Product Description
Foundations of Library and Information Science is the most current introductory text available, covering the practice of librarianship, the place of libraries in the broader information infrastructure, the development of information science, and more. Library and information science students and professionals will find the background and concepts they need to meet today's - and tomorrow's - challenges. TABLE OF CONTENTS: 1. The Information Infrastructure: Libraries in Context; 2. Information Science: A Service Perspective; 3. Redefining the Library: The Impacts and Implications of Technological Change; 4. Information Policy: Stakeholders and Agendas; 5. Information Policy as Library Policy: Intellectual Freedom; 6. Information Organization: Issues and Techniques; 7. From Past to Present: The Library s Mission and Its Values; 8. Ethics and Standards: Professional Practices in Library and Information Science; 9. The Library as Institution: An Organizational View, and 10. Librarianship: An Evolving Profession.
Customer Reviews:
Well, it could be worse..........2006-10-24
Compared to Arlene G Taylor's writings on library science, Richard Rubin is positively scintillating. I find this book very manageable in comparison.
Commendable but DULL big time.......2006-09-13
Rubin offers a competent and well prepared text that covers the field thoroughly. The book, however, is written in a manner that takes all of the interest, colour, and excitement out of librarianship. It is dull and it is boring big time, and it tends to put off those interested in becoming librarians. I know because I'm using it now in a course that I'm teaching. There is really no reason for this for producing such a flat, unappealing volume. I strongly urge Rubin to take on a co-author who would be able to put some life and human interest in this otherwise commendable work. He owes it to his profession.
Better than a Sleeping Pill.......2006-07-19
In all of my years of academic reading, I have never come across a book that presents material in a less inspired way. Torture.
on content alone does this book get the fourth star..........2006-03-27
Wow. Someone called this book reader friendly. ::blink, blink:: I don't know about that. What I do know is that it is a tremendous resource for the LIS professional. Like probably every other MLIS/MLS student in America, I bought this book for one of my early courses. I read snippets. I skimmed mercilessly. I snored repeatedly, but I learned copiously. Buy it if you must. Borrow it if you have the chance. Don't skip it unless you have to.
Good Information.......2006-02-27
This is a good book to have for a reference guide, but a few of the most difficult concepts covered were not explained clearly. All in all, the book is very thourough.
Book Description
Instant electronic access to digital information is the single most distinguishing attribute of the information age. The elaborate retrieval mechanisms that support such access are a product of technology. But technology is not enough. The effectiveness of a system for accessing information is a direct function of the intelligence put into organizing it. Just as the practical field of engineering has theoretical physics as its underlying base, the design of systems for organizing information rests on an intellectual foundation. The subject of this book is the systematized body of knowledge that constitutes this foundation.
Integrating the disparate disciplines of descriptive cataloging, subject cataloging, indexing, and classification, the book adopts a conceptual framework that views the process of organizing information as the use of a special language of description called a bibliographic language. The book is divided into two parts. The first part is an analytic discussion of the intellectual foundation of information organization. The second part moves from generalities to particulars, presenting an overview of three bibliographic languages: work languages, document languages, and subject languages. It looks at these languages in terms of their vocabulary, semantics, and syntax. The book is written in an exceptionally clear style, at a level that makes it understandable to those outside the discipline of library and information science.
Customer Reviews:
The Bible of Metadata.......2003-03-22
I keep this book close to me at work and usually stick it in my laptop case when I leave for home. It is my bible for metadata. The first time I read it, I carefully underlined passages with a fine light pencil. Now I've tossed book decorum to the winds and use highligher pens! To mention just one general topic, Elaine Svenonius grapples with all of the key issues that trained librarians face when cataloguing digital materials. She also covers controlled vocabularies from several perspectives, and understands the challenges/difficulties of applying standard "book" classifications to rich media collections. That it took me a long time to get through this book has nothing to do with her style -- Elaine Svenonius writes clearly, often beautifully -- but rather with the amount of information and the mind-expanding concepts, which I still mull over as I wrestle at work with asset management.
Heavy going, but worth the effort.......2001-06-02
I think that a lot of people who work in information technology tend to think that the problems that we have with things like web-based search and retrieval are unique to Internet search engines and catalogue databases. I know that I've been working in the field while lacking an adequate sense of the historical basis of information organization.
Svenonius breaks information organization down into ideology (purposes and principles), the formalization of the processes involved in information organization, knowledge based on research, and key problems that need to be solved. It's information that's very useful for anybody who is involved with organization of information-- even for people like me who work more on the technical than conceptual side of content management systems.
Customer Reviews:
The largest directory available compiled from an updated database of library-specific funders.......2006-03-07
Prepared by the Taft Group for the American Library Association, The Big Book Of Library Grant Money 2006 is the largest directory available compiled from an updated database of library-specific funders. Including nearly 2,400 private and corporate foundations and givers that have either indicated an interest in donating to libraries or have already done so, The Big Book Of Library Grant Money 2006 profiles potential donors with contact and portfolio information, summary and analysis of past contributions, and application information. The wealth of detail includes information about the donor's operating locations and websites, revenue and profit, typical recipients, recent grants, nonmonetary grants, and much more. A secondary list of officers and directors by name, and an extensive index round out this cutting-edge resource and priceless fundraising tool for public libraries.
Average customer rating:
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The Conceptual Foundations of Descriptive Cataloging (Library and Information Science)
Manufacturer: Academic Press
ProductGroup: Book
Binding: Hardcover
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Library Management
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ASIN: 0126782105 |
Book Description
Computer technology together with political and economic pressures for interlibrary cooperation are having far-reaching effects on online systems for bibliographic control. This work is a compendium of the current thought on how catalogs of the future can best take advantage of machine capabilities in a networking environment.
The Conceptual Foundations of Descriptive Cataloging comprises the proceedings of a conference of the same name held at the University of California, Los Angeles, in 1987. The conference stimulated visionary thinking about the future direction of systems for the bibliographic control of information, particularly the future of those systems applying the Anglo-American codes for descriptive cataloging.
Key Features
* The general principles underlying the design of bibliographic databases
* The shape of bibliographic databases in the forseeable future
* The impact of technology on catalogs and catalog codes
* Design objectives for online catalogs
* Standardization and integration in bibliographic control
* Access to bibliographic information in the online age
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Managing Archives: Foundations, Principles and Practice (Information Professional)
Caroline Wiliams
Manufacturer: Chandos Publishing (Oxford) Ltd
ProductGroup: Book
Binding: Hardcover
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ASIN: 1843341131 |
Book Description
Summary: This book provides an up-to-date practical guide to archives management. It has three main target audiences: those who have been tasked by their organization to manage its archives but who have no prior training; those who are starting out as professionals or para-professionals in a record keeping environment and need basic guidance; and students who are currently studying for a professional qualification. Basic guidance is supplemented by comprehensive references to professional literature, standards, web sites etc. to enable the reader to further their studies at their own pace. The text includes a range of optional activities that enable the reader to translate principles into practice and feel greater 'ownership' with the guidance. Key Features: 1. There is no similar book on the market 2. There is known demand both from practitioners and students 3. The book offers guidance in the implementation of archival processes in a range of institutional contexts, and enables a universal application 4. The author is continually exposed to international theoretical developments in the field and is used to conveying these through teaching, both in the classroom and through the writing of distance learning materials 5. The author has significant practical experience at a senior level and strong links with the professional archival community and strategic national players Readership: Those given responsibility by their organizations for the management of their archives but have no prior education or training in archives management; recently qualified professionals and students on archives, library and information courses nationally and internationally The Author: Caroline Williams is the Director of the Liverpool University Centre for Archive Studies (LUCAS). Contents: Introduction Principles and purposes of records and archives Selection, appraisal and acquisition Archival arrangement and description Access, reference and advocacy Preservation Managing and archive service Bibliography
Book Description
Sophocles' play, first staged in the fifth century B.C., stands as a timely exploration of the conflict between those who affirm the individual's human rights and those who must protect the state's security. During the War of the Seven Against Thebes, Antigone, the daughter of Oedipus, learns that her brothers have killed each other, having been forced onto opposing sides of the battle. When Creon, king of Thebes, grants burial of one but not the "treacherous" other, Antigone defies his order, believing it her duty to bury all of her close kin. Enraged, Creon condemns her to death, and his soldiers wall her up in a tomb. While Creon eventually agrees to Antigone's release, it is too late: She takes her own life, initiating a tragic repetition of events in her family's history.
In this outstanding new translation, commissioned by Ireland's renowned Abbey Theatre to commemorate its centenary, Seamus Heaney exposes the darkness and the humanity in Sophocles' masterpiece, and inks it with his own modern and masterly touch.
Customer Reviews:
Excellent Teaching Tool.......2005-10-17
After teaching years of sophomore English, I have finally found a version of Antigone that even 15 and 16-year-olds can understand and appreciate. Still loads of figurative language to teach and what an author to introduce your students to alongside Sophocles!
Not terribly poetic.......2005-10-10
The Antigone of Sophocles exists in a number of English renditions. The Abbey Theatre commissioned Heaney to do yet another for its centenary. In an afterword to this volume he explains the genesis of his version -- why he decided to do it and how. He explained his poetic tactics, as it were, and justified a "middle style" by referring to Yeats, who wrote of a "common" style he and others used -- many years earlier, of course -- in plays for the Abbey.
Hmm. There is no question that the language Heaney uses here is plain. It is possible to see his three-beat lines and his five-beat pentameter and his Beowulf-style 4-beat alliterative lines in the reading. What I don't see is poetry -- I don't actually even see much verse. The language seems neutral rather than charged. Poetry can use common words, but needs to cause shivers -- not in every line, but often enough that the reader keeps alert for more electricity. The various verse lines he uses are rather weakly distinctive: the forms hover around their ideals without touching them enough to keep a listener on track.
I saw the play performed by the Chicago Shakespeare Theater company on September 18, 2005. It played somewhat better than it read (e.g. the initial byplay between Antigone and Ismene, and that between Creon and Haemon). Still, though, having read it, I was listening carefully (hopefully?) for the beat of the verse -- or at least the feel of the verse. In fact, though the actors did a good job and did, as I think, justice to the text, it seemed rather flat.
Perhaps I disagree with the "plain" style. I think Sophocles was a powerful poet whose language rang with hard beauty and allusive power. He must have been. Perhaps, though, all this happened in the songs that the chorus, and sometimes the principals, sang. For another quarrel I have with this version is that it does not give any indications of choral parts -- strophe and antistrophe -- so even in principle it is not singable. What is more, this is a rather loose rendering of Sophocles play (a "version"), which does not really depart from the drama, but makes it more spare of expression. This comes at the expense of some of the specifically Greek elements, such as constant specific references to Zeus. Yet it is still a classical Greek play, just less of one. Moreover, there were no notes on the text, while there were at least a few puzzling parts that should have been noted, as well as the choral parts. But who knows -- maybe the Abbey Theatre made more of it than I can!
"ARE WE SISTER, SISTER, BROTHER OR COWARD, COWARD, TRAITOR?".......2005-06-10
A few years back, Mr. Heaney (an excellent poet in his own right) caused quite a stir with his stunning translation of Beowulf. My own reactions to that work were mixed. But who would have thought an Old English war epic/elegy would prove so commercially successful?
Now comes an outstanding "translation" of Sophocles's Antigone--"The Burial at Thebes." I first came across this work in excerpted form in Tin House (a literary journal--one of the best actually). This book far exceeds what Mr. Heaney did with Beowulf.
Yet the crickets are chirping.
It is incomprehensible to me as to why this deeply abiding and thoughtful little book has not blown away the sales and notoriety of the Beowulf volume. Whereas Heaney's Beowulf was clearly a labor of deep interest to the translator--a skillfull and intriguing update of the language for the 21st century, The Burial at Thebes is just as clearly a work of love on behalf of the author...I mean translator--a satirical, lyrical, and prophetic work of the highest order that speaks directly to our world today.
I could not put this play--this hymn to all that we are as humans, this song of our identity as individuals--not mere components of a state--down.
Antigone's early question/indictment of her sister's complacency rings out like a bell against the twin idols of false patriotism and corporate globalisation:
"Are we sister, sister, brother
Or coward, coward, traitor?"
What follows is a heroic tragedy. Not heoric in the way the Iliad or the Odyssey are (weapons, war, dust, funeral pyres and great feasts of blood), but heroic in the greatest sense (to know who you are and what is truly worth dying for).
Homer and much of the rest of the world sing of war. Sophocles, and his interpreter Heaney, sing of another kind of war--the war of being human in the deepest, richest, and often most tragic, yet inspiring way.
I give "The Burial at Thebes" my highest recommendation.
(If you are interested in a great traditional translation to have as a complement to Heaney's, you cannot go wrong with Robert Fagles's translation of the theban plays in the Penguin Classics series).
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