Book Description
Celebrating the marriage of word and image on the written and printed page, The Art of the Book presents rarely examined treasures from the National Art Library at the Victoria and Albert Museum, London. Featuring a huge range of material spanning six centuries—including illuminated manuscripts, fine bindings, the classics of children's literature, comic novels, and artists' books, it explores the ways in which books not only transmit information but become works of art in their own right.
Thematic sections illustrate the key aspects of book design and production over the ages. With medieval books of hours sitting alongside contemporary paperback novels, the choice of artists, designers, subjects, and authors is wonderfully varied—from Leonardo da Vinci to Sir Eduardo Paolozzi, Aesop to Charles Dickens, and de Brunhoff's Babar the Elephant to Art Spiegelman's Maus. Strikingly illustrated with 100 colorplates, this absorbing compendium will be of interest to collectors, graphic designers, and booklovers.
Customer Reviews:
Amazing Resource.......2004-01-03
This book is a beautiful compilation put together by the former head of Special Collections at the Victoria and Albert Museum, London. Beginning with the illuminated manuscripts of medieval times, he traces the history of illustration and book decoration throughout the centuries. The design and layout of the book are also discussed in the chapters about bookbinding and typography. Not only does he address the amazing history of book illustration, but opens the door to the future of art and book design. Comics and graphic novels are given equal face time as the historical manuscripts, as is the experimental art scene in present-day Britain (posters, zines, etc.)
Each chapter includes a one-page essay on a certain illustration or design, or about the history of that medium. The essays are particularly well-written. My favorites among these essays included Ian Fleming's Bond books and the birth of the paperback, the descriptions on the medieval Book of Hours, and the illustrations of the fairy stories.
Beautiful book, and an amazing piece of scholarship.
Average customer rating:
- Written in 2002 -- much still holds up in 2006 E360
- Great breadth of coverage
- What a disappointment!
- From A Former Student
- From A Former Student
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The Entertainment Marketing Revolution: Bringing the Moguls, the Media, and the Magic to the World
Al Lieberman , and
Pat Esgate
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Book Description
Entertainment is now a $500 billion industry that reaches into every corner of human life. The Entertainment Marketing Revolution: Bringing the Moguls, the Media, and the Magic to the World profiles that industry, from film to print, music to theme parks—and shows exactly how to find and reach your market in today's insanely competitive marketplace. Discover the driving forces, key synergies, new opportunities, and advanced marketing techniques today's top companies are riding to success... and learn how to create tomorrow's blockbuster properties, starting today.
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Entertainment is now a $500 billion industry that reaches into every corner of human life. The Entertainment Marketing Revolution: Bringing the Moguls, the Media, and the Magic to the World profiles that industry, from film to print, music to theme parks-
Customer Reviews:
Written in 2002 -- much still holds up in 2006 E360.......2006-06-29
Hi, full disclosure here -- I've also written about this space in several books and reports including the National Assn of Broadcasters MULTIMEDIA 2000 -- HOLLYWOODUSA section I wrote in 1994 and scores of articles for Film & Video Magazine, BUSINESS 2.0 and ad/entertainment trade pubs including HOLLYWOOD REPORTER, digitrends.net and imediaconnection.com where I still write about emerging entertainment platforms. But onto this book. Also I don't thing I've met either of the authors Al or Patricia FYI. Al's a professor of NYU and Patricia is the exec editor of Entertanment Managament magazine which I've never seen -- I'm sure it's good. (Couldn't find a link online) Anyway -- 12 chapters covering such topics as 1) Marketing basics 2) People & players 3) Movies 4) Network TV/Syndicatio/Radio 5) Cable and Satellite & PPV 6) Publishing 7) Music 8)Sports 9) Travel & tourism 10) LBE & experiential branding. I'm writing this the week that NBC decides to advertise on Youtube.com for it's fall shows. And I look in this index and only see about 5 pages for Internet. So take that with a grain of salt...I do LOVE that they include Sports, Travel & Tourism and one of my favorites LBE (location based entertainment & what they call experiential branding). They define the 4C's of Entertainment Marketing as 1) content 2) conduit 3) consumption and 4 convergence....In the new economy many of us believe that the 4C's that matter are a) connectivity, b) community c) commerce and d) content. As one of my pals says -- if you don't put butts in the seats it doesn't matter how cool the convergence is :)) COMMERCE COMMERCE -- making money while you sleep -- either advertising or sponsorship are crucial in the new arena of entertainment marketing. This book gives a great profile of Barry Diller who I believe is one of the old economy gurus who really GOT and GETS the new economy. Eisner and Ovitz are also mentioned-- neither are players anymore and I doubt whether many people want to follow Ovitz path...Disappointed to only see 2 pages on Sponsorship when it is SOOO big -- think NASCAR -- think PIXAR's CARS -- zillions of sponsors Only two pages on merchandising -- which I have to really disagree with -- since Jurassic Park -- most of the major films have made more money with merchandise-- T shirts/licensing etc than with their content! THE INDEX IS GREAT -- the book belongs on your shelf even if it's a bit dated-- good way to see how the world changed between 2002 and 2006 -- 4 years WOW -- now ESPN is on 12 platforms -- ranging from mobile to Internet to Broadband to Satelillite, PPV etc. And of course the rise of social networking -- Myspace.com and Youtube.com are changing how marketing is done daily. Xspace is what many people here in Hollywood call Myspace's promo of X-Men --really awesome promo.
Great breadth of coverage.......2005-12-05
This is a great compendium providing both breadth - film, cable TV, publishing, music, etc. are covered - with perspective since the narration works in recent and long-past history. In the movie section that was of particular interest to me, there was theory and also practical information such as some films aren't shown to press reviewers in advance, which is a sure sign the studio has little confidence in the appeal of these films. Etc. By the way, I'm author of "Marketing to Moviegoers" from Focal Press that covers once slice of "Marketing Revolution's" broad turf.
What a disappointment!.......2005-04-03
The eBook format is a HUGE disappointment. You cannot print anything or extract anything. What a waste. Now I have to buy the hardback, too. . .
DON'T WASTE YOUR MONEY ON THIS eBook FORMAT!!!! It is like throwing good money after bad.
From A Former Student.......2003-10-09
This book mirrors the way Al teaches - colorful stories with rich insights into the industry. The book is a must read for anyone interested in the fabulous world of Media and Entertainment. It makes for an easy and fun read; most importantly when you are done, you actually remember what you read!
Al has had an illustrious career that he passionately and enthusiastically shares with his students. Now the rest of the world is privy to his wisdom. Read it, you won't be disappointed.
From A Former Student.......2003-10-09
This book mirrors the way Al teaches - colorful stories with rich insights into the industry. The book is a must read for anyone interested in the fabulous world of Media and Entertainment. It makes for an easy and fun read; most importantly when you are done, you actually remember what you read!
Al has had an illustrious career that he passionately and enthusiastically shares with his students. Now the rest of the world is privy to his wisdom. Read it, you won't be disappointed.
Book Description
Robert Maxwell—ruthless, volatile, defiant; a man of gargantuan appetites, for food, wine, women, power, money—unabashedly bared his ambition to the world, as he strove to build a publishing empire. But, throughout his career, Robert Maxwell also nurtured another, more driving, and—until now—altogether hidden ambition, and that was to spy for Israel’s Mossad. In the end, as Gordon Thomas, an author who has long been trolling the murky waters of international intelligence, shows in this gripping narrative, the conflict between the tycoon’s public interests and spy’s secret pursuits led to his mystifying death, officially by drowning, in November 1991, offshore of the Canary Islands. According to Thomas’s well-placed sources in Israel, Washington, and London, Maxwell first came into Mossad’s orbit in the 1970s, when the crack Israeli spy organization stole from the United States its most sophisticated piece of intelligence-gathering software, Enhanced Promis. Of it Mossad made an electronic Trojan horse, secretly amassing strictly classified information from inside the very organizations worldwide to which they were selling it. Mossad’s representative for these extremely sensitive transactions costing tens of millions of dollars in China, Russia, India, and twenty other countries was Robert Maxwell. Only Maxwell was also helping himself to some of Mossad’s profits—as well as $750 million from his employees’ pension fund—in desperate attempts to maintain his empire and to meet the demands of increasingly intolerant creditors. Aboard his yacht that November night in 1991 Maxwell no doubt still clung to the hope of a bailout by Mossad. But Mossad’s spy masters could not afford to smile on blackmail. This book reveals all the shocking reasons why. Eight pages of black-and-white photographs add to this astonishing tale of international intrigue, espionage, the Mossad, and murder.
Customer Reviews:
Plausible but..........2006-03-01
There are some good things and there are some very bad things about this book.
First though, with the good. Although it's far from a literary masterpiece, it is interesting in its own way and it does keep one going. The writers follow Maxwell's life and by describing his modus vivendi & modus operandi, attempt to justify their version of how Maxwell met his untimely death.
They portray him as a boisterous, pompous, bombastic megalomaniac, with an "unswerving belief in his own greatness, his total invincibility and readiness to bully and destroy anyone who dared to move against him". Extremely charismatic at charming into submission friends and foes alike, he's depicted as essentially inept at doing business. Born into extreme poverty, a Jew from Czechoslovakia, he always held Israel close to his heart, so mush so that he gladly agreed to become a spy for Mossad. In fact, he became one of Mossad's most valuable assets, that is before the truth about the shambolic state of his financial affairs started surfacing and his mental health further deteriorated. He then became a liability, and as with all liabilities he had to be gotten rid of.
Although not watertight by any means, the case presented by Thomas and Dillon is plausible and, all things considered, does appear very likely. But...
...Let's get to the bad stuff now. Never have I seen clichés used in such abundance; stereotypes all over the place as if both writers were too bored to actually do some thinking and come up with appropriate characterizations; or the word "terrorist" used so liberally and carelessly and with such disregard to potential implications. What's more, the mistakes in historical details, the misspellings of names and places beggared belief. I mean, come on, proclaiming the jewishness of the Dome of the Rock can't be anything other than idiotic. Surely, Abd-ul-Malik, the 9th caliph who had the place built must be turning in his grave, poor soul. In any case, I still can't decide whether the writers had an agenda, were just ignorant, indifferent, downright stupid, or any combination of the above.
Bottom line, if there were so many inaccuracies about things I did know and could easily double check, what about all those things I couldn't possibly know and couldn't possibly check? Judge for yourselves.
Errata.......2004-10-09
What Carroll and Graf Publishers desperately need is 1. a fact checker and 2. a proof reader. Shameful display of factual errors. With sloppiness of this sort, why would I ever dream of believing the basic (and unbelievable) premise.
Yvonne Adler
Excellent Research.......2004-09-26
This is the story of the downfall of Robert Maxwell, a man who had almost everything that a simple mortal could dream with, a family, a billionary business, fame, important business and political contacts but with a huge megalomaniac complex that pushed him to play several dangerous games with the espionage of Israel, the industrial espionage and the underworld factions of the East mafias but his biggest mistake was when he try to play the blackmail game which put in jeopardy the security of the state of Israel and the Mossad agent around the world forcing then to "eliminate" this personage.
Even though this is a wonderful work of investigation, I have some doubts about the sole responsability of Israel in this crime because of his several contacts within the Wall Street, the City of London moguls, the eastern mafias and the most important polititians of the world that he could put in danger with his downfall as a businessman or as a blackmailer, also it is very suspicious that many close collaborators died of sudden death or dissapeared.
The Hottest Book On The Market!.......2004-01-18
This is an E-Ticket Ride; in other words, a read with a roller-coaster effect obsorbing the reader's full attention. The revelations of Maxwell's high treason against the United Kingdom is alarming. Yet, what is more alarmimg is the complicity of the U.S. Justice Department and U.S. Senator Tower's treasonous activity against the U.S. Government and his apparent blackmailing of the White House... all orchestrated by Israels' Mossad via their willing agent, Maxwell. At the literal risk of their lifes, Dillon and Thomas have metciulously recorded the breathtaking facts we seldom, if ever, see in American media. This super-page-turner is THE hottest book on the market.
A waste of time.......2003-12-22
This book reputes itself to tell the secret history of British media baron Mr. Maxwell. A better account and although a work of fiction a more plausible account can be found in Mr. Archers `The fourth of Estate'. Maxwell had connections with Israels Mossad and he did have many high level contacts in Israel and he was involved in dubious behavior with the Russians but this book goes one step to far and simply creates relationships that did not exist. Beyond Muckraking this book is mostly fantasy and conjectured accusations that for the Maxwell hator or for the uninformed may well seem accurate but the truth is far more likely to have nothing to do with Maxwell being murdered by the Mossad. In fact Maxwell simply failed in business and probably committed suicide. This is an interesting account but should be read with an eye of suspicion.
Book Description
Astute, brutally honest, and always provocative chronicler of assorted media-world implosions Michael Wolff has sorted through the wreckage of fallen media empires and fearlessly deconstructed the peculiar psychology behind the mess. A former media entrepreneur himself, Wolff has had a ringside seat as the conglomeratized worlds of newspapers, magazines, television, radio, and the Internet have taken often bewildering turns.
In
Autumn of the Moguls, Wolff explains it all, taking on the great (and not-so-great) characters of the age, including:
- AOL Time Warner's Gerald Levin, Steve Case, Bob Pittman, and Walter Isaacson;
- New York Times publisher Arthur Sulzberger Jr.;
- Viacom's Sumner Redstone and Mel Karmazin;
- Disgraced domestic goddess Martha Stewart;
- Would-be media empress Tina Brown;
- Legendary kahuna Barry Diller;
- Media mogul turned New York City mayor Michael Bloomberg;
- Disney czar Michael Eisner;
- And an outrageous cast of self-proclaimed creative geniuses, short-sighted (and often short) financiers, and shameless politicians who attempt and frequently succeed in manipulating the media.
Customer Reviews:
puh-leeze.......2006-08-15
I suppose this book's presence in the bargain rack is testimony enough, but I will pile on anyway. I believe Mr Wolff's point is that the media industry is in constant disarray becuase media moguls really don't know what they are doing, with the possible exception of Rupert Murdoch. Trouble is, to get there one has to endure a 365 page rant which has all the (and maybe more) free-associative ramble and digression of a drunk guy at a bar who WILL NOT SHUT UP. A disaster from the get-go.
Who's the Biggest Poseur of All?.......2004-02-03
I read Autumn of the Moguls in disbelief. This is the "journalist" New York magazine was paying a half million dollars a year to for his supposed insights into the media business? What insights? What a lazy book this is. I was insulted by Wolff's arrogance, relentless posing, and absolute lack of any substance. So, cool. He got to sit at the same table as Rupert Murdoch. He's met Sumner Redstone. He gets invited to "mogul" meetings now and then. Big deal. The guy comes off as a total loser. No, wait: "total loser"--that's me. I paid full price for this meaningless rubbish.
The Divided Heart.......2003-12-27
The dialectic in this book is Wolff's inability to resolve his attraction to the titans who run the media industry with his understanding that these are the same people who have corrupted the business. Wolff is as aware of this tension as anyone. On several occasions he describes this, in his disarming and disconcertingly honest way, as one of his key failings.
I have read several reviews which, in fact, seem to regard this ambivalence of Wolff's as a literary failing of the book. But that is, I think, a mixing up of some new Enron-like morality with a deeper literary strategy. Wolff's special contribution here is to explore the predicament of knowing in your head that these are all bad guys--driven exclusively by ego, money, and grandiosity--who have, while making themselves rich, brought nothing but harm to the businesses they have accumulated, while in your heart being drawn to their size, their wealth, their ambition, their determination, their assurance, their mastery, and their charm.
I would argue that only by exploring this conflict can we understand just who these moguls are--the Redstones, Eisners, Murdochs, Dillers, et al, who, likely, will rank with the Vanderbilts, and Goulds, and Rockefellers, as the Robber Barons of their age.
Along with the psychological and literary insight here--the portraits in Autumn of the Moguls are surely as compelling and nuanced as any character studies in any recent nonfiction--it's important to note the writing itself. Wolff may be the best nonfiction stylist writing today. You have to go back to a different time (the seventies) to find surprising, stylish, personal, lyrical writing like this. This is essay writing in the league of Joan Didion, Tom Wolfe, Michael Herr, and Norman Mailer.
What's more, it's hard to describe just how impish, satirical, scabrous, rude, and hilarious this book really is.
I agree with an earlier reviewer here that this is a very unlikely business book. On the business shelf, it is miscast. Otherwise it is an extraordinary piece of social commentary.
Overly Long and Wordy.......2003-12-26
Let's face it, Wolff is a writer and is paid to write. Therefore, he has to fill the covers of this tome with enough chapters to justify it's existence. In reality, the book could be boiled down to about 5 really good chapters and still get his point across nicely. But then, it wouldnt be very thick and thick books make for nice ego-feeders, they also feel "right" when you pick them up and pay for them. It's almost like you are getting something for your money, right? Wrong.
Bottom line: it should have been a 2-part article. I don't need to know nearly what I've been told to get the "point" (and I think he had one) of this dreary and politely mean diatribe.
Don't waste your money, just read his articles online instead. You get the same venom without wasting your time reading about large apartments, snobby luncheons and all the would-be, has-been, wanna-be's of the media world.
Also, be sure to note that nearly all the favorable reviews here are from the NYC area or the east coast. Draw your own conclusions.
Incredible writer.......2003-11-09
I don't know why this is called a business book. It reminds me much more of Norman Mailer. It's a social and personal essay. I know Wolff's work well. His column in New York magazine is one of the best things there or, for that matter, in any other magazine. It's incredible writing. Who else is writing prose like this? Who else is this funny? It's deep, subversive, blasphemous humor. This book, like his column, is theoretically about the media business, but it's really about the sanctimony of American culture. Wolff rips it apart. He says what every person knows, but is too well-mannered, or repressed to say. Wolff is a great writer and this is a great book.
Average customer rating:
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How to Think Like the World's Greatest New Media Moguls
Marcia Layton Turner
Manufacturer: McGraw-Hill Companies
ProductGroup: Book
Binding: Hardcover
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ASIN: 0071360697 |
Book Description
Noted journalist Dale Buss explores the winning business strategies behind today's most exciting, outrageous and successful new media projects and personalities. From TheStreet.com's James Cramer to Michael Robertson of MP3.com, from Craig Kanarick and Jeff Dachis of Razorfish to the editors of The Onion, Slate, Salon, and Suck, Buss provides the inside scoop on how these moguls think about their businesses, how they have influenced, inspired, and scared the heck out of the old media, and how they plan to continue to dominate the business landscape.
- Features eye-opening anecdotes and memorable quotes from the new media moguls
- Provides ideas to help readers apply cutting edge strategies to their own businesses
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Media Moguls (Communication and Society)
Michael Palmer
Manufacturer: Routledge
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ASIN: 0415054680 |
Book Description
An account of how a very few powerful individuals come to wield a lot of control in international communications. The politics, eccentricities and industrial alliances of the moguls including Maxwell and Murdoch are examined in detail.
This title available in eBook format. Click here for more information.
Visit our eBookstore at: www.ebookstore.tandf.co.uk.
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Media Moguls and Meglomania
Ursula Owen
Manufacturer: Index on Censorship
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ASIN: 0904286436 |
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Oprah Winfrey: Profile of a Media Mogul (Career Profiles)
Jeanne Nagle
Manufacturer: Rosen Publishing Group
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ASIN: 1404219080 |
Book Description
This digital document is an article from Winnipeg Free Press, published by Thomson Gale on August 2, 2007. The length of the article is 518 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Black may not travel to Canada, judge rules; Fear is that former media mogul could try to stay.(World Wire)
Author: Gale Reference Team
Publication:
Winnipeg Free Press (Magazine/Journal)
Date: August 2, 2007
Publisher: Thomson Gale
Page: a8
Distributed by Thomson Gale
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