Book Description
Rick Steves doesn't just list where to travel in Europe, he leads travelers through the "Back Door," and reveals how to give every journey an extra, more authentic dimension. Mona Winks is no exception. It's a fun, easy-to-read collection of self-guided tours covering the highlights of Europe's top 20-plus museums and cultural sights, including the Louvre, the Tate Gallery, the Uffizi, the Prado, and many more.
Customer Reviews:
great resource.......2007-03-09
This book is a great resource for anyone traveling to Europe who plans to visit any museums.
Too hard to follow.......2005-06-29
I just used this book in Paris and Rome and do not recommend it. Maybe it is already outdated, I don't know, but it was nearly impossible to follow through the museums. And then if and when I did find the thing he was talking about I didn't care for the flip comments about the artwork. (I know he's trying to be funny, but I would have appreciated some more basic information on things. I found myself trying to read museum cards just to find out how old some of the works were!) Also, it really gave no additional information over what was in the regular Rick Steves travel books but added just one more not particularly helpful book to the luggage.
Terrific guide........2004-06-29
Quick, easy, painless guide to museums in Europe. Forget the drawn out and expensive audio guides. Great book.
more like mona lisa cries.......2003-10-29
I travel for art and frankly, this book was a big disappointment. I expected practical tips and got only a few. What I also got, much to my surprise was a dumbed down sister wendy approach to art-now class, look at this part of the statue and think this. This is not insider information, and to suggest that we should look at art with these descriptions in hand is extremely offensive. If you want to enjoy these museums, get the practical details in hand-a section, by the way, which I found amateur hour, and leave this puppy at home.
I have toured just about all these museums, and these guys miss some outstanding parts of, for example, the British Museum. I grant you that the Louvre is impossible-and if this book helps some people at least get in the door perhaps it has a function. I will say the city walking tours are quite wonderful, but personally, I would never follow this guys tour of the Orsay, except perhaps for directions to the food. This book is an excellent example of fools going where angels fear to tread. You do not need this level of detail to tour the Rodin-it is easily accessible. Use this book if you must have detail to enjoy art (in other words you care who Rodin's last mistress was) but please form your own relationship with the works you see. Most children can do this without a guidebook-for goodness sake give yourself some credit, take a deep breath, and walk in the door, sans guidebook. You do not need a party planner, particularly a second rate party planner, now do you?!
DO NOT GO TO EUROPE WITHOUT THIS BOOK.......2002-02-08
I just got back from a month in Europe and covered Venice, Florence, Rome, Paris, London, and Amsterdam. I used 90% of the book and could not have had a better trip. Rick Steves book made touring cities, museums, palaces, and churches an enjoyable and funny learning experience. You will never need a tour guide. And I am serious when I say, DO NOT GO TO EUROPE WITHOUT MONA WINKS!
Average customer rating:
- Entertaining, informative and a time-saver
- some useful information, oversimplified discussion of art
- An absolute must for those who love art, but don't know much
- You need this book to travel Europe with.
- Fantastic Guide Book
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Mona Winks: Self-Guided Tours of Europe's Top Museums (3rd ed)
Rick Steves , and
Gene Openshaw
Manufacturer: John Muir Pubns
ProductGroup: Book
Binding: Paperback
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Rick Steves' Italian Phrase Book and Dictionary
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Rick Steves' Italy 2006 (Rick Steves)
ASIN: 156261245X |
Amazon.com
If you're in Paris, you have to visit the Louvre--likewise the Vatican in Rome or the Prado in Madrid. But unless you're an art historian or an aspiring artist, you probably don't need to see every objet d'art housed in the great museums of Europe. In Mona Winks, travel writer extraordinaire Rick Steves offers quick and irreverent guided tours of 20 top European museums. Steves's approach to great art is the surgical strike: get in, see what's worth seeing, and get out while you can still tell the difference between a Goya and a Degas--and still care! The book includes maps of the museums, a suggested viewing itinerary, and perceptive, often hilarious descriptions of the art and artists you'll encounter there, plus general information about art history. Art snobs will no doubt be offended by Steves's breezy style and his admittedly idiosyncratic choice of works to feature, but for those travelers who don't know much about art and would like to learn more, Mona Winks is a painless introduction to the classics.
Customer Reviews:
Entertaining, informative and a time-saver.......1998-12-10
The great thing about this book (and Rick Steves' other books) is that he views Europe as most of us do--not as an expert or an authority, but as an explorer. This book helps you to get to the "good stuff" at these huge museums, so you can spend a couple of hours there, and then get outside and enjoy other sights. It was especially helpful in Paris where you get tours of the Louvre, Musee D'Orsay, Notre Dame, Versailles and others. You'll also notice a number of other travellers with the same book, laughing at the same observations you will be. Enjoy!
some useful information, oversimplified discussion of art.......1998-09-15
This book was useful to get the overview of what museums are the most well-known, and the information as to location and opening hours was useful. Beyond that, I can't recommend this book for anyone with a college education and an interest in art. I went to europe with no background in art history, and found the taped headsets in the Louvre and other museums (Musee D'Orsay, the Uffizi, Vatican museum) to be so much more informative, without any technical language or tedious narrative. I would recommend that you save your money to buy a book on the artist(s) or period that most takes you fancy after visiting the museums!
An absolute must for those who love art, but don't know much.......1998-06-21
I wholeheartedly recommend this book to anyone who is planning to go to the 'big' museums in Europe and doesn't know a lot about art. My husband and I used the section on St Peter's Cathedral and had an absolute hoot!! Not only did we enjoy Rick's writing style, but we felt like we had a friend along to point out the highlights and give us a sense of what we were looking at. We've already planned our next trip to Paris around the sections on the Louve, Versailles, and Musee d'Orsay. Buy this book!!! Last note -- I know he recommends you pass over the chapters to other as you leave the museum but I just couldn't bring myself to do it -- found myself keeping them so I can pass on to friends for their visits.
You need this book to travel Europe with........1998-03-15
I met some girls in Rome who had this book and wound up traveling around Europe with them for awhile and I swear it was partly because they had this book. No other travel guide will give you quite the insight this book will. You can't look at every piece of art in every museum and have it be meaningful, but this book will show and tell you the best stuff to see and give you a few laughs along the way. Get it!
Fantastic Guide Book.......1998-02-12
Rick Steves takes the vast museums of Euope and tells you how to navigate them to see the good things and not waste time on the mediocre. The book is a joy to read. My wife and I tear out the sections covering
the museums we are visiting so we do not have to carry the entire
volume. This is a very entertaining book. -- FJD
Book Description
This book analyzes 116 films distributed throughout the United States over nearly 75 years, to construct a theory, grounded in cultural studies and critical pedagogy, of curriculum in the movies. The portrayal of teachers in popular motion pictures is based on individual, rather than collective, action and relies on codes established by stock characters and predictable plots, precluding meaningful struggle. These conventions ensure the ultimate outcome of the screen narratives and almost always leave the educational institutionswhich represent the larger status quointact and powerful. In addition to an expanded list of films informing the analysis, this revised edition features two new chapters: one on gay teachers in recent films and another on principals in the movies. To interrogate "the Hollywood curriculum" is to ask what it means as a culture to be responsive to films at both social and personal levels, and to engage these films as both entertaining and potentially transforming.
Customer Reviews:
Concise and Useful Approached to Teaching.......2005-02-09
How Students Learn: History, Mathematics, and Science in the Classroom by M. Suzanne Donovan, John D. Bransford (National Academies Press) This book has its roots in the report of the Committee on Developments in the Science of Learning, How People Learn: Brain, Mind, Experience and School (National Research Council, 1999, National Academy Press). That report presented an illuminating review of research in a variety of fields that has advanced understanding of human learning. The report also made an important attempt to draw from that body of knowledge implications for teaching. A follow-on study by a second committee explored what research and development would need to be done, and how it would need to be communicated, to be especially useful to teachers, principals, superinten¬dents, and policy makers: How People Learn: Bridging Research and Prac¬tice (National Research Council, 1999). These two individual reports were combined to produce an expanded edition of How People Learn (National Research Council, 2000). We refer to this volume as HPL.
In the present book, the goal is to take the HPL work to the next step: to provide examples of how the principles and findings on learning can be used to guide the teaching of a set of topics that commonly appear in the K-12 curriculum. As was the case in the original work (1999), the book focuses on three subject areas: history, mathematics, and science. Each area is treated at three levels: elementary, middle, and high school. Distinguished researchers who have extensive experience in teaching or in partnering with teachers were invited to contribute the chapters. The committee shaped the goals for the volume, and commented-sometimes extensively-on the draft chap¬ters as they were written and revised. The principles of HPL are embedded in each chapter, though there are differences from one chapter to the next in how explicitly they are discussed.
Taking this next step to elaborate the HPL principles in context poses a potential problem that we wish to address at the outset. The meaning and relevance of the principles for classroom teaching can be made clearer with specific examples. At the same time, however, many of the specifics of a particular example could be replaced with others that are also consistent with the HPL principles. In looking at a single example, it can be difficult to distinguish what is necessary to effective teaching from what is effective but easily replaced. With this in mind, it is critical that the teaching and learning examples in each chapter be seen as illustrative, not as blueprints for the "right" way to teach.
We can imagine, by analogy, that engineering students will better grasp the relationship between the laws of physics and the construction of effec¬tive supports for a bridge if they see some examples of well-designed bridges, accompanied by explanations for the choices of the critical design features. The challenging engineering task of crossing the entrance of the San Francisco Bay, for example, may bring the relationship between physical laws, physical constraints, and engineering solutions into clear and meaningful focus. But there are some design elements of the Golden Gate Bridge that could be replaced with others that serve the same end, and people may well differ on which among a set of good designs creates the most appealing bridge.
To say that the Golden Gate Bridge is a good example of a suspension bridge does not mean it is the only, or the best possible, design for a suspension bridge. If one has many successful suspension bridges to com¬pare, the design features that are required for success, and those that are replaceable, become more apparent. And the requirements that are uniform across contexts, and the requirements that change with context, are more easily revealed.
The chapters in this volume highlight different approaches to address¬ing the same fundamental principles of learning. It would be ideal to be able to provide two or more "HPL compatible" approaches to teaching the same topic (for example, the study of light in elementary school). However, we cannot provide that level of specific variability in this already lengthy vol¬ume. Nevertheless, we hope that common features across chapters, and the variation in approach among the chapters, are sufficient to provide instruc¬tive insights into the principles laid out in How People Learn.
Average customer rating:
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The Hollywood Curriculum: Teachers and Teaching in the Movies (Counterpoints (New York, N.Y.), Vol. 51.)
Mary M. Dalton
Manufacturer: Peter Lang Publishing
ProductGroup: Book
Binding: Paperback
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ASIN: 0820437328 |
Book Description
Fifty-eight motion pictures distributed widely in the United States over the past sixty years are analyzed to construct a theory of curriculum in the movies grounded in cultural studies and critical pedagogy. The social curriculum of Hollywood implicit in popular films is based on individual rather than collective action and relies on that carefully plotted action rather than meaningful struggle to ensure the ultimate outcome leaving educational institutions, which represent the larger status quo, intact and in power. Interrogating the Hollywood Curriculum is to ask what it means as a culture to be responsive at both social and personal levels and to engage these films as both entertaining and potentially transformative.
Book Description
Apple critically examines current trends in educational policy and draws on the issues of gender, class and economic pressure implicit in the battle for control of the curriculum.
Average customer rating:
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Modern World History: Teacher's Resource Book (History in Focus)
Ben Walsh
Manufacturer: Hodder Murray
ProductGroup: Book
Binding: Paperback
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ASIN: 0719577160 |
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