Golden
Book Description
"Photography is nothing, it's life that interests me." With his ever-present Leica camera, Henri Cartier-Bresson captured the raw and the sweet, the comic and the profound moments of lives that were lost in the grind or relegated to someone else's memory--the coincidental moment at which a reflection in a puddle of water mimics a poster on a nearby wall or when lovers kiss, oblivious to the not-so-pristine world around them. It is the familiar beauty and cruelty of the day-to-day that is so engaging in his photographs: two cosmopolitan woman chat nonchalantly while surrounded by empty lettuce crates; mourners at a funeral stare directly into the camera; postwar Paris awakens in the fog. Cartier-Bresson was the master of the "decisive moment," that fleeting instant for which a picture really is worth a thousand words, which is the essence of photojournalism. In no place is this more exemplified than in his images of Paris.Cartier-Bresson personally selected the more than 130 black-and-white photographs of Paris for this publication. With photographs taken over a period of 50 years, the work is beautifully and generously printed in duotone. The accompanying essays, both short and unobtrusive, are also familiar and personal. One essayist captures the essence of Cartier-Bresson's camera work: "When life calls, he is always there, to assist, or to admire; to rebel, or to say no to exploiters and imposters, and to all those who demean its value." --Manine Golden
Customer Reviews:
My Favorite HCB Book.......2007-04-17
I have many of Cartier-Bresson's books, but this is the one I find myself drawn to.
Time and again I thumb its pages and find something in the photographs that I never before noticed.
This isn't some book full of "pretty" pictures in the conventional sense. One has to look at each picture to understand what inspired HCB to capture it.
I have a few favorites photos from this book, but those that stand out in my mind are of the picnic by the Marne and of the little boy carrying two large bottles of wine.
The Marne photo is so well layed out that, if one didn't know better, it would seem staged. That simply wasn't Cartier-Bresson's way. Although their faces are not seen, I "know" what each of the people look like.
The opposite is true of the little boy. His face is there for all to see and interpret. What is he thinking? Is he happy? Is he proud to be showing off for the little girls in the background?
Many of HCB's photos force us to read his mind and the minds of his subjects. These seemingly impromptu snapshots not only depict what HCB saw, but also depict it geometrically.
To someone like myself who has dabbled in "street photography", HCB epitomizes the genre.
Highly recommended.......2005-03-21
This book is one of two Henri's books I have and the best one. The book to go through again and again. Then go shoot some pictures and go through it again. You'll be surprized how many fresh impressions you'll get every time. Very inspiring book. Highly recommended for practicing fotographers.
Amazing!.......2003-01-24
As my favourite photographer, Cartier-Bresson has some kind of impayable discernment. His gallery of Paris is his magnum opus. His Leica, his 50mm lens, his mysterious face... all made him a monumental legend. I bought this gallery (hardcover) in 1995 for the price of $US 50 in Hong Kong. What are you waiting for? Just click it and buy it immediately, you will never regret buying this book.
Amazing!.......2003-01-24
As my favourite photographer, Cartier-Bresson has some kind of impayable discernment. His gallery of Paris is his magnum opus. His Leica, his 50mm lens, his mysterious face... all made him a monumental legend. I bought this gallery (hardcover) in 1995 for the price of $US 50 in Hong Kong. What are you waiting for? Just click it and buy it immediately, you will never regret buying this book.
Amazing!.......2003-01-24
As my favourite photographer, Cartier-Bresson has some kind of impayable discernment. His gallery of Paris is his magnum opus. His Leica, his 50mm lens, his mysterious face... all made him a monumental legend. I bought this gallery (hardcover) in 1995 for the price of $US 50 in Hong Kong. What are you waiting for? Just click it and buy it immediately, you will never regret buying this book.
Amazon.com
Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter--the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters.
Book Description
This edition of Lady Chatterley's Lover (and A Propos of `Lady Chatterley's Lover') newly establishes the text of D.H. Lawrence's most famous novel by peeling off the layers of typists' corruptions and compositors' errors that have seriously marred the novel for over sixty years. It is the first edition to restore to Lawrence's text the words he wrote, and the first to correct authoritatively the 1928 Florence edition that Lawrence personally supervised. The introduction establishes an accurate history of composition, publication and reception; the notes identify difficult allusions; and the appendix explains how Lawrence weaves real places and people into his fictional tapestry.
Download Description
Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We've got to live, no matter how many skies have fallen.
Customer Reviews:
remote contact.......2007-08-28
It's been a while since I've read anything this flowery, and yet, it was a pleasant deviation. This book wasn't shocking for its sexual contact, but it was a pleasant surprise. I wasn't expecting such a robust sprinkling of f*ck and c*nt, but there it was, interspersed with social class distinction and haughtiness turned into naughtiness. It has the allure and staying power of liberal sex scenes, but also is the lovely picture of a love affair that transcends social mores.
Wonderfully descriptive.......2007-05-14
A wonderful read, that explores human relationships. It is wonderfully descriptive and a pleasure to read. Highly recommend.
Read Anna Karenina by Tolstoy instead........2007-03-22
I love the classics- I make sure to throw a few into my "to be read" pile just to cleanse the palette from my general fiction and genre reading. I've been wanting to read LCL for some time now, mostly because of it being censored and banned back in the day for it's explicit sex and language. In fact it was considered pornographic and, for a time, was not allowed to be mailed out into the US due to obscenity laws.
Because I do read romance and yes, even erotica, at times I have to defend my reading choices because it's considered illicit, so naturally I wanted to read LCL.
Ugh. I hated it.
Slow paced and tedious I wanted to give up on it so many times. But I'm stubborn so I couldn't let myself give up on it.
Whereas I'm sure this book was a shocker in the late 20's when it was published, to my modern eyes, it was no biggie. Yes it was graphic, but in no way could one consider this pornographic! Porn, to me, is something that is produced (visual or written) to enflame sexually. This book was far from stimulating in that way.
The first section bored me to tears, full of mind-numbing conversations that had no significance other than for the author to show how intellectual he was. I could barely read a page without my eyes drooping closed. Yes, I got that their conversations had a point- "The dehumanising effects of modernity and industrialisation." Yeah, I got it. But to stretch it out for the length of the entire book? Ugh.
When Lady Chatterley met Mellors, her soon to be lover- things got more interesting- for about 10 pages. Then back to the tedium. It back and forthed like that for the entire book. UGH!
I truly liked her lover Mellors. A vetern of the war and of the lower class, he seemed the most intelligent of the characters. Which was, of course, the most shocking part of the story back in the day- the fact that a member of the upper class, Lady Chatterley, cheated on her upper crust husband with a servant.
Connie (Lady Chatterley) I found wishy-washy, whiney, and downright annoying. NOT a heroine to love. BUT she knew how to find her sexual pleasure and wasn't ashamed of it. (Plus for her!) Clifford, her husband- Lord Chatterley to her Lady- I actually felt pity for, though the author did his best to make him seem unworthy of Connie.
Here's a short look at Lord and Lady Chatterley:
Cliffy, wounded and crippled during the war, was unable to perform his husbandly duties. Connie grew to loathe him and headed out for greener pastures. Now, I'll give that Cliffy was a snob and a control freak, but pitiful to be sure, and in the end didn't deserve Connie's selfishness.
(...)
... however, I am glad I read LCL. If only to say I have done so!
It's all about the industrial takeover.......2007-01-10
Although this book has a saucy reputation, it's not all about sex. It is a rather dreary look at early 20th century England. Worthy of your time, and the brassy language could still make a school girl blush.
The Antidote to Platonic Love.......2006-11-07
Constance Chatterley's gamekeeper, Mellors, brings out the animal in Her Ladyship, and he extends the protection to her that he does to all the wild game in the wood. It is Mellors himself who, in the end, understands that his own baronet, Sir Clifford, is the greatest threat to his most vulnerable charge. Constance's own father, Sir Malcolm, fails utterly to appreciate the situation when he refers to Mellors as the quintessential poacher himself. Sir Malcolm's mistake is that he, along with all of polite society, fails to recognize that humans are, in fact, animals, and that the thrill of conjugal intimacy unites us with all other fauna. We strayed from this notion long ago, with Plato extolling virtuous love, and referring to passions and desires as evil (Book IX of the Phaedrus).
Sir Clifford, who is impotent as a result of war injuries, suggests to his wife that she have a discrete affair in order to produce an heir to the estate. "I don't care who his father may be as long as he is a healthy man not below normal intelligence." His admonition that Connie be careful not to fall in love in the process foreshadows his tragedy. When we see the gamekeeper, Mellors, placing pheasant eggs into the nests of chickens, in order that they may be reared by surrogate hens, we know, before any of the protagonists themselves, just who Lady Chatterley's surrogate husband will be. Ultimately Connie discovers that Mellors has that rarest of qualities in a man; he enjoys making love only when his partner enjoys it, too. These feelings are a sharp contrast with her experience as well as his, and they are both immediately ensnared in a tense carnal conspiracy.
In the process, we are treated to D. H. Lawrence's craft:
"Both sisters mixed with...the young Cambridge group, the group that stood for 'freedom' and flannel trousers, and soft shirts open at the neck, and a well-bred sort of emotional anarchy..., and an ultra-sensitive sort of manner."
Tevershall village had "rows of wretched, small begrimed brick houses with black slate roofs for lids, sharp angles, and willful blank dreariness."
One attraction of her first lover, Michalis, is that he had his own ideas and stated them clearly; "he didn't merely walk round them with millions of words, in the parade of the life of the mind."
Sir Clifford "seemed alert in the foreground, but the background was like the Midlands atmosphere, haze, smoky mist."
Before her affair with Mellors, Connie saw sex as "just a cocktail term for an excitement that bucked you up for a while, then left you more raggy than ever."
Connie realizes of Clifford that, "like many insane people, his insanity might be measured by the things he was not aware of: the great desert tracts in his consciousness."
"She saw her own nakedness in his eyes..."
This book will not titillate the reader of 2006 as it did the reader of 1928. The reaction against it then exposed both widespread hypocrisy and a scientifically illiterate, pre-Kinsey society which extolled Platonic values, and in the process denied the incomparable delight of primitive intimacy.
Average customer rating:
- Excellent Reference
- limited
- Start Here!
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I'll Grant You That: A Step-by-Step Guide to Finding Funds, Designing Winning Projects, and Writing Powerful Grant Propos
Jim Burke , and
Carol Ann Prater
Manufacturer: Heinemann
ProductGroup: Book
Binding: Paperback
 General
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| Qualifying Textbooks - Fall 2007
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The Power of Ethical Management
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Contemporary Technology: Innovations, Issues, and Perspectives
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Ethics in an Age of Technology: Gifford Lectures, Volume Two (The Gifford Lectures 1989-1991, Vol 2)
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Winning Grants: Step by Step, 2nd Edition
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Society, Ethics, and Technology
ASIN: 0325001979 |
Book Description
Rarely have I found such a detailed, thought-out description and analysis for applying for funds. Teachers should be able to use this for a reference for as long as they search for funds.
- Bill Somerville, President of Philanthropic Ventures Foundation
This book carries a wealth of useful information in its twenty-three chapters.
- The School Administrator
Need money to expand your program, train your staff, or create your project? Be assured, the money is out there. All you need to know is where the grant makers are, what they're looking for, and how to produce it. I'll Grant You That provides all three, presenting a complete course on obtaining grants.
Part book, part CD-ROM, I'll Grant You That is an all-in-one resource for finding funds, designing winning projects, and writing powerful proposals. The book itself offers everything you need to write a successful proposal. Not only does it walk you step by step through the process, it provides a series of workshops in those areas you might need a little help, including writing, organizing, presenting, and being creative. On the CD-ROM, you'll find annotated sample grants that explain what worksand what doesn'tin writing a winning grant, links to a host of Internet resources for grants and grant writing, and self-assessment tools to help you write the best grant possible.
Burke and Prater's own efforts have led not only to millions of dollars, but, more important, to improved education for their students, better communities, and richer professional lives. With I'll Grant You That, the authors grant you the same.
The system requirements for the CD are:
Windows/PC
Windows 95 or Higher
90 mHZ Pentium Processor (or faster)
24 MB RAM (more recommended)
CD-ROM Drive
Adobe Acrobat 4.0 (included)
Web Browser and Internet Connection (for use with online resources)
Macintosh
System 7.5 or Higher
Power PC Processor
24 MB RAM
Color Display capable of displaying 256 Colors
CD-ROM drive
Adobe Acrobat Reader 4.0
Web Browsers and Internet Connection
Customer Reviews:
Excellent Reference.......2007-01-14
The book serves an an excellent resource, especially the CD, for Grant Writing classes. It is very handy to refer back to for the actual writing of Grants.
limited.......2002-05-11
This book is primarily aimed at educators writing grants for school or community projects. It is not particularly useful if you intend to write a scientific grant.
Start Here!.......2001-08-09
I read the reviews of so many books before I picked this one and I am so glad that I did! It is an excellent start. It allows you the opportunity to springboard into the most complex or simple grant proposal plan.
I started from nothing, only knowing that a grant goes on a piece of paper(s). This book remains an invaluable resource.
Book Description
Al-Baghdadi's Kitab al-Tabikh was for long the only medieval Arabic Cookery book known to the English-speaking world, thanks to A.J Arberry's path-breaking 1939 translation as `A Baghdad Cookery Book' which was re-issued by Prospect Books in 2001 in Medieval Arab Cookery. For centuries, it has been the favourite Arab cookery book of the Turks. The original manuscript is still in Istanbul, and at some point a Turkish sultan commissioned a very handsome copy which can still be seen in The British Library in London. In the twentieth century the Iraqui scholar, Daoud Chelebi, produced a modern transcription which served as the basis for Arberry's translation. Charles Perry has re-visited the manuscript and discovered many possible errors and amendments that affect the interpretation of these essential recipes for the understanding of medieval Arab cookery. He has produced a new English translation incorporating these ammendments and fully annotating his variations with the 'authorised' version. Scholars will now have a definitive text on which to work. They will also have this text in an inexpensive and handy format, just the thing for a learned lady's handbag.
Customer Reviews:
Highly recommended for ancient food recreationists.......2007-09-28
A friend of mine has this book. I am going to buy it. It is very useful for ancient/medieval SCA recreationists.
A good book for historians, not for actual cooks........2007-09-27
This book does not contain traditional recipies with contemporary measurements and ingredients. It works better as a historical reference of how cooking was done centuries ago. An interesting read for those seeking knowledge of old times, but unless your actually cook over an open flame with kindling for three fourths of the night, not too helpful for a modern cook.
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Alain : Propos, tome 1
Alain
Manufacturer: Gallimard
ProductGroup: Book
Binding: Hardcover
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ASIN: 2070100030 |
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Alors Chapatte, raconte: Propos (L'Heure du sport)
Robert Chapatte
Manufacturer: Calmann-Levy
ProductGroup: Book
Binding: Unknown Binding
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ASIN: 2702100481 |
Book Description
The Williams sisters have captured the attention of the tennis crowd like no one has in recent years. Taken alone, each is a force to be reckoned with on the court. Each has the skills, the determination, and the strength to make it to the very top of her sport. Yet through all the competition-even times when they face each other on opposite sides of the net-they remain true to each other.Serena has just won the Wimbledon 2002 singles title by defeating her sister and is currently ranked #1 in the world.Playing as partners, Venus and Serena won the Wimbledon 2002 doubles championship as well.
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- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- Inside 3D Studio VIZ 3
- It's Just a Social, Swing, and Latin Thing: A Guide to Social Dance
- Jessica Stockholder (Contemporary Artists)
- Jimi Hendrix - Band of Gypsys*
- JSP(TM) and XML: Integrating XML and Web Services in Your JSP Application
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Henri Cartier-Bresson (Aperture Masters of Photography)
An Inner Silence: The Portraits of Henri Cartier-Bresson
Henri Cartier-Bresson: The Man, the Image and the World: A Retrospective
Henri Cartier-Bresson: The Mind's Eye
Henri Cartier-Bresson: The Man, The Image & The World: A Retrospective
