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Eugenics and Education in America: Institutionalized Racism and the Implications of History, Ideology, and Memory (Complicated Conversation: a Book Series of Curriculum Studies)
Ann Gibson Winfield Manufacturer: Peter Lang Publishing ProductGroup: Book Binding: Paperback ASIN: 0820481467 |
Book Description
Education in America was designed to organize, classify, and sort students according to a definition of ability and human worth provided by a racialized scientism known as eugenicsan ideology whose ultimate goal was the establishment of a superior White race. Eugenicists targeted entire ethnic groups, the urban poor, rural "White trash," the sexually "deviant," Blacks, Jews, Native Americans, Asians, Latino/as, and anyone who did not fit with the pseudo-scientifically established "superior" Nordic race. Education leaders, complaining of children of "worm-eaten stock," established an enduring system to organize and sort students according to perceived societal worth. In exposing and addressing eugenics' place in our educational system, this book provides a groundbreaking addition to, and exceptional correction of, the history of curriculum in America.
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Ideology, Curriculum, and the New Sociology of Education: Revisiting the Work of Micheal Apple
Lois Weis , Cameron McCarthy , and Greg Dimitriadis Manufacturer: Routledge ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 0415951569 |
Book Description
For more than three decades Michael Apple has sought to uncover and articulate the connections among knowledge, teaching and power in education. Beginning with "Ideology and Curriculum" (1979), Apple moved to understand the relationship between and among the economy, political and cultural power in society on the one hand "and the ways in which education is thought about, organized and evaluated" on the other. This edited collection invites several of the world's leading education scholars to reflect on the relationships between education and power and the continued impact of Apple's scholarship. Like Apple's work itself, the essays will span a range of disciplines and inequalities; emancipatory educational practices; and the linkage between the economy and race, class and gender formation in relation to schools.
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Ideology and Curriculum
Michael W Apple Manufacturer: Routledge ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 0415949122 |
Book Description
When Ideology and Curriculum was first published in 1979 it was quickly established as a path breaking statement on the relationship between cultural and economic power in education. It has been translated into many languages including Chinese, Japanese, Korean, Spanish, Portuguese, and Greek, and it has had a profound impact on the debates about education and democracy in many nations. Most recently, it has been named one of the 20 most influential volumes in the history of western education.
To celebrate the 25th anniversary of its publication, Michael W. Apple has thoroughly updated his influential text, and written a new preface. The preface both situates the book in its larger context historically and currently, and points to the material and events that help solve a number of the questions and issues of the relationship between education and differential power that the book raises. The new edition also includes an extended interview circa 2001, in which Apple relates the critical agenda outlined in Ideology and Curriculum to the more contemporary conservative climate. Finally, a new chapter titled "Pedagogy, Patriotism and Democracy: Ideology and Education After 9/11" is also included. All in all, this highly anticipated anniversary edition will firmly situate Ideology and Curriculum as one of the most important education books of our time.
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One of the most important books on educational policy in the last century........2007-05-27
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Big Brother and the National Reading Curriculum: How Ideology Trumped Evidence
Richard L. Allington Manufacturer: Heinemann ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 0325005133 |
Book Description
New legislation will transform American public education. Basic to the No Child Left Behind Act and the Put Reading First program is a new and substantial federal intrusion into local curriculum control and teacher autonomy. This intrusion is masked in the legislative mandate for "evidence-based", or "scientific", reading instruction. Beyond the distortions of the findings of the National Reading Panel Report that undergird the new federal initiatives, there are other federal mandates, past and current, that have also impeded improving reading instruction - and worse, the public education system - through privatization, teacher disempowerment, and a systemic business model.
In this timely and important book, nationally-recognized reading researcher Richard Allington tracks and questions the 30-year campaign that has focused on testing, accountability, and federalization of education. He and other educators, including Jim Cunningham, Michael Pressley, Elaine Garan, and Patrick Shannon, have contributed articles that provide an overview of past and recent federal education policies, including the NRP Report and associated legislation and policy making, with analyses of the premises of the new national reading plan. By showing how these premises are manufactured - that is, not reliably supported by the research - they explain why this plan is an unwarranted federal encroachment into local educational decision making.
Customer Reviews:
scholarly, research-based, informative........2005-05-20
Can you handle the truth?.......2004-06-12
This important book will help you make sense of what is going on around us and maybe, just maybe, be able to articulate to our legislators the need for the TRUTH to be discussed in a constructive way. Let's leave a politically-based reading curriculum behind, not our nation's children and non-literate adults.
Whole language at its worse........2003-05-07
This is not a "Who Shot JFK Conspiracy" book...to many facts.......2003-02-28
Apparently most of the answers to these questions are the same...yes.
Educators- don't spend another dime in early reading curriculum or hire another early reading consultant without reading (and considering) Allington's book.
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Politics by Other Means: Higher Education and Group Thinking
David Bromwich Manufacturer: Yale University Press ProductGroup: Book Binding: Paperback ASIN: 0300059205 |
Book Description
In this eloquent book a distinguished scholar criticizes attacks on liberal education by ideologues of the right and left, arguing that both groups see education as a means to indoctrinate students in specific cultural and political dogmas. David Bromwich calls for a return to the teaching of independent thinking, self-knowledge, and tolerance of other points of view, values that he claims are the essence of a true liberal tradition.
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Ideology, Culture and the Process of Schooling
Henry A. Giroux Manufacturer: Temple University Press ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 087722370X |
Book Description
This book lays bare the ideological and political character of the positivist rationality that has been the primary theoretical underpinning of educational research in the United States. These assumptions have expressed themselves in the form and content of curriculum, classroom social relations, classroom cultural artifacts, and the experiences and beliefs of teachers and students. Have existing radical critiques provided the theoretical building blocks for a new theory of pedagogy?The author attempts to move beyond the abstract, negative characteristics of many radical critiques, which are often based on false dualisms that fail to link structure and intentionally, content and process, ideology and hegemony, etc. He also is critical of the over-determined models of socialization and the abstract celebration of subjectivity that underlies much of the false utopianism of many radical perspectives. Professor Giroux begins to lay the theoretical groundwork for developing a radical pedagogy that connects critical theory with the need for social action in the interest of individual freedom and social reconstruction.
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Greening the College Curriculum: A Guide To Environmental Teaching In The Liberal Arts
Manufacturer: Island Press ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 1559634227 |
Book Description
Greening the College Curriculum provides the tools college and university faculty need to meet personal and institutional goals for integrating environmental issues into the curriculum. Leading educators from a wide range of fields, including anthropology, biology, economics, geography, history, literature, journalism, philosophy, political science, and religion, describe their experience introducing environmental issues into their teaching.
The book provides:
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Schooling for "Good Rebels": Socialist Education for Children in the United States, 1900-1920
Kenneth Teitelbaum Manufacturer: Temple University Press ProductGroup: Book Binding: Hardcover ASIN: 0877229805 |
Book Description
During the first two decades of this century, American Socialists organized weekend schools for children to foster social justice, working-class consciousness and solidarity, and activism. Kenneth Teitelbaum explores the historical development, organization, institutional characteristics, and curriculum of these alternative educational settings, particularly those in New York City, Rochester, and Milwaukee. In his discussion of this historic effort to contest the dominant messages of capitalist culture, he highlights the political nature of the school's curricula and relates the socialist Sunday School project to current efforts to promote a more socially responsible curriculum.Through archival research and interviews with former student and teachers of the socialist Sunday schools, Teitelbaum is able to provide the first detailed study of American socialist efforts in the area of childhood education. He presents the actual curricula used with children in radical school settings and discusses the various teaching methods used. More than 10,000 children, ages five to fourteen, attended approximately 100 socialist Sunday schools in sixty-four cities and towns throughout the U.S. between 1900 and 1920.
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Ideology, Objectivity, and Education (Advances in Contemporary Educational Thought)
John Watt Manufacturer: Teachers College Press ProductGroup: Book Binding: Hardcover ASIN: 0807733326 |
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Arab-Israeli Conflict (Troubled World)
Ivan Minnis Manufacturer: Heinemann Library ProductGroup: Book Binding: Hardcover Similar Items:
ASIN: 0431118612 |
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Dark Midnight When I Rise: The Story of the Fisk Jubilee Singers
Andrew Ward Manufacturer: Amistad ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 0060934824 Release Date: 2001-07-03 |
Book Description
Setting out initially to raise money for their university, the Fisk Jubilee Singers -- a troupe of young ex-slaves and freedmen -- ended up changing the face of American music. Despite their venues of small-town churches and train stations, and the hardships of poverty and racism, the Jubilee Singers eventually became a popular vocal group whose admirers included Ulysses S. Grant and Queen Victoria.
Recounted here for the first time is the career of the Jubilee Singers, which followed one of the most remarkable progressions in American history: from whipping post and auction block to concert hall and throne room.
Customer Reviews:
Fascinating look at early gospel choral music.......2004-12-28
"Birth of a Joyful Noise".......2001-07-27
Seattle journalist and novelist Andrew Ward was doing research for a Civil War novel in local libraries when he stumbled on a wonderful, little-known American story. A discovery in the University of Washington's Suzzallo Library collection sent him to Nashville, Tennessee, where he found archives of material on the Jubilee Singers, a remarkable troupe of African American students who sang spirituals to audiences around the world after the Civil War, countering racial stereotypes wherever they went.
"The Jubilees were front-page news during the 1870s," says Ward. "From newspaper clippings it's obvious that their performances gave audiences everywhere their first exposure to authentic African American music. And at a time when it was risky for blacks to assert themselves in public, these young people (many of them former slaves) stood on stages and denounced any segregation they encountered. It astonished me that I had never heard of their contribution to American history."
History isn't Ward's field, though he won a Washington State Governor's Award in 1997 for Our Bones Are Scattered, a historical account of the 1857 Indian Mutiny against British rule. Local readers are more likely to remember his NPR monologues about living in the Seattle area, broadcast ten years ago on "All Things Considered" and collected in the volume Out Here: A Newcomer's Notes from the Great Northwest.
Ward says, "I'm an essayist and novelist, not an academic, and I don't have a historian's training. But I like to tell stories. When writing history I try to stay close to the experiences of people who were there."
Ward's "Dark Midnight When I Rise: The Story of the Jubilee Singers" tells a deeply American story that shows the "can-do" national character at its best: people uniting to save something they love.
In this case it was Nashville's Fisk School, established for the education of African Americans after the Civil War. While many comparable schools offered only agricultural or industrial training, Fisk boasted a liberal arts curriculum meant to produce teachers and missionaries. But like other black schools of that era it was underfunded. When Fisk faced financial ruin, with teachers and students falling ill from poor food and bitter cold in buildings virtually rotting away, the choir and their director went on the road (another resonant American theme) to raise what today would be millions of dollars.
The story is also American in featuring people who work together despite divergent backgrounds and conflicting aims. Ward observes, "Many of the missionaries who helped build black colleges and the white teachers who staffed them were Northern abolitionists who thought they'd find in black people a kind of blank slate to write on. What they found were real African American persons in all their human variety, with a complex, vital culture of their own." Yet in spite of mistakes, quarrels, and mixed motives on the part of all, black and white, the Jubilees succeeded.
"'We were nothing but a bunch of kids,' wrote soprano Maggie Porter. 'All we wanted was for Fisk to stand.'"
But they were a savvy, resilient bunch, too. Tenor Benjamin Holmes had taught himself to read and write by studying the letters on city signs. Soprano Georgia Gordon had learned to read by memorizing a Bible verse she heard in church, comparing it with the text until she could match each word's sound with its shape, and finding other words like it. Bass singer Greene Evans had built a schoolhouse for black children from discarded lumber, wryly noting that the building "'did not lack for ventilation, for a bird could fly through anywhere.'" Like Evans, Porter had taught in a country school, until it was burned down by the KKK.
On their first U.S. tour the Jubilees wore shabby clothes and lacked winter coats. Critics confused the slave songs that, in soprano Ella Sheppard's words, "'were sacred to our parents'" with the vulgar comedy of blackface minstrels. Railroad conductors ignored the singers'coach tickets and banished them to the smoking cars. Hotels that didn't turn them away often provided rooms which, Sheppard wrote, were "'so well occupied' with insects 'that a part of us only could sleep while the others slew the occupants.'" Some innkeepers were more welcoming - - one tied his wife to the upstairs banister to keep her from throwing the singers out of the parlor.
Despite fears, threats, exhausting schedules, and serious illnesses (contralto Julia Jackson had a stroke; tenor Benjamin Holmes developed TB), the Jubilees persevered. Their gracious ways and marvelous music inspired newspaper reporters to write articles that shamed hotel and restaurant owners into admitting black customers, and several railways, steamship lines, and schools integrated.
Through incessant rehearsals the singers had developed a sweet, stirring sound "that rose and soared and faded like a passing breeze." They sang for royalty throughout Europe, they sang in the Taj Mahal. Packed audiences listened to their praise songs and sorrow songs with astonished joy, weeping and applauding.
It was the first truly American music, and it would influence music everywhere in the next century. In these spirituals, Mark Twain observed, America had "'produced the perfectest flower of the ages.'"
The songs live on in such favorites as "Swing Low, Sweet Chariot" and "This Little Light of Mine." No Jubilee performances were recorded, but every student choir at Fisk University has sung the original arrangements, and the present choir will appear in Ward's TV documentary, Jubilee Singers: Sacrifice and Glory, on May 1 at 9pm on KCTS-9.
Ward may either finish his Civil War novel or write about another historical event his work on the novel turned up, the massacre of African American soldiers at Fort Pillow. Writing history, he says, reminds him how his life is linked to the lives of others. "Driving to Silverdale, Washington, I'm haunted by a sense of being an interloper on Suquamish Indian soil. We're all interlopers to some extent, and we shouldn't fool ourselves with a proprietary sense about America that none of us has a right to." Ward adds, "We even treat African Americans like guests in this country. Though some of us try to make the 'visitors' feel comfortable, history shows us we're in no position to do this."
History also shows us, in Ward's inspiring book, a triumph of great music and personal courage.
"Birth of a Joyful Noise".......2001-07-27
Seattle journalist and novelist Andrew Ward was doing research for a Civil War novel in local libraries when he stumbled on a wonderful, little-known American story. A discovery in the University of Washington's Suzzallo Library collection sent him to Nashville, Tennessee, where he found archives of material on the Jubilee Singers, a remarkable troupe of African American students who sang spirituals to audiences around the world after the Civil War, countering racial stereotypes wherever they went.
"The Jubilees were front-page news during the 1870s," says Ward. "From newspaper clippings it's obvious that their performances gave audiences everywhere their first exposure to authentic African American music. And at a time when it was risky for blacks to assert themselves in public, these young people (many of them former slaves) stood on stages and denounced any segregation they encountered. It astonished me that I had never heard of their contribution to American history."
History isn't Ward's field, though he won a Washington State Governor's Award in 1997 for Our Bones Are Scattered, a historical account of the 1857 Indian Mutiny against British rule. Local readers are more likely to remember his NPR monologues about living in the Seattle area, broadcast ten years ago on "All Things Considered" and collected in the volume Out Here: A Newcomer's Notes from the Great Northwest.
Ward says, "I'm an essayist and novelist, not an academic, and I don't have a historian's training. But I like to tell stories. When writing history I try to stay close to the experiences of people who were there."
Ward's "Dark Midnight When I Rise: The Story of the Jubilee Singers" tells a deeply American story that shows the "can-do" national character at its best: people uniting to save something they love.
In this case it was Nashville's Fisk School, established for the education of African Americans after the Civil War. While many comparable schools offered only agricultural or industrial training, Fisk boasted a liberal arts curriculum meant to produce teachers and missionaries. But like other black schools of that era it was underfunded. When Fisk faced financial ruin, with teachers and students falling ill from poor food and bitter cold in buildings virtually rotting away, the choir and their director went on the road (another resonant American theme) to raise what today would be millions of dollars.
The story is also American in featuring people who work together despite divergent backgrounds and conflicting aims. Ward observes, "Many of the missionaries who helped build black colleges and the white teachers who staffed them were Northern abolitionists who thought they'd find in black people a kind of blank slate to write on. What they found were real African American persons in all their human variety, with a complex, vital culture of their own." Yet in spite of mistakes, quarrels, and mixed motives on the part of all, black and white, the Jubilees succeeded.
"'We were nothing but a bunch of kids,' wrote soprano Maggie Porter. 'All we wanted was for Fisk to stand.'"
But they were a savvy, resilient bunch, too. Tenor Benjamin Holmes had taught himself to read and write by studying the letters on city signs. Soprano Georgia Gordon had learned to read by memorizing a Bible verse she heard in church, comparing it with the text until she could match each word's sound with its shape, and finding other words like it. Bass singer Greene Evans had built a schoolhouse for black children from discarded lumber, wryly noting that the building "'did not lack for ventilation, for a bird could fly through anywhere.'" Like Evans, Porter had taught in a country school, until it was burned down by the KKK.
On their first U.S. tour the Jubilees wore shabby clothes and lacked winter coats. Critics confused the slave songs that, in soprano Ella Sheppard's words, "'were sacred to our parents'" with the vulgar comedy of blackface minstrels. Railroad conductors ignored the singers'coach tickets and banished them to the smoking cars. Hotels that didn't turn them away often provided rooms which, Sheppard wrote, were "'so well occupied' with insects 'that a part of us only could sleep while the others slew the occupants.'" Some innkeepers were more welcoming - - one tied his wife to the upstairs banister to keep her from throwing the singers out of the parlor.
Despite fears, threats, exhausting schedules, and serious illnesses (contralto Julia Jackson had a stroke; tenor Benjamin Holmes developed TB), the Jubilees persevered. Their gracious ways and marvelous music inspired newspaper reporters to write articles that shamed hotel and restaurant owners into admitting black customers, and several railways, steamship lines, and schools integrated.
Through incessant rehearsals the singers had developed a sweet, stirring sound "that rose and soared and faded like a passing breeze." They sang for royalty throughout Europe, they sang in the Taj Mahal. Packed audiences listened to their praise songs and sorrow songs with astonished joy, weeping and applauding.
It was the first truly American music, and it would influence music everywhere in the next century. In these spirituals, Mark Twain observed, America had "'produced the perfectest flower of the ages.'"
The songs live on in such favorites as "Swing Low, Sweet Chariot" and "This Little Light of Mine." No Jubilee performances were recorded, but every student choir at Fisk University has sung the original arrangements, and the present choir will appear in Ward's TV documentary, Jubilee Singers: Sacrifice and Glory, on May 1 at 9pm on KCTS-9.
Ward may either finish his Civil War novel or write about another historical event his work on the novel turned up, the massacre of African American soldiers at Fort Pillow. Writing history, he says, reminds him how his life is linked to the lives of others. "Driving to Silverdale, I'm haunted by a sense of being an interloper on Suquamish soil. We're all interlopers to some extent, and we shouldn't fool ourselves with a proprietary sense about America that none of us has a right to." Ward adds, "We even treat African Americans like guests in this country. Though some of us try to make the 'visitors' feel comfortable, history shows us we're in no position to do this."
History also shows us, in Ward's inspiring book, a triumph of great music and personal courage.
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