Book Description
A synthetic approach combining political, social, and ideological texts offers students a wide perspective on life in Hitler's Germany. Unit I considers the political history of Germany from 1918 to 1938; Unit II focuses upon National Socialist ideology and the dictatorship of 1938-1945; Unit III considers Nazi power in its police and military forms.
Customer Reviews:
A great collectoin of documents.......2006-12-15
This book provides an excellent array of documents on Hitler's Germany and the rise of the third Reich. Germany has a checkered history but it's well represented through the documents chosen here. This is an ideal book for a college seminar on the Nazi's or anyone who wants to do research on the regime.
OK, but missed an important point.......2006-04-15
I commend the authors for the comprehensive documentation but they missed an important historical point. There was no mention that Hitler was appointed after he apparently blackmailed the old man, Hindenberg. Most historians point out the fact that Hitler got wind that Hindenberg was given a large Junker estate in East Prussia. That in itself was not illegal but when the deed to the estate was made known it contained the name of Paul von Hindenberg's son as the owner (Oscar von Hindenberg) rather than the old man. This was an attempt to avoid the inheritance or death taxes that would become due on the death of the 85 year old pompus old man who was commander of the German Army in WW1. It was Paul von Hindenberg who was responsible for appointing Hitler(who had only 34% of the vote in Nov 1932) but/and until his death in August 1934 had the ability to remove Hitler but did not. It was Hindenberg who was blackmailed and further induced by an additional gift of 450,000 marks for which he failed to pay the taxes on plus an additional 5000 acres the Nazi's added to his estate after Jan 1933. In addition, the old man still had the clout to protect the life of a personal friend, Franz von Papen(a previous Chancellor) and he did that. I think the authors failed to provide the students at the U of Kansas the name of the real slime-ball responsible for Hitler--Paul von Hindenberg, the pompus coward President who appointed Hitler and who obviously felt and acted that his own person legacy was more important than the destiny of Germany!!! As an accurate historical document this book falls way short.
Best Book for Study of the Third Reich.......2005-12-06
I had this book for a college class on the Third Reich, and out of the six books we had, I think this was one of the best. The book lays out a lot of information and during discussion, you can draw out a lot of conclusions about how complex the dealing inside the Reich were at the time.
Average customer rating:
- Beautiful Book
- Travel with Nietzsche
- Take a Hike with Fritz!
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The Good European: Nietzsche's Work Sites in Word and Image
David Farrell Krell , and
Donald L. Bates
Manufacturer: University Of Chicago Press
ProductGroup: Book
Binding: Paperback
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ASIN: 0226452794 |
Book Description
Through photographs and translations of Friedrich Nietzsche's evocative writings on his work sites, David Farrell Krell and Donald L. Bates explore the cities and landscapes in which Nietzsche lived and worked.
"A brilliant juxtaposition of life and thought. . . . The sympathy of this pictorial biography is rivaled by few books on Nietzsche."—Charles M. Stang, Boston Book Review
"[A] distinguished addition to the Nietzsche-friendly corpus."—Alain de Botton, Los Angeles Times Book Review
"An odd and oddly endearing record of Nietzsche's travels."—John Banville, New York Review of Books
Customer Reviews:
Beautiful Book.......2007-02-08
David Krell and Donald Bates trace the major sites of Nietzsche's productive period, tracing the French and Italian Riviera, Sils Maria, Turin, and the mountains of the Engadine in an attempt to examine the role of space in the creative work of this great philosopher. The book also serves the role of a miniature biography, the authors have done a great deal of research in the primary literature, reproducing a number of letters between friends, family, and colleagues. The book does not attempt to pinpoint the exact influence of landscape on the content of Nietzsche's work per se, still one does get the impression that the atmosphere of these places contributed to the dramatic flare of Nietzsche's style. The photographs are truly beautiful, but one still feels unsatisfied by the lack of analysis of the actual philosophy itself.
Travel with Nietzsche.......2001-06-25
Although at first glance this book might appear to be simply a "coffee table" book, it actually presents a totally engaging, very personal view of Nietzsche by Krell and Bates. After I recently read various works by Nietzsche, and was somewhat astonished by the heart-on-the-sleeve baring of the soul that characterizes so much of Nietzsche's writing (e.g. Thus Spoke Zarathustra), I found it very interesting to read Mr. Krell's splendid prose as he shares with us highlights of the many journals, notes, and letters that document the inner life of Nietzsche. In particular, the wonderful way that Krell matches up Nietzsche's physical surroundings with the various images and metaphors of his published work provide a tremendous insight into both the meaning and the poetic beauty of Nietzsche's writings. I especially appreciated learning about the internal tension and ambivalence that Nietzsche experienced regarding whether his work would be interpreted as genuine philosophy or merely poetry. This is an excellent book to read from cover to cover as well as to browse.
Take a Hike with Fritz!.......1997-11-08
just got the expensive book 'The Good European' last night at berkeley's Black Oak bookstore, 55$, phew. great idea for a book, kind of book where you envy the writer all the travelling they got to do in the process of writing it. Ressentiment, get thee behind me! this book is the first time i have seen a picture of the famous 'Zarathustra rock' the pyramid rock where N. was struck with the realization of the eternal return. Just wish it was in color and full-page. The photos are a little awkwardly placed sometimes. Lots of photos of doors. Was this an obsession of N. or the photographer? funny that author Krell does not mention Nietzsche's encounter with the flogged horse as the precipitator of his god-realized-madness though, Krell seems to buy in totally to the syphilis hypothesis. Truly, the west is still so naive re the vagaries and risks of metanoia/spiritual transformation. It really amazes me sometimes how these academic Nietzscheans like Krell and Yalom can completely disregard the insights of Bataille into the epic significance of N.'s 'madness' and its implications for our own illusory collective consensual sanity. oh well. not even a picture of the Piazza Carlo-(something) in Turin, as far as I could see, but might be there, havent read it closely. lots of good stuff in the book though. have always wanted to go on a hike along some of N.'s favorite paths, and this book is the next best thing.
Book Description
France between the wars saw a dynamic mix of larger-than-life personalities and unconventional ideas, audacity and genius, elegance and edge. Artists, musicians, writers, dancers, composers, the American, French, and other European characters who comprised the "Lost Generation" were all there: Hemingway, Dos Passos, Dorothy Parker, George Gershwin, Cole Porter, Stravinsky, Picasso, Cocteau, Man Ray, Léger, Balanchine, Diaghilev, Fitzgerald. This riveting portrait re-creates the glamour, excitement, and intellectual fervor of Jazz Age France, drawing on fresh, never-before-seen material. A special feature is a chapter on the little-known generation of African-American artists who left Harlem to work in France.
Writing in a vivid style that transports the reader back to that vibrant time, Charles Riley presents a panorama of the arts scene in Paris and the Riviera in the 1920s, providing fascinating insights based on letters, diaries, journals, and private archives as well as art. Highlights include never-published paintings by Picasso and Léger; previously unknown works by e. e. cummings and John Dos Passos; and intimate photographs of the era from family albums belonging to this circle of friends, who were among the world's great artists and writers. AUTHOR BIO: Charles A. Riley II, professor of English at Baruch College of the City University of New York, is the author of several books on aesthetics and art, including two Abrams titles: The Art of Peter Max and Ben Schonzeit: Paintings. He lives in New York City.
Book Description
Homosexuality in Early Modern France is an edited volume of translated documents about male and female homosexuality in France from the Renaissance through the Revolution. It is the first documentary collection in English about homosexuality in any Continental country during the sixteenth, seventeenth, and eighteenth centuries. The authors have translated a wide variety of primary documents-religious, legal, criminal, polemical, literary, and philosophical-and have included everything from the arrest records of men accused of sodomy to the writings of Voltaire, Montesquieu, and Diderot. The sources provide empirical evidence about the ways in which people of both sexes and different classes experienced same-sex relations. They also show how these relations were condemned by theologians, jurists, and doctors; regulated by police and magistrates; and manipulated by contemporaries for polemical and political purposes. Homosexuality in Early Modern France examines how the themes of same-sex relations were used in discussions of religious, political, and social issues and it provides an excellent vantage point from which to begin discussions of the representation and experiences of men and women involved in same-sex relations in early modern France. This collection offers scholars, students, and other readers access to texts and documents not previously available in English and provides them with raw material for understanding the questions about subcultures and identities that are at the heart of current debates on the history of sexuality.
Book Description
This is the first volume of a new integrated documentary history of the Soviet Union. The Soviet story looms large in history syllabuses across the world. This book will be a valuable resource for students at all levels, drawing upon the primary material that has come to light since the collapse of Communist rule in 1991. Combining lucid narrative commentary and a rich selection of evocative documents, it provides a lively entrée to current debate over humanity's most momentous and tragic experiment. This volume is organized into three chronologically distinct parts, subdivided thematically and embedding over 200 documents. Key terms and references to individuals, places, events and institutions are explained and guidance provided on significant features of the primary sources.
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The Occult in Early Modern Europe: A Documentary History (Documents in History)
Manufacturer: Palgrave Macmillan
ProductGroup: Book
Binding: Paperback
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Witchcraft in Europe, 400-1700: A Documentary History (Middle Ages Series)
ASIN: 0312217536 |
Book Description
This collection of translated documents, many of which have never before appeared in English, presents a survey of the vibrant, complex, stimulating, perilous world of magic, witchcraft, astrology, alchemy, and other related occult themes. It presents them not as disparate elements of folkloric belief and intellectual aberration, but as parts of a coherent, intellectually rigorous and scientifically challenging world-view and integral parts of everyone's intellectual, social and moral life in the early modern period.
Customer Reviews:
Insight.......2000-08-11
PG Maxwell Stuart offers a variety of texts concerning the occult that were heretofore unavailable in an English translation. Texts are grouped into categorial chapters and translated into concise modern English. Includes works by authors such as Martin Luther, Newton and Nicodemus.
Book Description
Using innovative photographic technology, Felice Frankel finds startling abstract beauty on the surfaces of objects all around us. Chemist George M. Whitesides explains each photograph, describing why and how each of these phenomena occur.
Customer Reviews:
Fantastic. A joy to look at and to read.......1999-06-10
This book consists of a number of fascinating photos drawn from the world of science. The pictures are works of art in themselves, and include a simple scale indicator to give you a clue whether what you're looking at is microscopic or full sized. The accompanying prose explains in a short description what you're looking at and why it's so interesting. The prose is brilliantly written and easy to read.
This book is not for scientists per se, but for anyone with a fascination for the world around them. A perfect accent to any coffee table.
Great photography book !.......1998-10-11
This is not a science book ! The photos are really great, but the name fooled me...it is not a book on surface science ! Just a photography book that have some phothos that were taken with the help of scientific media.....
Intriguing pictures and understandable explanations.......1998-03-31
As a student in Material Science and Engineering, I couldn't resist when I heard of this book, and I was not disappointed. Mrs. Frankel's photography is beautiful and illustrative without losing an artful touch as far as composition is concerned, and Mr. Whitesides' explanations can be easily grasped due to their intuitive approach. For someone who wants to know more about the science behind the effects the explanations may not be detailed enough, which is why I don't rate this book a ten, but whoever desires to gain an overview of surface effects and understand the basics of it, this is the book to read. I sincerely recommend this book.
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On European Ground
Alan Cohen
Manufacturer: University Of Chicago Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0226112942 |
Book Description
A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's On European Ground considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy.
Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction.
Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
Customer Reviews:
very disappointing.......2007-01-18
I had high hopes after reading the Editorial Review and seeing the photo on the book cover. But I have to say this is the most disappointing book of photographs I've purchased in a long time. For me, the best photographs grab my attention with little or no explanation of what I'm looking at. That said, I do enjoy the reading the photographers' comments regarding location and why they took the photograph.
On European Ground is exactly that - the book focuses on the ground of old WWI battlefields, Nazi death camps and the Berlin Wall. Included are photos of steps, brick streets, railroad tracks, gravel, dirt and fields. This could have been interesting, but the photographer chose to zero in on his subjects so closely that we cannot tell where he is. In many of photos I found myself struggling to find something that would give the photo a sense of scale. Mr. Cohen seems to think that we will be moved by his photograph of a manhole cover once we are told that it is at Checkpoint Charlie in Berlin. Or by his photo of sun-baked, cracked dirt as long as the words Buchenwald are below the photo. These photos do not tell a story.
This is the worst kind of elitist photography. I cannot stand the concept that I will appreciate a photo more once the photographer explains it to me. As far as I am concerned, a photograph has to stand on its own merits. If you have to explain it to me then you have lost me. The photo should grab me and draw me in. I should want to read about it. In the back of On European Ground the author provides notes on each set of photographs. So I spent two hours looking at a photo, then jumping to the back of the book to try to figure out why he thought this piece of ground required a photograph. Very frustrating. For photos this unremarkable, the author would have done us a favor by putting the notes next to the photo.
The book itself is nicely done, and the photographs are well-printed. I really wanted to like this book, but it was not to be.
If the concept interests you, I would suggest you buy Deathly Still: Pictures of Concentration Camps by Dirk Reinartz and Christian Graf von Krockow.
Book Description
This volume traces the history of Naples in the "tragic centuries" between the collapse of the Parthenopean Republic and the restoration of the Bourbons to the end of World War II. It then picks up the history of Naples as it begins its slow recovery from the depredations of Unification, the destruction of war, and the urban corruption and environmental degradation of Italy's post-war economic "miracle."
The author presents 229 documents within the context of a larger, and continuous, narrative of the city's history, society, and economy during these centuries. Sources include narrative histories, travelers' accounts and diaries; urban descriptions and analyses; the letters of famous and the ordinary citizens; newspaper and magazine articles; interviews and surveys; oral histories; official narrative, statistical reports and legislation; political oratory; novels, poetry, song, and visual arts.
Topics include the image of Naples at the end of the 18th-century Grand Tour; the revolution of 1799, the Bourbon restoration and its aftermath; the social and political developments of the 19th-century leading to the revolution of 1848 and the Risorgimento; the place of Naples within a unified Italy; and the catastrophes of the 20th century, including epidemic, fascism and world wars, the rise of the Camorra, and the social and political corruption of the post-war era. The readings conclude with texts documenting recent reforms and new economic and social directions that may point to a sustained renewal of Neapolitan life.
Foreword, Preface, Introduction, Notes, Chronology, Bibliography, and Index. 168 illustrations, 3 maps.
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