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Lord Haw Haw: The English Voice of Nazi Germany
The National Archives UK
Manufacturer: The Scarecrow Press, Inc.
ProductGroup: Book
Binding: Hardcover
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ASIN: 0810847531 |
Book Description
Lord Haw Haw: The English Voice of Nazi Germany tells the story of William Joyce from a new angle: through the eyes of the British intelligence agents who pursued him from his teenage dalliance with fascism in the 1920s to his execution in 1946. T
Customer Reviews:
Lor d Haw Haw.......2003-07-03
In Lord Haw-Haw, Dr Peter Martland, an accomplished historian of the modern period, packs in a swift, erudite and highly engaging account of the most reviled of wartime turncoats. Piecing together the William Joyce story from Public Record office archives an absorbing melange is created of a man drawn to violence, spirited to treason, and gifted with a perverse talent behind the radio microphone.
Fascinatingly, Martland spends a time describing the problems the British faced in bringing Joyce to the gallows for treason after the war. Did a born American-born man owe allegiance to the Crown in the first place? The tortured legal arguments on whether an alien could owe the King a loyal duty and the weight the security services placed on these worries is brought to the fore in Martland's writings. Without giving the game away, the shear effort a bankrupt British state made in gathering the necessary evidence in order to swat this ultimately pathetic figure strikes the reader.
And of Joyce's early life, the roots of Joyce's fascism beam through. Intellectually formidable, attracted by Mosley's shameless rhetoric, Joyce saw in Nazism an apt refuge for his anti-Semitic beliefs, and the institutionalization of the pub violence that permeated his life. Shunted from New York, to Ireland, to England, this is the tale of a wanderer whose Road to Damascus became a short stroll to a Berlin radio studio.
There are glimpses into the anxiety of the British government during the first couple of years of Joyce's broadcasts. To be sure, many saw him, with that odd, clipped, parvenu accent, as more of a comic than a Josef Goebbels, but nonetheless this was a radioman heard widely over the whole of England ; akin to today, any media coverage was good media coverage.
As the Nazi state crumbled, the sad last months of Joyce's employment in Germany are recorded in detail by Martland. Ever the Hitler believer, a rambling, drunken fool, gabbing into the microphone was what the end of the Reich did to Joyce. I like this part of the narrative, Joyce and precocious wife running from radio studio to radio studio always the transmitting sheep for the fast decaying Germany.
This new series from the National Archives, as the dusty Public Record Office has been rechristened, is formidable in that each title has half a book full of documents from the actual files kept. In Joyce's case the lame points of appeal in his trial for treason are printed ; so too is a spurious note by
some soldiers in liberated Europe on how Joyce accidentally happened to be shot when fleeing after the war.
Odious characters always excite. More so when they are dangerously formidable speakers, even if their crackpot ideas are laughable. More so when as intellectuals they leave democratic nations to find a hoped for comfort in the Berlin of 1939. I left this book with a fecund pity for William Joyce, Lord Haw-Haw. The Irish immigrant attempting to be a patrician ; the self-taught masterly student attracted by the Mosley din ; the sneering womanizer charming in person, plain nasty in the airwaves.
Lord Haw-Haw is fantastic reading for those with an interest in betrayers, in espionage, and for those who want a distilled, non-pretentious, crystallized narrative of this complex figure. Refreshing in its clear style, accommodating to the plain curious, as I was, Martland in this project has done a fine job.
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Offshore, Human Voices, The Beginning of Spring (Everyman's Library (Cloth))
Penelope Fitzgerald
Manufacturer: Everyman's Library
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Binding: Hardcover
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The Bookshop, The Gate of Angels, The Blue Flower (Everyman's Library (Cloth))
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The Woman Warrior, China Men (Everyman's Library Classics & Contemporary Classics)
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The Prime of Miss Jean Brodie, The Girls of Slender Means, The Driver's Seat, The Only Problem (Everyman's Library Classics & Contemporary Classics)
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The Complete Henry Bech (Everyman's Library)
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Mr. Sampath--The Printer of Malgudi, The Financial Expert, Waiting for the Mahatma (Everyman's Library)
ASIN: 1400041252
Release Date: 2003-09-23 |
Book Description
(Book Jacket Status: Jacketed)
After publishing her first novel in 1977 at the age of sixty-one, Penelope Fitzgerald (1916-2000) went on to become one of the most remarkable and highly acclaimed English writers of the last century. Each of the three novels gathered here vividly and unforgettably conjures up an entire world.
The Booker Prize-winning novel Offshore limns the marginal existence of an eccentric assortment of barge dwellers on the Thames in the early 1960s, a group of misfits who are drawn to life on the muddy river in exile from the world of the landlocked. Human Voices takes us behind the scenes at the BBC during World War II, as world-weary directors and nubile young assistants attempt to save Britain’s heritage and keep Britons calm in the face of a feared German invasion. In The Beginning of Spring, a struggling English printer living in Moscow in 1913 is abandoned by his wife and left alone to care for his three young children in the face of the impending revolution.
Fitzgerald is a genius of the relevant detail and the deftly sketched context, and these narrative gems are marvels of compassion, wit, and piercing insight.
Book Description
A Remarkable New History of the Falklands War in the Words of Those Who Were There.
The latest addition to the landmark
Forgotten Voices series gives a unique perspective on a pivotal but often overlooked conflict.
From the Compact Disc edition.
Book Description
This book uses personal accounts and illustrations, mainly from the author's own archives, to cover all aspects of World War I-from departure of the Old Contemptibles to fight the Kaiser in 1914, young men eagerly enlisting, high hopes of 1915 that fizzled out at Gallipoli, to the bloody fields of Flanders. It runs through the battles of the Somme and Passchendaele to the coming of the Americans, fighting in the closing months of the war, joyous celebrations of Armistice Day and burial of the unknown warrior in the aftermath. The authors have drawn on the experiences of the men who fought, touching on subjects as diverse as propaganda, fear, morale, bravery, bawdiness, filth, and frivolity and the stark contrast between attitudes of civilians at home and the men at the front. Newspapers, magazines, letters, diaries, songs, poems, as well as a wealth of first-hand anecdotes and personal accounts by the soldiers themselves are included in this book.
Customer Reviews:
Awesome Photographs.......2005-04-18
This is a magnificent book. To be sure it isn't complete, perhaps Ms. MacDonald can be persuaded to do a similar book on the French and American activities in the Great War. Come to think of it, some more books on the air war and the sea war would be nice as well.
I can't call this a history exactly, it is instead a series of letters, recordings, and reports from the people who were there. I suspect that a lot of these came from the Imperial War Museum which is creating a collection of such things.
What I really can't imagine is where she was able to contain the huge number of truly amazing photographs. So many pictures you see of that war are reprints from a magazine and show the moire patters of being re-scanned, these do not.
This has to be one book in your collection on the Great War, but I think you will find it to be a book that you pull down quite often, if for no other reason than the photographs.
MacDonald's "Voices and Images" Speaks Volumes.......2000-12-29
This one book is what led me to become a Lyn MacDonald fan who has eagerly collected and read each one of her books as they became available. She is one of the foremost experts on the WWI and as such, has brought to life in this one volume, the stories of the men who risked all in this long ago conflict.
This book is dedicated to the individual soldier and the collective experience. As such, it is not straight history and is all the more compelling for it. If you are looking for something more detailed, this is not the book for you.
What this book does offer is glimpses into the lives and deaths of the soldiers who participated. From heroes who won the Victoria Cross to deserters who were shot at dawn, each tale, snapshot or drawing provides a vivid introduction to the personal aspect of war.
An incomplete oral history.......2000-06-29
"Voices & Images of the Great War" was great idea. The formula of presenting first-hand accounts of the experience of war has worked well for such authors as Cornelius Ryan (Longest Day, and A Bridge Too Far). But acclaimed World War I authority Lyn MacDonald proved to me that she should stick to her day job of writing straight history.
First of all it should be noted that despite the ambitious (or ambiguous) title, the scope is rather limited for this work. Except for two Germans and one American liaison officer, one finds here only the words of soldiers from the British Empire - and only on the western front. I have no problem with that per se, but there are alot of voices - French, German, American, civilian - and images left out. Actually, a narrow focus is preferred. Oral histories are nearly impossible to produce on a large scale and are much more effective when they focus on specific battles or campaigns such as D-Day or Iwo Jima. I think to write a book like this also requires more journalistic training than Ms. MacDonald appears to have.
As written, the book moves chronologically through the war and each event is retold sometimes through personal narratives, sometimes through letters. In true military fashion, we are given name, rank and unit of each man, but beyond that we are not introduced. After reading each entry, one often wonders what happened to these letter-writers, whether they survived the war or what they made of their lives after. One isn't rewarded. The images mentioned in the title are present, but there are not very many and they are unlabeled. The result is confusing because you aren't sure whether the photo is the actual image of the writer or merely representative. On infrequent occasions the photos are tilted to one side or the other, lending an air of the scrapbook.
Despite all of this book's shortcomings, the stories are there and they speak with undeniable clarity. If you purchase this book do it for these great men.
Book Description
In 1972, a team of academics and archivists from the Imperial War Museum set about the momentous task of tracing ordinary men and women who lived through one of the most harrowing periods in modern history, the First World War.
Veterans from Britain, Germany, America and Australia were interviewed in detail about their day-to-day experiences on and off the front. It has since grown to be the most important archive of its kind in the world.
These audiobooks contain just a sample of these voices -- some of which have rested unheard for more than 30 years -- the forgotten voices of a generation no longer with us.
From the Compact Disc edition.
Customer Reviews:
Stuck in the Greatest Idiocy Ever.......2006-09-04
These are first hand accounts of men and women that lived through the first world war. It is all there--loyalty to your fellow soldiers, cowardice, indifferent heroism, terror, and the feeling of apartheid from home and family. The most striking rememberances I took from the book were the white feather incidents--where white feathers were given to soldiers out of uniform on leave in England by young women as a goad to get to the trenches.
personal reading milestone.......2005-11-24
This is the first book I've ever read in one day; 'I rest my case'.
My most lingering memory is the story of the soldier who was shot for 'losing his way' and not showing up for a battle. When offered brandy by the narrator before meeting his maker, he said he'd 'never drunk spirits and wasn't going to start now'. Not such a coward, after all.
Fascinating wartime experiences by those who fought it.......2004-07-11
This book is full of fascinating wartime anecdotes given by the soldiers fighting it and the citizens involved in it. The staff of the UK's Imperial War Museum sifted through mountains of archives and picked out the very best to use in the book. Through the use of their own personal letters/interviews, the book follows the history of particular, mostly British, individuals during the war. It loosely follows the major battles of the Western Front and Gallipoli and even the Home Front.
Most of the letters vary in length between one paragraph and one page and are packed with the kind of realistic details that typical narrative histories of the World War I skip over. For example, in Gallipoli (p. 118) one soldier writes, "One of the biggest curses was flies. Millions and millions of flies. ... Immediately you bared any part of your body you were smothered." Short of actually being there, these kind of first person participant narratives deliver the essence of the war - harsh, demanding, brutal, comedic, and ocassionally surreal. The straightforward writing styles and unusual content make this book a true pleasure to read.
I have read over 40 books about the Great War, and this book is one of the best for personal narratives about the war. It's multi-person perspective delivers a well-balanced, insightful picture of the war at ground level (free of any hidden agenda). This book would perfectly complement a broad narrative history of World War I.
A Great Read & Excellent History.......2002-12-23
Max Arthur's new book covering the Great War is quite unique in that its content is nearly all first-hand accounts from people who experienced the horror of the Great War. The author has utilized a number of tape recorded interviews conducted by the Imperial War Museum in 1972. Many of the tapes from the Imperial War Museum Sound Archive had been forgotten and left unheard for years.
Now Max Arthur has put together many of these unheard voices from the Great War to produce this spellbinding and captivating book. I must admit that I was reluctant to buy this book as I was worried that a book full of short accounts would be too disjointed and really not detailed enough to satisfy my interest. I can honestly say that I truly enjoyed reading this book.
Each chapter of the book was a year of the Great War and was commenced by an introduction by the author offering a brief run down on the major events of that year. Then we heard from the men and women who participated in these events, from both sides of no-man's land. The author has concentrated mainly on the Western Front and Gallipoli and has tried to run the oral segments in chronological order.
I was really taken by these segments and I found it hard to stop reading. The accounts from these soldiers and civilians alike were at times humorous, strikingly direct, horrifying and on many occasions quite sad. I was really taken in by these accounts and I don't think that any World War One library would be complete without this title sitting on the shelf. I can honestly say that I learnt quite a few things from this book and I would place it along side such works offered by Lyn MacDonald. Well done to the author and the Imperial War Museum for allowing these veterans, many now long dead, the last word on their experiences in the Great War. This is a great book, you won't be disappointed.
Book Description
Thanks to the foresight of the authors, Voices in Flight is a literary memorial to the hugely gallant men who fought their war in small dangerous and vulnerable aero planes.
We hear told the stories and thoughts of not only pilots but ground crew and others closely associated with this form of combat. These interviews bring home vividly the camaraderie, the humor, the sadness but above all the thrill of flying experienced by members of the RFC and later the fledgling RAF. First hand accounts of dog fights make graphic reading. This is a never-to-be repeated opportunity to honor the memories of old aviators by bringing their experiences to the attention of younger generations.
Book Description
From the people who lived through extraordinary and terrible times--the air raid wardens, the Home Guard, the Land Army, the families pulled apart and the communities brought together--real life stories of Britain under fire during World War II.
Revisiting an era brought to life with the vivid re-telling of events, this is a book written by the people who survived the war from their own homes and in their own workplaces. From the cities come stories of the bomb shelters and munitions factories; recollections of getting on with life when everything was in tatters. From the coasts and the countryside the Britons who worked to keep the nation fed and who took in the children of stangers when they were evacuated to safety, tell their story. Here too are tales of liasons with American Gis, and the relationship of the public with Italian POWs.
Voices from the Home Front offers a collection of viewpoints that will strike a chord of familiarity for all those that share these living memories. It is also an opportunity to reflect on the resilience of a nation at war, the humor and the strength that such times inspired even in the face of hardship and tragedy.
Customer Reviews:
This is a really great book.......2006-07-27
"Voices From the home front" by Felicity Goodall is a really great book. Ms. Goodall tell the experiences of the common person during World War two. This is a great book for any history fan.
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- The First World War from an Indian Soldier's Viewpoint
- WW1--an unfamiliar view
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Indian Voices of the Great War: Soldiers' Letters, 1914-18
David Omissi
Manufacturer: Palgrave Macmillan
ProductGroup: Book
Binding: Hardcover
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ASIN: 0312220618 |
Book Description
Indian soldiers served in France from 1914 to 1918. This book is a selection of their letters. By turns poignant, funny, and almost unbearably moving, these documents vividly evoke the world of the Western Front--as seen through "subaltern" Indian eyes. The letters also bear eloquent witness to the sepoys' often unsettling encounter with Europe, and with European culture. This book helps to map the imaginative landscape of South Asia's warrior-peasant communities.
Customer Reviews:
The First World War from an Indian Soldier's Viewpoint.......2007-01-08
Based as this book is on the letters sent home by Indian soldiers on the 'western front' during World War I, it gives a true picture of the actual war conditions which must have come as a great surprise to these combatants who had never been outside India and did not even know what they were fighting for. The majority of these soldiers came from northern areas of India which are now in Pakistan. Once in France, they were immediately taken aback by the goodwill and lack of prejudice in contrast to what they were
accustomed to at the hands of their British masters in India. This is expressed again and again in several letters. They were surprised also at the attitude of their British mentors who behaved so differently in their own country and almost treated them as equals. Today we find it surprising that these soldiers would be willing to lay their lives on behalf of their foreign masters for a few dollars a month, to be gassed and blinded, buried in swamps, without even knowing the actual causes of
the War or the consequences if the other side had come out as victors.
Such was their innocence! This book can very engrossing for those interested in the First World War, as the expressive letters very clearly
portray the feelings of wounded soldiers afraid to go back to the front a second time.
WW1--an unfamiliar view.......2001-11-21
This book is a collection of letters between Indian soldiers and their families in the First World War, translated into English from the various languages in which they were originally written. Many thousands of soldiers from what was then the British Empire fought for the Allies in WW1, and a large number of them came from India--Hindus, Sikhs and Muslims. They had enlisted for traditional warfare in South Asia, and nothing could have prepared them for what they found when they arrived in the trenches of the Western Front. Their accounts of their experiences are fascinating, powerful and moving. David Omissi, the editor, provides an excellent introduction and gives useful background information. I strongly recommend this book.
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Drawn Blank
Bob Dylan
Manufacturer: Random House
ProductGroup: Book
Binding: Hardcover
ASIN: B000O9Q2ZY |
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Drawn Blank
Reg Gadney
Manufacturer: William Heinemann
ProductGroup: Book
Binding: Hardcover
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ASIN: 0434280003 |
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Drawn from Life, Sketches of Young Ladies, Young Gentlemen, and Young Couples ( Dickens Character Sketches Arlington Edition ) . The Chronological Position of These Sketches is Between the Completion of PICKWICK and the Commencement of NICHOLAS NICKLEBY a
Charles, 20 Illustrations By Phis, Frontispiece with FoXing, Yellow Endpapers Light Wear Fox, Blank Flyleaf Former Owner Name Address, Inner Hinges Starting Dickens
Manufacturer: Hurst & Co. Publ. NY
ProductGroup: Book
Binding: Hardcover
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ASIN: B000JD62XC |
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- Another Side of Bob Dylan
- a 10 if there were commentaries
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Drawn Blank
Bob Dylan
Manufacturer: Random House
ProductGroup: Book
Binding: Hardcover
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The Bob Dylan Encyclopedia
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Dylan Speaks
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BOB DYLAN: THE ESSENTIAL INTERVIEWS
ASIN: 0679417885
Release Date: 1994-11-15 |
Book Description
An extraodinary collection of drawings and sketches-of women, hotel rooms, cityscapes, and more-by the world's best-known singer-songwriter, each accompanied by a note or short poem.
Customer Reviews:
Another Side of Bob Dylan.......2005-07-13
Bob Dylan is not only a great songwriter and performer, but has had a long-standing interest in other media, particularly filmmaking and the visual arts. Some of his drawings and paintings illustrated his book Lyrics 1962-1985, the album covers of The Band's Music from Big Pink and his own album, Self Portrait. Drawn Blank is the most comprehensive collection of his art work to date. In a brief introduction to the book, he calls the work "sketches for paintings that either never were painted, have yet to be painted (or more likely never will be painted)." He states that the drawings were executed over a three-year period between 1989 and 1991 (though hard-core fans have identified many of them as having been executed earlier, possibly from 1985). The drawings are expressionistic and realistic: portraits and interiors and landscapes, many apparently drawn while on the road, from hotel room windows and other places he was passing through.
The obvious question raised by a book like Drawn Blank is whether the drawings succeed on their own terms or simply function as pop culture fetishes. Drawn Blank seems to tackle this question by treating its material simply and straightforwardly, and with a minimum of hype: there is no text in the book other than Dylan's introduction; no information is given about who the drawings depict, where they were drawn, or when they were done. Perhaps like Dylan's well-known avoidance of stage patter, this is a way of trying to let the works speak for themselves and to maintain Dylan's privacy - and indirectly, to add to the mystery and glamour of the work, to make it more abstract.
The drawings in Drawn Blank show some of Dylan's conservative tendencies as well as his moral interests. In the introduction, he mentions a high school art teacher's advice to draw what you see "so that if you were at a loss for words, something could be explained and, even more importantly, not be misunderstood." While the drawings show Dylan's attempts to "get at something other than the world we know" through drawing from observation, viewed in the context of his music, they are somewhat disappointing - they don't show the same range of imagery and are not as involved with metaphor as his songwriting. They are functional; like Dylan says, a way for him to "relax and refocus a restless mind." Some of the most interesting drawings in Drawn Blank are those where earlier drawings are visible underneath later ones - what may be a skull, barely visible underneath a still life; a cross that says "Jesus Saves" underneath a drawing of a neighborhood seen through a window; a figure showing through a drawing of a tree. The style of many of the drawings has an effect like that of Dylan's singing voice or his harmonica playing - gratingly smudgy, apparently unschooled, but with a stubborn integrity that can grow on you. They are as uncommercial a bunch of drawings as one might see, sent into the world to see if anything might happen as a result.
Drawn Blank's "On the Road"-like pictures of rural America, roadside stops, dressing rooms, cars and trucks, bicycles, playground equipment, tables and chairs, naked women's butts, and friends make no great claims for themselves. The drawings offer an intimate look at another way Dylan views the world, and offer a way of vicariously traveling with Bob in a way that is unavailable through performances and recordings. Dylan's straight-ahead effort to experience and understand the world through drawing helps to make Drawn Blank appealing. At the same time, Dylan uses drawing to maintain his distance, to create some private space in the middle of the commercial and very public world he occupies. In Drawn Blank, Dylan's artwork, like his music, gives him a way of both capturing private experience and offering that experience publicly, as a gift.
(adapted from a review first published in Texte zur Kunst, August 1995)
a 10 if there were commentaries.......1998-05-09
Just a note, there are no written commentaries in the edition (1st) that I purcahsed when the book first came out, other than the Foreward, which is written by Bob
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