Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Binding: Paperback
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Customer Reviews:
Excellent Resource.......2006-06-25
Leila Ahmed's "Woman and Gender in Islam: Historical Roots of a Modern Debate" is an outstanding contribution to the field of Middle Eastern Women's Studies. Ahmed explores and effectively dissects the many intersections between women, gender, and Islam. Her book is readable and makes an excellent sourcebook for those who are interested in the historical foundations of women and Islam.
Particular focus is placed on Egyptian women.
Everyone should read this.......2004-05-11
By far the best scholarly and historical work amidst the increasing number of books on this topic. Particularly interesting is the discussion of how Muslim caliphs adopted the Persian custom of having huge imperial harems. Of course, this is one of the aspects of "Muslim" culture that really tantalized the early Orientalists, as discussed by Edward Said in his book on the subject.
Good history book.......2002-10-01
This is a good book for anyone to read who doesn't know much about Islam. The author gives several chapters of in-depth history of the rise of Islam. It is interesting to read--not dry and boring like a lot of other detailed history books.
Brilliant and informative........2001-10-17
Leila Ahmed gives a brilliant and informative read about the history of women in Islam. Her book maintains both factual information along with anecdotal pieces which only enhance our understanding of the lives involved in the religion and politics of Islamic civilisations. While the book focuses on Egypt, it should be understand that Egypt is taken as a very typical regime with the exception of perhaps Morocco and Saudi Arabia as polar extremes. Ahmed clearly has a humanistic objective of equality in all her points, though never too harshly. The book carries a very clear picture of issues and can even help a lot of us consider what Western false concepts of female equality we truly have.
A serious work with no apologies for her feminism.......2001-07-25
This book was assigned reading in my NYU course about the Middle East. Written by Leila Ahmed, a professor of Near Eastern studies at the University of Massachusetts at Amherst and the Director of the Women's Studies program there, it reinforced some basic information we studied from other textbooks, with a particular emphasis on women's role in Middle Eastern history. The book is well researched, with little-known documentation from pre-Islamic history on up to the present, citing what is known of ancient marriage laws and including literary writings and histories of some 19th and 20th Century women writers. Her particular feminist position is apparent throughout and there are no apologies for this. Often she writes about the veil and blames colonialism for using it as a misunderstood interpretation of women's subjugation.
The second half of her book concentrates specifically on Egypt and it was fascinating. However, I would have liked to see more about the other countries, especially as she got into modern times. I also would have enjoyed reading her insights about the changes and challenges occurring today. It is refreshing to see a serious work such as this written by an Islamic woman and I hope she continues bringing her skills in research and interpretation to the public. Recommended.
Average customer rating:
- Tedious and boring
- An Indian Odyssey
- Born to Greatness, Mired in Madness: Rushdie Laments India's First 3 Decades.
- A Stream of (Enlightended) Consciousness
- Over-baked, but fantastic
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Midnight's Children
Salman Rushdie
Manufacturer: Penguin (Non-Classics)
ProductGroup: Book
Binding: Paperback
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ASIN: 0140132708 |
Amazon.com
Anyone who has spent time in the developing world will know that one of Bombay's claims to fame is the enormous film industry that churns out hundreds of musical fantasies each year. The other, of course, is native son Salman Rushdie--less prolific, perhaps than Bollywood, but in his own way just as fantastical. Though Rushdie's novels lack the requisite six musical numbers that punctuate every Bombay talkie, they often share basic plot points with their cinematic counterparts. Take, for example, his 1980 Booker Prize-winning Midnight's Children: two children born at the stroke of midnight on August 15, 1947--the moment at which India became an independent nation--are switched in the hospital. The infant scion of a wealthy Muslim family is sent to be raised in a Hindu tenement, while the legitimate heir to such squalor ends up establishing squatters' rights to his unlucky hospital mate's luxurious bassinet. Switched babies are standard fare for a Hindi film, and one can't help but feel that Rushdie's world-view--and certainly his sense of the fantastical--has been shaped by the films of his childhood. But whereas the movies, while entertaining, are markedly mediocre, Midnight's Children is a masterpiece, brilliant written, wildly unpredictable, hilarious and heartbreaking in equal measure.
Rushdie's narrator, Saleem Sinai, is the Hindu child raised by wealthy Muslims. Near the beginning of the novel, he informs us that he is falling apart--literally:
I mean quite simply that I have begun to crack all over like an old jug--that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of an acceleration.
In light of this unfortunate physical degeneration, Saleem has decided to write his life story, and, incidentally, that of India's, before he crumbles into "(approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust." It seems that within one hour of midnight on India's independence day, 1,001 children were born. All of those children were endowed with special powers: some can travel through time, for example; one can change gender. Saleem's gift is telepathy, and it is via this power that he discovers the truth of his birth: that he is, in fact, the product of the illicit coupling of an Indian mother and an English father, and has usurped another's place. His gift also reveals the identities of all the other children and the fact that it is in his power to gather them for a "midnight parliament" to save the nation. To do so, however, would lay him open to that other child, christened Shiva, who has grown up to be a brutish killer. Saleem's dilemma plays out against the backdrop of the first years of independence: the partition of India and Pakistan, the ascendancy of "The Widow" Indira Gandhi, war, and, eventually, the imposition of martial law.
We've seen this mix of magical thinking and political reality before in the works of Günter Grass and Gabriel García Márquez. What sets Rushdie apart is his mad prose pyrotechnics, the exuberant acrobatics of rhyme and alliteration, pun, wordplay, proper and "Babu" English chasing each other across the page in a dizzying, exhilarating cataract of words. Rushdie can be laugh-out-loud funny, but make no mistake--this is an angry book, and its author's outrage lends his language wings. Midnight's Children is Salman Rushdie's irate, affectionate love song to his native land--not so different from a Bombay talkie, after all. --Alix Wilber
Book Description
(Book Jacket Status: Jacketed)
A classic novel, in which the man who calls himself the "bomb of Bombay" chronicles the story of a child and a nation that both came into existence in 1947—and examines a whole people's capacity for carrying inherited myths and inventing new ones.
Customer Reviews:
Tedious and boring.......2007-10-16
I wanted to read a Rushdie book and I've heard this book being called the "Booker of the Bookers" (referring to the prize). Rusdie's writing may be poetic and beautiful, but it is hard to trudge through this fairly long book. Furthermore, Midnight's Children is not particularly educational as far as Indian history and culture. The author may deserve his great reputation for his writing style but don't expect to be entertained.
Reading this book made me feel like I was back in highschool and reading a required book for English class. My apologies to literature lovers who may consider me a philistine.
An Indian Odyssey.......2007-10-01
Salman Rushdie is the third author I've read recently that I'd put off reading for many years out of a misplaced fear I'd find his books dull and uninteresting--James Joyce and Thomas Pynchon are the other two authors. With great consternation and teeth-gnashing I finally picked "Midnight's Children" off the shelf and soon wondered what the heck had taken me so long.
To put it simply, "Midnight's Children" is a great book. It's a darkly comic odyssey through the history of India in the 20th Century told not only with touches of humor, but the supernatural as well. Reading the book can be an adventure, given the winding narrative that mixes past and present and the walls of print on each print, but it's an adventure worth the effort.
The story is told by Saleem Sinai on what he believes to be his deathbed. Padma, his caretaker and erstwhile fiance, begs to differ with this assessment, but aids Saleem by serving also as sounding board and editor. The relationship between Saleem and Padma continues to advance as he recounts the story not just of his life, but those of his parents and grandparents as well. His grandfather was a European-trained doctor in 1915 who returned to India, lost faith in God, and met Saleem's grandmother through a strategically torn sheet. His mother marries a poet on the run from assassins who hides out in their basement, but because he does not have sex with her winds up divorcing her. She then marries the businessman Ahmed Sinai and changes her name. On the stroke of India's birth, along comes Saleem. From this moment, his fate is tied with that of India. Like Saleem, the new nation of India--as well as Pakistan and Bangladesh--is finding its way and searching for its identity, though the answer is not really a happy one.
A side plot involves the "Midnight's Children," a group of children born in that first minute of India's existence. These 1001 children have supernatural abilities. Saleem can read minds while others master witchcraft, time travel, and so forth. This put me a little too in mind of the X-Men, though Saleem lacks the composure and leadership abilities of Charles Xavier and his rival Shiva is never as charismatic or evil as Magneto. (Recent TV viewers might compare this more to "Heroes" or "The 4400.") At any rate, I didn't particularly enjoy this subplot until at the end when it's used to demonstrate the madness of the Indira Gandhi regime.
Even if you're like me and have little understanding of India short of watching "Gandhi" you can still make sense of this book if you're willing to try. Make no mistake: this is not for the casual reader or the faint of heart. At the same time, the touches of humor--especially the bickering between Saleem and Padma about how to tell the story--and the supernatural make for an entertaining yarn. In the end you might also wonder what took you so long to find this wonderful book.
That is all.
Born to Greatness, Mired in Madness: Rushdie Laments India's First 3 Decades........2007-09-15
"Midnight's Children" is Salman Rushdie's rumination on the first 30 years of India's independence following British rule. Saleem Sinai, an Indian Muslim born on the stroke of midnight August 15, 1947, at the instant of India's independence, recounts a mystical, doleful tale of his own birth and trials as they coincided with those of India and Pakistan. All children born at the hour of independence were endowed with extraordinary gifts, the great potential of a new nation. Saleem of elephantine nose and dual parentage sees them all in his paranormally perceptive mind as he is witness to the initial optimism, two Indo-Pakistani wars, and India's oppressive State of Emergency instigated by Prime Minister Indira Ghandi.
"Midnight's Children" is an opinionated, critical tour of modern India's struggles with its own diversity and demons. Its overwhelming pessimism seems out of place now, as India has become one of the world's fastest-growing economies. The book must be viewed in the context of time at which it was written, the late 1970s. Salman Rushdie has a lot to say, and says most of it more than once. He pulls no punches and makes no excuses for anyone. In spite of Saleem's first-person narration, Rushdie's fractured, repetitive prose style impedes its accessibility and slows the reader down. And I would not have thought it possible to pile so many metaphors on top of metaphors and remain coherent. "Midnight's Children" is a long, provocative lament but somewhat overworked.
A Stream of (Enlightended) Consciousness.......2007-08-30
Much has been written about the unique writing style of Salman Rushdie and Midnight's Children. It is hip to like it and thus call oneself a literary, and not unusual to dislike it as an uninitiated reader who cannot possibly know what to expect a priori. For what it's worth, here is my attempt to characterize the style. The book is written as a "stream of consciousness", long long long sentences, side-by-side repetition of adjectives for emphasis (hint hint hint!), use of synonyms similes parellels without punctuation or separators (again for emphasis), revealing the plot's end-game in advance yet (or thus) engaging the reader in the path to getting there, repeated summaries each to make an overarching point than to simply recollect the story so far, admitted insecurity and intermittent defense of the story's believability, and did I mention rechristening of events and characters with metaphoric names. If you could read and follow the last sentence in one shot, you are ready to read and enjoy Midnight's Children. The story-telling is hallucinatory on the surface, but enlightened underneath; deliriously exaggerated on the surface, but scrupulously balanced underneath; grossly fatalistic on the surface, but hopelessly optimistic underneath; carelessly raw on the surface, but meticulous genius underneath.
Never judge a book by its cover, judge it by its metaphors. Besides being one intense allegory, the book is a collection of the richest metaphors I've ever read in a piece of literature. Metaphors, mind you, and not its evil cousin, Analogies. Every event and character is first rechristened with its metaphoric name. In the process of writing the book, Rushdie has created a new vocabulary of words that become the best way (if not the only way) to describe those characters and events.
Spoiler alert: To pick from this new vocabulary, one way of characterizing the life of Saleem Sinai, and therefore the book, is Sperectomy: the draining-out of hope. To quote the last sentence of the book that sums it up "...because it is the privilege and the curse of midnight's children to be both masters and victims of their times, to forsake privacy and be sucked into the annihilating whirlpool of the multitudes, and to be unable to live or die in peace."
Midnight's Children is a great way to live vicariously through post-colonial India. If A Fine Balance is a bus-ride through India with a good commentator, Midnight's Children is your dark roller-coaster with ghosts popping out at you at every turn. If A Fine Balance is real in a touchy-and-feely way that you wish it was unreal, Midnight's Children is unreal in a mystical way that you will hate to, and yet force yourself to believe it is real; just like a post-traumatic nightmare, only it was a re-enactment.
Over-baked, but fantastic.......2007-07-26
"Midnight's Children" by Salman Rushdie is called a 'Great Book of the 20th Century" and "a modern classic," and rightly so. This novel is one of the most interesting and memorable of the 20th century, and one of the best novels by a living writer, at least that I have read. Rushdie weaves a semi-historical, semi-mythical portrayal of the newly formed nation-state of India. Throughout the book, I kept thinking that the protagonist was actually Rushdie himself; or, perhaps the protagonist represents Rushdie's generation, since he was born in Bombay in 1947. The plot is interesting indeed, which I won't get into because I don't want to spoil it for anyone. Let's just say that the protagonist relates the life of himself and his immediate ancestors in such a way to make Rushdie the "Indian mythmaker." The writing is often too much in some places, and I feel that Rushdie over did it in a few places. I do like how Rushdie would refer to his own metaphors throughtout the book to keep the reader focused, because the reader can indeed get lost in the plot if one is not careful. This novel is often put next to "One Hundred Years of Solitude" because of its style. I might agree to that to some extent, primarily because each of these two novels have a different purpose. They are both written in the style of magical realism, but again, each novel has it's own purpose. If Rushdie had kept his writing focused on India in his subsequent novels, I believe that he would be to India what J.M. Coetzee is to South Africa. However, Rushdie's scope is much broader than one country or even one culture. Anyway, that's another topic. Overall, if you have never read Rushdie, this is a great place to start.
Book Description
Ian Buruma returns to his native land to explore the great dilemma of our time through the story of the brutal murder of controversial Dutch filmmaker Theo van Gogh at the hands of an Islamic extremist.
It was the emblematic crime of our moment: On a cold November day in Amsterdam, an angry young Muslim man, Mohammed Bouyeri, the son of Moroccan immigrants, shot and killed the celebrated and controversial Dutch filmmaker Theo van Gogh, great-grandnephew of Vincent and iconic European provocateur, for making a movie with the vocally anti-Islam Somali-born Dutch politician Ayaan Hirsi Ali that "blasphemed" Islam. After Bouyeri shot van Gogh, he calmly stood over the body and cut his throat with a curved machete, as if performing a ritual sacrifice, which in a very real sense he was.
The murder horrified quiet, complacent, prosperous Holland, a country that prides itself on being a bastion of tolerance, and sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native country to try to make sense of it all and to see what larger meaning should and shouldn't be drawn from this story. The result is Buruma's masterpiece: a book with the intimacy and narrative control of a true-crime page-turner and the intellectual resonance we've come to expect from one of the most well-regarded journalists and thinkers of our time. Ian Buruma's entire life has led him to this narrative: In his hands, it is the exemplary tale of our age, the story of what happens when political Islam collides with the secular West and tolerance finds its limits.
Customer Reviews:
Informative Read!!.......2007-09-29
"Murder in Amsterdam" was able to shed new light on the immigration plight that The Netherlands is experiencing. The author explains how some of the immigrants, especially the second generation, are having a difficult time assimilating into a compeletely different culture than that of the Middle East. Ultimately, many of these immigrants, probably more so the males (since they have more freedom) find themselves being sucked into the thoughts and ways of radical Islam.
I thought this book was divided up pretty well. Not only does the author explain why and how the death of Van Gogh happened, but he also mentions how other political leaders in that country are also targeted by radical Islam. There is also a chapter devoted to Van Gogh's killer.
In doing so, he relates this to how the Dutch culture has felt guilty for turning a blind on the Jews during the Nazi occupation. For this reason, the Dutch feel that they need to be more tolerant to present day immigrants, mostly from Morocco and Turkey. But too much appeasement, may be doing more harm than good. In addition, the Netherlands since the 1960's is becoming more secular which makes it easier for radical Islam to penetrate a country that doesn't hold much religious convition.
I had no idea that Van Gogh's and Pim Fortuyn's murder had such a great impact on this tiny nation. If anyone is looking for a closer read on not only the murders, but the national psyche of the Netherlands, then "Murder in Amsterdam" will be a fulfilling read.
Problems of Muslim Community in Europe.......2007-07-16
This is not a murder mystery. We learn up front about the death of Theo van Gogh, why he was killed by Mohammed Boyeri over a film critical of Islam he made with Ayaan Hirsi Ali. The book explores the life and thought of these three Dutch persons in great detail. The real topic of the book is given by the last line of the subtitle, what are: "the Limits of Tolerance" in an open, democratic society towards culturally very different immigrants?
The Netherlands has a Muslim minority of about 15 percent, immigrants and descendants of immigrants, who form a separate community which is assimilating to Dutch ways only slowly if at all. Virtually all intend to maintain their adherence to Islam, and Islamic culture. How great differences can a society tolerate? Surely not murder, not killing for religious, political, or family honor reasons. Can a western society tolerate polygamy, permitted by the Koran? Sending children "home" to be religiously educated in a madrasa, and to learn the parents' language to the exclusion of the national language? Forced marriage of young women?
Ian Buruma, a journalist who grew up in the Netherlands, is well placed to explicate many of these issues. In Theo van Gogh he examins a writer who was outspokenly critical of Islam and the multi-cultural ideal. In Hirsi Ali he assesses a woman who has entirely turned away from her birth culture, and in Boyeri the exact opposite, a Dutch born individual who became an Islamist radical. The role of the Islamic immigration community is a major issue in Europe today. The book is well worth reading for examining part of this question through the life of three individuals.
Beyond right and left.......2007-06-20
Most of the reviews of this books have misunderstood the complexity of its story. Some seem to have been looking for a book that confirmed their prejudices about Muslim immigrants in Europe. Instead, Buruma tells a story that cannot be assimilated to either the ¨¨war on terror¨¨ or apologistsfor terrorists. He paints a picture of a society which is tolerant of lifestyles but very homogeneous culturally and perfectly happy to stay that way. Tolerance means becoming Dutch and any conception that a person could be Dutch and a devout Muslim seems inconceivable to many of Buruma's compatriots. This is in spite of the fact that he interviews many Dutch muslims who see no contradiction in that identity and are in that way like millions of Muslims in the US. The circumstances of Van Gogh's murder are explained straignt-forwardly and the author offers no excuses for the murderer. But he does make it clear how Dutch society creates the conditions in which people like that develop. That is not the same as justifying or apologizing. Read this book with an open mind and a willingness to chalenge all your presuppositions--whether they come from Bernard Lewis or Noam Chomsky. This is not a book to comfort those who already think they know the truth.
much more than a murder.......2007-06-19
more than the murder of Theo Van Gogh the author explores how such a thing could happen in small liberal loveable Holland of all places.How could such a place welcome people from all over the world allowing Amsterdam to become 45percent foreign born now be a place where freedom of speech is dangerous?How does it follow that this enourmous population of Moroccans and Turks who receive every possible state assistance and then some be so resentful of the country that welcomed them?
Holland is of course, a microcosm of the European Welfare State.
I think many of Burumas"s explanations for the turn of events happening in Holland described by other readers are interesting but the one that captured me was the collective feeling of guilt which started in the 60s when the world finally faced and spoke of the Holocaust. With some exceptions such as Anne Frank most of the country and the rest of Europe as well did little but watch their citizens be hauled away to be murdered.Now with the facts out in the open the Europeans had to face their share of the blame and the guilt.Surely they would be careful never to be racist again.Very very careful.
And who should arrive just about then but first the Moluccans and Surinamese(who after all were Dutch Citizens)paving the way for the Turks and Moroccans to do the dirty work the Dutch would not and then their families and then anyone who called themselves "refugees".This continues to this day.
So the irony is that guilt for the slaughter of the jews is what allows the Europeans to bend over backwards enabling and protecting the people who would slaughter the jews again.
And need I mention bringing about the demise of western civilization.
Lots to Digest.......2007-03-04
My headline is not original. It's a quote from another review below. I used it because it is so apt.
Buruma's writing flows. It's like having coffee with him as he recounts his experiences with Theo and describes Theo's life, TV show and art. He explains the earlier, but separate, murder of Pim Fortuyn. The flamboyant libertarian/conservative Fortuyn, killed by an animal rights activist, credits the Enlightenment with his ability as a gay man to be elected to public office. He saw the intolerance of Muslim culture as a threat to the fullfillment of civil rights that Dutch society has finally evolved to provide.
Most provocative are Buruma's interviews. He meets with Ayaan Hersi Ali and (something like) her Dutch foster family. He talks with a psychiatrist, friends of Theo, Theo's mother, young Moroccan women who work in a shelter for Muslim women, welfare workers, teachers... and many others representing a wide range of opinion.
Buruma explains how WWII and its myths and legends hang over the Netherlands of today. Buruma cites the influence of this recent past on the immigration policy and the climate of tolerance. The book takes us to the last "home" of Anne Frank and into "dish cities". The question posed by the subtitle, how to be tolerant of an intolerant society is debated on many levels.
I highly recommend this book.
Book Description
The Venture of Islam has been honored as a magisterial work of the mind since its publication in early 1975. In this three-volume study, illustrated with charts and maps, Hodgson traces and interprets the historical development of Islamic civilization from before the birth of Muhammad to the middle of the twentieth century. This work grew out of the famous course on Islamic civilization that Hodgson created and taught for many years at the University of Chicago.
In this concluding volume of The Venture of Islam, Hodgson describes the second flowering of Islam: the Safavi, Timuri, and Ottoman empires. The final part of the volume analyzes the widespread Islamic heritage in today's world.
"This is a nonpareil work, not only because of its command of its subject but also because it demonstrates how, ideally, history should be written."—The New Yorker
Customer Reviews:
deep, rich, well considered and comprehensive.......2000-06-17
This review really applies to all three volumes. Hodgson's work is not for those new to Islamic studies, and his writing style is complex. Few are the sentences that lack at least one subjunctive clause. But his adoption of key Arabic terms in his narrative; his broad geographic sweep, from Andalusia and the Sahel through Nile and Oxus to India and Indonesia; and his comprehensive consideration of political, social, religious, cultural, and economic aspects of civilization make for a series as broad and deep as this student of history could want. It took me several years to read the whole set, as only recently did I have enough interest in the artistic and philisophic (falsafah) traditions.
Book Description
Syrian immigrant Khadra Shamy is growing up in a devout, tightly knit Muslim family in 1970s Indiana, at the crossroads of bad polyester and Islamic dress codes. Along with her brother Eyad and her African-American friends, Hakim and Hanifa, she bikes the Indianapolis streets exploring the fault-lines between “Muslim” and “American.”
When her picture-perfect marriage goes sour, Khadra flees to Syria and learns how to pray again. On returning to America she works in an eastern state — taking care to stay away from Indiana, where the murder of her friend Tayiba’s sister by Klan violence years before still haunts her. But when her job sends her to cover a national Islamic conference in Indianapolis, she’s back on familiar ground: Attending a concert by her brother’s interfaith band The Clash of Civilizations, dodging questions from the “aunties” and “uncles,” and running into the recently divorced Hakim everywhere.
Beautifully written and featuring an exuberant cast of characters, The Girl in the Tangerine Scarf charts the spiritual and social landscape of Muslims in middle America, from five daily prayers to the Indy 500 car race. It is a riveting debut from an important new voice.
Customer Reviews:
Excellent fictional account of growing up American Muslim.......2007-10-09
I thought this would be a juvenile book that I might enjoy. Instead, it is a strong and well written adult story of a young Syrian girl's childhood in Indiana. Lots of insights from a female point of view. I recommend it!
An illuminating book - addressing some of the central issues of our times.......2007-08-13
A book that yields rich insights on several dimensions. The dominant one is what it is like to grow up as a minority within the American culture - and not just any old minority, but as a Muslim, which parts of American society are actively trying to demonize. It was the "flip-side" of my own experience, living as a non-Muslim in the very heartland of Islam, Saudi Arabia, for a quarter century. While I was never forced to deal with issues of assimilation, Ms. Kahf's character, Khadra, must wrestle with the parts of her heritage that are essential, and those that can be jettisoned. How many religious injunctions are merely codified fetishes, illustrated by the refusal to eat any meat from the deli because of the meat-cutter?
There are numerous important sub-themes. The timeless subject of male-female relations, with that "Islamic twist" is shown in a realistic light, covering a spectrum of possibilities. Through her characters, Blu and Bitsy, who were Khadra's roommates at various periods, Ms. Kafh is able to illustrate nuances in beliefs that are all too often generalized. Blu is Jewish, and there is much agreement between these "daughters of Abraham," except on that haram subject of Israel and Palestine. Bitsy is Iranian, and leaves notes around the apartment blaming "the Arabs" for all of Iran's problems.
Khadra's trip to Saudi Arabia, to complete the Haj, was more uneven. There is no question that cocaine exists in the Kingdom, but I found the particular scene in which it was depicted playing heavily towards that stereotypical view of rich, decadent Saudis. More realistic, and more insightful are her dealings with the mutawaa (the religious police), and in particular how various Saudi males refuse to confront their arrogance and inappropriate behavior.
Ms. Kafh is clearly erudite, in a most important trans-cultural way. Her epigraphs ground her novel in the wider world of ideas, and these selections range from Rumi and Al-Arabi to James Baldwin and Leonard Cohen.
A strong book, which addresses some of the central issues of our times.... And is strongly recommended.
Disappointing.......2007-05-10
Do you notice how many reviewers say they "can't wait" to read this one after hearing about it on NPR? That was me too, and I'm here to tell you, don't bother. I'm giving up on it after failing to figure out what the plot might possibly be after reading 100 pages. I think lots of us want to learn more about Islam, but this book isn't a very fun (or even interesting) way to do it. Save your time and just find some non-fiction, instead of this plotless drivel. I'm lost in a sea of names and random stories about Islamic customs, with no idea where the author might be taking me. I am embarrassed I got my whole book club to read this.
Widening my world view.......2007-03-24
While I didn't love the writing style in this book or find it compelling reading, I do recommend it highly for the expanded world view it provides. I loved seeing mainstream American life through a young Muslim woman's eyes. I found it interesting to learn the many varying views amoung Muslims about how to live life - no reason be be surprised by that but I was. Sometimes it is too easy to accept the flat picture of people and events portrayed by the media. That is why I often find for me novels are the best way to open my mind to new ideas and ways of thinking and being.
Khadra is a character I will remember because of her search for common ground with friends of different backgrounds and religion, her struggle to find what her beliefs were and how she could separate from yet still connect with her family and its construct, and her effort to find ethical work. I would like to get to know the girl in the tangerine scarf and blue jeans.
a great read .......2007-03-19
One would think that a 60 year old white Christian southern male raised to teen years in a segregated society would find little in common with this book, but I add only to other reviewers - I see myself. I see my journey. I remember the 60's Hippie, radical, and then leaving my raised in faith - only to find it again, this time for real. The story of the good Samaritan leaves us knowing that loving God also means loving our neighbor - and that often is someone very different than we are. Maybe that is why God made Chocolate, Vanilla and spumoni. This book is a wonderful trip and a reminder of who we all are - God's greatest creation. Thank you
Book Description
In language that vividly evokes the lush summers of Cairo and the stark beauty of the Arabian desert, Leila Ahmed tells a moving tale of her Egyptian childhood growing up in a rich tradition of Islamic women and describes how she eventually came to terms with her identity as a feminist living in America.
As a young woman in Cairo in the 1940s and '50s, Ahmed witnessed some of the major transformations of this century--the end of British colonialism, the creation of Israel, the rise of Arab nationalism, and the breakdown of Egypt's once multireligious society. Amid the turmoil, she searched to define herself--and to see how the world defined her--as a woman, a Muslim, an Egyptian, and an Arab. In this memoir, she poignantly reflects upon issues of language, race, and nationality, while unveiling the hidden world of women's Islam. Ahmed's story will be an inspiration to anyone who has ever struggled to define their own cultural identity.
An Egyptian woman's "richly insightful account of the inner conflicts of a generation coming of age during and after the collapse of European imperialism." --The New York Times Book Review
Customer Reviews:
Lifesaver!!.......2007-10-05
I needed this book for a course I'm taking, and not one local bookstore had it in stock. I logged on to trusty Amazon, ordered it, and had it in my hands (with assigned reading completed) before my next class. The memoir itself had started pretty slowly (alot of Egyptian history), but has taken off quite nicely.
Leila Ahmed is a great writer!.......2006-12-26
I enjoyed very much reading this book. The level of description used is capable of transporting you to Leila's birthplace and enjoy her life's journey. This book reads like a novel even though it is a biography. I recommend this book to anyone interested in the Pre- and Post-Nasser era in Egypt and how it affected the Egyptian middle class of the time. Another book about Egypt during that era I would recommend is Samia Serag El-din's The Cairo House. Happy reading!
I relate to this book on so many levels...........2005-01-26
I wasn't sure what I would find when I chose this book. But Dr. Ahmed's thoughts on creating her identity and the societal forces that crafted her upbringing are astounding. Her tale of defining herself as a woman, an Egyptian, an Arab, a Muslim, and an American resonated very deeply with me.....
An eye opening account of what it means to be a Muslim.......2003-12-17
I thought that this book was amazing. I've read many books about Islam but I think that this book actually gave me a sense of what it means to be a Muslim. Sometimes when reading about religions we often only get an overview of the practices and beliefs of a religion but we rarely hear from believers of a particular religion and how they incorporate the beliefs of their religion into their everyday lives. For me, it was also interesting to read about Egypt during the 40's and 50's because it was something I have never studied before. It was interesting to see the religious diversity in Eygpt and how quickly that all changed with the rise of Nasser. Another thing I had never realized that Egyptians practically had the title Arab forced upon them, but most would never otherwise identify themselves as Arab. I think this book really exposed me to a world and a lifestyle that I had never known existed, and I think this is a must read for anyone who is open to seeing a new perspective on their world.
A Border Passage.......2003-12-15
A Border Passage by Leila Ahmed is an interesting book and definitely worth your time. Within this book Ahmed confront issues of colonialism and differences between the Islam of women and that of men. The story is written as an autobiography as Ahmed recounts her childhood. The juxtaposition of the Egypt and England, where she goes to school, illuminates considerations of post-colonial loss of identity. A book that I strongly recommend for anyone interested in learning more about Islam.
Amazon.com
The picture of Islam as a violent, backward, and insular tradition should be laid to rest, says Karen Armstrong, bestselling author of Muhammad and A History of God. Delving deep into Islamic history, Armstrong sketches the arc of a story that begins with the stirring of revelation in an Arab businessman named Muhammad. His concern with the poor who were being left behind in the blush of his society's new prosperity sets the tone for the tale of a culture that values community as a manifestation of God. Muhammad's ideas catch fire, quickly blossoming into a political empire. As the empire expands and the once fractured Arabs subdue and overtake the vast Persian domain, the story of a community becomes a panoramic drama. With great dexterity, Armstrong narrates the Sunni-Shi'ite schism, the rise of Persian influence, the clashes with Western crusaders and Mongolian conquerors, and the spiritual explorations that traced the route to God. Armstrong brings us through the debacle of European colonialism right up to the present day, putting Islamic fundamentalism into context as part of a worldwide phenomenon. Islam: A Short History, like Bruce Lawrence's Shattering the Myth and Mark Huband's Warriors of the Prophet, introduces us to a faith that beckons like a minaret to those who dare to venture beyond the headlines. --Brian Bruya
Book Description
No religion in the modern world is as feared and misunderstood as Islam. It haunts the popular imagination as an extreme faith that promotes terrorism, authoritarian government, female oppression, and civil war. In a vital revision of this narrow view of Islam and a distillation of years of thinking and writing about the subject, Karen Armstrong’s short history demonstrates that the world’s fastest-growing faith is a much more complex phenomenon than its modern fundamentalist strain might suggest.
Customer Reviews:
A great introduction to the history of Islam........2007-09-27
This is a really great book to understand Islam. I truly loved this book, and because of its small size, I was able to devour it within two days!
The most interesting chapter as far as I am concerned was on the present conflict between the Jews and the Muslims.
Muslims never hated the Jews. In fact, Muslims and Jews lived together side by side in peace since the beginning of time (so to speak). Prophet Mohammad ordered Muslims to respect Jews and live with them in peace since they are `people of the book' (meaning they have had their own revelations and are thus believers in God). Prophet Mohammad ordered Muslims not to try to convert Jews to Islam against their wish. In fact, Muslims believe in all of the prophets of Judaism, and most if not all are mentioned in the Muslim holy book known as the Qur'an.
Prophet Ibrahim, the father of both Muslims and Jews, had many children. The Jews come from the lineage of one of Ibrahim's sons, while the Moslems come from another of Ibrahim's sons. Therefore, Muslims and Jews are cousins.
Throughout history, Muslims and Jews have fought together side by side. During the crusades they fought together to protect the holy land. During the Muslim occupation of Spain Muslims and Jews fought together side by side against the Europeans. During the British occupation of Palestine, both Moslems and Jews fought together against the British. There has never been any enmity within Jews and Muslims throughout history. It is only after the invasion by the Jews of Palestine, and the formation of the State of Israel on Palestinian land, that the aggression between Muslims and Jews started. That started the flame of hatred between them, and Muslim clerks twisted the sayings of Prophet Mohammad and the Qur'an for political reasons. In other words, they put words into the Prophet's mouth. Things he never said or did not mean were suddenly attributed to him. The Arab world, being uneducated, would blindly follow the teachings of the clergy, and this is where we are today. The hatred between Jews and Muslims is political. It is the same hatred the French had towards the Germans when they invaded Paris during World War II. If the United States were to be invaded today by the Russians or Chinese (or any other nation), the Americans would have the same hatred towards their aggressors as the Muslims have today of the Jews. Like the Muslims, the American citizens would be fighting the aggressor to regain their land by any means possible, even if it means twisting the words of Jesus Christ. For example, love thy neighbor, but only if he loves you. If someone slaps you, turn the other cheek, but then beat the hell out of him! You get the point. The conflict in Palestine is man and woman against man and woman, not Judaism against Islam.
This book will really give you a crash course on Islam. It starts off by explaining why a new prophet was needed in the Arab World. According to Armstrong, the Arabs felt left out for they did not have a prophet of their own. The Jews had many prophets, and there were manuscripts left to them from past prophets. The Arabs did not have monotheistic religious texts of their own in the Arabic language, and thus felt left out. Thus the arrival of Prophet Mohammad, an Arab, was a great welcome to many Arabs. The Qur'an, the holy book descended to Prophet Mohammad, was in the Arabic language, and thus directly accessible to all Arabs, unlike Jewish texts.
Prophet Mohammad did have Arab enemies, of course. Not all Arabs embraced his religion at first. As is so well known today, self-interest and politics plays a big role.
A very important point Armstrong makes is that Islam is a religion of peace. In fact, Islam is derived from the Arabic root "Salema", meaning peace and purity. Prophet Mohammad was against wars. In fact, he made an important treaty with the Meccans to prove his point. Prophet Mohammad preached non-violence. All the Muslim wars and conquests that took place after the death of Prophet Mohammad were politically motivated, not religious in any way. It is very easy to twist the words of a prophet, and all religions have done that with their prophets (look at how many different versions of the Bible are out there). Furthermore, there were many wars waged between Muslims themselves as to who should succeed the prophet. Most of the Prophet's friends and close relatives were eventually murdered as a result. All these actions would have been condemned by the Prophet. Again, man was fighting for his own self-interest and ambition and not in accordance with the holy teachings of Islam (again, as has happened in all religions).
The book then goes on with the history of Islam after the era of the Prophet (632-661). Armstrong explains the era of the Umayyads, the Abbasids, and the esoteric movements. The Muslim world had reached its height in glory, and the whole known world feared the Muslims. The Muslims contributed to philosophy, science, mathematics, and medicine, and Arabic texts were translated into Latin and Greek. The Muslim empire at the time was what the United States is today to the rest of the world.
The Crusades are also explained, as well as the interesting era of the Mongols (1220-1500). The chapter on the Mongol was very interesting, filled with facts and stories I never knew. For example, the Mongols contributed a lot to Islamic art and architecture as well as to the strategies of war. After the Mongol conquests, the Mongols and the Muslims lived together in peace, and were even integrated together. Many Mongols later became Muslims.
Armstrong then moves on to the era of imperial Islam (1500-1700), and introduces the reader to the Safavid Empire, the Moghul Empire, and the Ottoman Empire.
The book ends with a chapter on Islam agonists, and explains how the west finally conquered the Islamic world starting in 1750. This chapter is extremely interesting and entertaining, and will give you a glimpse at the present state of the Muslim world.
Armstrong mentions the book `The Satanic Verses', by Salman Rushdie. Even though the Ayatollah Khomeini condemned the author, and issued a Fatwa (a decree) to have the author killed (with a million dollar reward), all the Islamic clergy of other Islamic nations were against the Ayatollah's decree, citing freedom of speech and expression as an Islamic right. Now isn't this interesting? Again, for political reasons, Muslim citizens are stripped from their freedom of expression, speech, and thought. Outsiders looking at the way of life of Muslims should realize that the way Muslims live is not according to the teachings of their Prophet Mohammad, but according to the selfish greed of their leaders! This is really a very important point for westerners to understand.
This is a very important book and should be read by everyone interested in knowing more about the state of the Arab world and Islam. I highly recommend this book!
Good book for general explanation.......2007-09-04
This book will explain the basics of Islam, which is all I was looking for.
Islam: A Short History is very good.......2007-08-31
I thoroughly enjoyed this book. I have since given it to several people, including some military folks with responsibilities in the area. I think this book, better than any other I've read, makes it clear why the Middle East is in the state it is.
Politically correct lies.......2007-07-29
Why defend a religion who's holy book hates and despises Jews, Christians and Pagans, and commands husbands to beat their wives.
Of course there have been cases of brilliant people even under Islamic domination, e.g. Omar Khayan, but to attribute their achievements to Islam, is like attributing Galileo's achievements to Catholicism.
Concise but sufficient.......2007-07-05
I'm going to take exception to all the criticism of the majority of the reviews I see here. While it is a compressed history (one reviewer noted that the middle was "dense") I found the book very enlightening. Another criticism is that she presents an Islamic point of view. Well, if one wishes to understand another culture, religion or whatever, one must 'walk a mile in their shoes'. I know some Muslims and she is quite correct that Islam in not inherently violent. I can only assume that those reviewers are reading the book with their blinders on and refusing to accept that there is any other way to see the world. This book is an attempt to show another world view. If you read this book and miss that, shame on you.
Book Description
With publication of The Religion War, millions of long-time fans of Scott Adams's Dilbert cartoons and business best sellers will have to admit that the literary world is a better place with Adams on the loose spreading new ideas and philosophical conundrums. Unlike God's Debris, principally a dialogue between its two main characters, The Religion War is set several decades in the future when the smartest man in the world steps between international leaders to see if he can prevent a catastrophic confrontation between Christianity and Islam that would destroy most of civilization. The parallels between where we are today and where we could be in the near future are clear.Adams says The Religion War targets "bright readers with short attention spans-everyone from lazy students to busy book clubs." The book may be a three-hour read, but it's packed with concepts that will be discussed long after the last page is turned, including a list of "Questions to Ponder in the Shower" that will underline the story's purpose of highlighting the most important-yet most ignored-questions in the world.
Download Description
The Religion War is written by Scott Adams, better known as the creator of Dilbert. It's the much-anticipated sequel to his stunning non-Dilbert book God's Debris. Set in the not-too-distant future, the world is on the brink of a final war between Muslim and Christian forces. Only one person can stop the horror. He's ancient and harmless-looking but he's also the most aware person in existence. His job is to remove the delusions and superstitions that have brought civilization to the brink of destruction. The story is a fascinating work of fast-paced fiction but the questions raised in the book will stay with you and spark many late night conversations with friends.
Customer Reviews:
An interesting idea that never developed.......2007-06-07
Mr. Adams appears to have a severely limited understanding of Christianity, and know even less about Islam. I kept reading until the end, hoping something would develop, but it never did. Too bad. If you have nothing better to do, like there is a water shortage in your town and you can't watch your grass grow, you might want to read this book.
The Religion War - A logic experiment?.......2007-04-24
This follow-up from God's debris in not a "thought experiment" but a fiction that relies on some of the concepts previously discussed in God's Debris. This novel has the Avatar attempting to stop a religious world war that would rip apart the human race. Some of Adam's conclusions seem so logical that it is difficult to dispute that the scenarios they depict would not be inevitable. It is these "gasp" moments that compel further reading. Once again he toys with "free will" and ultimately leads the reader to ponder that the only universe we could possibly understand is by definition, a delusion. And to fight over a delusion is probably the definition of stupidity. Some powerful ideas to read, which leave any open-minded reader enlightened. Excellent.
Not as good as its predecessor........2007-01-25
If you're buying The Religion War because of the joy you felt while reading God's Debris, don't buy this book. It's not the same kind of book, regardless of being better or worse. Though the author claims that the book raises important questions to be pondered, the plot itself answers most of them. And usually in a way that makes you wonder if the writer was eager to finish it and do something else. Despite all that, it still has interesting insights and a fairly original plot. You just have to keep in mind that his "vision" of the future is a lot related to the fact that he's American and think the country learned a lot (not in terms of lesson, but of intelligence/data) by invading Iraq.
The Religious war.......2007-01-11
Interesting reading. However, it was short, and could have used some additional thought and effort by the author.
Inferior Sequel.......2007-01-10
The injection of a plot into the world of the Avatar destroys the charm that was present in "God's Debris."
Much like the "Left Behind" series, attempts at suspense are met with skepticism and rarely end with surprise, as Adams uses the deus ex machina and the nature of the Avatar's unquestionable logic to minimize suspense. As a result, the chapters tend to drag on. "God's Debris" allowed the reader to relate to the protagonist and feel engaged. The globe-hopping antics of the same character in this book only makes the reader want to skip to the ending.
While some interesting ideas are touched on, don't expect another "God's Debris," because it isn't "The Religion War."
Book Description
This is a definitive and authoritative account of the conservative interpretation of Islam that is the official creed of the Kingdom of Saudi Arabia: Wahhabism. Muslim critics have dismissed it as a heretical innovation that manipulated a backward people to gain political control. David Commins dismisses the clichés, examines the nature of Wahhabism, and offers original findings as to how Wahhabism rose to dominance in Arabia and projected its influence in the Muslim world. He also assesses the challenges that it faces from radical militants within the Kingdom.
Customer Reviews:
The Best book on Wahhabism and Salafism in the Gulf.......2007-05-09
Of the recent spate of books on Wahhabism, this is by far and away the best. David Commins is better qualified to write on Saudi fundamentalism than just about any other scholar I know. He speaks and reads Arabic with a fluency very few non-natives can match, having lived in the Middle East off and on for many years over the last three decades. He spent over a year researching this in Saudi Arabia as a senior Fulbright Fellow. More importantly, Commins has written on Salafism and religion in the Middle his entire career. This is not a 9-11 inspiration. His earlier book on Salafism and religious reform in Syria is also a masterpiece and should be read in conjunction with this. Commins' knowledge of Islamic movements throughout the Middle East gives him a unique ability to place the Wahhabi movement in the broader context it requires. He compares it to the doctrines of the Muslim Brotherhood in Egypt and makes judgements throughout that are insightful and wise. Invariably, he strikes the right balance in explaining what was new about Wahhabism and why it developed as it did.
At the time of the Hama massacre in Syria, Commins was living in Damascus. Even then, he was studying the Muslim Brotherhood and Salafism as one of the last students of Richard P. Mitchell, who wrote the classic work on Hassan al-Banna and the Egyptian Brotherhood, "The Society of the Muslim Brothers."
Syrian Authorities told Commins to shave the beard he was wearing 1982 so as not to be arrested on suspicion of belonging to the Ikhwan. Commins befriended Baathist and Muslim Brother alike in his effort to understand all sides of the contentious history and modern debate over Islamic puritanism. In his most recent book, he continues with the same even-handedness and ability to record the voices and opinions of all sides. Commins writes lucidly and compellingly. He does not try to obscure his own opinions, but never lets them get in the way of the sources themselves. This is a brilliant book and a pleasure to read.
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
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