Book Description
The finest photographic account of Jewish life in America.
This extraordinary volume features classic photographs of the history one has learned to associate with the Forward—Lower East Side pushcarts, Yiddish theater, labor rallies—along with gems no one would expect. The premiere national Jewish newspaper has opened up its never-before-seen archives, revealing a photographic landscape of Jews in the twentieth century and beyond. From shtetl beauty contests and matchmakers caught mid-deal to the streets of the New World; from diaspora communities and mandate Palestine to the Holocaust, the Soviet Jewry movement, and the emergence of Jewish suburbia; from Paul Muni and Barbra Streisand to Woody Allen and Madonna—this book is a kaleidoscopic array of modern Jewish life. Original essays are included by leading intellectuals and historians, including Leon Wieseltier, J. Hoberman, Roger Kahn, and Deborah E. Lipstadt, plus an introduction by Pete Hamill. A great gift book in the tradition of Roman Vishniac's A Vanished World and Frederic Brenner's Diaspora: Homelands in Exile. 531 duotone photographs.
Customer Reviews:
Jewish Insight.......2007-09-28
Beautiful book, well written. A book for anyone to share with their children to teach them an important part of our US history.
Genetic Memories.......2007-09-12
As the grandchild of Polish / Ukraine immigrants who read the Forvitz, this book lovingly captures the memories of a time long gone.
Outstanding.......2007-09-08
Earlier this year, I had participated in a tour, including the old Forward Building in Lower Manhattan, with our guide being one of the photographers for this beuatiful book. I was so happy with the book which arrived in exellent condition.
Thank you.
Renate Stone
AMAZING PICTURES.......2007-08-05
I found this book very informative and very interesting. I enjoyed reading all the Jewish history in it. I was very interested in the information about Poland because my father's father was born there and I have a lot of his papers from when he was born in what was called Austria-Poland (even his birth certificate). It brought back many memories of my grandmother, who would take me to the Lower East Side of Manhattan where my father was born and we would shop in the specialty stores there and to the Jewish Theatre when I really didn't understand Yiddish but kept asking what they were saying and I did enjoy going. I have been recommending this book to friends and neighbors and have it on the coffee table in my living room and anyone who picks it up is fascinated by it, regardless of religion.
CAROL ESGAR
Leftist Jews Carry On the Tradition for All Immigrants!.......2007-05-14
The Forward captured and related news for the new Jewish immigrants, and for some of them not so recent, in both a special political and social way.
Obviously, with my name as a Christian Irishman, I did not live the experience, but my significant other grew up in the rare environment of a Leftist (read, Socialist) community in the Bronx that continues to enrich the American political experience, as well as the peculiarly American, secular Jewish experience.
As a fourth-generation Irish-American, I am obviously somewhat removed from immigrant issues. On the other hand, the family oral tradition very strongly pointed out why my ancestors fled Ireland during the potatoe famine of the mid 1840's and how English political suppression of the Irish led to my family's connection to events in today's Ireland.
This book, specifically the photos and 'back stories', enable all of us of whatever immigrant background to re-live some specific moments in the American immigrant past that led to the building of a great community and to our country, whatever its faults.
While new immigrants arrive from the Caribbean, Africa, Eastern Europe, India, etc., and have their own stories to tell with their own ethnic language newspapers, The Forward will continue to stand as a model of 1) helping new immigrants adjust to their new homeland; 2) keeping them informed of news of their former homeland(s); 3) providing advice as to how to adjust to their new land. These are, perhaps, timeless topics in helping new immigrants adjust to their new land and circumstances.
The book and photos should serve as a rich tribute to striving immigrants of whatever religion, regional, or racial background to show how almost every new arrival wants to 'fit in' and contribute. Maybe this book, in some small way, will add a few "positives" to the current, embarrasing, and rediculous controvery over immigration.
Book Description
The legendary graphic novel and the sequels that launched an art form.
With graphic narrative that "was closer to the writing of Bernard Malamud or Isaac Bashevis Singer than any comic art which had preceded it" (The Economist), A Contract with God, originally published in 1978, was the first graphic novel: the prototype—along with A Life Force and Dropsie Avenue—for such seminal works as Maus and Persepolis. Set during the Great Depression, this literary trilogy, assembled in one volume for the first time, presents a treasure house of now near-mythic stories that fictionally illustrate the bittersweet tenement life of Eisner's youth. With nearly one dozen new illustrations and a revealing brand-new foreword, this book ultimately tells the epic story of life, death, and resurrection while exploring man's fractious relationship with an all-too-vengeful God. This mesmerizing, fictional chronicle of the universal American immigrant experience is Eisner's most poignant and enduring legacy.
Customer Reviews:
High praise: Reads like a book.......2007-05-21
I'm a relative latecomer to the world of the graphic novel, though I did read my share of comic books as a kid. But a year or so ago, I read Will Eisner's "The Protocols of the Elders of Zion" and have been talking about it ever since. Time, I thought, to see what else Eisner might have written.
"What else Eisner might have written" is answered in part by this wonderful reminiscence of the Bronx of days gone by. The tales revolve around the history and residents of a tenement block on 55 Dropsie Avenue in the Bronx. To Eisner, it was always a neighborhood - greater than the sum of its parts and capable of moving callous men to teary nostalgia.
The book starts of with "A Contract with God," a relatively short and focused story about Frimm Hersch, a young Jewish boy who escapes Russian anti-Semitic pogroms, makes a contract with a just God, and loses his faith when his beloved daughter dies. Eisner tells us in the introduction that this story is one of the ways he dealt with his own daughter's death, a blow so severe that he plunged it deep into his psyche. What is so intriguing about Eisner's tale is that the reader never quite finds out what was in the contract. But one finds out a little about God and a bit about humanity's willingness to continue to struggle with this Witness to human misery and loneliness.
"A Contract with God" continues with other New York tales drawn from Eisner's memory - a tale about a lonely former opera diva who befriends a penniless street singer; a bitter tenement "super" infatuated with a young girl; a summer "cookalein" or cook-your-own boarding house at an upstate farm where city moms take their kids for a summer in the out-of-doors. Eisner is at his most frank here, not shying away from the pressures and temptations that entice people living in such close proximity to each other. The tales are sexy, brash, violent and always real.
The second story, "A Life Force," is a meditation on the unseen drive of all living things to remain alive and to reproduce. An out-of-work Depression-era carpenter finds a lesson in a cockroach's struggle to survive. His path crosses that of an ancient "rebbe" needs a room built for whose wife, who suffers from dementia. Soon, the story draws in a ne'er-do-well former playboy boy, young socialists, Sicilians gangsters and a woman from Nazi Germany (an old acquaintance of the carpenter) trying to extract her family from the growing turmoil back home. Eisner's depiction of the ever-triumphant "life force" comes alive in a myriad ways that look surprisingly like ordinary living.
The final section deals with the history of the parcel that became Dropsie Avenue. Eisner takes us on a kaleidoscopic tour from its days as Dutch farmland through its many incarnations as a residential neighborhood, vibrant gathering place for immigrant families, rat hole and locale for single-family homes. His tale is populated with crooked real estate developers, local politicians, druggies, thieves, ethnic priests, ineffectual cops and a variety of local characters. Eisner is at his best as he shows how greed and bad housing laws can strip the poor of housing, enrich the unscrupulous and reduce once-proud neighborhoods to rubble. I learned more about the roots of urban blight from Eisner's pictures than from any "serious" book.
Eisner's work is not disposable, like the comics of my youth. His stories have a depth of humanity that makes them fascinating and re-readable. His art exaggerates enough to telegraph his characters' inner feelings, but subtle enough to keep them rooted in reality. A wonderful experience.
Una obra maestra sin lugar a dudas!!!.......2007-02-07
Esta novela gráfica es simplemente sublime, las historias son maravillosas así como la presentación del libro que es de una calidad tan alta, pocas veces vista pero que definitivamente un trabajo tan bien logrado se merece. Cualquier otra cosa que te pueda decir, estaría de mas, si no conoces la maravillosa narrativa, dibujo e inventiva del maestro Will Eisner, este es un claro ejemplo de su maravillosa calidad como artista, ahora que si eres un seguidor, es un libro que debes tener en tu colección. Pero ya sea una razón o la otra, es una compra de la cual definitivamente no te vas a arrepentir.
Forging a path of respect for future artists .......2007-01-10
Comic and cartoon artists are finally getting the respect they have deserved since the Yellow Kid wore his one piece pajama. Artists like Charles Burns and Frank Miller; Seth and Tony Millionaire, all work in a medium whose fan base is basically adult, literate and mainstream. In reading current book reviews of works like "Jimmy Corrigan, The Smartest Kid On Earth" by Chris Ware or "Blankets" by Craig Thompson, it is clear that the Graphic Novel as an art form no longer requires an asterisk.
All these artists and cartoonists owe this new environment of respect in no small part to the work of Will Eisner, specifically the work contained in this volume. While Eisner was not the first artist to tell a story with pictures, he without question hammered out a stylistic language that others could learn and understand. I don't think it is an exaggeration to say that he brought the concept of the graphic novel home and gave it a firm structure and a future. Also important was Eisner's unyielding believe in the graphic novel as a form of fine art, as legitimate a tool for storytelling as any of the traditional oral or written forms. All current artists working in comics owe Eisner in the same way that all Afro-American ballplayers owe a debt of gratitude to Jackie Robinson. Like Robinson, Eisner completely believed in what he was doing and refused to accept anything less than respect for his work, all done in a day when respect didn't come easily or automatically for them.
Now, about the work itself - what can one say? No one will ever replace or improve on Eisner's innate ability to tell a story with pictures. His work was absolutely gorgeous and fluid, the line and brushwork immaculate and dense without every looking fussy. He forged a unique and instantly recognizable style that is the true mark of a virtuoso in any artistic medium, and he was a very gifted storyteller into the bargain. There are certain panels in his best work, like "A Life Force" or "Droopsie Avenue," that are just jaw dropping in their beauty and absolutely unforgettable.
To this day his work is unmatched in its depth and sophistication of theme. Norton deserves much praise for reissueing these trailblazing works in a well bound and attractive hardcover. Recommended highly. -Mykal Banta
A Comic Masterpiece.......2006-12-13
Will Eisner is like Cervantes, Griffith and John Ford. The Contract With God graphic novel is his masterpiece. This is the Don Quixote of Comics. Truly art. Period.
Great Characters, Great Storys, Great Book!.......2006-11-06
This is one of the best books I have ever read. Will Eisner really makes you feel for the characters in his book. There are multiple storys in this book, but it is hard to decide which is my favorite. Even if you are not a huge fan of comic books you will like this book. The storys all take place in the depression era New York on Dropsie Ave. Bottom line is this book is well worth the read.
Book Description
'One of the few genuinely distinguished novels written by a twentieth-century American.' -Irving Howe, The New York Times Book Review When Henry Roth published his debut novel Call It Sleep in 1934, it was greeted with considerable critical acclaim though, in those troubled times, lackluster sales. Only with its paperback publication thirty years later did thisnovel receive the recognition it deserves-and still enjoys. Having sold-to-date millions of copies worldwide, CallIt Sleepis the magnificent story of David Schearl, the'dangerously imaginative' child coming of age in the slums of New York.
Customer Reviews:
Depict one character perfectly; the rest will follow........2007-06-16
Henry Roth wants to do two things well in this book: first, accurately describe the experience of being a child -- not a tough, bully-type child, but a shy kid with no friends. (I can relate.) Secondly, he wants to capture the language spoken by native New Yorkers and by immigrants to the city.
It might be best to explain the book's trick as "inside versus outside." Most of the time, we stand in a position of semi-omniscience, much like in Crime and Punishment: while the godlike narrator in Crime and Punishment could see inside Raskolnikov's head and no one else's, we are allowed into David Schearl's mind while he wanders terrified through the world. David understands perfectly well why he's so scared, and by the end so do we -- but we also understand why he can't explain his terror to anyone else. We are trapped in the child's head with him. It's been a very long time -- probably since I was David's age -- since I've remembered those feelings.
The language of New York's Jewish ghettoes in Call It Sleep also has an inside and an outside, and Roth's great trick is to pull us so deeply into that world that it's a slap on the face when we're back outside. The immigrants talk to one another in their native Yiddish, in which there's great poetry and biblical allusion (as well as more than a few "may your remaining days be dark"-type curses). We're steeped in that world. Only occasionally do the immigrants step outside and talk haltingly with, say, a local policeman. They are shy, awkward, and adrift. Roth is so ingenious in the delivery that we feel their shyness and awkwardness as though it were our own.
It's rare to find a book that is so committed to its characters. Roth has no ulterior motive. He just wants to introduce us to this little community and its little people. If we happen to see larger meanings or other people in those he depicts, it's accidental. That sort of devotion to character is extremely rare. I can only imagine how absorbed in the characters Roth must have been, if he drew his reader in that completely.
a porfound masterpiece.......2006-11-13
This is probably the best novel I have read in the last 10 years- my only question is why hadn't I heard of it before since it was writtten some time ago. How Roth gets into the mind of a small boy is remarkable- I could not put this book down!
Strangely Addictive.......2006-08-11
It was just another audio book to check out of the library and listen to while doing boring exercises. The oddysey of a Jewish immigrant boy in early 20th century New York City became an addiction that I did not want to continue but could not stop listening to. Towards the end, I wondered if author Roth had read Joseph Conrad's 'Heart of Darkness' (he even refers to a heart of darkness). The book became an addiction, one that I am glad to have experienced, but would not want to try again.
rambling but important.......2006-04-21
He really captures the times and the immigrant mentality. He does ramble however and I got irritated at times. It's like he chose not to edit, but sometimes editing is about etiquette and consideration towards the reader.
Not My Kind of Novel.......2005-12-12
In a sense, it's sort of silly to try and write anything useful about a book so completely hyped by critics and carefully studied (cf. New Essays on Call it Sleep), but I'm going to anyway, because I didn't like it. Now, to be totally up front, I read it under a certain amount of duress. My book group picked it, and after the first ten pages I decided I wasn't going to read it and would miss the discussion for the first time in four years. However, it happened that at the exact same time, I started a research project in which I needed to learn about Manhattan in 1916. Since that's just a year or so after when this novel is set, I realized I could kill two birds with one stone -- and so I went ahead and read it.
In hindsight, I realize that I should have skipped the introduction by Alfred Kazin which appears in my edition. It gives away almost every significant plot point and plants far too much in the reader's head -- I cannot conceive of why it wasn't the afterword. Plussing as which, it's not a great essay, even a light skim of it will reveal at least one logical flaw and a total misreading of a scene from the book. So, skip the introduction until after you've read the story. And that story is basically the heavily autobiographical inner life of a emotionally damaged 8-year-old Jewish kid in a rapidly modernizing New York. Many like to laud this book as the best novel about the immigrant experience ever written. This seems rather a strange proposition, for while one of the central themes is certainly the boy's attempt to discover an identity in this brave new world, his circumstance is far from typical. First of all, the Jewish immigrant experience in New York is a very particular one, especially as it relates to cultural persecution in the old world and the notion of alienation and always being "the other". Trying to say the "New York Jewish immigrant experience" is representative of the "immigrant experience" in general is clearly ridiculous. Secondly, by their own choices and actions, the boy's family is almost completely cut off from their fellow immigrants, and are hardly representative. Indeed, it's almost refreshing to find a depiction of immigrants whose hardships are largely of their own making.
The boy protagonist is a particularly irksome guide to this world, as he is the ultimate mama's boy (although not without reason). One of the running menacing subplots is the question of whether or not his father is truly his biological father or not, and what exactly his mother got up to in the old country that led to her being married off to a brute of a man (elements apparently drawn from Roth's own childhood). The bulk of the book concerns the boy's horrendous struggle both to assimilate into the world around him and to decipher the spiritual world. The former is a reasonably well-told and familiar portrait of an outsider who just doesn't "get it". The latter fills the book with religious symbolism, which remained largely a mystery to me owing to my utter lack of religious education and knowledge. Clearly, readers with a strong understanding of Judaism and Christianity will certainly find plenty to chew on. The sexual realm is another running theme, and one that's treated with a great deal of angst, confusion, and negativity. This takes on an entirely different aspect if you read the book knowing that Roth, as his biographer so gently puts it, "indulged in incest" with his sister Rose (and a cousin) for several years during his early teen years. A less sugar-coated way of putting it is that he sexually abused and raped his little sister for several years... This is hardly incidental to the book, as his biographer writes: "Roth would ultimately recognize that incest was the engine that drove his composition." Roth's tortured soul comes through very clearly in his younger alter ego, and it's not a pretty sight.
The style and language used are certainly distinctive, and doubtless many find it invigorating and affecting -- I did not. Roth was rather famously influenced by Joyce, Eliot, and other modernists, and I just happen not to care for modernism. The stream of consciousness employed to depict the boy's inner terrors is effective in moderation, but each passage of it runs on far too long, almost to the point of parody. Similarly, much has been written about Roth's representation of Yiddish and the phonetic treatment of English in the book, but neither has aged particularly well. The stylistic flourishes, epithets, and distinctive syntax of Yiddish which Roth employs are difficult to read without simultaneously "hearing" them as farce or parody of the Mel Brooks variety. There are a great deal of detailed descriptive passages, which again, may appeal to those who appreciate the writer as still-life artist, but again, these struck no chord with me.
So, I freely admit that many of my reasons for not liking the book are personal, however I doubt I am alone in this (as indeed I wasn't in my book group). It simply did not resonate with me on any level, and I can't say I'm the richer for having read it. Others certainly will be though, especially those with an interest in Jewish-American literature or literature about New York.
Book Description
The classic novel of Jewish immigrants in new trade paperback format and design, with sixteen period photographs.
This masterwork of American immigrant literature is set in the 1920s on the Lower East Side of Manhattan and tells the story of Sara Smolinsky, the youngest daughter of an Orthodox rabbi, who rebels against her father's rigid conception of Jewish womanhood. Sarah's struggle towards independence and self-fulfillment resonates with a passion all can share. Beautifully redesigned page for page with the previous editions, Bread Givers is an essential historical work with enduring relevance. 16 b/w photographs.
Customer Reviews:
Not bad for the dreaded "required reading"!.......2006-11-10
This book was required reading for my history class, but it turned out to be a pretty fast and fun read. Though branded as a novel, this book reads very much like a turn-of-the-century (20th) biography of a young immigrant woman.
An Outstanding Book with Several Flaws.......2006-08-10
This book vividly portrays the culture clashes that arise when a parent remains devoted to Old World traditions and beliefs and a rebellious daughter sets out to find her own way in America. Reb Smolinsky, the family patriarch, is chronically unemployed and content to be supported by his wife and children while he spends his time in meditation and study of his beloved Torah. Sara's three older sisters find romance, but each in turn finds her chances at marriage and happiness sabotaged by their dictatorial father. Reb Smolinsky, insisting he knows best for his daughters, pairs them up instead with men they can't possibly love or be happy with. Sara decides to rebel before history repeats itself in her life, and in the face of horrendous condemnation and taunting by her father, leaves home to support herself and pursue a dream of becoming a teacher.
This is a fine story, which should have been written in third person narrative, considering the private conversations that occur in the early part of the book. Reb Smolinsky seems a bit exaggerated, and his oft-repeated citings of the Torah that say a woman without a man is less than nothing are not substantiated with book, chapter, and verse. One has to wonder, does the Torah really say such things? I tried to find proof of this, but could not find any. Also, some loose ends are left unresolved at the story's end, particularly the plot complication that ensues when Reb Smolinsky buys a grocery store in Elizabeth, New Jersey, only to find himself the victim of a clever swindle. Anyone who is only somewhat familiar with the history of the Lower East Side and the lives of early twentieth century immigrants will be left wondering if life was really this fraught with conflict, despair, and misery for daughters of Jewish rabbis unable to leave their Old World ways behind. How plausible is this story? What can we really learn from it? It is a book worth reading, nevertheless, although further reading and study will probably be needed to avoid being confused by the situations Ms. Yezierska has presented.
Awesome book.......2006-07-21
I read this book for a college English class many years ago. I just finished reading it again for about the 10th time. This book is just truely mesmorizing and captivating. You don't have to Jewish or an immigrant or a female struggling - this book is for anyone that is willing to let their mind enter a time where we have no idea what it was like first hand and to go off on a jouney. Matter of fact, all her books are wonderful as I've read them all, but Bread Givers is still my favorite. Sorry I'm not offering a critique of the book, I just simply love it and want to share it with everyone.
"All pioneers have to get hard to survive.".......2006-03-16
Anzia Yezierska's "Bread Givers" is, in a sense, two overlapping stories. The first half of the book is the melodramatic tale of an impoverished Jewish immigrant family living in the New York ghetto, a family suffering under the tyrannical and hypocritical piousness of the father. At times the foolishness and ineptitude of the father is almost comic, but the suffering inflicted on his family is harrowingly poignant. The second half is a psychologically and sociologically astute feminist coming-of-age tale, as the youngest daughter breaks from her family to re-define herself as an "Americanerin," leaving for college and eventually becoming a teacher in her old neighborhood. The broader strokes of the novel's opening give way to provocative considerations of the difficulties inherent in the narrator's at times ambivalent desires for assimilation within an alien culture and for a self-respecting independence from her own patriarchal family.
I wanted to shake some sense into Sara's father.......2005-11-05
for being such a tyrant, for spoiling his daughters' wedding plans, and for RUINING their lives -- and believe me-- that kind of stuff REALLY went on in those days! And I wanted to shake some sense into her mother for PUTTING UP WITH THIS!!!
Sara Smolinsky's life most probably parallels Anzia's real life. And if that is true, then I have the UTMOST respect for Sara/Anzia who against all odds, and especially as a woman back in the 1920's, found a place for herself and worked VERY hard to get that education and respect and "the good life" that all the middle-class American kids took for granted.
Someone reading this book today -- who has not read any books on the Immigrant experience or who has not become aquainted with Immigrant life in America in the early 20th Century -- wouldn't have a CLUE as to what it was really like back then, and to them this book would perhaps only serve to confuse or bore (!) them. Hopefully this book will not only shake readers out of their complacency, but it will encourage them to read other books about the Immigrant experience, such as "call it Sleep" by Roth.
The Bread-Givers is a great book.
Average customer rating:
- G.S. Does It on First Try
- Pretty random, yet funny
- Well written but long and rambling story
- If you have nothing better to do
- Criminal Brutality - - is Cute
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The Russian Debutante's Handbook
Gary Shteyngart
Manufacturer: Riverhead Hardcover
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ASIN: 1573222135
Release Date: 2002-06-06 |
Amazon.com
Vladimir Girshkin, a likeable Russian immigrant, searches for love, a decent job, and a credible self-identity in Gary Shteyngart's debut novel, The Russian Debutante's Handbook. With a doctor-father of questionable ethics and a manic, banker mother, Vladimir avoids his suburban parents and their desire that he pursue the almighty dollar as proof of success. Vladimir gets by as an immigration clerk, eking out a living in a cruddy New York City apartment while accumulating an array of quirky acquaintances, from a wealthy but disheveled old man (who claims his electric fan speaks to him) desperate for citizenship to Challa, a portly S/M queen. As a love interest, Challa is replaced by Francesca, a graduate student whose friends welcome Vladimir for the status he brings their bohemian clique, and whose parents encourage them to shack up (she lives at home) as visible proof she can maintain a steady relationship.
The Russian Debutante's Handbook is a quirky amalgam of dead-on American absurdities, albeit with somewhat stereotypical characters. While Vladimir flounders with how to improve his state, he becomes an expatriate in a trendy European city, becomes somewhat of a mobster himself, and generally has a good time. While many of the central characters remain elusively thin, Vladimir is a delight, and Shteyngart's wit is merciless: Russian women wear "wedding cakes of blond hair" and graduate students lounge in a bar "as if waiting for funding to appear." Reminiscent of Gogol and other Russian satirists, The Russian Debutante's Handbook is a genuine, sublime social commentary. --Michael Ferch
Book Description
The Russian Debutante's Handbook is infused with energy and wit and a brilliant use of language. Hilarious, extravagant, yet uncannily true to life, it follows the adventures of Vladimir, a young Russian-American immigrant, whose capitalist dreams and desires for a girlfriend lead him off the straight and narrow and into uncharted territory.
Taking us from the dreary confines of New York City's Emma Lazarus Immigrant Absorption Society to the hip frontier wilderness of Prava-the Eastern European Paris of the nineties-whose grand and glorious beauty is marred only by the shadow of the looming statue of Stalin's foot, The Russian Debutante's Handbook is both a madcap adventure and a serious look at what it means to be an outsider in America, and what it means to be an American.
Customer Reviews:
G.S. Does It on First Try.......2007-09-04
Congratulations to Gary Shteyngart on writing a worthy Russian-American novel, and a great satire, to boot. This is one of the most readable debuts I've ever had the pleasure of reading. While light, RDH is successfully humorous, entertaining, enjoyable, and mostly unpretentious.
We follow the adventures of 25-year-old Vladimir, whose quarter-life crisis, combined with deep-seated immigrant insecurity despite being mostly assimilated, send him on a search for self of the most modern proportions. Passively getting roped into a relationship with the spoiled and pseudo-intellectual Francesca, the daughter of clueless New York professors, as the token commie, Vladimir is soon caught up in the world of international crime. His constant running brings him to Stolovaya (Cafeteria, in Russian), a ready-to-be-pillaged-and-plundered post-communist state in Eastern Europe, where he balances his consulting spot to a crime syndicate with his role as the king of Western expatriates.
To his credit, Shteyngart in many ways succeeds where Franzen and many other writers have failed: creating a book in the spirit (if not the genius) of Catch 22. GS captures the ridiculous whims and self-delusion of the aimless post-collegiate crowd through the eyes of an aimless but paradoxically ambitious Russian immigrant. He orders his life with efficient lies and unapologetically, gradually buys into them.
If the book suffers from anything, it's characterization. GS often sacrifices credulity for effect (see Rybakov the insane citizenship-seeking Russian, etc.). But good laughs can redeem most anything, and they do here.
Pretty random, yet funny.......2006-12-28
This book definitly started out funny. It was rediculous and absurd. I must say that as a Russian imigrant, we are probably just as crazy as the book says we are, if not more. It gets especially exciting towards the middle of the book, when you can't help but to root for the main character. The last two thirds of the book become completely drawn out, as the author settles into a comfortable place. Then he somehow wraps it up in 20-30 pages and you're left wondering, "where did that come from." It's not that the ending is too unexpected, it just doesn't seem to fit with the rest of the novel.
Overall, I thought it was a great, easy-to-get through book. If you're thinking, "oh another tale of the hardships of coming to America," this book is not just about that. It's not really an "immigrant's plight" book, which is good thing. It has an actual plot, albeit a completely random and absurd plot.
Well written but long and rambling story.......2006-11-29
The book overall is very well written, but the story is a bit long and rambles on. It definitely takes work to read this book. You must be prepared to pay attention. Not an easy read and mildly depressing.
If you have nothing better to do.......2006-11-07
This is a nice light read if you have nothing better to do.The tone is sufficientlt sarcastic to attract people who have no idea of what is going on , and the milieu is exotic enough. As to the quality of the story the less said the better. Terrific for a slow reader on a longish air trip. Also guaranteed not to offend too much, even those who normaly would feel offended. You may call it humor if you like.
Criminal Brutality - - is Cute.......2006-11-04
Jewish vaudiville farce makes light of "naughty" post-Soviet pillaging of Eastern Europe by amoral Jews supported by ex-KGB hoodlums, finding no serious fault with all things antisocial in Western society. Contains a minor theme of natural abuse of naive women, and maximum references to the giants of Slavic literature, such as Tolstoy, Lermontov, and Milan Kundera, apparently hoping their stature will enhance the image of this wannabe clown. Despite the reprehensible content, the quality of the writing is quite good, and a few of the contrived "funny" events pasted together in this novel actually ARE funny. Still, on the whole, there are tons of better ways to waste one's time than reading such nonsense.
Average customer rating:
- This is a must-use for any middle school classroom!
- Character traits nicely parallel our school's program.
- Great book for all ages!
- An absolute treat!
- Great book
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Journey to Ellis Island
Carol Bierman , and
Barbara Hehner
Manufacturer: Hyperion
ProductGroup: Book
Binding: Hardcover
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I Was Dreaming to Come to America: Memories from the Ellis Island Oral History Project
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Annushka's Voyage
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The Memory Coat
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If Your Name Was Changed At Ellis Island (If You.)
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When Jessie Came Across the Sea
ASIN: 0786803770 |
Book Description
Jehuda and his family have struggled through hunger, poverty and war in their Russian homeland. Now, at last, the family is heading to begin a new life of freedom in America. But the family's relief is short-lived. In Russia, Jehuda's arm had been injured by a stray bullet, and the health inspectors at Ellis Island are very strict about allowing invalids into the country. Jehuda must convince them that he is well enough to stay, or the whole family will be sent back Russia.
Customer Reviews:
This is a must-use for any middle school classroom!.......2001-03-06
This true story written from the perspective of an 11-year-old immigrant, truly sums up the immigrant perspective. My 4th grade students, journaled each day as if he or she were the central character, and begged for each of the five chapters. This book alone, replaced a 4-week unit that I had used previously to emphasize the impact of immigration on our state. Written by the author's daughter, with photos showing then and now, it is wonderful. FYI: We used, as the final journal entry, an account written by Yehuda when he finds his journal 70 years later and recounts the years since arriving in America.
Character traits nicely parallel our school's program........1999-09-10
The story reads well for any student needing to understand the trials and tribulations of people immigrating to the U.S.Important character traits are developed and their importance in reaching a goal are emphasized. The artwork makes a dramatic statement to anyone who opens the book. Elementary students should be attracted by this outstanding feature. As a school director and recently retired teacher, I purchased a copy for each of our elementary libraries because of the qualiy of this book.
Great book for all ages!.......1999-02-10
This review is from Debbie,Paul,Ryan and Melissa. We all modelled for the illustrator,Laurie McGaw, of this book. It was a wonderful experience since some of our grandparents left Russia and Poland because of the war and we felt we could relate to the people in the book.The book has been presented to the our childrens' school in conjunction with the Holocaust unit. Teachers and kids alike found the book to be very interesting and beautifully illustrated. We recommend it to all nationalities and ages.It is not only a book about Jewish people, but also a book about what any immigrants coming to North America might have experienced.
An absolute treat!.......1998-11-26
A wonderful story with fabulous illustrations. A must read for all ages
Great book.......1998-11-18
Well i actually got this book for reaserch for a projet and i think it helped me a lot because it told me that familys strugle to enter america.I would reccommend this book to anyone doing an interview with an immagrant i know it helped me a lot.
Book Description
The much-acclaimed biographer's unflinchingly honest, wise, and forgiving portrait of her own famous parents: two wildly talented Russian émigrés who fled wartime Paris to become one of New York's first and grandest power couples.
Tatiana du Plessix, the wife of a French diplomat, was a beautiful, sophisticated "white Russian" who had been the muse of the famous Russian poet Vladimir Mayakovsky. Alexander Liberman, the ambitious son of a prominent Russian Jew, was a gifted magazine editor and aspiring artist. As part of the progressive artistic Russian émigré community living in Paris in the 1930s, the two were destined to meet. They began a passionate affair, and the year after Paris was occupied in World War II they fled to New York with Tatiana's young daughter, Francine.
There they determinedly rose to the top of high society, holding court to a Who's Who list of the midcentury's intellectuals and entertainers. Flamboyant and outrageous, bold and brilliant, they were irresistible to friends like Marlene Dietrich, Salvador DalÃ, and the publishing tycoon Condé Nast. But to those who knew them well they were also highly neurotic, narcissistic, and glacially self-promoting, prone to cut out of their lives, with surgical precision, close friends who were no longer of use to them.
Tatiana became an icon of New York fashion, and the hats she designed for Saks Fifth Avenue were de rigueur for stylish women everywhere. Alexander Liberman, who devotedly raised Francine as his own child from the time she was nine, eventually came to preside over the entire Condé Nast empire. The glamorous life they shared was both creative and destructive and was marked by an exceptional bond forged out of their highly charged love and raging self-centeredness. Their obsessive adulation of success and elegance was elevated to a kind of worship, and the high drama that characterized their lives followed them to their deaths. Tatiana, increasingly consumed with nostalgia for a long-lost Russia, spent her last years addicted to painkillers. Shortly after her death, Alexander, then age eighty, shocked all who knew him by marrying her nurse.
Them: A Portrait of Parents is a beautifully written homage to the extraordinary lives of two fascinating, irrepressible people who were larger than life emblems of a bygone age. Written with honesty and grace by the person who knew them best, this generational saga is a survivor's story. Tatiana and Alexander survived the Russian Revolution, the fall of France, and New York's factory of fame. Their daughter, Francine, survived them.
Customer Reviews:
And Racist too.......2007-08-19
Her parents were indeed revolting.. and it is perhaps instructive to be assured again that all families were not invented by Norman Rockwell. But did she need to do her own revolting racist screed against gypsies to excuse her grandmother's behavior? Not the parents opinion, but her. Quite nasty.
charming memoir.......2007-06-07
I was enchanted by Ms. Gray's beautifully written memoir. She has lived through some dramatic world events with vivid front-line experiences and yet was able to share them in such a personal and loving way. History, accurately recalled, yet presented so naturally, makes for very compelling reading. I loved this book!
A touchstone for thinking of my parents and my life..........2007-04-14
Thank you, Mme. du Plessix Gray for this evocative, brilliant memoir. This was the last book my Mother read before she died in August 2006. She was 10 years older than you, and had the same history, a Russian girl who came to New York, and even dated the same man as you did. She knew all the names in the book and lived the young Russian emigree's life in New York City. Your beautiful writing made me think about the role of my life in that of my parents' lives -- it was just such a great book for me to read in this mourning year. I know this is a highly personal reaction but I am hoping you will read this review. Your book unleashed a dreamlike state for me to probe into the colorful lives of my mother, father, grandparents, aunts, uncles -- from whom I am descended. The dead have informed our lives and are always with us. It is a gift.
Hypnotic and Revolting.......2007-03-08
I'm a fan of Francine du Plessix Gray ("The Women of the Marquis de Sade" is stunning) so I picked up this book with anticipation.
Mrs.du Plessix Gray did not let me down but the parents she is remembering in this "trio-biography" left me absolutely cold. Plessix Gray takes us through her mother's life in Russia, the literary world there, the Revolution, her escape to France, their Parisian life, meeting Alexander Leiberman, their life as a family in war-time France and finally imigration to New York. It is from the time of that new life in New York that "THEM" began to start gripping my throat. One watches the rise of the Leibermans in the fashion and art worlds of uptown New York in the 1950s and 1960s with astonishment and incredulity. They appeared to me to be of modest talents but had the exquisite knack of being in the right place at the right time, were fully convinced of their own superiority in addition to being snobs of the first order. Plus, as exotic, artistic European refugees they were fashionable just after the war and they knew how to throw a party. Voila: Attitude + Style + Connections + New York = SUCCESS (it was ever thus). It is the evolving psychological portrait that she draws of Tatiana of Saks and Leiberman of Conde-Nast that is chilling then disgusting and in the end pathetic, that held me in a hypnotic state, like a snake with a frog. It's a very interesting voyeristic look at a world that has a minimum of interest for me but it is a world that had a certain significance on American culture for good or for bad. What really captured me was Francine's own story, her childhood, her relationship with "THEM" (as if you could have one) her teens & young adult life on into her adult married and professional life. So there she was, a natural writer, being given a ringside seat to this peculiar, manipulating, ambitious couple of human beings joined together for lives that came to no good end. Yes for me it was Francine who shines through both as an evolving human being and a writer, writing in her smooth, clear voice, that made it a worthwhile read. The truth is that I could hardly put it down but by the time I did I immeadiately wanted a bath, a shower and a shampoo.
Fabulous.......2006-10-04
I absolutely loved this book. Du Plessix Gray describes her parents' lives with insight, intelligence, honesty and humor. She offers us a behind-the-scenes look into a world that its inhabitants were obsessed with keeping hidden from view. The degree to which her parents' lives intersected with the history of the twentieth century is amazing. Unlike most memoirs, Du Plessix Gray delves deeply into the historical context. The pace never lags; I was enthralled from the first page to the last.
Average customer rating:
- the golden country
- Gabby
- Life's Roads as a Jewish Girl
- Dreams in the Golden Country, But is it really golden?
- Molly's Review for Dreams in the Golden Country
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Dreams in the Golden Country: The Diary of Zipporah Feldman, a Jewish Immigrant Girl, New York City, 1903 (Dear America)
Kathryn Lasky
Manufacturer: Scholastic Inc.
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Binding: Hardcover
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ASIN: 0590029738 |
Customer Reviews:
the golden country.......2007-03-06
I thought the book was awsome. I couldn't put it down there was no part that was boring. I recccomend this book to every one. i read it so fast and i want to read it again
Gabby.......2006-11-08
Have you ever wondered how long and painful a trip across the Atlantic, would be? Leaving your home, your customs, your whole life, all left in the waves. In the book, Dreams in a Golden Country by Kathryn Lasky, a girl named Zipporah Feldman, mostly known as Zippy struggles to adjust to the American way of life. Zippy would not even have had to come to America, but in her small town in Russia Jews were being persecuted. Zippy has a father who decided to come to America first, who is becoming more American everyday. Zippy has a mother who refuses to leave her old ways, and two sisters, one named Tovah who is obsessed with politics, and the other, Miriam who falls in love with a Catholic firefighter. Zippy has to start in 1st grade, since she had never gone to an American school before, but she eventually gets to the grade she should be in. Zippy is the only family member who was allowed to go to school. I like this book because you get to see the easy and difficult times in an immigrant girl's life during the 1800's. I recommend this book to someone who like stories in diary entry form.
Life's Roads as a Jewish Girl.......2006-03-08
Life's Roads as a Jewish Girl
Zipporah Feldman (Zippy) comes to America with her Jewish family. They came from Zarichka. This book was the diary of Zipporah. After coming to America they all have found some sort of dream in this new country. What was it about America that makes you like this, having big hopes and dreams. Her beloved sister has gone away with the guy she loves, who is not a Jewish boy. Mama gets mad ands pretends top mourn over her daughter like she is dead. The family has fallen apart. Zippy is sad. Something happened to one of her friends. She wants to fly an airplane like the first two brothers did. Or be an actress. She had dreams to look up to.
I really liked this book. Because it was a diary. It was interesting and I liked it a lot. Because she wrote in it almost all the time, it was like a story of her life. Another good diary book that I enjoyed was The Diary of Patrick Seamus Flaherty. I like diary books because they are like a life story and very interesting. These books are different diary's and people. But both are excellent books to read!
Dreams in the Golden Country, But is it really golden?.......2006-03-08
Zippoah is a jewish girl coming to America to meet her Father in New York City. They come to New York City from A small village in Russia. They come for a new life away from all the attacks that are going on in Russia. Zipporah starts a diary of what is going on in the new country she is in. SHe Starts school, Makes firends, and new ideas come to her family that they would have never dreamed of thinking about in Russia. Some thoughts are good & some are bad & some frighten her mother. Her mother is a person who likes to stick to old customs but she starts to add some new ones once she is more comfortable with the New country she is in.
Her father is a very nice man who played the violin very well and was a photographer. Zipporah has two sisters Meriam & Tovah. Tovah is a more seriouse and political person she is also the oldest of the three. Mariam is a very romantic girl, she is the middle child. Mariam ends up falling in love with a cathlic boy and her mother is furious when she finds out that they got secretly married.In Zipporah, or Zippy as her firends call her, has to learn how to read & write in english. At School Zipporah recites poems and learns many new things at school. Zippora's life gets better at some points and bad at some points. But let me ask you how would you feel in her shoes?
Molly's Review for Dreams in the Golden Country.......2005-05-10
Dreams of the Golden Country
By Kathryn Lasky
(Publication: 1998 by Scholastic Inc.) (188 pages) (Genre: Historical fiction)
In summary the book Dreams in the Golden Country was an extremely good book. The book takes place in New York City, 1903. In the book there is a Yetish Jewish family and they live in Russia. The dad of the Feldman family immigrated into the United to States to earn money and buy a place for the family when they came. He worked in a sweatshop factory and had bought an apartment that was shared with an elderly border. When the family immigrated over months later they found that the "papa" they knew and loved had changed. He had cut off this side locks, stopped playing the violin, and did not celebrate any Jewish holidays anymore. Sara, the mom was very upset along with the three children, Zipporah, the youngest, Miriam, the middle child and Tovah the oldest. They were not all impressed with the small unlit apartment either but they had to deal with. As the book went on Zipporah who is keeping the journal is going through school and working hard to learn English along with the rest of the family. The times are pretty smooth until they start to fall apart when Miriam runs away and gets married to a non Jew and the family pretends she's dead. Then more problems come as mama is pregnant and a close friend dies. Times eventually get smooth again and the family resolves their problems and starts their "real" life in America.
I was attracted to this book by the part of the title "Golden Country" it made me wonder what the author was talking about, also the fact that is was a diary.
The main character of the book is Zipporah who is the writer of the journal. Her two friends Blu and Yitzy are immigrant also that have been in America longer than Zippy and her family. The Feldman family, papa, mama, Tovah, and Miriam. The conflict in the book is how the family has to manage being in a new country and not knowing the language there.
My opinion about this book is that the author made a real situation interesting. She made it seem like you were in the book. Very descriptive and hard to put down. I believe the author achieved the purpose of writing this book. The book was powerful, strong, and good and I would recommend this book to anyone that likes a truly amazing story. I would rate this book as a pretty easy read.
The lesson that is taught in this book is that even though life's journey is the most difficult ride you'll ever be on you have to be yourself and stay true to your friends, family and the true you. You also need to appreciate what you have and not take anything for granted.
Book Description
In recent years, New Yorkers have been surprised to see workers they had taken for granted—Mexicans in greengroceries, West African supermarket deliverymen and South Asian limousine drivers—striking, picketing, and seeking support for better working conditions. Suddenly, businesses in New York and the nation had changed and were now dependent upon low-paid immigrants to fill the entry-level jobs that few native-born Americans would take. Immigrants, Unions, and the New U.S. Labor Market tells the story of these workers' struggle for living wages, humane working conditions, and the respect due to all people. It describes how they found the courage to organize labor actions at a time when most laborers have become quiescent and while most labor unions were ignoring them. Showing how unions can learn from the example of these laborers, and demonstrating the importance of solidarity beyond the workplace, Immanuel Ness offers a telling look into the lives of some of America's newest immigrants.
Customer Reviews:
Si se puede.......2006-07-15
No other book brings to life the work and struggles of new migrants in the United States. Ness sets the stage for the impending crisis that the labor movement will most certainly confront in the years to come. The book is eye-opening political-economy that points to new strategies and directions for the labor movement and the broader the working class. Striking is the absence of unions, labor institutions, and a party capable or willing to support the new realities of what is effectively the post-NLRA era.
Workers Organize Workers.......2006-05-20
This book is far and away the most important book on labor in many years. While it covers immigrant laborers in the U.S. the book can be applied to U.S. workers as well. The book counters the intuitive notion that migrant workers are too afraid to organize. In fact they are the most likely to organize! Then the book provides a road map for all labor organizing, both immigrant and U.S.-born workers. Of all the books I have read, this book provides the most theoretically sound approach to labor organizing and mobilization in a clear and concise manner. The book is accessible to any reader and, without hubris or jargon, explains in a clear way that it is workers who organize first. Power is consolidated for the workers by unions. But even without unions, the book shows us that workers are more willing to take risks and are much more militant than their unions. Written clearly, the book is the best book on immigrants for university students. In my class, I found that students were so enthusiastic that the book in fact sparked discussion without my intervention. Bravo to Ness.
Mobilizing Immigrants and Consolidating Union Power.......2006-01-09
This is one of the very few books that addresses the issue of worker organizing and the importance of migrant workers to the oranized labor movement. The AFL-CIO increasingly recognizes the need for immigrant workers as they form a larger part of the labor force in low-wage jobs amenable to organizing. Unions have a range of responses to this newfound worker militancy, from complacency to building power and support for workers otherwise left to their own. Unlike other books, Ness shows that migrant workers from similar backgrounds tend to have strong ties to their co-workers. In fact, these strong ties contributes to solidarity and the will to confront rapacious employers. Surely U.S. workers have much to learn from migrants whose bonds of solidarity are reinforced by common religious, national, language, and ethnic identities.
U.S. workers are no less militant if confronted with identifical circumstances as immigrants. However, the rise in contingent work contributes to fewer bonds of solidarity as native-born frequently move from job to job as they seek out individual gains--mostly without success.
The case studies in this book will be instructive to international unions in seeking out new strategies for organizing immigrant and native-born workers alike. This book is the most important contribution to the literature on labor organizing in recent memory, and provides the basis for understanding the labor struggles of the early 20th century when mobilized immigrant workers formed unions and were consolidated by the national unions. This book offers hope to all of us as the government seeks to marginalize immigrants through imposing draconian laws and weaken their legal status as workers.
An Immigrant's Guide to NYC on $1 an Hour.......2005-09-09
Professor Immanuel Ness brings a lot to the lectern in this story of spirited, but impoverished immigrant workers organizing in New York City. Ness is a professor of political science. He's written widely on cities. And his years as a union organizer give him instant street credibility.
All this experience and knowledge is effectively woven into his book, Immigrants, Unions and the New U.S. Labor market The title is accurate although Ness rarely strays far from the battles in New York's five boroughs. New York is a kind of testing ground. Immigrant workers in New York City make up more a than half the labor force. The low wages of these immigrants explain why New York County has the biggest spread between rich and poor in America -- It's in these organizing campaigns that the struggle to keep America from sliding back to the pay and conditions of the Gilded Age are being determined.
Ness focuses on three campaigns: Mexicans who work in Korean deli's, Pakistani limo drivers; and west African grocery store workers. With dozens of candid interviews, he takes us inside these immigrant communities, to hear the voices of New York's most silent workers.
Everyone knows that immigrants have it hard. But Ness forces us to see just what it means to be delivery man from Mali and be forced to live on $1.00 an hour - plus tips of course - while working for A&P's Food Emporium.
These workers are so exploited they aren't even permitted the status of workers. They're "independent contractors" "a fiction that allows employers the right to ignore the provisions of the Fair Labor Standards Act (1938) regulating minimum wage, maximum hours and safety conditions. The upshot is that the grocery baggers from Mali wind up making that $1.00 an hour - which is more than they would make in Mali but not as much as Americans made a century ago. .
Ness shows us how these immigrants nevertheless have been able to come together to demand dignity, rights and a few extra dollars - at great risk, despite threats of physical harm, deportation, and job loss. It's not exactly workers of the world unite. But a triumph of the resilience of traditional social bonds which somehow survive even in the Global City. Plus it turns out they can mobilize a lot of outside support - the Mexican workers in Korean deli's got help from State Attorney General Eliot Spitzer who obligating sued the employers for back pay; a formidable community campaign sprang up on the Lower East Side to support the workers when they went on strike; the Mexican Consul-general got involved, too.
Ness' most surprising finding is that American unions - the institution you might expect to be leading the charge on behalf of the most exploited workers - the established unions - are mostly missing in action or actively undermining the immigrant organizing campaigns. There are some splendid exceptions, like Ernesto Joffre the former Chilean miner, jailed for subversion under the Pinochet dictatorship who went into exile here in New York and became head of an exemplary garment workers local. But mostly organized labor is too busy patrolling its jurisdictional boundaries to give more than perfunctory help. Almost immediately after Joffre's untimely death, his parent union liquidated support for the organizing campaign. A shady longshore union located in New Jersey wound up with sweetheart contracts with several of the Korean deli's.
Ness' accomplishment is dual: anthropology of New York's newest immigrant communities and a political science of the city's unions. It adds up to the most valuable account yet of the astringent realities of immigrant organizing in America.
Hope At Last for Migrant Workers.......2005-08-20
Immigrants, Unions, and the New US Labor Market is the most timely and intelligent examination of the implicatoins of the expansion of global capitalism on international migration. The book provides real life evidence of the human spirit of solidarity among migrant workers. This stirring book offers a roadmap for unions and employers of the eternal struggle for dignity among an outcast population that now forms an important component of American labor. This penetrating book is indispensable to understand the plight of migrants and how social conditions and human experience shapes the actions of working people. I commend the author.
Book Description
Two great waves of immigration-one at the start of the twentieth century and another in its final decades-transformed the history and personality of New York City. This book, the first in-depth comparison of New York's two most recent immigration eras, reassesses the myths that surround both sets of immigrants. Winner of the 2000 Theodore Saloutos Book Award of the Immigration and Ethnic History Society
Customer Reviews:
Useful, if not brilliant.......2000-12-09
This book is useful, though not brilliant. It provides a comparison between the great wave of Jewish and Italian immigrants to New York at the turn of the last century, and the present wave of immigrants from Asia, Latin America and the former Soviet Union. Foner's account look at where immigrants live, how they work, immigrant women in particular, the sting of prejudice, the matter of ties to the old country and going to school. She seeks to refute the view which uses the success of the first wave and selected members of the second wave as a stick to beat everyone else. By and large she succeeds. She reminds us that one reason why many Asian-American have excellent education and social mobility records in the United States is because they were well educated members of the middle class back in Asia. She points out that it took a couple of generations before Jews experienced middle class status and high school graduation. She reminds us that despite fears of America becoming increasingly balkanized new immigrants are more "american" than previous waves because of the world of mass culture. There are nuanced discussions about the mixed blessings of wage labor and increased independence. There is an interesting chapter on how Jews and Italians were viewed in the past as non-white, and how Asians and Hispanics are becoming increasingly "white." There is much in here that counters the widespread moralistic underclass discourses that have made The New Republic the fashionable magazine of our day's Vanity Fair. There is a nuanced discussion of the effect immigrants have on black employment. Some pundits, shedding crocodile tears for African-Americans suggest they would be better off if immigrants were not taking their jobs. But in fact, as Foner points out, many immigrants are not directly displacing blacks because they work in niches where blacks either were rarely employed or actually excluded. On the other hand, working in sweatshop jobs often makes them less attractive to native workers and helps lower wage rates. Often employers use stereotypes to immigrants' benefits and blacks' detriment. On the other hand by increasing the New York population they encourage African American strength in public employment and stop the decline in business that comes from a falling population. So why does this book only get three stars? Well, many of its insights aren't particularly new, that they may be a revelation to readers does not mean they are to people who study the topic. There is little about politics of immigrants, either electorally or through such measures as unions. There could be more about class in the book, both within immigrant communities and within the problem of New York as a whole. It is not that the subject goes unmentioned but it is noteworthy that there is no entry under the index for "Gulliani." The result is nourishing, but bland; it could use a little more bite.
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- Carnal Knowledge and Imperial Power: Race and the Intimate in Colonial Rule
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