Book Description
Forty years in the making, a new cultural canon that celebrates truth over hypocrisy, literature over totalitarianism.
Echoing Edward Said's belief that "Western humanism is not enough, we need a universal humanism," the renowned critic Clive James presents here his life's work. Containing over one hundred original essays, organized by quotations from A to Z, Cultural Amnesia illuminates, rescues, or occasionally destroys the careers of many of the greatest thinkers, humanists, musicians, artists, and philosophers of the twentieth century. In discussing, among others, Louis Armstrong, Walter Benjamin, Sigmund Freud, F. Scott Fitzgerald, Franz Kafka, Marcel Proust, and Ludwig Wittgenstein, James writes, "If the humanism that makes civilization civilized is to be preserved into the new century, it will need advocates. These advocates will need a memory, and part of that memory will need to be of an age in which they were not yet alive." Soaring to Montaigne-like heights, Cultural Amnesia is precisely the book to burnish these memories of a Western civilization that James fears is nearly lost. 110 photographs.
Customer Reviews:
A difficult read,but worth the time.......2007-10-01
Although this book has an intersting premise,it is a difficult book to read.It is written in essay form,and the author's style is not flowing or easy to read.However the content is interesting and does make you think about how we got where we are to-day:by losing sight of,and forgetting the past and important peope in it.
You can read this book a chapter at a time, and leave it for a while since each chapter is an essay on one person.it is not a novel,but a collection of essay/biographies, and includes some very intersting people
Absolutely Must Reading.......2007-09-15
In fairness, I had never heard of Clive James until he appeared on Bill Moyers Journal on PBS. I was just blown away and ordered this book the next day. If you want to understand Western culture ... I mean truly understand the culture in which you live, you should read this book. What you learn here is that a whole lot of people you never heard of and a few you have made monumental contributions that you didn't know about. This is the kind of book every person should have in their library as a reference. You can read it at leisure and you should. You should savor it.
Read it at your own perill.......2007-09-11
If you never studied French, German, Italian or Spanish, you will be sorry you didn't. You will be made aware of all you are missing because you can not read the all those untranslated or untranslatable important writers that are fundamental to our civilization. If you know them you will see that for English speakers is very difficult not to be confused by Spanish and Italian. I have found misspelled Spanish words because the Italian spelling was used in the wrong place. Clive James is almost pushing me to start again with German, French and Italian.
convoluted writing.......2007-09-04
just found what I've read so far very digressive and convoluted. He is a much better speaker than writer. haven't given it a full read, but am daunted by the many digressions from the points I'm interested in. don't care about 10 other people whom I may or may not know who really don't have relevance to the person I'm reading about.
Unsurpassed both for content and style.......2007-09-01
This is an amazing book. Clive James was only a dim sound in my limited background before the book was presented to me as a present. When I finished this book, I made the unusual promise to myself to read it again, an unusual decision since I am not thoroughly committed to modern writing and have found nothing that quite measures up to it, either traditional or modern. The essays, it is made clear, were not written at the same time, but were the accumulation of some years of reading and study. The casual reader will be introduced to a number of people hitherto unknown or barely known, mixed in with giants like Tacitus, Keats, Proust, Kafka, the three Manns,and Camus. I cannot ignore James's prose style, which astonishes minute by minute. A must-read for anybody interested in history and the arts.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
When Friday the 13th premiered in 1980, the film introduced moviegoers to a new kind of cinematic terror - shocking, visceral, graphic and relentless. Spawning ten popular sequels to date, the series has become the most successful horror franchise of all time, and the character of "Jason" an icon known around the world as the first name in evil. Now, uncensored and in their own words, over two hundred alumni of the series recall a quarter-century's worth of behind-the-scenes stories - the struggles, feuds, foibles, controversies and calamities.
Fully illustrated with over five hundred never-before-seen photos, rare archival documents and production materials, this is the ultimate oral and visual memoir of the most successful horror franchise in the history of motion pictures.
Customer Reviews:
PERFECT!BEAUTIFUL!THE BEST BOOK OUT THERE!.......2007-09-27
THIS TRULY IS THE BEST BOOK OUT THERE!IT'S SO HIGH CLASSED!IT'S WRITTEN,AND PUT TOGETHER IN AN APPROPRIATE ORDER.ALL THE PICTURES ARE IN GREAT DETAIL.THE PAGES ARE GLOSSY.ALL THE CAST MEMBERS,AND THE OTHER PEOPLE WITH FRIDAY THE 13TH MOVIES ALL TALKED ABOUT THEIR THOUGHTS,OPINIONS,FEELINGS,AND IDEAS ABOUT EACH MOVIE.THE PARAGRAPHS ARE BIG,AND REALLY INTERESTING.EVERYBODY ALSO TALKED ABOUT THEIR LIKES,AND DISLIKES OF CERTAIN SCENES THEY DID.THIS BOOK IS SO ENGROSSING!YOU WON'T WANT TO PUT IT DOWN.YOU REALLY GET TO KNOW THESE PEOPLE BY JUST READING THE PARAGRAPHS.I GOT THIS BOOK AS ONE OF MY PRESENTS,AND IT WAS MY FAVORITE PRESENT!
A MUST.......2007-09-24
NOW THATS WHAT YOU CALL A BOOK.... GREAT INFO AND THE BEST COLOUR PHOTOS IVE SEEN IN A WHILE... A MUST FOR ANY HORROR FAN... DONT THINK ABOUT BUYING IT, JUST HURRY UP AND GET IT!!!!!
THESE MEMORIES ARE FOREVER!.......2007-09-24
THIS BOOK IS EXCELLENT!IT'S BEAUTIFUL!ALL THE PAGES ARE GLOSSY,AND IT'S EASY TO READ.IT'S PERFECTLY PUT TOGETHER.IT'S IN THE PROPER ORDER FOR THE READERS CONVENIENCE.EVERYTHING'S IN HERE-NOTHING'S LEFT OUT.ALL THE PICTURES ARE IN GREAT DETAIL.YOU CAN SEE EVERYTHING,AND UNDERSTAND EVERYTHING.EVERYBODY INVOLVED WITH THESE MOVIES TALKED ABOUT HOW THEY REALLY FELT ABOUT DOING PARTICULAR SCENES,AND THEIR OWN PERSONAL FEELINGS ABOUT THE MOVIES.THE PARAGRAPHS ARE BIG,AND THEY'RE THROUGHOUT THE WHOLE BOOK.EVERYBODY'S CONVERSING AT DIFFERENT TIMES ABOUT DIFFERENT TOPICS,ISSUES,AND THINGS IN GENERAL.THIS BOOK'S SO INTERESTING,AND AMAZING!I DEFINITELY RECOMMEND THIS BOOK TO ALL THE FRIDAY THE 13TH FANS!DEFINITELY ADD THIS TO YOUR FRIDAY THE 13TH/JASON VOORHEES COLLECTION!
A Beautiful Read of A Guilty Pleasure.......2007-08-08
I just received my copy of Crystal Lake Memories as of yesterday. Since opening up the box that it was packaged in (packaged beautifully by Amazon..Thanks Guys! You're the best!!!!) I was not able to put it down. This is truly a definitive book on one of the most storied franchises in the history of american film making. From the beautiful cover, to the foreward and preface by Sean Cunningham and Peter Bracke, a tapestry woven in beautiful shades of crimson red begins to take shape. I have been a film of classic "horror" films since I was a teen, and yes, Friday the 13th has been and always will be one of the hallmark pictures within the genre that was so much a part of my youth. One should not take these films too seriously, and I have certainly gained a new perspective of these films since reading through the this beautiful book.
One reviewer stated so appropriately that it was a "bloody" shame (sorry guys) that such a book was not available for films such as "Alien" or "Halloween". Although I do reserve hope that such volumes will be written and rendered for devotees of those particular film franchises. They are certainly deserving. In short, my purchase of Crystal Lake Memories is one that I am happy to have made. It is beautifully rendered in every way, shape and form. Beyond the shade of crimson red, lyes a deeper and more sentimental look at everyone involved with this franchise. From the veteran filmmakers, to the effervescent actors and adoring fans, this book documents it all with tremendous detail and devotion. Kudos Mr. Bracke for bringing us such a fun and informative read.
Fan of the Films? BUY THIS BOOK!.......2007-08-07
As a huge "Friday the 13th" fan I couldn't wait to get my hands on this book. It's the most indepth look at each of the films, and the TV series out there. Peter Bracke culled together interviews with almost everyone in Hollywood who was associated with one of the films. There are countless stories by the cast and crew of each film. You are presented the good, the bad and the ugly details of each production. The book is broken into sections by movie title, and almost everyone involved in that particular movie gets to speak about their experience, most do so without pulling any punches. I can't recommend this book highly enough to fans of the series.
Book Description
In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memoryâconveyed in gestures, the spoken word, movement, dance, song, and other performancesâoffers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice.
Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.
Customer Reviews:
A Vital Intervention.......2006-02-15
Taylor's "The Archive and the Repertoire" is an absolute must-read for all scholars and students in performance studies, cultural studies, Latin American studies, and the social sciences in general.
Drawing on a diverse range of case studies from a Peruvian community theatre troupe to Univision astrologist Walter Mercado to her own firsthand account of witnessing 9/11, Taylor creates a new vocabulary for describing how cultures remember and re-enact with the body.
Although her insights are crucial for the future of performance studies and useful to senior scholars in the field, she writes with a clarity and personality that will engage undergraduate students as well.
VERY highly recommended.
Read This Important New Book.......2003-12-16
In her wonderful new book, Diana Taylor, a distinguished professor of both Spanish and performance studies, brings her areas of expertise into "conversation." Performances, she argues, are vital "acts of transfer" that transmit social knowledge, memory and a sense of identity in Latin/o American (and by extension other) cultures.
She writes, "I am not suggesting that we merely extend our analytic practice to other `Non-Western' areas. Rather, what I propose here is a real engagement between two fields that helps us rethink both." By working from the points of disconnection between area and performance studies Taylor creates a new framework for approaching performance as embodied social practice.
Shifting focus to "the live" requires new methodologies and Taylor creates exciting new theoretical tools to further this discussion. Since, in her view, much performance writing betrays the "embodiedness" it seeks to describe; Taylor coins terms that do not derive from literary sources. The repertoire of her title is her term for a "non-archival system of transfer" that can capture the ephemeral trace of performance. By providing her reader with a kind of archive of affect, Taylor makes the body central. She argues that the repertoire "allows for an alternative perspective on historical processes...by following traditions of embodied practice" instead of literary rhetoric. As an alternative to "narrative" she offers scenario, a term with a theatrical genealogy, meaning an open-ended " sketch or outline" as a way to connote colonial encounters. For example, Taylor wittily names the scenario in which we are encouraged to "overlook the displacement and disappearance of native peoples" at the root of the popular show Survivor, "Fantasy Island." Taylor expands on this theme in her second chapter, Scenarios of Discovery: Reflections on Performance and Ethnography. She writes, "Using scenario as a paradigm for understanding social structures and behaviors might allow us to draw from the repertoire as well as the archive."
Using these terms as "portable frameworks" and moving in and out of first person experience, Taylor explores a range of hemispheric performances. Chapters on the Mexican mestizaje, campy Latino American psychic Walter Mercado, and the ways that minority populations mourned Princess Diana, explore the hybrid spaces between perception and embodied culture. Taylor revisits the Argentinean "Dirty War"
(the topic of her book Disappearing Acts) in her chapter on H.I.J.O.S. -the children of the disappeared- and the "DNA of performance" that links them with their absent parents. Chapters on Brazilian performance artist Denise Stoklos, witnessing 9/11 and a 1998 Central Park performance of Rumba musicians interrupted by the NYPD, investigate the complex relations between hegemonic power and the anarchic spirit of live performance against a background of historic violence.
This book is a path-making piece of scholarship that recognizes performance as a valid focus of analysis. It creates a dialogue between area and performance studies that values the unique features of both. The questions Diana Taylor asks in Archive and the Repertoire extend beyond this work and will shape a terrain of inquiry in performance studies for years to come.
Book Description
One of Modern Library's 100 Best Nonfiction Books of the Twentieth Century
In this classic study of how people learned to retain vast stores of knowledge before the invention of the printed page, Frances A. Yates traces the art of memory from its treatment by Greek orators, through its Gothic transformations in the Middle Ages, to the occult forms it took in the Renaissance, and finally to its use in the seventeenth century. This book, the first to relate the art of memory to the history of culture as a whole, was revolutionary when it first appeared and continues to mesmerize readers with its lucid and revelatory insights.
Customer Reviews:
History book with no methods for application.......2007-10-04
The author states more than a few times that "I myself have never applied these methods for remembering. I am only a historian of the art."
I believe that sentence sums up the entire book. If you are looking to improve your memory, look for other titles that provide exercises and concrete methods for doing so. This book will give you an exhausting list of people who had wonderfully trained memories with incredibly vague descriptions of how they achieved them.
This book will change your life.......2007-05-13
Quite simply one of the dozen or so most amazing books of history ever written. It will change your idea of history, art and even your own memory. It is a decisive work on the Renaissance and goes along way to explaining the development of perspective in painting and of the Elizabethan theater. But more than anything else this book reveals, as never before to this reader, the power and glory of the human imagination. It reawakens an ancient secret. Memory itself had been forgotten until Yates recalled it out of history's unconscious. This book is one for the ages.
Definitely pass on this one.......2004-09-22
I bought the book because recently I have been into the personal mastery thing like increasing your memory, reading better, and so on. Before I bought the book, I read the preface, and the the promises in it did not deliver. Before I go on I assure you that unlike some reviewers I read this 390 some pages of this book. This is definitely one of those books that Mortimor Adler in their book "How to Read a Book" describes as books that should challege you. And quite a challenge it is. Frances Yates assumes that the reader have knowledge of many things. Like foriegn languages such as Latin, Italian, this book is rife with it and most of it untranslated. Frances Yates also assumes that the reader know of various philosophical idiosycrasies of the known history of man.
The title of the book suggest that it is a book about the history of the art of memory and it is not. I agree with the earlier review of hglee of Avoldone Estates in GA. Definitely pass on this one and move on and forget the title of the book.
An excellent exploration of a forgotten art.......2002-09-13
If you are fascinated by history or by scholarship throughout recorded time, you should enjoy this book. Francis Yates has created a detailed examination of memory techniques and their evolution over the course of generations. Beginning in ancient Greece and continuing through the Middle Ages, Yates shows how the art of remembering began as a sort of parlor trick and developed into an important skill in both religion and the occult. The influence from both individuals and cultures is described in a scholarly (yet not annoyingly so) way. While this book is not for everyone, its intended audience should be delighted.
NOTE: This book is not a "how-to" manual for memory. It provides only a very general description of memory methods and is instead an exploration of the history of the art.
An excellent companion piece to this book is _The Memory Palace of Matteo Ricci_. Both books were listed in the acknowledgements of Thomas Harris' _Hannibal_.
An arduous, fruitless journey into trivia and occultism..........2002-06-11
Yates has produced what may be the most scholarly historical work on memory. And, like most pedantry, it takes a Herculean effort to finish it-and perhaps an even greater effort not to feel short-changed by the experience. Although the work was initially a fascinating and erudite tour through the history of early Greek and Roman culture, it then degraded into a detailed history of the occult.
At 400 pages, _The_Art_of_Memory_ promises to be a very thorough account of the finer points of mnemotechnics, otherwise known as the art of memory. However, if the reader is approaching this work with an agenda of obtaining anything other than a *very* thorough history lesson, don't bother. There is precious little of practical use in this tome, and the paucity of technique that does exist is presented in an exclusively in a historical context.
The preface frames up a genuinely interesting but ultimately misleading agenda for readers. While it promises to explore the art from a historical perspective, it promises that the "exploration of it must include more than the history of its techniques." Regrettably, all that the reader is served is a history of the key figures and their works-in short, nothing other than the history of techniques. In reviewing my copious notes, taken during my reading, I find little of substance in the book. Indeed, there are no techniques explained in any useful detail at all, and there is nothing whatsoever for the reader to practically apply from these thinkers.
I came to this work fascinated by powerful mnemonic systems that can be employed for any subject matter, concepts such as "memory palaces" and "memory theaters." I left this work with only a grasp of where these arts began (at least historically) and a sense of the depths to which this art sank. For after the art of memory left the able hands of Aristotle and Cicero, it degraded into occultism of one form or another-and this is, sadly, where Yates expends all of her energy.
The book traces the formal lineage of mnemotechnics through key figures in history. From the ancient Greek orator Simonides to The Philosopher Aristotle, we see the Greek influences on the art. In the Roman era, the author relies (almost entirely) on Cicero to explain the lineage. From the Romans, we enter a very dark period whose only bright spot is Quintillian in the first century A.D.
The Middle Ages brings us to Thomas Aquinas and his teacher Alberus Magnus. From there we move through Petrarch and into the Renaissance. Although there are numerous figures discussed in the Renaissance (roughly two thirds of the book), the singular characteristic of these Renaissance thinkers is that they all appear to be alchemists of some variety or another.
Understandably, most of these thinkers were religionists of one variety or another leading up through the Middle Ages. While religious orders were the only home to scholarly pursuits during this era, this does not explain Yates' bizarre and unswerving focus on the occult use of memory. This is an especially strange focus indeed considering that it is in the Renaissance that the scientific method as the single unifying force in man's ability to explain the universe.
Instead of carrying through to modern times, the book ends in the early Renaissance. Thus, the reader is left with the impression that the "true" art of memory is dead because objective thinkers require rational frameworks in which to operate. The absurdity of this is quite ironic. For if there is anything that could make sense of the rambling, mystical attempts of the early Renaissance quacks lauded by Yates, it would be an objective view of where they fell short and where they were possibly onto something useful. However, the closest we come to this perspective is in the author's articulation that these thinkers seemed to be very close to some "universal secret" that would have unlocked man's ability to see the universe as it really is. The author makes no attempt to explain further, claiming only that the inability of modern readers to solve this secret is the byproduct of being unable to locate lost texts from these inventive and insightful souls.
Throughout the author's painfully detailed investigation of these early Renaissance occultists, I became intensely bored at the appalling complexity and utter silliness of the methods employed in these "arts." Indeed, it was hard not to laugh outright at many of these characters, for their attempts seemed little else that child's play or witchcraft.
Whether discussing the Memory Theatre of Guilio Camillo or the ridiculous rantings of Ramon Lull or Giordano Bruno, the reader must work hard not to snicker at these goofy attempts to treat memory as the Philosopher's Stone. The book carries us through the magical rantings of Peter Ramus and Robert Fludd, detailing their political motivations and prodigious publishing records in excruciating detail. Finally, the book simply ends, without the benefit of a unifying message or even a satisfactory attempt at a summary statement-as if the author were so tired of looking up minutiae that she simply submitted whatever she had to the publishers. For perhaps the first time since the preface, the reader is in step with the author; it was a sheer relief to put this book behind me.
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Book Description
Bathed in the warm clarity of the summer sun in Provence, Marcel Pagnol's childhood memories celebrate a time of rare beauty and delight.Called by Jean Renoir "the leading film artist of his age," Pagnol is best known for such films as The Baker's Wife, Harvest, Fanny, and Topaze, as well as the screen adaptations of his novels Jean de Florette and Manon of the Springs (North Point, 1988). But he never forgot the magic of his Provencal childhood, and when he set his memories to paper late in life the result was a great new success. My Father's Glory and My Mother's Castle appeared on the scene like a fresh breeze, captivating readers with its sweet enchantments. Pagnol recalls his days hunting and fishing in the hill country, his jaunts about Marseilles, his schoolboy diversions, and above all his family: his anticlerical father and sanctimonious uncle, his mild and beautiful mother, and many others. This bright and lively book sparkles with the charm and magic that were Marcel Pagnol's own.
Customer Reviews:
childhood revisited.......2007-07-06
I bought this book for my son who is now a father of three. It seems that he read the book as a child and challenged me to find a copy of it for him.I asked him why the book was important to him. He said that the book was a wonderful journey of childhood,and that it reminded him of his own journey. Intrigued, I read the book too. Written from a childs viewpoint In privincial France, it is full of adventure, wonder, humour and the intricacies of family life in a beautiful setting. Written from the heart, immensely readable by children and adults.
5 star book, 1 star delivery.......2005-05-26
This is a delightful book that I had read many years ago in French, and I was very excited to read it in translation. Unfortunately, I found out after I ordered it that this book is out of print and is considered a "rare, print on demand" book. It took over 6 weeks to arrive, and I almost cancelled my order.
Amazon states that this book ships in 24 hours, but it took more like 1000 hours. If you have the patience to wait for it, the book will not disappoint you, but the slow delivery will. In the meantime, rent or buy the excellent movie version while you're waiting.
Masterpiece.......2003-07-15
This is quite simply one of the most enjoyable, moving and humane books I have ever read.
Delightful story of an idealic childhood.......2000-11-02
Marcel Pagnol narrates the story of his family living in Marseilles at the turn of the century, as they travel back and forth to their vacation home in the hills of Provence. The sweetness and loving attitude of his family is truely heartwarming, especially as described through the eyes of young Marcel. I had already seen the movie versions of both My Father's Glory and My Mother's Castle, which actually followed the book quite closely. I highly recommend them. Marcel gives the reader the pleasure of discovering, with him, the joys and mysteries of life, including exploring the hills of Provence, animals and nature, the pleasures of friendship, and the pride and love of family.
A fond remembrance of childhood in Provence.......2000-05-20
A wonderful autobiography by Marcel Pagnol telling of his early childhood with his family in the hills of Provence. Of school, his schoolteacher father, his delicate mother and his rambunctious brother. Of eventful journeys by rail, by foot and by cart from home to their vacation house. Of a joyful time spent exploring a countryside fragrant with wild herbs, full of insects to dissect, birds to hunt and caves to discover. Written in a prose that evokes the simplicity and seriousness of an inquisitive ten year old. And with a bittersweet ending that makes us immediately want to go back to previous pages where we were with him, his family, friends and the hills, tucked safely in summertime warmth and innocence.
Average customer rating:
- A Beautiful and Worthwhile Book
- Wyeth Review
- The Legend of Andrew Wyeth
- Andrew Wyeth: Memory & Magic
- The Beauty Of Wyeth's Recent Work
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Andrew Wyeth: Memory & Magic
Manufacturer: Rizzoli
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Andrew Wyeth: Autobiography
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Andrew Wyeth: Master Drawings from the Artist's Collection
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Andrew Wyeth: A Secret Life
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Andrew Wyeth: The Helga Pictures
ASIN: 0847827712
Release Date: 2005-11-08 |
Book Description
Prior to the 1960s, Andrew Wyeth enjoyed a stellar reputation as a rising star in the art world. Since then, critics and scholars have largely ignored him. Wyeth, however, who is age 88 at the date of publication, has continued to paint, to the delight of his admirers, collectors, and the art-loving public. Now, in association with the High Museum exhibition, Andrew Wyeth: Memory & Magic takes a fresh look at the work of one of America's most beloved artists.In examining his entire oeuvre, the book celebrates the artist's ongoing love affair with everyday life-domestic, natural, and architectural. Found throughout Wyeth's work, these objects form patterns that illuminate core themes and reveal the artist wrestling with issues of memory, temporality, embodiment, and the metaphysical. Organized chronologically and thematically, the book explores how the artist's approach to these subjects was formed in his early career, and has been revisited in new and surprising ways in recent years.Andrew Wyeth: Memory & Magic comprises 150 tempera paintings and 50 drawings and watercolors-including his most-famous works, but also many published here for the first time.
Customer Reviews:
A Beautiful and Worthwhile Book.......2007-08-09
As a collector of books by and about Andrew Wyeth, I must say this is a tasteful and beautifully produced art book with insightful essays by five excellent writers who know their subject well. Wyeth has been around for a long time and started fading from public consciousness after the "Helga Affair" -- undeservedly so. To my mind he is still one of America's greatest 20th century cultural treasures. The book resulted from a retrospective exhibit of Wyeth's work in 2005/2006. My only reservation about the book is that it shows too many of Wyeth's pieces that are in all the other books about his work. But that may be Wyeth's choice and must be respected.
Wyeth Review.......2007-02-14
The book was well written, interesting, and informative. Color plates depicting Wyeth's paintings were bright and clear. The book arrived timely and in excellent condition. Well satisfied.
The Legend of Andrew Wyeth .......2007-02-07
I've been a long-time, unashamed fan of Andrew Wyeth's remarkable, if not controversial career as a great American artist. This exhibition catalogue illustrates many famous paintings along with some very rarely-seen works done by none other than Andrew Wyeth himself. The essays are freshly written and easily understood. The book is packed with colorful illustrations along with other illustrated pictures of paintings that were not included in the show. Highly recommended for anyone who is intrigued by Wyeth's legendary journey as one of America's most-loved artists.
Andrew Wyeth: Memory & Magic.......2007-01-03
This makes for a fantastic coffee table book if you are a Wyeth fan. To be blunt the only reason I purchased this book is because my favorite Wyeth works are not commercially available. I would shove my grandmother down a flight of stairs to get my hands on Adrift as it is my favorite Wyeth work. But alas, the book does the trick.
The Beauty Of Wyeth's Recent Work.......2006-03-31
Andrew Wyeth is an American master and his works shine with not only an inner light, but an inner glory. Several dozen of his (mostly recent) paintings are to be found in this collection, along with notes, comments, and background histories. A truly great collection by an artist whose talents speak of genius.
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Memory, Metaphor, Mutations: The Contemporary Art of India and Pakistan
Yashodhara Dalmia , and
Salima Hashmi
Manufacturer: Oxford University Press, USA
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Book Description
Increasingly, as boundaries are being dissolved and interactive realities are becoming evident, the cultures of India and Pakistan are beginning to draw attention. Within the larger exchange of music, cinema and other cultural forms, the contemporary art of the two countries in all its
vibrancy begins to have a fascinating new identity. There are many similarities that the art of the two countries share because of their common history. At the same time, divergences also lead to new directions that provide fodder for a cathartic regeneration. The book draws on three vital aspects
of contemporary Indian and Pakistani art: first, the historical development which began in colonial times and continued its diverse course in both countries after gaining independence. Second, the distinctive elements in contemporary art re-use their vital traditions, in the case of India, through
the incorporation of popular art and in the case of Pakistan, the reinvention of the miniature tradition. Third, is the dynamic and essential work of women artists of India and Pakistan.
Book Description
Scrapbooking Your Family History shows scrapbookers and beginning genealogists how to uncover their ancestry and display it in an attractive, well-organized heritage album. It also covers the basics of genealogy in a friendly, unintimidating format. Readers will learn how to: choose items already in their family's possession for presentation in a scrapbook find and identify family photographs locate and interpret historical documents about their ancestors discover new information from old postcards, keepsakes and other family artifacts put their ancestors in historical perspective tell the story of their family in different ways take their research beyond the limits of a heritage album
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