Amazon.com
In the past, Antonia Fraser's bestselling histories and biographies have focused on people and events in her native England, from Mary Queen of Scots to Faith and Treason: The Story of the Gunpowder Plot. Now she crosses the Channel to limn the life of France's unhappiest queen, bringing along her gift for fluent storytelling, vivid characterization, and evocative historical background. Marie Antoinette (1755-93) emerges in Fraser's sympathetic portrait as a goodhearted girl woefully undereducated and poorly prepared for the dynastic political intrigues into which she was thrust at age 14, when her mother, Empress Maria Theresa, married her off to the future Louis XVI to further Austria's interests in France. Far from being the licentious monster later depicted by the radicals who sent her to the guillotine at the height of the French Revolution, young Marie Antoinette was quite prudish, as well as thoroughly humiliated by her husband's widely known failure to have complete intercourse with her for seven long years (the gory details were reported to any number of concerned royal parties, including her mother and brother). She compensated by spending lavishly on clothes and palaces, but Fraser points out that this hardly made her unique among 18th-century royalty, and in any case the causes of the Revolution went far beyond one woman's frivolities. The moving final chapters show Marie Antoinette gaining in dignity and courage as the Revolution stripped her of everything, subjected her to horrific brutalities (a mob paraded the head of her closest female friend on a pike below her window), and eventually took her life. Fraser makes no attempt to hide the queen's shortcomings, in particular her poor political skills, but focuses on her personal warmth and noble bearing during her final ordeal. It's another fine piece of popular historical biography to add to Fraser's already impressive bibliography. --Wendy Smith
Book Description
France's iconic queen, Marie Antoinette, wrongly accused of uttering the infamous "Let them eat cake," was alternately revered and reviled during her lifetime. For centuries since, she has been the object of debate, speculation, and the fascination so often accorded illustrious figures in history. Married in mere girlhood, this essentially lighthearted child was thrust onto the royal stage and commanded by circumstance to play a significant role in European history. Antonia Fraser's lavish and engaging portrait excites compassion and regard for all aspects of the queen, immersing the reader not only in the coming-of-age of a graceful woman, but in the culture of an unparalleled time and place.
Customer Reviews:
A Gripping Royal Life.......2007-08-29
Light on analysis and heavy on chronicling, MATJ efficiently and often movingly recounts a notorious chapter in history. AF does a fine job of evoking life in a European court in general, and in the times of Marie Antoinette and Louis XVI in particular. She treats her subject objectively, though with a reasonable measure of implicit sympathy. The Antoinette depicted in MATJ is far more nuanced a figure than the one many of us were first introduced to in public school history lessons. Though not without flaws, Marie Antoinette emerges in MATJ as no more flawed a person than most -- a product and a victim of circumstances that were largely of others' making. MATJ is particulary affecting in its treatment of the Terror, the collapse of the French monarchy, and Marie Antoinette's ultimate fate -- a fate as brutal as one can imagine. As a history of the Terror and the French Revolution, MATJ falls short. But it does not purport to be a broader work of historical synthesis or analysis. It hews closely to its subject -- the queen whose life intersected, tragically, with enormous national and world-historical events. In doing so, it offers a full and affecting portrait of one of history's most compelling figures.
Engrossing from beginning to end.......2007-08-09
"Marie Antoinette: The Journey" was my first experience with the work of Lady Antonia Fraser. Having read many biographies of famous British historical figures, I noticed that her name always seemed to crop up in various authors' "Acknowledgements" or bibliographies. In fact, the point at which I first recall reading her name was in reviews for John Guy's "Queen of Scots: The True Life of Mary Stuart". My interest piqued, I ordered a copy of "Marie Antoinette" to test the waters of an author whose scholarship and style was, it seemed to me, almost universally respected. And I can safely say that I've never been more pleased with the outcome of an experiment.
Antonia Fraser's sparklingly eloquent and witty writing style lends itself perfectly to the glamorous story of the ultimately tragic French queen. What I appreciated most about the narrative (aside from its seamless fluidity) was the lack, thankfully, of shameless allusions to the subject's eventual disastrous fate. Lady Antonia stated in the introduction to her biography that she would endeavor to present Marie Antoinette's tale `without the perils of hindsight' (her words, although not in the introduction), as most authors I'm sure would have been prone to do. Despite the fact that I was aware of Marie Antoinette's death going in, I had little knowledge of the reasons for it.
And thusly I come to another brilliant aspect of this biography: the sound and thorough description of events leading, not only to Marie Antoinette's beheading, but the French Revolution itself. Obviously, Antonia Fraser's intention in presenting the queen's story was not to simultaneously provide the reader with an exhaustive analysis of the Revolution (for that, many would recommend Simon Schama's "Citizens"); so with that said, I found the author's breakdown of the events occurring throughout Marie Antoinette's adopted country entirely satisfying within the confines of a biography.
This is one of the few biographies in which I was so sufficiently engrossed by the story that I gradually disregarded my previous knowledge of how the story ends. So swept along was I by the narrative's current that I actually harbored quiet hope for the queen's rescue from the Conciergerie, where she was incarcerated prior to her execution. As a result, I was crushed when Marie Antoinette met her gruesome death. Such unquestioning absorption is, in my opinion, the mark of any quality biography, when coupled with an objective and engaging presentation of facts that envelopes you in the world of its subject. "Marie Antoinette: The Journey" shines vividly in that regard and many others.
Elizabeth Longford, Antonia Fraser's mother and a highly-respected biographer, stated in a later-edition introduction to her masterful "Victoria R. I." that the word `definitive', in describing biographical works, is meaningless. Various authors studying the same subject may interpret facts and events quite differently. Having never read another biography of Marie Antoinette, I cannot rightly speak of Lady Antonia's book as being the essential source for information. But based upon my own experience with it, and those of most other reviewers, I would wager that this is the best possible place to start.
A sympathetic biography of a much maligned queen.......2007-07-12
Always the victim of fate and controlled by external powers, Marie Antoinette warmed to her roles well. From her idyllic childhood in Austria to her life as a princess (the Dauphine) in France during her adolescence to her extravagant Queenship in Versailles and Petit Trianon to her staid motherhood and finally to her untimely death at the hands of the Jacobins, Marie Antoinette filled her role with grace and dignity. Fraser brings us a portrait of Marie Antoinette as she certainly would have liked to have been remembered rather than the villainous harpy she was portrayed as during her life and beyond.
Starting, as any biography of Marie Antoinette must, in Austria under the reign of Maria Teresa, the book proceeds to describe life in the Empress' household and the various intrigues therein. The book tries not to miss any significant points along the way, but the book soon moves to the marriage of Marie to the young French Dauphin Louis XVI. From there, the life and political machinations of the courtiers and Marie among them are highlighted. Fraser sometimes seems to get lost recalling all the courtiers and their significances, but Marie is always kept as the central figure. Through this storytelling the reader watches a young woman grow up, sometimes under bad influences, but mostly under the watchful eyes of responsible advisors.
There is quite a bit of focus on Marie and Louis' failure to consummate their marriage, with the lightness of the King's attitude towards the Prince (Louis) in sharp contrast to the heavy yoke of responsibility laid on the Prince by Marie's brother the Emperor Joseph. In time, the married couple figure out their roles and they give birth to the first Dauphin.
What stands out about Fraser's prose is her ability to evoke great joy in the reader, as well as great sadness. She gives the joy of the royal family at the birth of their first child directly to the reader. Likewise, when the Dauphin, a sickly child, dies at a young age, Fraser pulls no punches and the sadness of the royal family is also felt by the reader.
Naturally, the book goes on to cover the rule of Louis XVI and Marie Antoinette as she oversees her hobbies and children. The attempted escape, called the flight to Varennes, is well covered and Fraser does a good job of bringing out the tension and suspense of the incident. The recounting of this event reads very much like fiction, though the events are very real. Finally, the book wraps up with the incarceration and execution of the royal family at the hands of the French revolutionaries.
The inclusion of paintings and photographs of important people and places makes the book all the more enjoyable. From the cute portrait of the Austrian imperial family to the sketch of Marie Antoinette on her way to the guillotine, each picture frames the period discussed so well that the reader's imagination is free to explore the world of 18th century France and Austria.
Fraser's book is an easy, if long, read, but it is enjoyable and reads very much like fiction rather than a dry biography. The only places it lags are when the number of characters gets too unwieldy or when Fraser tries to explain the bloodline relationships between various courtiers. I think anyone wanting to get a solid background on the life of Marie Antoinette would welcome this book to their library.
Amazing Biography.......2007-07-08
This is an awesome book, written on such an intriguing person in history. Marie Antoinette has gotten a bad rap throughout the years, the whole French revolution has been blamed on her, which is wrong. There are MANY MANY reasons why the revolution happened, and many don't have anything to do with her. It's a great book and the movie by S. Coppolla is also great (if you liked Clueless, you'd like this because it has an innocent air to it). The Marie Antionette in this book comes off a little more sympathetic because the reader is able to see how young and vulnerable she was. We must remember she became Queen of France at such a young, immature age and it's no wonder she had all those lavish parties. This is a great book by a great author and I highly recommend it.
A Well Told Biography.......2007-06-16
Ms. Fraser is a well known author of historical biographies. She does her research and manages to be fair in all things when it comes to delving in past lives that have touched the world. Her attempt at penning Marie Antoinette's story is well done, fair, and shows the world a different young woman that is often portrayed in historical films.
Beginning at the young archduchess start in life to her horrid end, we travel beside this young woman, learning what she had to endure and seeing her in a way not always portrayed. With plenty of historic facts, color pictures the author has penned a fair biography that will give the reader insight into a much misunderstood woman. This is one book I highly recommend.
Book Description
Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinettes "Revolution in Dress," covering each phase of the queens tumultuous life, beginning with the young girl, struggling to survive Versailless rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Webers queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion -- the vehicle she used to secure her triumphs -- was also the means of her undoing. Webers book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of historys most controversial figures.
Customer Reviews:
Not sure whether it wants to be a biography or fashion.......2007-08-27
I found queen of fashion to be not enough queen and not enough fashion. It pairs a less than adequate biography of Marie Antionette with a smattering of observations on how her fashion choices both represented her role as well as influenced events around her.
What I found problematic was that the fashion highlights jumped around in terms of time periods. There would be a detailed explanation of a time, then a gap of several years before another touching base. I'm not sure if this was due to a lack of source material for the intervening period, but it made for very choppy reading.
If you've read a lot on Marie Antionette, you can skim this to pick up the fashion pieces. If you haven't read a lot about her, pick up another biography first.
This might have worked better as a series of essays than as an overall biography.
Disappointing -- 2&1/2 stars.
what a great read.......2007-07-26
So I picked this up just because the title intrigued me and what a pleasant suprise! It is very readable, interesting and balanced. You won't regret this purchase.
Queen of Fashion.......2007-06-29
I've found that if you want to get a really good feel for the history of a period, read something like this book that concentrates on some interesting aspect of a major figure. An example (besides this well written book) is A Scented Palace by DeFeydeau, which also has amazing insights and stories that you never read in more biographical type treatments. For instance, an anecdote in this book about how Marie Antionette gave her jeweled fan to a pretty village girl, that I never heard anywhere else, really colors the way I now perceive her. But it's an astonishingly "like-you-are-there" inside look at life at Versailles during a (or the) most interesting period in it's history...
queen of fashion.......2007-06-27
I haven't got a chance to read the entire book yet but it is very good and interesting. It is especially useful if you are a Marie Antoinette fanatic or history buff. This was a package that got lost in shipping and It only took one day to get a replacement one. I was surprised at how fast the costumer service was and very pleased.
Queen of Fashion: What Marie Antoinette Wore to the Revolution.......2007-06-04
This is a well-researched, engaging, and poignant read. When is Weber's next book coming out?! I'll purchase for sure.
Book Description
"Like everyone, I am born naked."
With this opening line of Naslund's compelling new novel, a very human Marie Antoinette invites readers to live her story as she herself experiences it. From the lush gardens of Versailles to the lights and gaiety of Paris, the verdant countryside of France, and finally the stark and terrifying isolation of a prison cell, the young queen's life is joyful, poignant, and harrowing by turns. As her world of unprecedented royal splendor crumbles, the charming Marie Antoinette matures into a heroine of inspiring stature, one whose nobility arises not from the circumstance of her birth but from her courageous spirit.
Marie Antoinette was a child of fourteen when her mother, the Empress of Austria, arranged for her to leave her family and her country to become the wife of the fifteen-year-old Dauphin, the future King of France. Coming of age in the most public of arenas, the young queen embraces her new family and the French people, and she is embraced in return. Eager to be a good wife and strong queen, she shows her new husband nothing but love and encouragement, though he repeatedly fails to consummate their marriage and in doing so, fails to give her the thing she—and the people of France—desire most: a child and an heir to the throne.
Deeply disappointed and isolated in her own intimate circle apart from the social life of the court, the queen allows herself to remain ignorant of the country's growing economic and political crises. She entrusts her soul to her women friends, her music teacher, her hairdresser, the ambassador from Austria, and a certain Swedish count so handsome that admirers label him "the Picture." When her innocent and well-chaperoned pilgrimage to watch the sun rise is viciously misrepresented in satiric pamphlets as a drunken orgy, the people begin to turn against her. Poor harvests, bitter winters, war debts, and poverty precipitate rebellion and revenge as the royal family and many nobles are caught up in a murderous time known as "the Terror."
With penetrant insight into new historical scholarship and with wondrous narrative skill, Naslund offers an intimate, fresh, and dramatic re-creation of this compelling woman that goes beyond popular myth. Abundance reveals a compassionate and spontaneous Marie Antoinette who rejected the formality and rigid protocol of the court; an enchanting and tenderhearted outsider who was loved by her adopted homeland and people until she became the target of revolutionary cruelty and violence; a dethroned queen whose depth of character sustained her in even the worst of times.
Once again, Sena Jeter Naslund has shed new light on an important moment of historical change and made that time as real to us as the one we are living now. Exquisitely detailed, beautifully written, heartbreaking and powerful, Abundance is a novel that is impossible to put down.
Customer Reviews:
Excellent.......2007-10-13
Item was received in the specified amount of time and the item was as it was described.
Riveting!.......2007-10-09
I am an avid reader, and I love all Seda's books. Abundance had me hooked from the first line to the last. Beautifully written, each word was delicious! I couldn't put it down. I read Ahab's Wife with the same feeling of relief that there are still writers willing to seduce the reader with glorious words. I can hardly wait for more.
An Excruciating Effort in Tedium.......2007-10-03
How is it possible that there can be such diverse opinions on one book? It must be the reader...
And let me be the first to say that I am a very harsh critic. I don't adore everything I read and what satisfies me most is when an author gives the reader insight into a character's emotions.
Although Sena Jeter Naslund constructs beautiful sentences throughout this fictionalization of the life of Marie Antoinette she's certainly no storyteller.
I found this novel to be exactly how I remember history class, beyond boring. There is no life in these historical figures, the story is told only through the unfolding of historical facts. And it is a painfully long, 545 pages. My only pleasure is that I borrowed it from the library rather than wasting my money on a copy of my own.
If you are looking for a novelization of the life of Marie Antoinette, I would recommend The Hidden Diary of Marie Antoinette by Carolly Erickson.
While you would have to suspend belief that such an account could exist, a hidden diary that details her life for nearly twenty years, you will be rewarded with insights into her heart and the deep feelings she has for her family and the people she loves.
Abundance- A Story of Marie Antoinette.......2007-09-21
This was an excellent read! There is evidence of lots of research in the retelling of the story. It begins when Marie is fourteen and on her way to marry Prince Louis. Through actual letters written to her mother in Austria, you are told about her inner feelings and frustration at not having her marriage consumated! It brings the French Revolution to life. You are able to see all the squandor, the poverty, the grandour, the arts, hear the music and smell the city. If you enjoy Historical Fiction, put this book on your list.
Mindless Drivel.......2007-07-31
Ms. Naslund has done the impossible - she's made Marie Antoinette boring! She is portrayed as floating aimlessly through her life while thinking kindly, flowery thoughts about everything from her handkerchief (which has too much lace and not enough fabric to blow her nose on) to her little plum colored shoes (that served her so well.) I promise you, when Marie Anotinette was standing on the scaffold, she was NOT trying to decide if the color of light is "more silvery or gold". By the end of this book I was ready to put my own head in the guillotine just to stop the pain.
If you want exceptional research and well-written biography, read Antonia Fraser's "Marie Antoinette: The Journey". If you want page-turning historical fiction, try Victoria Holt's "The Queen's Confessions".
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
A brilliantly original account—narrated from both sides—of the love-hate relationship between Britain and France that began in the time of Louis XIV and shows no sign of abating.
That Sweet Enemy brings both British wit (Robert Tombs is a British historian) and Gallic panache (Isabelle Tombs is a French historian) to bear on three centuries of the history of Britain and France. The authors take us from Waterloo to Chirac’s slandering of British cooking, charting the cross-channel entanglement and its unparalleled breadth of cultural, economic and political influence. They illuminate the complexity of the relationship—rivalry, enmity, misapprehension and loathing mixed with envy, admiration and genuine affection—and the ways in which it has shaped the modern world, from North America to the Middle East to Southeast Asia, and is still shaping Europe today. They make clear that warfare between the two countries often went hand in hand with hardy, if hidden, strains of anglophilia and francophilia; conversely, though France and Britain were allies for much of the nineteenth and twentieth centuries, it has been an alliance almost as uneasy, as competitive and as ambivalent as the previous generations of warfare.
Wonderfully written—acute, witty, consistently surprising—That Sweet Enemy is a triumph: an eye-opener for the experts, and a feast for the general reader.
Customer Reviews:
Francophobia does not reflect well on the Anglo-Saxon world........2007-08-26
This book is another "monument" to the francophobia of the Anglo-Saxon world. It is full of clichés and often it distorts the truth. I will take only three examples :
- 1 - The section on Napoleon is ridiculous. To start off by putting on the same level Napoleon, Stalin and Hitler is just not right.
- 2 - The narration of the start of WWI is not right too. I suggest that Barbara Tuckman's book "The Guns of August", Pulitzer price, is the correct history. It shows how poorly the English were prepared for the war, how they kept retreating and that the French were left alone against the full fury of the German attack. Come on, be fair ! The French won the first World War, not the English.
- 3 - Then what happened in the thirties is not reported fairly. Churchill, in "Gathering Storm" writes : "How the English speaking people through their unwisdom, carelessness and good nature (?) allowed the wicked to rearm". Many others make the same point, for instance, Zara Steiner in her book "The Lights that failed". The result of francophobia was Hitler.
This book was a waste of my time. And I would venture that the English and Anglo-Saxon world are now in permanent relative decline. As the subprime mess is showing, finance has its limits. Nial Ferguson in his book "Colossus" writes about the three Anglo-Saxon deficits : attention deficit disorder, people deficit, money deficit. How true!
In 1945, the Anglo-Saxon world was the victor. But since then, it has lost all its advantage and more.
The defining moment was when Jean Monnet understood that France and Germany should be tied together so tightlty that never a European war could again take place. Monnet succeeded. Since then, continental Europe is an island of prosperity and good life : perfect infrastructures, education for everybody, good health system, high productivity and long holydays. The Anglo-Saxon world is the reverse: the rich live very well but the low and middle classes are being squeezed to complete dispair. Continental Europe shows more balance and less greed.
The rest of the world has progressed a lot. China, Brazil, India, Japan, etc... are great success stories. The problem of the Anglo-Saxon world is that it has not yet realized that the rest of the world has improved so much that it is tired of Anglo-Saxon arrogance.
Today, when America does something right, in six months it has been taken up by the rest of the world . When something right is done in Europe and elsewhere, the Anglo-Saxon world will argue for five years before taking it up... The surest path to mediocrity. Just look at what happen to the Anglo-Saxon automobile industry.
Today Europe is prosperous. America and England still have to spend billions - that they don't have - to rebuild their education system, their health system and their infrastructure. France is not agressive toward England, but France is amazed at the fact that England is still Bush and America's poodle... France and continental Europe want peace and democracy but they understand that it is a process to be negotiated and which requires time and respect. Bombs don't solve problems, diplomacy does. Jean Monnet showed the way. Thanks to his honesty, sincerety, openness and patience, peace was achieved. Read his memoirs...
I am a solid anglophile but this book could make of me an anglophobe. But I shall not condescend to such pettiness. Let us stop this cheap in-fighting. Climate change is the biggest threat that the world ever will meet. We need England to convince America to give up on its selfishness and work with the rest of the world on an equal and generous footing.
An esepcially enjoyable reading experience - and quite a fresh perspective for Americans.......2007-05-22
Yes, I read a lot of books. And I review the books I enjoy (there is no point to reading what one dislikes, is there?). Once in awhile I run across a book I find to be very special and am especially enthusiastic about. This is one of those books.
Robert and Isabelle Tombs are scholars on the history of France and Britain and the combine their wonderfully expansive knowledge of those histories to give us a tour of the social, economic, military, political, and cultural histories of these nations from Louis IV through the first few years of the Twenty-First Century. As an American who grew up while America was always a dominant (if not the dominant) world power, it is particularly interesting to see how the world's major powers interacted and contended when America was largely, as yet, unpopulated by the Europeans.
Even our Revolution, so central to every American's understanding of our nation, takes a minor role in a much larger global struggle for supremacy. Both Britain and France tried to cause the other to stretch their ability to hold their growing Empires together. Each had to make choices on what to hold onto and what had only secondary importance, and what to let go. This happened over and over again. Eventually, their mutual struggles became a mutually cooperative relationship to deal with the rising German (and other) threats.
What I like about this telling is that the authors do not feel the need to side with anyone in particular. They provide quite a number of side articles (in the shaded areas) to flesh out specific points. There are also special sections such as the "interlude" (a couple of pages) on the French and Shakespeare. We also get some wonderfully chosen illustrations. However, what I like most are the chapters where the authors draw their separate conclusions and disagreements on various topics. The provide differing perspectives on the same topics that through the subject into better relief than one side alone. These sections provide for a rich perspective and help make the reading experience seomthing I wanted to savor.
The book has a tremendous amount of information about economic expenditures, the great leaders, the common folks, the literary digs at each nation, the technological leaps, the balancing of the benefits of a strong navy with the amazing costs incurred to build and maintain it. The authors are also quite clear about what was fortune (for good or ill) and what happened that actually looks like good judgment and skillful execution.
For Americans, this is can be a very helpful and educational book. It has been for me and I am grateful to the Tombs for writing it.
A good book for serious readers.......2007-04-16
This is a well-written book about the relationship between Britain and France over the past three centuries or so. It reviews the history, the development of their cultures and identities, and the influence that both have exerted on one and another, and in fact on many aspects of modern society allover the world in areas ranging from politics and economics to art, literature, fashion and cuisine. The authors are a couple, a British husband and professor of history at Cambridge University, and a French wife with a Ph.D. in modern British history. The authors' background, in my view, might help ameliorate some potential biases. The authors have attempted to provide several point and counterpoint discussions to illustrate the difference between the British and the French views.
The book however is a lengthy tome of a little more than 700 pages. Many scholars tend to believe that writing about history usually benefits from looking backward at events after the passions of the day have subsided, and more historical records become available for serious study. Perhaps this book could have presented a more balanced and a somewhat shorter review by omitting Part IV,"Revival" dealing with recent history. In particular, chapter 14, "Ever Closer Disunion", including commentary on ongoing events such as the War against Militant Islamic Terrorism, seems to suffer from the lack of a decent historical distance to allow a dispassionate review; and seems to be somewhat influenced by anti-American propaganda.
The authors seem to consider that the American Independence War, as a part of the British-French continued wars in the 18th century. They further argue, "France's victory in 1783, though it created the United States of America, has bankrupted the French Bourbon monarchy and led to the French revolution. Clearly, France's assistance to the American colonies was not only important but also instrumental for the ultimate victory at Yorktown on October 19, 1781. After the French and Indian war 1754-1763,France attempted to foment rebellion against Britain in the American colonies. In 1775, the French minister of foreign affairs, Comte de Vergennes, dispatched a representative to Philadelphia, who secretly met with five of the leaders of the colonies, one of whom was Benjamin Franklin. These attempts however did not stir up the Americans to take the French bait. However after approximately a year of war between the British and the American Continental armies 1775-1776, and the declaration of Independence, the Continental Congress sent Benjamin Franklin in December 1776 to France to seek assistance. The initial French assistance was relatively small, measured in a way so as to avoid war with Britain. It was only after the Americans prevailed at the battle of Saratoga in October 1777, that the French attitude started changing, and finally agreed to sign a treaty with the colonies in 1778. A more serious assistance was attempted by France afterwards. Also it seems that the French Bourbon monarchy bankruptcy is more related to a spree of spending and borrowing from 1783 to 1787 managed by France's controller general, Charles de Calonne. The spending and borrowing bubble ultimately burst in 1787. The bubble burst was further aggravated by the Assembly of Notables refusal in February 1787 to authorize further taxation to increase revenues, and remedy the incipient Bourbon bankruptcy.
This is a well-written book that I believe the serious readers and aficionados of modern western civilization would find both informative and entertaining.
A Fascinating Review of 300 Years.......2007-02-23
This very long (I guess about 750,000 words of text), informative and frequently amusing narrative and analysis of the clashes and misunderstandings between Britain and France (even when they were on the same side) over the past 300+ years is fascinatng and very well done. I thought I knew the history pretty well, at least from the British side, but this opened my eyes many times.
The strict focus on the two protagonists has produced what to me as an American seems to be an oddly distorted (although not inaccurate) picture of the last 70 years or so, because there is relatively little discussion of the participation of the United States in world events.
I have two complaints about the book. One is that the detailed comparison of the economic position of the two countries in recent times virtually overlooks the stultifying effect on France's employment level and economic activity of its restrictive and "protectionist" trade policy.
The second is that the index is truly dreadful, particularly considering the length of this book. I frequently looked, for example, in the index to see if a particular person was mentioned. When I failed to find that person's name in the index I assumed he/she was not mentioned. But it turned out that the index was incomplete.
Quite brilliant.......2006-05-08
This tome of nearly 700 pages of text about the relations between Britain and `that sweet enemy, France' (a phrase from a sonnet by Sir Philip Sidney) is like a huge pudding stuffed with goodies: I have rarely read a history book whose brilliance is sustained over such an immense time-range - from the reign of Louis XIV to that of Jacques Chirac. The authors - the husband an Englishman, his wife born in France - handle the story with skill, and efficiency, and they frequently employ a joyous felicity of phrase to point up differences and similarities between England and France. There are neat descriptions of personalities - the authors are always forthright in their judgments - and spirited accounts of campaigns. Even someone who, like myself, considered himself quite familiar with the political narrative will come across sections which throw a new light upon it. I learnt much, for example, from the Tombs' description of France's involvement in the American War of Independence, and from their interesting reflections on how the loss of the American colonies, even in the short term, turned out to be a blessing in disguise for Britain. And the wider narrative is frequently interrupted by vignettes of little-known episodes, set in a different type, which further illuminate the themes under discussion.
There is a particularly striking chapter about the differences between the British and French navies during the Second Hundred Years' War: here, as throughout the book, the authors fully acknowledge and make excellent use of the secondary literature they have consulted. (Their list of secondary authorities runs to 28 pages.)
After the Napoleonic Wars Britain and France were never again at war with each other, and since the Entente Cordiale of 1904 they have technically been allies. But that does not mean that there have not been tensions and suspicions between the two countries throughout all these years, even during the First and Second World Wars, and of course during the inter-war period also. The authors are interesting on Appeasement. Most historians say that the French could not stop Hitler marching into the Rhineland or the Sudetenland because the British would not have supported them. The authors say that for various reasons the French governments, like the British, would not have wanted to risk a conflict anyway and were glad later to blame their non-intervention on the lack of British support.
After the Second World War Britain and France took such different attitudes towards `ever closer union' in Europe that there really has been very little cordiality between them. The parts of the book dealing with the issue of Europe bring out very well the very different visions of the two countries in an account that shows clearly how British policy handed the leadership of Western Europe to France for more than half a century, but which has broken down in today's enlarged European Union. Besides, the book argues, that leadership was exercised in a way which, after early economic successes, eventually brought stagnation to France.
The political chapters are interspersed with sparkling chapters on culture and society: how each nation saw and often stereotyped the other; how each alternatively (or simultaneously) mocked and copied, despised and envied, hated and admired the other, but could never be indifferent. Travel, manners in general and table manners in particular, sport, fashions in clothes, attitudes to the theatre, the views the two countries had about each other's women, philosophical traditions - these are some of the subjects that are treated with wit and learning.
Not the least among the charms of this book are the debates between husband and wife which end each of the four parts into which the volume is divided. It is perhaps a bit of a knockabout, in which both rally fairly uncompromisingly to the defence of their native countries; but the summing up of the `British' and `French' points of view is very well done and thought-provoking.
This must already be the most authoritative and enjoyable treatment of the period under review; but I hope that the success of this book will encourage the authors to produce a prequel, from the Norman Conquest to the 17th century, or at least from the 16th to the 17th century: the Tudor-Valois period is, in my opinion, the defining period during which the most essential differences between England and France took shape, and I would love to see the authors tackle it with the same verve which has made this book such a remarkable achievement.
Book Description
Four accomplished sisters who rose from near obscurity to become the most powerful women in Europe
Set against the backdrop of the turbulent thirteenth century, a time of chivalry and crusades, poetry, knights, and monarchs comes the story of the four beautiful daughters of the count of Provence whose brilliant marriages made them the queens of France, England, Germany, and Sicily.
From a cultured childhood in Provence, each sister was propelled into a world marked by shifting alliances, intrigue, and subterfuge. Marguerite, the eldest, whose resolution and spirit would be tested by the cold splendor of the Palais du Roi in Paris; Eleanor, whose soaring political aspirations would provoke her kingdom to civil war; Sanchia, the neglected wife of the richest man in England who bought himself the crown of Germany; and Beatrice, whose desire for sovereignty was so acute that she risked her life to earn her place at the royal table.
A compulsively readable narrative, Four Queens shatters the myth that women were helpless pawns in a society that celebrated physical prowess and masculine intellect. A riveting historical saga for fans of Alison Weir and Antonia Fraser.
Customer Reviews:
Poor depiction of medieval history.......2007-08-25
Ms. Goldstone omits a lot of facts from medieval history, particularly surrounding the canonization of Louis IX, his first crusades, his father's relationships with the English king, and the role all 4 sisters played in the political, economic and cultural life of their country. She also does not provide the reasons why Marguerite refused to support the canonization in the first place. She hs completely omitted the relationship between Sanchia and her elder sisters. Sanchia was treated the same way as her younger sister Beatrice, belittled and humiliated because she was not a queen while her sisters were. She fills in the blanks by putting names of relatives, w/o really explaining their roles in history and their influence on the affairs of France, England, Sicily, Provence, etc. After reading each chapter, I constantly wanted to ask "So what?" What was the influence on Boniface of Savoy, Thomas of Savoy and Beatrice of Savoy on the affairs of her daughters' kingdoms? Did they bring any reforms, what was their relationship with the Church? This "dump" of insignificant information makes the book very hard to read. It's overwhelmed with names but lacks explanation of their roles in the lives of the 4 queens and their impact on the history of France, England, etc.
She has failed to explain the kings' relationships with their vassals, There is no mention of the state both King Louis and King Henry have inherited their respective kingdoms. No mention of their relationships with the Parliament or Magna Carta, etc. She has failed to even mention the role of Templars in the Crusades!!!
Ms. Goldstone'language and the choice of words is rather poor, leaving the book disorganized and its chapters badly written. Her constant quoting of Matthew Paris and, sometimes, of Joinville, left me wondering if she has encountered any other contemporaries' notes in her search, for there are plenty.
In the back of the book, Ms. Goldstone mentions sources she used while writing her book. Her detailed description of each source made me wonder if she knew she was unprepared or was lacking enough references, thus making her write explanations of who said-when-what-how-why is this important to mention.
I realize that not everyone has a Ph.D. in history and the lack of it should not prevent individuals from writing a fine narrative piece on a historical topic. However, when you write it - do it like a professional, invest time in your research, learn your subjects/main actors. Otherwise, you will sound like an unprepared middle-school student, who pretends to act like historian.
THE FORGOTTEN TALE OF FOUR REMARKABLE MEDIEVAL WOMEN.......2007-06-05
Historians have long ignored or understated the contributions of women so Nancy Goldstone's FOUR QUEENS, the previously untold story of four 13th century sisters who rose from minor nobility in Provence to become queens of France, England, Sicily and Germany, comes as welcome and long-awaited relief. Marguerite, married at just 13 to Louis XI of France, stood her own in a court dominated by her powerful mother-in-law, Blanche of Castile, and ultimately led her husband and his army home from a disastrous Arabian crusade. Eleanor, wife to the ineffectual Henry III of England, deftly played-off rebellious barons and craftily preserved the throne for her son in spite of the civil war she helped ignite. Beautiful and gentle Sanchia married Richard of Cornwall, the richest man in Europe who effectively purchased the Kingdom of Germany. Feisty young Beatrice, wed to Charles of Anjou, led an army through the Italian alps in her determination to saved her besieged husband and secure him the Sicilian throne. Praised by eminent Princeton historian Theodore K. Rabb as "deeply researched," FOUR QUEENS is written with a light and accessible touch, equally at home on the shelf of the serious scholar as it would be on the nightstand of a harried mom who wants a few pages of intellectual stimulation before falling into bed. Brava!
Wanted to like this one but...........2007-06-04
she continually overemphasizes the political roles of the four daughters of Raymond Berenger V, the Count of Provence, and as a genuine medievalist, she should know better.
A sloppily written and very bad book.......2007-06-03
This is an extremely sloppily written and bad book. It is written in the childish style that some popular historians seem to find it necessary to adopt because they think their audience is too stupid to understand anything else - usually an underestimation of said audience. Moreover, the author has clearly not bothered to do any form of basic research to get her facts right. To take but a few examples: In chapter 7, we are told about Richard of Cornwall's crusade in 1240. He is said to have met Emperor Baldwin II of Constantinople "who had lost his empire" (p74). Actually, the Latin Empire of Constantinople (Baldwin's empire) was around until 1261, which is when he lost it. Three pages later, we are told that "The French, too, had sent an army to retake Jerusalem only the year before," in other words in 1239. Retake from whom? Jerusalem was in Christian hands from 1227 to 1244. She also seems to have no idea of the relative importance of the Kingdom of Sicily within the domains of the Holy Roman Emperor. At this stage, less than a third through the book, I gave up, rather than waste any more time on such rubbish. Zero stars would be a better rating.
Excellent.......2007-06-02
I didn't know much of the story of the Provence sisters, but this filled that knowledge gap. For people interested in the Middle Ages as more than just the time between the Roman Empire and the Renaissance, this is a valuable resource. For people interested in powerful families, you can't go wrong with four sisters who all become queens! Excellent book!
Book Description
Skilled in passion, artful in deception, and driven by betrayal, she is the glittering center of the royal court–but the most desired woman of Renaissance France will draw the wrath of a dangerous adversary.
Paris, 1575. The consort of some of Europe’s most influential men, Gabrielle Cheney is determined to secure her future by winning the heart of Henry, the Huguenot king of Navarre. As his mistress, Gabrielle hopes she might one day become the power behind the French throne. But her plans are jeopardized by Captain Nicolas Rémy, a devoted warrior whose love Gabrielle desires–and fears–above all. She will also incur the malevolence of the Dark Queen, Catherine de’ Medici, whose spies and witch-hunters are legion, and who will summon the black arts to maintain her authority. With the lives of those she loves in peril, Gabrielle must rebel against her queen to fulfill a glorious destiny she has sacrificed everything to gain.
Alive with vivid period detail and characters as vibrant as they are memorable, The Courtesan is a sweeping historical tale of dangerous intrigues, deep treachery, and one woman’s unshakable resolve to honor her heart.
Download Description
Chapter One
Gabrielle Cheney peered through the slits of her mask, picking her way carefully along the path overgrown with weeds. The courtyard of the Maison d’ Esprit was silent as a ceme- tery and twice as eerie. The moon cast a pale light over moss- blackened fountains and broken statuary. Some headless saint presided over the withered remains of a rose garden. The flowers were long gone, but the thorns were not, one branch catching at the hem of Gabrielle’s cloak.
As she bent to free herself, she was beset by the troubling sensation that had afflicted her all evening. The feeling that she was being followed. Straightening, she curled her fingers over the hilt of the sword hidden beneath her cloak and whirled around. The iron gate and stone wall were nothing more than vague outlines in the fog-bound night. But as she stared, another figure took shape, that of a tall proud warrior.
Her hand fell away from the sword and she uttered a soft choked cry. Not of fear, but more of despair because she had seen the silhouette of this man far too many times in her dreams. She took a step forward only to check the motion, knowing it would do her no good. There would be no smile to greet her, no strong arms to welcome her because he didn’t exist, this phantom man. All she would find was empty space and silence.
Ghosts left no footfalls and memories cast no shadows, except perhaps on the human heart. She watched the figure of the man evaporate into the mist as he always did. Gabrielle had never once seen his face, but she knew beyond certainty who he was.
Nicolas Remy, the captain from Navarre. Whether it was his ghost she kept seeing or only a figment of her own tormented imagination, the effect was always the same. Gabrielle’s heart constricted with sorrow and guilt.
“Oh, Remy,” she murmured. “I’ve asked your forgiveness a thousand times. What more do you want from me? Why can’t you leave me in peace?”
She knew she would never gain any answer to that question, at least not in this damp, misty courtyard. With one last glance behind her, Gabrielle turned and hastened toward the house.
The stone manor loomed ahead of her, splintered wood and a great hole where the front door should be, gaping like the jagged mouth of some fierce beast ready to devour her. But Gabrielle feared the ghosts of her own memories far more than she did the sinister aspect of the house. Besides she knew the truth behind the legends of the Maison d’Esprit far better than the superstitious Parisians who blessed themselves every time they had to pass those rusting gates.
Easing past the shattered remains of the door, she entered the house, the darkness swallowing her. The boarded-up windows blocked out what pale moonlight there was to be had. Gabrielle stripped off her mask and reached beneath her cloak for the large pouch fastened to her belt. She groped until she found the candle set in its small brass holder, along with the tinderbox she had brought. After much fumbling between flint and wick, she managed to coax the taper to light.
The tiny flame spluttered to life, casting a small circle of illumination. Gabrielle moved deeper into the room that yawned before her, the grit crunching beneath her feet. Holding up the candle, she surveyed the wreckage of the once-magnificent great hall. The bishop had done very handsomely by his mistress until the witch-hunters had come.
A beautiful high table of carved oak had been pulled from the dais and overturned, the broken remains of chairs and stools littered nearby. Tapestries had been dragged from the walls and sliced to ribbons, the musty scent of rotting wool heavy in the air. Even the iron candelabrum had been wrenched from the ceiling and left with its chain snaking around it. Everything was coated with thick cobwebs as though time had sought to weave a shroud for this house.
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Customer Reviews:
Boring.......2007-08-29
After reading the first book in the trilogy and loving it, I eagerly started this one. It was so bad I read about 1/3 and haven't picked it up again.
Complex and passionate.......2007-08-08
Three years have passed since we last met the ladies of the Faire Isle. Gabrielle Cheney's fled to Paris, at last reacting to her feelings about her horrific rape, but sadly in the worst possible way - she's become a courtesan in the court of the Dark Queen, Catherine de Medici. If she can't control men lusting after her beauty, at least she can `use' them herself. No man has her love like Captain Remy - nicknamed the Scourge - and he died in the bloody massacre on St. Bartholomew's Eve three years ago. ...Or did he? To her stunned surprise he's very much alive, and still the battered soldier of her heart. Ah, but romance isn't that easy. Remy`s incredibly torn. He loves and adores Gabrielle, but is desperate that his king - a captive in Catherine's court - escape and rule Navarre. However, the king wants Gabrielle (and his country, of course, but everything in due time), and Remy - an honourable soldier - must bow to his king's desires! The powerful, dangerous Catherine de Medici craves the fabled Book Of Shadows, a book rumoured to contain the blackest secrets of magic known to mankind. She'll do anything to get it, and to maintain her foul, evil reign, and her hold over Gabrielle and Remy. Then there's Simon, the youthful witch hunter from The Dark Queen. He's now adult, a scarred, terrifying threat to all the daughters of the earth, hunting them down for trial (and death). ...Well! It's best to just dive into this book, stunning in its romance, and enriched with the tapestry of real history woven around the incredible plot.
So disappointing........2007-04-06
This was a book club choice, and as an example of a book I would likely never have chosen myself, it was perfect. If you're looking for a historical novel, however, pass on this one. Sure, there are historical characters in it, but the book isn't about any of them. The book is a romance novel, full of angst, longing, yearning, needing, and burning, unrelenting passion. Clothes get ripped off, lips are crushed by violent, demanding (and ultimately answered, of course) kisses, and the whole thing is wrapped in a bunch of personal history and shame that just drags out the drama. Get most of these folks on a therapist's couch for some group discussion for about 45 minutes and there wouldn't be a book here.
Beyond that, the writing is just clunky. Character development and history (such as it is) comes at the reader with no subtlety at all. Taking a positive spin, this is a really quick read because you can skip big chunks of each page.
If you're looking for some light beach reading, this isn't the worst you could find. Even though this isn't set in the same period, I kept finding myself wishing I was just reading Mists of Avalon again instead of this, if I was going to read about "wise women" and witchcraft, so if that's what drew, I would suggest Mists instead.
Very good read.......2007-02-18
I thoughly enjoyed this book, as much or more than "The Dark Queen." The characters were more flawed in this one, and I liked Remy and Gabrielle the best from the beginning. I am a fan of this series; much more than the "Bridefinders."
If you like the first one. . ........2007-01-04
If you enjoyed The Dark Queen you will enjoy this piece. I always seem to think the first one is best and hence the second installment is still wonderful and exciting. It still has adventure converged with a love story and a sense of healing. I love the themes of the book.
Book Description
The self-proclaimed Sun King, Louis XIV ruled over the most glorious and extravagant court in seventeenth-century Europe. Now, Antonia Fraser goes behind the well-known tales of Louis’s accomplishments and follies, exploring in riveting detail his intimate relationships with women.
The king’s mother, Anne of Austria, had been in a childless marriage for twenty-two years before she gave birth to Louis XIV. A devout Catholic, she instilled in her son a strong sense of piety and fought successfully for his right to absolute power. In 1660, Louis married his first cousin, Marie-Thérèse, in a political arrangement. While unfailingly kind to the official "Queen of Versailles," Louis sought others to satisfy his romantic and sexual desires. After a flirtation with his sister-in-law, his first important mistress was Louise de La Vallière, who bore him several children before being replaced by the tempestuous and brilliant Athénaïs, marquise de Montespan. Later, when Athénaïs’s reputation was tarnished, the king continued to support her publicly until Athénaïs left court for a life of repentance. Meanwhile her children’s governess, the intelligent and seemingly puritanical Françoise de Maintenon, had already won the king’s affections; in a relationship in complete contrast to his physical obsession with Athénaïs, Louis XIV lived happily with Madame de Maintenon for the rest of his life, very probably marrying her in secret. When his grandson’s child bride, the enchanting Adelaide of Savoy, came to Versaille she lightened the king’s last years—until tragedy struck.
With consummate skill, Antonia Fraser weaves insights into the nature of women’s religious lives—as well as such practical matters as contraception—into her magnificent, sweeping portrait of the king, his court, and his ladies.
Customer Reviews:
Lusty Louis and His Lady Loves.......2007-10-07
Love and Louis XIV is a superbly researched book about the many loves of Louis XIV, perhaps the most interesting monarch to have ever lived, and certainly to have ever ruled la belle France.
WHO IS THIS BOOK FOR? Readers who would like to learn more about Louis XIV's love life and the psychology behind what made him so randy! This is the perfect book for readers who find themselves asking these questions: Did Louis XIV marry? Did he love his wife? If so, why did he have so many mistresses? Why did he sometimes appear so cold, so cruel to those nearest to him? What happened to the young Louis that made him unable to remain interested/faithful to one woman?
****Note, if you are looking for a comprehensive biography about the Sun King, one that covers his life, not just his love life, I would highly recommend LOUIS XIV by Olivier Bernier (an expert on French culture and history)****
Antonia Fraser is a supremely talented author, deftly weaving pertinent facts, interesting tidbits, and riveting story-telling. Her books are my beach-reads. Forget chick-lit, murder mysteries, or romance novels, there's more romance and intrigue in one of Antonia Fraser's books and what makes it more thrilling to read is that it all really happened!
Louis XIV: the man known as the Sun King.......2007-03-16
Louis XIV, styled the Sun King, was the King of France for 72 years (1643 to 1715). At the time of his birth, his mother (Queen Anne) was almost 37, and was childless after 22 years of marriage (to King Louis XIII).
It is no wonder, then, that Louis was styled 'Dieudonne' or 'Deodatus' ('Godgiven'). It is perhaps also unsurprising that Louis's bond with his mother was so strong.
The reign of Louis XIV has been written about by many: there were many achievements during his long reign (including the construction of Versailles, reforms of taxation and administration, and patronage of the arts).
Antonia Fraser has focussed on his relationships with women. From his strong loving relationship with his mother, his kind but formal relationship with his wife Marie-Therese, his multiple and very different mistresses, as well as with the women of his extended family, we obtain a more complete picture of Louis XIV man and king.
I have read, enjoyed and learned from Antonia Fraser's non fiction since 1974. This book does not disappoint. By illustrating Louis XIV's awareness of the conflict between church doctrine, and adultery, Ms Fraser gives us another dimension of insight into this successful monarch's long reign.
Highly recommended to those interested in the life and times of Louis XIV.
Jennifer Cameron-Smith
Second fiddle to the previous "The Journey, Marie Antoinette.".......2007-01-20
It is not that the book is a bit dull. Louis XIV was dull, well dull compared to those who came before and those came after. Beautifully written, excruiciating research, lovely to read. However, while I found the previous book by the author, The Journey: Marie Antoinette, compelling and a struggle to set aside to complete nominal life perserving tasks (eating, drinking)this book presented a society that was living under a cloche or bell jar, stifled and well, dull, even the sex seemed not worthwhile and, yes, pretty dull. Perhaps it was that way. Nonetheless, the author was able to keep the massive cast of characters in a presentation so that the order within a the reader's grasp.
Interesting History.......2007-01-09
Not a bad read, although all of the facts make it seem overly long, and the similarity of some of the names can be confusing - not the author's fault. Antonia Fraser tells a very detailed story about the Sun King, and the ladies he was involved with.
The Domestic Life of the Sun King.......2007-01-03
"Love" as presumed by casual browsers of the title, and "Love" as meant by the author may differ. The book covers his friendships, flirtations, infatuations, in-law relations, marriage and (perhaps) pseudo marriage and his views of the female obligation to sacrifice for international diplomacy. By the standards of his cousin, Charles II of England, Louis XIV was the much more responsible adulterer.
Fraser demonsrates how Louis' early bond with a loving mother- an exception for a time characterized by royal nurseries-was replicated in his intimate relationships with women. There is an interesting symmetry that you come to understand as the story evolves.
The best part is the end when Fraser gives analysis of Louis and his attitude towards women and his basic generousity.
My only criticism is that the genealogical chart is difficult to read. A different lay out would have helped.
This book doesn't try cover the weighty historic issues which are well documented in many other sources. This book brings something new to the table. Like all Fraser books, it is very well researched and readably presented.
Book Description
It was 1733 when the poet and philosopher Voltaire met Emilie du Châtelet, a beguiling—and married—aristocrat who would one day popularize Newton’s arcane ideas and pave the way for Einstein’s theories. In an era when women were rarely permitted any serious schooling, this twenty-seven-year-old’s nimble conversation and unusual brilliance led Voltaire, then in his late thirties, to wonder, “Why did you only reach me so late?” They fell immediately and passionately in love.
Through the prism of their tumultuous fifteen-year relationship we see the crumbling of an ancient social order and the birth of the Enlightenment. Together the two lovers rebuilt a dilapidated and isolated rural chateau at Cirey where they conducted scientific experiments, entertained many of the leading thinkers of the burgeoning scientific revolution, and developed radical ideas about the monarchy, the nature of free will, the subordination of women, and the separation of church and state.
But their time together was filled with far more than reading and intellectual conversation. There were frantic gallopings across France, sword fights in front of besieged German fortresses, and a deadly burning of Voltaire’s books by the public executioner at the base of the grand stairwell of the Palais de Justice in Paris. The pair survived court intrigues at Versailles, narrow escapes from agents of the king, a covert mission to the idyllic lakeside retreat of Frederick the Great of Prussia, forays to the royal gambling tables (where Emilie put her mathematical acumen to lucrative use), and intense affairs that bent but did not break their bond.
Along with its riveting portrait of Voltaire as a vulnerable romantic, Passionate Minds at last does justice to the supremely unconventional life and remarkable achievements of Emilie du Châtelet—including her work on the science of fire and the nature of light. Long overlooked, her story tells us much about women’s lives at the time of the Enlightenment. Equally important, it demonstrates how this graceful, quick-witted, and attractive woman worked out the concepts that would lead directly to the “squared” part of Einstein’s revolutionary equation: E=mc2.
Based on a rich array of personal letters, as well as writings from houseguests, neighbors, scientists, and even police reports,
Passionate Minds is both panoramic and intimate in feeling. It is an unforgettable love story and a vivid rendering of the birth of modern ideas.
Customer Reviews:
Passionate Minds, Dull Book.......2007-08-03
This reader did not venture upon Passionate Minds with unreasonable expectations: a good yarn featuring an enlightened cast was all. Sadly, the effort was not worth the result. A middling tale, a tabloid history, and that most hideous of affectations, aspirations to wit on the part of the author. Claims to be liberating du Chatelet from the chauvinist past revealed less about her intellectual work than the descriptions of her appearance did of her [...]. Voltaire may well have been a hypochondriacal social climber, but he deserves better than lit crit 101 reviews of his work. The author seems extremely uncomfortable with the period: kings must be stupid & useless, aristocrats are not much better, merchants are hard working, peasants are earthy. When claiming that Voltaire's relationship with his niece was fine, because those things were more acceptable in such debauched times, Bodanis overlooks that minor inconvenience known as canon law. He also, presumably for reasons of humour, refers to Madame de Pompadour as Ms Poisson, combining historical innacuracy with silliness - this is not feminism, it is just plain wrong. The period and people covered by this book are fascinating in so many ways, yet the end result is shallow and dull.
Great History.......2007-07-24
This book gave me a fascinating piece of history that I was completly uninformed on. It is fascinating learning the details regarding life in a period that is completly foreign to our culture. It is also fascinating to find out the contributions that women made in science at a time when it was believed that women were completly ignorant, and every effort was made to keep them so.
"You are a delight/You are tender/What pleasure I find in your arms." Immortal verse?.......2007-04-18
I must thoroughly agree with the Publisher's Weekly reviewer of this book. Although it promises to deliver sensational events such as hot love affairs and outrageous behavior in addition to enlightening us about the brilliance of Voltaire and the genius of Emilie du Chatelet, this writer cannot live up to his own book's expectations or his clear attempt to pen a bestseller. What I felt I was getting was the diary entries of a peeping Tom who was busy sticking his nose into the sordid soap opera that was the "great love affair of the Enlightenment." I never had a sense that I was in the presence of a brilliant woman. Rather, Emilie comes off as a hedonistic and conflicted female, fatally insecure, and overshadowed by the even more insecure and narcissistic Voltaire. Although lots of information is imparted between the covers of this book, it never seems to gel into a cohesive or gripping whole, and I was left feeling flat, not only about the featured on-again, off-again eighteenth-century rock-star couple, but about eighteenth-century France altogether. No one seemed worth reading about. The lot of these folks apparently were stuck in their petty, class conscious, foolish ways, fawning over the court, slapping around the general population who weren't upper class, and generally being idiots. Perhaps the best I can say about this work is that it redeems science and rational thinking as well as the integrity of the individual, but only in a backhanded way. I'm afraid most readers will give up on this endless recounting of flaming passions and pettifoggery before getting halfway through. Lucky would they be too because they would happily miss the glaring and unforgivable fragment on p. 163: "But not only was the water cleaner in Cirey. There was also something more to Emilie's innovation." Editor please!
History comes alive........2007-04-05
In writing history for the masses, the author can take a major or a minor role. In the former, the history is more important than entertaining and the author has to pull the narrative along with great effort and undergo great travails to make the story interesting to the reader. In the latter, the history is so compelling and so entertaining that it defies logic, all the author has to do is tell the tale without much ornamentation nor effort.
David Bodanis, much to his credit, combined the best of both situations. The history is remarkbable to begin with, AND he put forth a valiant effort in research and sheer completeness. The story of Emilie Du Chatelet is so amazing and so very interesting that I wondered why I had not heard about her before this book. I think that it is because the story lay so deep and domant within the history of the French revolution and Voltaire's biographical details that no one lese had bothered to look it up and comprehend the importance and fun of her story.
Since the history involves two people who were lovers and partners, it is inevitable that we compare the two in terms of intellect, temperament, achievement, and personality. In my humble opinion, Voltaire came out the worse for wear on that account. Perhaps this was Bodanis' intent, perhaps it is just the charm of Emilie Du Chatelet. If I had my wish, I would much rather have an audience with her than with him, but not by much. Her achievements were astounding, she was, a natural philosopher in the finest sense of the phrase. Given the discriminatory stance of the scientific establishment at the time, her achievements were remarkable.
Far beyond that, it seems she was also the better diplomat, realist, politician, and intellect of the pair. This is not to denigrate Voltiare's prowess as playwright or provocateur extraordinaire, but his intellect seem less impressive by comparison.
The added incentive to read the book comes from the swashbuckling episodes in their lives together that was worthy of a cinematic presentation. Bodanis does an excellent job of building the suspense while also keeping the story line flowing through his fine skills. I guess the best compliment I can pay him is to say that I had to check the book cover numeorus times to ascertain that I was, indeed, reading non-fiction rather than fiction.
a casual but entertaining biography.......2007-02-10
I became interested in Emilie du Chatelet after reading a review of Judith Zinsser's biography on her. However, I ended up picking up Bodanis's book instead because it was written in a more welcoming style than Zinsser's drier account.
Emilie du Chatelet is a fascinating woman whose story needs little embelishment to be an entertaining read, but Bodanis's sense of humor and intimate approach to writing her biography do make it more intersting and readable. While he often goes out on a limb making assumptions about people's thoughts and actions that surely weren't documented, I don't think he was too unrealistic or uncalled for in doing so.
Bodanis also does a fine job intertwining the biography of Voltaire into Emilie's story, bringing to light Voltaire's little-known in science. He elegantly ties their lives into the climate of the Enlightenment and the events leading up to the French Revolution. In doing so, he introduces a tapestry of characters that played a key role in history as well as in Emilie and Voltaire's lives.
Absent from this book is anything more than a glossing-over of Emilie's scientific and mathematical contributions. Yet I can understand why this was done-- the light narrative of the book would have been bogged down by in-depth calculations and explainations that some readers may not be interested in or understand. Nevertheless, as a woman who loves math and science I was disappointed that Bodanis didn't go into greater detail here.
It's not often that I read more than one book on a particular person or subject (there are just too many interesting things to learn in this world), but now I'm eager to read more about Emile du Chatelet and will be picking up Judith Zinsser's more serious and detailed book soon. A quick and engaging read, Passionate Minds is an excellent introduction to this amazing lady.
Book Description
While the Civil War raged in America, another revolution took shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been quite so controversial. The drama of its birth, played out on canvas and against the backdrop of the Franco-Prussian War and the Commune, would at times resemble a battlefield; and as Ross King reveals, it would reorder both history and culture, and resonate around the world.
Customer Reviews:
Engaging Perspective.......2007-09-06
This is good book on its own, but a great reference for those who wish to know more about the area. The is so much emphesis on the Impressionist Movement itself that there is very little information about the times and events that made the movement such a revolution. Art historians talk of the Salon, but a laimen may not grasp its importance, which King does. The only regret I have about the book is how little King speaks of The Commune. It was a devestation to the people and city of Paris and again very little is known. King addresses it, but fails to deliever with respect as to how the artists responded to the disaster.
For the museum spooks.......2007-04-23
My criteria for reviews is: "Should a person spend hard earned cash on this item? Should a person spend valuable time on this item?" I can answer both with a definite "yes, but." To explain, I am a bit of a museum spook. Love exhibitions. I remember the great Cleveland REALISM show when I first met Meissonier. That catalog is one of my personal treasures. I have followed with delight the progress of Gerome's "Pygmalyon and Galatea" from the men's room hallway to center stage in the Met. So what is the appeal of Judgement of Paris? Well it is not a course in Art History 101, nor is it an Artistic Biography ala 401. The author constructs his work around the two poles of the popular and wealthy Meissonier and the starving and attacked Manet. Yet it is not strictly a biography of either man. This is a book for those who know these works - and some of those works of the new wave of the Salon of 1863. Then too, there is the grand visual pun of Manet's linking these controversial paintings to the Raphael etching of "the Judgement of Paris" as a trope. King never really returns to it, but we cannot help but hold the "burning towers and Agamemnon dead" in the back of our minds. Manet painted and the world changed. This book follows the little trips to the country, models and mistresses, prices, allowances, well connected aunties and mad poets who move through the lives of the painting world of Meissonier and the establishment and that of Manet and his fellow "refusees." Oh and remember the problem in jr high or at age twelve sorting out that pesky Monet. Seems to have happened in the salon as well.Those sort of bits and pieces make it attractive. This mass of arcana and trivia adds up to a significant understanding for someone who has more than just passing knowledge when going into this book, and it really has to be taken in that fashion. By the way, it is effectively footnoted, referenced and indexed. Illustrations are so so, but we know these works anyway- well maybe not the Meissonier, but a good AH text will have most.
Not as good as King's other books.......2007-04-12
In Michelangelo and the Pope's Ceiling andBrunelleschi's Dome Ross King describes in lucid and animated prose the creation of two great masterpieces. In Judgement of Paris, King widens his scope. He attempts to set he cultural, social and political contexts of the rise of Impressionism. This wider subject lead to a book much longer than his earlier ones, and not nearly as much fun to read.
Here King traces the creation of a concept rather than a thing--a much tougher job. He compares and contrasts the lives of two artists: the academic darling Messonier and the renegade Manet. He describes dozens of works. He gives capsule histories of the first Paris World's Fair, the Franco-Prussian War, the rise and fall of the Napoleon III and the commune of Paris (plus some interesting anecdotes about ballooning and painters on vacation). That's a lot of stuff and in it all he loses the thread of what he trying to explain. In the end you'll find you've acquired a lot of interesting trivia about the Second Empire, but won't be any closer to understanding how Impressionism got started.
By the way, the notion that Impressionism is the zenith of Western painting is pretty much just an American thing. To the French, it's just another school. Manet, Monet, Renoir etc. don't get nearly the prominence in the D'Orsay that they get in American museums.
Loved it.......2007-03-08
Ross King writes beautifully about wonderful subjects in his non-fiction books (Brunelleschi's Dome, Michelangelo and the Pope's Ceiling, and now The Judgement of Paris). I haven't liked his fiction nearly as much. These non-fiction books read slightly like dissertations in some sections, but intelligent readers of non-fiction will love them.
Art History that is anything, but boring.......2007-02-24
I have always loved Art, though my favorite will always be the Italian Renaissance, the Impressionist period comes a close second. Ross King has the gift of writing history for the everyman. His prose is absorbing and just hard to ignore. Academics may argue some points in this book, but what remains to be true is that King make history come alive for the everyman, the reader just gets focused on the comparison of how Manet and Meissonier's lives and art unfold in the 19th century. Meissonier a realist classical painter was the most popular artist of his time, but his artwork did not evoke any new feelings, which is why he is hardly remembered other than by academics. Manet, was reviled during his time, but he ushered in a new revolution in art that relied on the viewer's perception of depth, color, light etc. (their impression) and leaves lasting legacy that is still prevalent today. It really was a reversal of fortune. I look forward to Ross King's next work since he will tackling Machiavelli.
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- Mayflower: A Story of Courage, Community, and War
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- Mindfulness for Beginners
- Mother Angelica: The Remarkable Story of a Nun, Her Nerve, and a Network of Miracles
- One Day Too Long
- Pleasure Wars (Bourgeois Experience, Victoria to Freud/Peter Gay, Vol 5)
- Plutarch's Lives Volume 1 (Modern Library Classics)
- Power, Faith, and Fantasy: America in the Middle East: 1776 to the Present
- Queen Isabella: Treachery, Adultery, and Murder in Medieval England
- Ramesses II, Royal Inscriptions (Vol 2)
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Marie Antoinette
Marie Antoinette
Queen of Fashion: What Marie Antoinette Wore to the Revolution
Love and Louis XIV: The Women in the Life of the Sun King
The Wives of Henry VIII
