Book Description
Skateboarders are an increasingly common feature of the urban environment - recent estimates total 40 million world-wide. We are all aware of their often extraordinary talent and manoeuvres on the city streets. This book is the first detailed study of the urban phenomenon of skateboarding. It looks at skateboarding history from the surf-beaches of California in the 1950s, through the purpose-built skateparks of the 1970s, to the street-skating of the present day and shows how skateboarders experience and understand the city through their sport. Dismissive of authority and convention, skateboarders suggest that the city is not just a place for working and shopping but a true pleasure-ground, a place where the human body, emotions and energy can be expressed to the full.The huge skateboarding subculture that revolves around graphically-designed clothes and boards, music, slang and moves provides a rich resource for exploring issues of gender, race, class, sexuality and the family. As the author demonstrates, street-style skateboarding, especially characteristic of recent decades, conducts a performative critique of architecture, the city and capitalism. Anyone interested in the history and sociology of sport, urban geography or architecture will find this book riveting.
Customer Reviews:
Production of Space.......2006-03-09
This book is an informative look into Ian Bordens extensive research into the history and culture of skateboarding, which illustrates alternative issues of architecture and production of space.
The beginning chapters are heavy reading and heavily referenced, but worth the time and effort. The later chapters go into an in depth and detailed look at skateboarding development and cultural issues.
He challenges readers to change their perception of architecture and spaces, and to look at how our own actions affect the space we occupy, by looking at skateboarding and its culture. He references Lefebvre who said, "Surely it is the supreme illusion to defer to architects, urbanists or planners as being experts or ultimate authorities in matters relation to space." He then goes on to talk about how the interaction addresses the physical architecture, yet responds with a dynamic presence not another physical object. Skateboarding produces space, but also time and the self. This book addresses how, architecture as a set of flows, as a set of experience and reproductions, can be embedded in the practices of architectural history - for as architecture is not itself a space, but only a way of looking at space. The rest of the book is a thoroughly researched look at skateboarding.
Its worthwhile noting that his is not a skateboarding magazine and is written in the academic tongue so is not easy to read. But worthwhile reading if you are interested in this field.
Appropriate This! Urban Space.......2005-03-21
Unmistakably and in so many ways, Iain Borden thinks that skateboarding is RAD! This sentiment comes through in nearly every one of his 267 pages on the subject, a sort of tribute to the urban arts of skateboarding. This is scholarship as panegyric ... but don't get me wrong, I'm largely with Borden in his readings and estimation of the radical nature and content and potential of skateboarding: it's RAD!
In this monograph, Borden's archive is largely skateboarding magazines. He talks some about zines and almost none about films, and the way he reads mags is simply (and a bit disappointingly) to quote from the alphabetic portions of those texts. This is not to say that this book is not replete with images, because it is -- photos, magazine pages, more photos, including even one of Borden in a pool at a skate park! love that moment in the text -- it's just that Borden is not a discourse analyst, so he doesn't break down and close read in the ways I might have wanted him too. But dude, he sure is an architectural theorist, and so what this book is is Borden dumping piles and piles of Lefebvre onto skateboarding in order to redefine architecture and make sophisticated sense of what might otherwise be considered a "mere" hobby.
That's right: Borden more or less erects a massive half pipe of Lefebvre's work on space and the city, rhythmanalysis, bodies, and the modern city, and then skates skateboarding and the spaces/landscapes that skateboarding takes place and shape in and around in RIGHT THROUGH that theoretical halfpipe. It makes for a yummy ride, if a bit of a repetetive one -- back and forth we go for all of those 267 pages largely riding on the simulacral wave that is the half pipe made out of Lefebvre. But since I dig Lefebvre, I was into the book.
Okay, but this is what Borden SAYS in this book, and what he claims, and what he ardently works to prove. He's mainly trying to say (aside from the statement that "Skateboarding is RAD!" which comes through on every page of this book, even though it is never expressly said) is that
*** get this *** Architecture is not buildings, and objects in our cities and lives are not texts, but that architecture is a sort of result of interactions of bodies in space. So the skater in the halfpipe makes something in excess of the pipe when he (and it usually is a he, Borden concedes; hot skater dudes populate this text while skate-grrls are few) goes for an arial, or does something unexpected with his body-board continuum. Skateboarding is just one way, and a very specific one, that space in the city is made and remade and created out of interactions of the skating kind.
Okay, so that seems to be his main idea, as I repeat it with flaws of all kinds, no doubt. He begins with chapters on wheels and boards, then moves to the skateparks (less interesting) and the urban appropriation of space/architecture by rampaging skater dudes (more interesting). This is where skating is radical, unlawful, wild ... RAD! Borden does a few other funny things: like saying skating is the parole to the lange of the boring everyday, or something like that. He's all theory-crazed, looking for any way he possibly can to see skateboarding as RAD! And he does. And it works.
I guess the main limitation of this book for me, and there were few, is the lack of critique. Borden doesn't see skateboarding as being nearly as commodified and caught up on "what's cool" and even a sort of coopted critique and radicalism as I see it to be. I think it's RAD, I guess, but in ways I wished he would have explored the commodification of it more, the rage and anger and ways that skating is perhaps misplaced and thus safe aggression and critique. I wanted it to be read not so much as RAD, but as a patterning with more facets, at least a few of them LAME. Without, it becomes some kind of cure-all activity, beyond human.
a major disapointment.......2004-08-19
Yes, I said it, and I stand behind it. I really had my hopes up for this one. There is so much that can be done, the title alone suggests creativity utilizing the imagination. Does it deliver? No. The book, wich I expected to be full of photography and articles showing how skateboarders use the surrounding architecture for creativity, is really just a sad piece that goes on to tell the history of skateboarding, with very little interesting photography at all. The written content itself is hard to keep your interest, even for a long time skateboarder as myself. Dont get me wrong, I am all for the history of skateboarding, hell, I lived most of it. But that should be and has been put in books and editorials that were labled as such. This was, as I said, a disapointment. I can only hope that someone will see this and spark the idea to do it right, unless I do it first that is.
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Homelands: A Geography of Culture and Place across America (Creating the North American Landscape)
Manufacturer: The Johns Hopkins University Press
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What does it mean to be from somewhere? If most people in the United States are "from some place else" what is an American homeland? In answering these questions, the contributors to Homelands: A Geography of Culture and Place across America offer a geographical vision of territory and the formation of discrete communities in the U.S. today. Homelands discusses groups such as the Yankees in New England, Old Order Amish in Ohio, African Americans in the plantation South, Navajos in the Southwest, Russians in California, and several other peoples and places.
Homelands explores the connection of people and place by showing how aspects of several different North American groups found their niche and created a homeland. A collection of fifteen essays, Homelands is an innovative look at geographical concepts in community settings. It is also an exploration of the academic work taking place about homelands and their people, of how factors such as culture, settlement, and cartographic concepts come together in American sociology. There is much not only to study but also to celebrate about American homelands. As the editors state, "Underlying today's pluralistic society are homelands -- large and small, strong and weak -- that endure in some way. The mosaic of homelands to which people bonded in greater or lesser degrees, affirms in a holistic way America's diversity, its pluralistic society."
The authors depict the cultural effects of immigrant settlement. The conviction that people need to participate in the life of the homeland to achieve their own self realization, within the traditions and comforts of that community. Homelands gives us a new map of the United States, a map drawn with people's lives and the land that is their home.
Book Description
How and why have Americans living at particular times and places used and transformed their environment? How have political systems dealt with conflicts over resources and conservation? This is the only major reference work to explore all the major themes and debates in the burgeoning field of environmental history. Humanity's relationship with the natural world is one of the oldest and newest topics in human history. The issue emerged as a distinct field of scholarship in the early 1970s and has been growing steadily ever since. The discipline's territory and sources are rich and varied and include climatic and geological data, court records, archaeological digs, and the writings of naturalists, as well as federal and state economic and resource development and conservation policy. Environmental historians investigate how and why natural and human-created surroundings affect a society's development. Merchant provides a context-setting overview of American environmental history from the precolonial land-use practice of Native Americans and concluding with twenty-first concerns over global warming. The book also includes a glossary of important concepts, people, agencies, and legislation; a chronology of major events; and an extensive bibliography including films, videos, CD-ROMs, and websites.
This concise reference for students and general readers contains an accessible overview of American environmental history; a mini-encyclopedia of ideas, people, legislation, and agencies; a chronology of events and their significance; and a bibliography of books, magazines, and journals as well as films, videos, CD-ROMs, and online resources.
In addition to providing a wealth of factual information, The Columbia Guide to American Environmental History explores contentious issues in this much-debated field, from the idea of wilderness to global warming.
Customer Reviews:
How Americans have transformed their environment, and more.......2002-08-09
How have Americans transformed their environment, and how have political systems handled conflicts over resources and conservation issues over the decades? Columbia Guide To American Environmental History is the only major reference to explore these themes, and deserves a place on the shelf of any college-level library with a strong collection in environmental issues and political intervention.
Book Description
This major new text provides an introduction to the interaction of culture and society with the landscape and environment. It offers a broad-based view of this theme by drawing upon the varied traditions of landscape interpretation, from the traditional cultural geography of scholars such as Carl Sauer to the "new" cultural geography which has emerged in the 1990s.
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Manufacturer: Routledge
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Key Thinkers on Space and Place
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The Production of Space
ASIN: 0415094518 |
Book Description
Discussing authorial power, landscape metaphor and the notions of community and sense of place, this explores the ways in which spatial and cultural analysis have found much common ground in making sense of ourselves and the landscape we inhabit.
Book Description
Landscape ecology is a widely influential approach to looking at ecological function at the scale of landscapes, and accepting that human beings powerfully affect landscape pattern and function. It goes beyond investigation of pristine environments to consider ecological questions that are raised by patterns of farming, forestry, towns, and cities.
Placing Nature is a groundbreaking volume in the field of landscape ecology, the result of collaborative work among experts in ecology, philosophy, art, literature, geography, landscape architecture, and history. Contributors asked each other: What is our appropriate role in nature? How are assumptions of Western culture and ingrained traditions placed in a new context of ecological knowledge? In this book, they consider the goals and strategies needed to bring human-dominated landscapes into intentional relationships with nature, articulating widely varied approaches to the task.
In the essays:
novelist Jane Smiley, ecologist Eville Gorham, and historian Curt Meine each examine the urgent realities of fitting together ecological function and culture
philosopher Marcia Eaton and landscape architect Joan Nassauer each suggest ways to use the culture of nature to bring ecological health into settled landscapes
urban geographer Judith Martin and urban historian Sam Bass Warner, geographer and landscape architect Deborah Karasov, and ecologist William Romme each explore the dynamics of land development decisions for their landscape ecological effects
artist Chris Faust's photographs juxtapose the crass and mundane details of land use with the poetic power of ecological pattern.
Every possible future landscape is the embodiment of some human choice. Placing Nature provides important insight for those who make such choices-ecologists, ecosystem managers, watershed managers, conservation biologists, land developers, designers, planners-and for all who wish to promote the ecological health of their communities.
Customer Reviews:
The empire grows back.......2006-02-11
Those of us who have been south of the United States know parts of Latin America fit a stereotype of how tropical countries look. In my case, the stereotype's from old black-and-white movies on television and foreign films. In Latin America, I found the lush greenery I was expecting to find. What I didn't know was quite a bit of it wasn't native. Instead, much of what I thought of as typically tropical was brought in from somewhere else. That's why today's Latin America has bamboo, bougainvillea, citrus, hibiscus, mango, oleander, poinsettia, sugarcane and tamarind!
When did this happen? Jill Casid pinpoints the SOWING EMPIRE activities of the 18th century. During that time, England and France built rival empires in the Caribbean. The English in Jamaica and the French in Saint-Domingue quickly controlled labor, land, technology, trade and transportation. How? They moved things, plants and people around in ways tying Caribbean colonies to the English and French mother countries. They brought some equipment to cut down forests, clear land, and build roads and plantations. African slave labor did the rest. Everything was held in place by non-native plantings and plantation landscaping.
Sugarcane from Java and Tahiti became big cash crops for the Caribbean. Elm, lemon and oak trees lined roads and marked off plantations. Gardens grew and town markets sold apples, artichokes, beans, cabbage, carrots, celery, cucumbers, figs, lettuce, melons, onions, peas, radishes, strawberries, and turnips. None of all this was native.
Successful plantation owners also owned land in their native countries. They hired landscapers to clear these lands, plantation-style, for artificial lakes and such non-native greenery as banana, cherry and pineapple trees. The most famous English landscaper was Lancelot Brown. Colonial landowner, imperial fortune-holder, and English title-holder became one through the Caribbean sugarcane trade. So Brown tried to mix foreign and familiar, non-native and native so comfortably it was as if the English landscape always looked that way. But the result was the same as in the colonies. Having money meant changing the landscape and planting costly non-native greenery. It also meant ordinary people lost their land and their forest and water rights.
The writing style's a bit academic. But the author organizes the facts, the examples and her interpretations well. She includes helpful diagrams, as well as telling art from the times. It's interesting how beautifully non-native plants fit into the Caribbean. It's also interesting how scientists, planters and landscapers became so sure of what should be grown when, where and why. The book's history. But its concerns can still be timely. For don't we worry about what to grow when and where? In our case, though, isn't the why more in terms of current and future diversity and well-being?
Book Description
The highway has become the buyway. Along the millions of miles the public travels, advertisers spend billions on images of cola, cars, vodka, fast food, and swimming pools that blur past us, catching our fleeting attention and turning the landscape into a corridor of commerce.
A smart, succinct, and visually compelling history of the billboard in America, Buyways traces how the outdoor advertising industry changed the face of American commercialism. Taking us from itinerant bill-stickers of circus posters in the 19th century to the blinking, beeping, 3-D eyesores of today, Gudis argues that roadside advertising has turned the landscape itself into a commodity to be bought and sold as advertising space.
Buyways vividly chronicles the battles between environmentalists and businessmen as well as the response of artists, from New Deal photographers who satirized the billboard-infested landscape to commercial artists who embraced the kitsch of it all. It also shows how advertisers tapped into the American mythology of the open road, promoting mobile consumption as the American Dream on four wheels.
Entertaining and brilliantly illustrated, Buyways is a vibrant road map of the new geography of consumption. Also includes an eight page color insert.
Customer Reviews:
An intriguing, original, seminal history of travel routes.......2004-07-09
Catherine Gudis' Buyways is a unique and intrinsically fascinating history of the advertising billboard industry in America. Of immense value for the academic study of American business history, Buyways is also highly recommended reding for travelers and non-specialist general readers interested in wayside advertising and highway history. From legal battles between environmentalists and business interests, to the involvement of artists and behvioral scientists in billboard presentation and design, Buyways provides an intriguing, original, seminal history of travel routes and advertising format choices.
Book Description
Landscape, that region of the earth saturated by human cultures, is today a place of deeply conflicting ideas about the natural world and our relation to it. Wilson traces the responses of Canadian, U.S. and aboriginal cultures to the land. He examines the environments we have built on this continent over the past fifty years as we continue to discover, exploit, protect, restore, and re-enchant a natural world in convulsion.
Customer Reviews:
Fascinating Book that Questions the "Naturalness" of Nature.......2004-01-05
In "The Culture of Nature," Alexander Wilson argues that our sense of what counts as nature or as natural is by no means a "natural" or spontaneous perception of a preexistant and untouchable Nature. Instead, he demonstrates that how we experience and think of nature are largely shaped by the cultural, social, political, and economic forces that surround us and pervade our experience even when we think we have escaped them by leaving the city and venturing into the great outdoors. To support his argument, Wilson offers compelling anaylses of theme parks, forest preserves, wildlife conservation programs, scenic roadways, car, truck, train and air travel, and more. I recommend this book to anyone who is interested in the city versus the wildnerness experience, in how cultural forces affect our sense of what is natural, and in the role that government and financial forces have on our experience of our surroundings--especially of our "natural" surroundings.
Book Description
The idea of "region" in America has often served to isolate places from each other, observes Douglas Reichert Powell. Whether in the nostalgic celebration of folk cultures or the urbane distaste for "hicks," certain regions of the country are identified as static, insular, and culturally disconnected from everywhere else.
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