Book Description
Created especially for 2-6 year olds -- the best age for language learning!!
Young children love to learn languages and "Magic Spanish" sends themn on a magical adventure in Mexico with little Bobby, Maria and the mysterious Senora Magica. Find the magic flowers, play "The Game" and bargain with the Spanish speaking bird, while learning Spanish language and culture.
This interactive audio provides an entertaining context for learning Spanish, using a theme that little ones will remember. Catchy tunes, zany sound effects and a large dose of silliness make children want to listen over and over -- the best way to learn language.
Includes over 100 Spanish words and phrases.
Buy our other award-winning audios Beth Manners' Fun Spanish for Kids, Beth Manners' Magic French for Kids and Beth Manners' Magic Spanish for Kids.
Customer Reviews:
Bravo!! My kids' favorite........2007-09-12
I speak five languages and I have three kids. This is a well developed excellent product for children. The format is very inviting. An American boy Bobby only speaks English and his Spanish friend Maria only speaks Spanish. They both speak a lot and sing however, it is seamless. My kids have learned so much, but the important thing is that they ask for it all the time - making for lots of repetition.They just love the mysterious Senora Magica. A lady with " magic powers" who whisks them off to Mexico. BTW, the music is an important plus - the songs review a lot of vocab and are very catchy.
The pronunciation is authentic and clear. Spanish is spoken with many different pronunciations, all over the world. This pronunciation is typically Latin American. It is important for learners to hear all pronunciations, in order to develop a good ear. We have all of Beth Manners' CDs and they are all phenomenal. We also like the coloring book.
Kids' favorite.......2007-03-12
My children are learning Spanish so I bought them this CD . It is a favorite and they have quite a collection of CDs. The story is wonderful, Madame Magique whisks them away to Mexico to find the magic flowers. Great music and songs - a mariachi sound with spanish guitars. Pronunciation is excellent. My kids have picked up a lot of phrases and they learn more each time they listen, which is often. They also love Fun Spanish for Kids and we are going to try Playtime Spanish next.
We really like this one........2006-11-05
The words on this 'story' album are very easy to understand and learn.
dont buy this....buy her other cd ...fun spanish!!!!.......2006-10-25
i got "fun spanish cd" first and my kids and i fell in love with it......i they purchased all beth manner cd's!!!!!!!trust me nothing compares to her cd "FUN SPANISH"!!! this one about magic spanish is BORING and lots of similar words to other cds!!! this one does not have enough songs and the kids hate it!!!!!! they keep asking for fun spanish which i love also........do NOT recommend this!
Fun and great theme.......2006-05-15
This CD has a wonderful theme. The children on the CD go to Mexico with Senora Magica. My kids ask for Senora Magica every time they get into the car. The CD very cleverly introduces and then reviews vocabulary as part of the story. We have Beth Manners' other CD Fun Spanish and just received her new CD Playtime Spanish.
Book Description
The definitive guide to one of the most baffling epics of nineteenth-century literature—a companion to The Annotated Alice.
"It's a Snark!"…for whatever else can it be?" Published on April Fools' Day in 1876, Lewis Carroll's The Hunting of the Snark remains one of the most amusing and bizarre works of modern verse. Carroll, who completed this classic poem eleven years after the publication of Alice in Wonderland, invites readers along on a fictitious hunt to determine who—or what—the Snark actually is. More than 130 years later, the indomitable Martin Gardner returns to the Snark with a trove of new annotations and illustrations, uncovering some of the most confounding literary, linguistic, and mathematical references embedded in any of Lewis Carroll's many works. Included in this gorgeous, two-color volume is an introduction by Adam Gopnik, as well as Henry Holiday's distinctive, original illustrations, a substantial bibliography, and a suppressed drawing of the infamous Boojum. With a host of other Snark resources, this is the most ambitious work on Lewis Carroll's masterpiece in many decades. Two-color throighout; 56 illustrations.
Customer Reviews:
Charmed with smiles and soap.......2007-01-22
Highly recommended for readers interested in the timeless poem by Lewis Carroll. And this should encompass all those, regardless of age, who have a sense of humor and an element of wonder.
The Annotated Hunting of the Snark.......2007-01-06
This is a new version of older works. It has new introductions
and the new preface by Martin Gardner. This new version contains
additional and expanded thoughts on the main work. Being the latest
and greatest version to date.
"An agony in eight fits.".......2006-11-06
Filled with exuberant language, The Annotated Hunting of the Snark is an unparalleled adventure, part nonsense, part ironic elucidation, suggesting that nothing is ever what it seems. Published on April Fool's Day 1876, Carroll's epic poem, The Hunting of the Snark, is elaborately presented with annotations by Martin Gardener, exploring the sea voyage of a crew determined to capture the elusive Snark; they are ten: a Bellman, a Boots, a maker of Bonnets and Hoods, a Barrister, a Broker, a Billiard-Maker, a Banker, a Beaver and a Butcher. The Snark itself presents a conundrum, be it beast of "Boojum", an entity that will cause them all to disappear.
For over a century, scholars have discussed Carroll's poem, its nonsense, allegories and anecdotes, rife with hidden meanings and scholarly interpretations. The annotations and illustrations in this volume are classic, black and white images of animated men and beasts, fantasy in the ink strokes of the artist's pen, page after page of fascinating annotations reflecting the variety of discussions engendered by the poem: "According to Humpty Dumpty, the word `mimsy" (from the first stanza of Jabberwocky) is a portmanteau word combining `miserable' and `flimsy'."
Each fit advances the story, introducing the crew members, each with his pretensions and expectations. Both dreamlike and illogical, The Annotated The Hunting of the Snark appeals in language and whimsy with undertones of danger, the unknown lurking, a virtual treasure trove of allegories for those inclined to such interpretation. It is Gardner who adds the unique spirit of this edition, expansively embracing "a personal God and much that confounds the simple or poverty-stricken or mindless materialism", while remaining "an untiring pursuer of pseudoscience and irrationality", the "space between a feeling heart and a thinking mind, between a love of the marvelous and a reverence for skeptical truth":
"In the midst of the word he was trying to say,
In the midst of his laughter and glee,
He had softly and suddenly vanished away-
For the Snark was a Boojum, you see."
Our modern world has been redefined by the specter of the Snark as Boojum, perhaps as death or a fear of extinction, a dread of the unknown. With its luxurious illustrations, the annotated poem is followed by a number of interesting pieces: "An Easter Greeting"; "A Commentary by Snarkophilus Snobs"; "The Clue" (a sequel); "Excepts from Henry Holiday's Reminiscences of My Life"; and an extensive bibliography, all in all, a grand adventure into a vast chasm of possibilities. Luan Gaines/2006.
Book Description
A marvelous new illustrated edition of Lewis Carroll's classic nonsense poem, The Hunting of the Snark with pictures by the talented Jonathan Dixon. Makes a great gift.
Download Description
A masterpiece of nonsensical verse by the enigmatic author of ALICE IN WONDERLAND inspired by the serendipitous line "For the Snark was a Boojum, you see", which Lewis Carroll claimed occurred to him while on a stroll one day. The adventures of a motley crew in search of an elusive prey, THE HUNTING OF THE SNARK is a fantasy that sails along on magical language, surreal images, and an undercurrent of sly humor.
Customer Reviews:
Other Books.......2007-09-03
The Hunting of the Snark is a whacky piece of poetical silliness by Lewis Caroll. Complete nonsense, no-one knows what a Snark is, or why Snark hunters hunt it, or why anyone would want to become a Snark hunter to start with. Anyway, the poem is definitely amusing at times with some of the humour he slips in.
Carroll's Short and Sweet Chaucer Imitation.......2007-02-12
The Hunting of the Snark seems to be a very, very short imitation of The Canterbury Tales. The first chapter (titled a fit) introduces all of the occupations of all the different people going on a journey. However, instead of going on a general pilgrimage and telling tales along the way, their trip is very specific to hunting.
The Baker actually attempts to tell a story, but the Bellman (who leads the group) says there's no time for storytelling. They have to catch the Snark before nightfall.
Along with the Bellman and Baker, a Banker, a Bonnet-maker, a Butcher, a Boots, a Billiard-maker, a Barrister, a Broker, and a Beaver tag along to hunt for the Snark. The Beaver is afraid of getting cut by the Butcher, so he puts on a dagger-proof coat and talks to the Banker about buying an insurance policy.
The Beaver is involved in a hilarious scene with the Butcher later, when the two attempt to compute sums. But perhaps the funniest scene of the entire book is in the Barrister's dream when the Snark declares sentence on a pig, only to find out the pig has been dead long before the trial even began.
I'd highly recommend this short poem for Carroll fans, even though it's not big enough to contain but a small portion of what's to be found in the Alice books.
The best nonsense I've ever read.......2006-05-05
I have read a great deal of nonsense in the past, but this was by far the best nonsense that I have ever read. There is no point, no meaning, no sense, and no boringness. It is a delightful poem (which is well written and very fun to read aloud) about a crew on a ship hunting a snark. The crew includes a captain who only rings a bell, a beaver, a cook who only cooks beavers (the beaver and the cook did not get along well), a man afraid that the snark would turn into a boojum and make him disappear, etc. As you can tell, this makes for an insanely silly poem. The subtitle is rather fitting, as my sides were definitely hurting from laughter when I was done. Well done Mr. Carroll.
Overall grade: A+
Agony? Hardly!.......2005-07-29
Nonsense poems can easily miss the mark
Yet, this masterpiece has that spark.
"How do you kill a _____?", you ask
To find the answer was the hunters' task.
"What was their fate?", you wonder
Did they ever catch their elusive plunder?
A paragon of haunting Carollian lore
Be in no doubt that you'll finish wanting more.
This poem is just great!
Brilliant twice.......2005-02-15
First, this one of the most delightful pieces of writing that ever appeared in (more or less) English. It succeeds as a sustained exercise in illogic. I am sure that only a mathematical logician like Dodgson could possibly have pulled it off - only someone with such deep understanding of reason could master unreason so completely.
Second, Martin Gardner's commentary adds depth and background to the reading. Gardner explains terms that are now obsolete, but also adds his own analysis and a rich history of the Snark phenomenon. It should be no surprise that Gardner is still best known as the long-time editor of Scientific American's column on Mathematical Games, a mathematician himself.
I can't add much to the scholarship or praise that already surrounds this incredible poem. I would like to point out, however, that most non-native English speakers are unfamiliar with this poem. Many of them have only ever seen the serious side of the English language, and have never seen English at play. I consider this short work to be the ideal introduction to the very best of English-language nonsense.
//wiredweird
Customer Reviews:
Well Done!.......2007-01-07
Book was in surprisingly good condition and arrived in a timely fashion. A pleasure to do business with.
Average customer rating:
- Very Nice.
- Cheap and well done
- Beautiful Volume
- Marginal Notes
- Sorry - The other reviews listed are from another edition.
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The Rime of the Ancient Mariner/the Hunting of the Snark
Samuel Taylor Coleridge , and
Lewis Carroll
Manufacturer: Publishing Mills
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ASIN: 1575110938 |
Book Description
Coleridge's masterpiece about a sailor who offends nature by killing a seabird takes the listener on a macabre odyssey that includes brushes with sea monsters, a ship manned by zombies, and a game of dice with Death. The poem has retained its hypnotic power and beauty for over two centuries. This is the definitive reading of the classic 19th-century narrative poem by James Mason, whose “voice will be remembered by millions” (Bill Fairchild). Also included is a bonus piece, Lewis Carroll's The Hunting of the Snark, read by Roy Dotrice.
Customer Reviews:
Very Nice........2007-04-28
This is a great version of this classic poem at a reasonable price. Very lovely illustrations and just the right amount of annotation of antiquated phrases. A great book for adults who have not read the story, or to get children interested in poetry.
Relic113
Cheap and well done.......2007-01-14
Dover puts out quite the book. This edition being in the $5 range is no exception. It's the size of a large coloring book with the writing on the left and the pictures on the right. Printed well and bound to last a great number of years with plenty of space to write commentary of your own if you are a student.
There is added text, printed very small, to the left of the actual poem. Some of it is interesting and some of it is superfluous. Very easy to ignore if you're not a 'footnote' reading person.
The plates run to the full edge of the paper and there is no white border if you are the 'cut it our of the book and hand it on my wall type'. No bashing here this book is cheap enough to buy one to read and one to be artistic with.
Beautiful Volume.......2006-07-23
If you're familiar with the poem this illustrated volume is well worth having in your library. The drawings by Gustave Dore are beautiful and perfectly complememnt the text. A book that you can enjoy many times over whenever the mood strikes you.
Marginal Notes.......2006-05-10
"It's the structure of the reader's experience rather than any structures available on the page that should be the object of description" , says Stanley Fish in his essay. In parallel with Fish's this claim, Coleridge presents his poem, "The Rime of the Ancient Mariner", with marginal notes, each of which actually reifies the perspective of an "intended reader, the reader whose education, opinions, concerns make him capable of having the experience the author wished to provide". Coleridge gives a reading of his poem by creating an ideal reader, thus creating another kind of poet who "restructures" the poem. Therefore, the side notes should be thought to be an organic part of the poem "having meaning" rather than "leading to meaning". And this brings in a new understanding of the poem which is almost imposed on the actual reader by Coleridge's ideal one.
The marginal notes of the poem, at first sight, seem to be the short summaries of the stanzas. However, when they are read closely, the first thing that strikes the eye is that some of them include some details and deductions which are not suggested in the poem. These details and deductions go beyond the borders of a summary and turn into commentaries which express the perspective of a certain individual. And this perspective reflects the tendencies of a reader who is inclined to emphasize certain points of the poem by giving extra details and making deductions. Coleridge's ideal reader makes all the deductions that the poet wants to provide in his lines. Even at the very beginning of the poem he gets the supernatural tone of the lines that Coleridge wants to give. For instance, the fifth stanza of the first part suggests that:
"The wedding-guest sat on a stone:
He cannot choose but to hear;
Thus spake on that ancient man,
The bright-eyed Mariner." (Part I, V, 17-20)
And the marginal note gives the explanation of the stanza with these words: "The wedding guest is spell-bound by the eye of the old seafaring man, and constrained to hear his tale" (61). The related stanzas of the poem don't include any word directly related to "be spelled". It is true that a reader might come to such a conclusion but there is a possibility that s/he might not. As Fish says, there are different "interpretive communities" that can lead to different interpretations of a literary work. Therefore, a reader can explain the behavior of the wedding-guest in psychological terms while a different reader, for example the owner of the commentaries, can explain it in supernatural elements. The commentator's insistence upon supernatural explanation of the poem almost forces the readers to think in supernatural terms while they may interpret the experiences of the mariner, for instance, as products of hallucination or neurosis. The possible reason of this effect is that the marginal notes give a much more convincing impression as they don't seem to be parts of the poem and this caused them to lose their fictional side in the reader's eye. The reader unconsciously sees the commentator as an authority. For example, when the mariner kills the albatross without any reason, the weather and other conditions get worse. The mariner, an old man who kills a harmless albatross without any sensible reason, definitely believes that the conditions get worse so as to punish him for his crime. However, this approach to the changing conditions becomes more convincing when the commentator points out that, "And the Albatross begins to be avenged" (67). Moreover, the mariner never tells it as directly as the commentator although it is apparent that he believes it to be so. Coleridge, by creating his own ideal reader and giving his commentaries as marginal notes, almost forces the readers of the poem to believe in the "supernatural" experiences of the mariner. And he manages it without using the actual lines of the poem.
In his article, Stanley Fish points out that, "In a sequence where a reader first structures the field he inhabits and then is asked to restructure it by changing an assignment of speaker or realigning attitudes and positions" . In parallel with Fish's suggestion, Coleridge's reader, the commentator, changes the actual lines of the poem by giving extra details just like the end notes of an author. For instance, in the second part of the poem, the following stanza describes the temporary good conditions just after the mariner kills the albatross:
"The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea." (Part II, V, 103-106)
And the marginal note of this stanza suggests that, "The fair breeze continues; the ship enters the Pacific Ocean, and sails northward, even till reaches the Line" (67). It is apparent that the related lines of the poem don't include any information about the exact location or direction of the sail. However, the ideal reader of the poem is capable of locating the ship exactly on the Pacific Ocean and of giving its exact direction to the north. The commentator, as Fish suggests, "restructures" the lines of Coleridge by "realigning" the suggested directions of the wind which provide only ambiguous information about the location. And through his own experience, he himself creates the exact location of the sail as "the reader's experience is itself the product of a set of interpretive assumptions". Another example that shows the commentator's restructuring the lines of the poem is related to bad omens after the mariner's killing of Albatross. The related stanza in the second part of the poem says:
"And some in dreams assured were
Of the spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow." (Part II, XII, 131-134)
And the commentary of the stanza gives a detailed information about the features and origins of the spirit: "One of the invisible inhabitants of this planet, neither departed souls nor angels; concerning whom the learned Jew, Josephus...may be consulted. They are very numerous,...."(69). As it is apparently seen, the commentator makes the interpretation of the stanza by using his own experience and education. He presents his background, imagination and his own point of view to other readers; therefore he offers his own interpretation and understanding of the poem. He changes or "realigns" the apparent meaning of the poem by bringing in a new perspective just like a painter's use of light on his/her painting from different angles. Thus, the commentator, like a gleam of light, illuminates the poem from a certain angle and creates a new appearance of it.
While creating a specific perspective in the understanding of the poem, some of the commentaries have their own poetical tone although they just seem to be small summaries of the stanzas. The owner of the commentaries prefers to use a literary language with phrases in a melodious harmony with each other and with a perfect choice of words. For example, in the fifth part of the poem, the mariner describes the resurrection of the crew not with their own souls but spelled by the spirits. And he describes it with the following lines:
"...`T was not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest." (Part V, XIII, 347-349)
When the commentary of these lines is read, almost a new poem with harmonious phrases and with a poetical tone comes out. When the commentary is turned into the lines of a poem, the poetic side of it becomes much more obvious:
"But not by the souls of the men,
Nor by demons of earth or middle air,
But by a blessed troop of angelic spirits,
Sent by the invocation of the guardian saint." (81)
As it is clearly seen, the commentary owns a structure easily convertible into a stanza. Moreover, the phrases have a perfect parallelism with each other and there is a regular repetition of "by" in each line. And this tone and poetical structure of the commentary convincingly shows that Coleridge's ideal reader manages more than just understanding the poem and making comments on it. He becomes an indispensable part of the poem by getting closer and closer to the poet and by adopting his creative tone. He internalizes the poetical world of the poem and starts to read it with the energy of a poet which eventually leads to a harmonious language and rhetorical structure. He starts to ask rhetorical questions which encourage other readers of the poem to think on the poem, to question it and to deduce some conclusions. When the mariner describes the ship approaching "without a breeze, without a tide" (Part III, VI, 169), the ideal reader of Coleridge asks, "Can it be a ship that comes onward without wind or tide?" (71) so as to make other readers realize the strangeness of the situation and conclude that there must be a spiritual intervention. Therefore, the commentator emerges as a guide who tries to shape the reader's opinions and deductions.
In "The Rime of the Ancient Mariner", Coleridge creates his ideal reader in the small summaries of the poem in order to clarify the meaning he wants to provide by means of his ideal reader's experience, education and perspective. Coleridge, through his commentator, imposes the certain understanding of the poem on other readers who can have completely different interpretations and deductions. The commentator clarifies, interprets and "restructures" certain lines, asks questions and directs other readers in a way which his creator, Coleridge, wants them to follow. He almost forces the readers to look at the poem from one perspective and he manages it by using his position as an ideal reader and commentator endowed with authority by Coleridge himself. And throughout the poem, he ends up with being one of the poets of the poem by using his rights to interpret and "restructure" the actual lines of Samuel Taylor Coleridge.
Sorry - The other reviews listed are from another edition........2006-05-08
I was suprised when I received The Modern Critical Interpretations edition of the Rime of the Ancient Mariner.
There are no woodcuts or any other pictures, there are no silver pages, there is no poem at all!
This book is only modern critical interpretations - nothing more. Buy it if you are a scholar - and refer to a separate copy of the poem.
I should have known from the edition but the editorial reviews were from a different book that was an edition of the actual poem.
Average customer rating:
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Hunting the Snark and Other Short Novels (Five Star First Edition Science Fiction and Fantasy Series)
Michael D. Resnick
Manufacturer: Five Star (ME)
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Binding: Hardcover
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ASIN: 078623878X |
Average customer rating:
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Alice in Wonderland, Through the Looking-glass, The Hunting of the Snark.
Lewis Carroll
Manufacturer: Modern Library
ProductGroup: Book
Binding: Hardcover
Carroll, Lewis
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ASIN: B000RIC634 |
Average customer rating:
|
Alice's Adventures in Wonderland*through the Looking Glass*the Hunting of the Snark
Manufacturer: The Bodley Head
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Binding: Hardcover
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ASIN: 0370109279 |
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