Reinventing Teenagers: The Gentle Art Of Instilling Character In Our Young People

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Reinventing Teenagers: The Gentle Art Of Instilling Character In Our Young People
John Cressler
Manufacturer: Xlibris Corporation
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Binding: Hardcover

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ASIN: 141344508X

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The groundbreaking publication Another Vietnam: Pictures of the War from the Other Side is an intense collection of images, many never seen before, from the cameras of North Vietnamese photographers. Each included photographer has a chapter highlighting his personal stories and captivating pictures. The stories are riveting and sometimes ironic: one revolutionary photographer falsified identification cards for Communist fighters, another traveled side by side with guerrillas, while another barely escaped a bombing campaign only to be forever haunted by the loss of his film and equipment.

With almost no resources, a serious lack of film, and outdated equipment, these committed photographers used will and determination in order to record history. From film processed under a night sky with homemade chemicals to making one roll of film last for years, each individual tale is a testament to the power of perseverance. Some of the pictures are haunting (a devastated landscape with the intense flare of napalm, an emergency surgery in a mangrove swamp), while others capture a seemingly staged Communist resolve (smiling soldiers with little children, classic hero poses shot from below). This book offers an important pictorial viewpoint and fills in many gaps from the popular Western media coverage of the war. --J.P. Cohen

Book Description

For more than 25 years, American memory has been haunted by photographs of the Vietnam War, the most troubling and divisive foreign conflict in our history. Our collective recollection and deep familiarity with the war has been shaped by the work of the courageous civilian and military photographers who worked alongside American troops on the fields of battle. Yet there remains an experience of the war in Vietnam that we have rarely seen—that of the other side.

Author and veteran combat photographer Tim Page, who was a freelancer for UPI during the war, returned to Vietnam to find his surviving North Vietnamese counterparts, the photographers who spent as many as ten years documenting, with equal depth and courage, their nation¼s conflict with America. From interviews with these forgotten men and from their surprising photographs, a stunning new visual record of the war emerges in Another Vietnam. Among the many remarkable images of daily life and battle on the North Vietnamese side are the elephants moving munitions down the Ho Chi Minh Trail, an impromptu operating room in a mangrove swamp, Jane Fonda on her controversial trip in-country, and American POWs at the Hanoi Hilton. Released to coincide with a major National Geographic Television documentary, Another Vietnam provides a rare and captivating change of perspective and a moving meditation on the sacrifice and loss on both sides of the war.

Customer Reviews:

Beautiful Lies.......2005-08-05

The Cliff Notes version of the critics and reviewers who liked this book would be "Yeah, its some propaganda but its more than that". To this I say it is almost nothing but propaganda.

Look at the pictures. All except the most mundane photos are clearly staged. The subjects are all in properly heroic stances, the enemy bodies are all perfectly mangled and in nice rows and the ambushes are textbook perfect. Heck, the smoke even billows just right! A good example is the swamp surgery photograph everyone seems to fawn over. The water is calm, the supposedly wounded soldier is calmly awaiting the doctors and the surgical team show not even an iota of tension. If you believe this is a real time pic, I have some beachfront property in Kansas Id like to sell you!

And heres another thing. There are only three pictures involving the American military. Ive seen pictures from Communist Bloc sources of Communist Vietnamese troops prancing around dead Americans. Why are these not in the book? My guess is the editors couldnt get their sources to part with such pics. Its not something the Communist Viets would want to reveal at a time when theyre fresh out of friends and desperately needing US economic assistance!

Do I think this book is worthless? No. It does give us at least a partial image of how the other side saw things. And the pictures do have a stark grandeur to them. The problem is the editors try to make this tome to be something that its not. Its a collection of propaganda photos. Nothing more. Nothing less.

Collection of Posed Propaganda Photos .......2005-07-12

This book is a collection of posed propaganda photos by the same people that brought you reeducation camps and inspired millions of their fellow citizens to flee abroad.

I can't believe anyone is gullible enough to believe that all but a handful of these photos were anything but posed propaganda. You see "combat" photos with soldiers in spotless uniforms, clean faces and purposeful (but never frightened) expressions. I suppose the editors just couldn't pass up an opportunity to denigrate the U.S./South Vietnam War effort.

If you want to know about real life in Vietnam and how the war influenced it I suggest you read something by Duong Thu Huong instead of spending your money on this silliness

Very good book, but..........2005-01-08

Tim Page's Nam is one of my most cherished books about military history because the spectacular photographs succeed in conveying not just a visual depiction of the war but also the emotions of its participants (in the case of that book , focusing primarily on U.S. forces). I was therefore very excited to see this new volume compiled by Page and his team, which is full of photographs of the war from the perspective of the North Vietnamese. However, I gave this book four stars rather than five because of one disappointment I have with it: Nearly all the photos depicting battles or battlefields or in any way involve "the enemy" focus on ARVN forces. There were hardly any photos that had anything to do with U.S. forces or any of the other foreign armies defending the South. This struck me as quite odd. I realize the book's authors are limited by the photographs available to them (i.e. ones taken by photographers travelling with Viet Cong and NVA forces), but surely it can't be that these photographers never took pictures of subjects that involve forces other than the ARVN. In this sense I felt like the book fell short of telling the entire story of the other side. However, this book is still very much worth owning, so don't let my one complaint scare you away.

First rate, typical of Tim Page, Chris Riley and Doug Niven.......2002-12-07

Having studied Tim Page's great work "Requiem" tens of times, each time seeing something new in the striking photographs, and having seen Riley and Niven's brilliant work on the killing fields of Cambodia, I knew what to expect when I opened "Another Vietnam." This is a natural follow-on to "Requiem" and reflects Tim Page's admiration for war photographers on all sides. I have the feeling that Tim Page is still at work seeking out new information on some of his closest friends who disappeared on the battlefields of Cambodia, Laos, and Vietnam. I hope to see more film documentaries from Tim Page. His investigations, first documented in his film "Danger at the Edge of Town," will continue until all his colleagues are accounted for. No one can accuse Tim Page of having forgotten his heroic comrades. They live on in his lifetime of work.

Another look at Nam........2002-10-14

Most of these pictures record tiny episodes, but those thinkers with a long view might refuse to accept that there were ever two Nams in the 20th Century. When France tried to pick a southern area called Cochin China for itself as a French colony in 1945, there should be little doubt that it was merely usurping part of Ho Chi Minh's independent Vietnam. A picture shows Ho in Hanoi, 39 days after his declaration of Vietnamese independence on Sept. 2, 1945. The picture of Le Minh Truong by himself, Kontum, 1972 (p. 114) is as unexciting as my own pictures taken in that area in 1970. The surprising picture on page 49 was taken May 9, 1973, soon after the American withdrawal: "Cuban leader Fidel Castro hoists a victory flag at the site of the strategic 1968 battle [Khe Sanh]." There are so many troops in the picture that it doesn't show any bomb craters, and a mountain in the background (possibly as far away as Laos) shows that the area was not entirely leveled. Khe Sanh had the highest priority for B-52 strikes when North Vietnamese troops threatened the U.S. troops there and this book says that "was part of the North's plan to divert U.S. and South Vietnamese forces from population areas prior to the Tet offensive." (p. 49). This might provide a lesson for anyone planning a war against American forces, which are bound to rely on a strategy which depends heavily on bombing, and Americans are organized so they pay more attention to their top priority than to anything else. A panorama made from six negatives of "supply trucks rolling through a ghost forest denuded by defoliants dropped by American planes" (p. 135) shows some of the damage from 40 million pounds of Agent Orange "which were sprayed over five million acres, creating environmental havoc." (p. 135). Such tactics suggest that the war was against Nam as a whole, and not a strategy that would have been adopted by one half against the other. The American Civil War was pretty bad, but Abe Lincoln never nuked the South. General Sherman was hard on South Carolina, but not as bad as Americans who wanted to nuke Nam. The defoliated mangrove forest, Ca Mau Peninsula, 1970 (p. 104-5) looks awful, "Americans denuded the landscape with chemicals to deny cover," as if we were involved in a cat and mouse game, but couldn't decide how serious we wanted it to be. A weird picture in which "An NVA soldier positions a Chinese-made mannequin" (p. 60) (a long time after Hamburger Hill) is the perfect: SO? SHOOT ME picture.

I found a lot of irony in the information on page 56 about only 8 of 109 students (the guys who are smiling) being accepted into the army in Hanoi, Aug. 1971. The standards were tough: these "young men were chosen because they had good revolutionary credentials, which usually meant that they didn't come from landowning families." This sounds like a perfect way to pick people who would be willing to hold on to a government job, regardless of the circumstances. The increase in the NVA, from 35,000 in 1950 to over 500,000 by the mid-1970s, didn't require a mandatory system until 1973, when the United States withdrew and the NVA was free to pursue military objectives without being bombed. With the use of American support, South Vietnam's ARVN were capable of suffering "243,000 dead and a half a million seriously wounded." (p. 202).

Picture (p. 218) Russian MIGs "at a remote air base" on January 1, 1973 and the military parade (p. 220) on the outskirts of Hanoi in October, 1973, after the United States had stopped its bombing. Hiding all these things is the result of a lot of effort. On page 54, Hanoi, 1972 "Military trucks park in relative safety in front of the French embassy. . . . In November 1971, however, American bombs accidentally struck the embassy." It sounds like the embassy was still pretty safe, but the attack on the U.S. Embassy by a squad of Viet Cong sappers on January 31, 1968, mentioned on p. 151, definitely sounded intentional.

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Photos are excellent, comment is propaganda

Vietnam Inc.

Essential For Anyone Interested In The Vietnam War

pricey propaganda

superb collection

Vietnam Inc.
Philip Jones Griffiths
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Paperback

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Larry Burrows: Vietnam

Agent Orange: Collateral Damage in Vietnam

Another Vietnam: Pictures of the War from the Other Side

Shooting Under Fire: The World of the War Photographer

The Fat Baby

ASIN: 0714846031

Book Description

First published in 1971, Vietnam Inc. was crucial in changing public attitudes in the United States, turning the tide of opinion and ultimately helping to put an end to the Vietnam War. Philip Jones Griffiths' classic account of the war was the outcome of three years' reporting and is one of the most detailed surveys of any conflict. Showing us the true horrors of the war as well as a study of Vietnamese rural life, the author creates a compelling argument against the de-humanizing power of the modern war machine and American imperialism. Rare and highly sought-after, the book has become one of the enduring classics of photo-journalism. It is now available in this new editiona careful recreation of the original with Philip Jones Griffiths' personal layouts and commentaries. A new introduction by US linguist and political critic Noam Chomsky discusses the book's impact in changing public opinion.

Customer Reviews:

Photos are excellent, comment is propaganda.......2007-09-20

Having served in South Vietnam in 1968-1969 I will attest that the war was wrong. It is hell, but I also believe that all sides in the conflict participated in acts not only of horrible cruelty but of unselfish generosity as well. In Vietnam, the civilian population in particular was placed in a terrible situation and suffered greatly. That said, don't look to this book for any truth or insight into the complexities of the war. It is hardly more than lies and fabrications. Some of the photo captions are laugh out loud hilarious - such as the one of the boy, maybe 10 years old, dressed in an ARVN uniform and surrounded by smiling ARVN soldiers. He carries no weapons and looks to be a mascot of sorts. However, the caption tells us that the boy was actually some kind of hero to the soldiers for killing his own mother and teacher, just the day before, because they were VC. On every page Americans are portrayed as beasts who killed, looted, raped, distributed porn and cigarettes to kids, and had questionable motives even when passing out candy or providing dental care to the population. In every photo of Americans in combat they are "running for cover" or about to murder some innocent civilian. The NVA and VC are kindly and heroic. The people in the middle hate the Americans and love the communists. Oh yeah, and the NVA never slaughtered innocent civilians when they took over Hue during Tet. This book's unbalanced version of how the war was conducted conflicts with my own experience as an infantryman in the 25th Infantry Division and with much of what I have studied about the war since. I must conclude it to be a work of imagination and political propaganda. I have a copy of the 1971 edition and am simply amazed that it is now being reprinted. I am not surprised that the new edition includes fresh analysis from that old Stalinist truth-teller Noam Chomsky.

Vietnam Inc........2002-10-12

This is by far the best book ever published on the Vietnam War. Out of print for thirty years, it is finally back on the bookshelves, much to the chagrin of the militarists in Washington. It's the only book that completely expains the disaster of what happened in Vietnam. It should be required reading in every school and college in this country.

Read the words and learn. Look at the pictures and cry!

Our country must never repeat this.

Essential For Anyone Interested In The Vietnam War.......2002-05-26

From the summer of 1966 through the fall of 1968, I was fighting in some of the same areas of Vietnam that Phillip Jones Griffiths so dramatically photographed. The pictures in his book are a jolting reminder of that experience.
No other book, by a single photographer, comes as close to capturing what Vietnam was like as this does.
He has produced a powerful, informative and compassionate work of photojournalism, that is as immediate today as when it was orignally published.

pricey propaganda.......2002-01-31

This old book is full of myth and propaganda that you have to wonder why the publisher actually charge money for the book, I usually get these type of books for free when I was still living in Vietnam.

The book portrait the Americans as killers, it portrait all the S. Vietnamese as corrupt and whores - typical leftist stereotypes. What the book does not tell you is that the North Vietnamese were the biggest whores and most corrupt government in the world. On January 28,2002 L'express- the French leftist newspaper publish an article by Sylvaine Pasquier(go to lexpress.fr to see the full article), showing that in 1958 the North Vietnamese Communist gave the Spratley and Pearl islands off the coast of South Vietnam and near the Phillipines to China in exchange for Chinese support for the war. Also, in 1999 and 2000, the Vietnamese Communist sign a series of treaties giving China over 13,000 square Kilometers of land in North Vietnam and islands off South Vietnamin exchange for China support against a growing democracy movement in Vietnam. Yes, money to foreign government in exchange for help against the Vietnamese people. Never in the 5000 years history of Vietnam did this happen. Vietnam is a small country to give away thousands of square miles to another country so that they will have you retain absolute power is unforgivable. If Bush gave away 4000 square miles of land to Canada in exchange for campaign contribution, what would Americans think?

superb collection.......2001-12-31

This is a superb collection of photos that depicts the ironies and inanities that resonated throughout the US misguided war in Vietnam. There are haunting images of casual and mindless brutality, there are wonderful juxtapositions and there are the unforgettable faces of those caught up in the war as they try to lead their lives amidst wanton destruction. This is a book about betrayal...the betrayal of American ideals by US leaders, betrayal of soldiers by arrogant leaders, betrayal of allies for geopolitical machinations and betrayal of a people who suffered more than can be imagined. These timeless photos help us remember a dark chapter in US history and the reissue of this collection in a beautifully produced volume is welcome. Having taught about the Vietnam war to students who were born well after the debacle, this is an extremely valuable resource to bring to life the lessons learned from books and lectures. These mesmerizing images are informed by Griffith's conviction that, " the overwhelming impression of Americans in Vietnam is one of stupidity rather than evil." Certainly some veterans may dislike the photos and text, but few books convey the banality of war so effectively. Griffiths elegantly combines his photos, text and perceptive insights on Vietamese society and in so doing sets a standard for war reportage that others still only aspire to. This book is a must for anyone interested in the Vietnam conflict and the consequences of war.

Agent Orange: Collateral Damage in Vietnam

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Difficult To Look At - In Many Ways
The Black Book of American Infamy
The ticking "time bomb" uniting two cultures once at war.
Masterfully photographed and written, poetic

Agent Orange: Collateral Damage in Vietnam

Manufacturer: Trolley
ProductGroup: Book
Binding: Hardcover

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ASIN: 1904563058
Release Date: 2004-08-01

Book Description

Philip Jones Griffiths, president of Magnum Photos for five years, created in Vietnam, Inc. a record of the war in almost Biblical proportions. No one who has seen it will forget its haunting images. In Agent Orange, he adds a postscript that is equally unforgettable.

Customer Reviews:

Difficult To Look At - In Many Ways.......2007-04-11

The other reviewers have done a great job of describing this book so I'll keep my review short. I was not prepared for this book. I'm not sure anyone can be prepared. Halfway through I started crying and had to put it away for awhile. Our country is capable of doing some wonderful things. We (and yes I mean we, because the actions of our leaders and military represent all of us) are also capable of doing some truly horrible things. This book shines a light on one of the horrible things we did in Vietnam.

The Black Book of American Infamy.......2004-03-13

For those already committed to voting for the so-called 'antiwar' candidate, I recommend putting this book in front of Sen. John Kerry and demanding to know what he will do as president to address American responsibility and pay reparations for the genocidal assault on the people of Vietnam. Such action will constitute a litmus test for this candidate, his "band of brothers" and future warriors about how the USA intends to solve the problem of terrorism. Will they acknowledge international law and prosecute the guilty parties including politicians, bureaucrats, executive military officers and defense contractors? Will they honor, finally, the Paris Accords and repair the ecocide brutally wrought upon the Vietnamese by their chemical weapons? Or will they continue to cover up a deliberate, malefic genocide by honoring war criminals like Kissinger and McNamara who now cries cinematic tears while his Pentagon successors plan the mass destruction of any nation that dares to oppose American hegemony?

Philip Jones Griffiths's AGENT ORANGE, COLLATERAL DAMAGE IN VIETNAM is a complex, dense statement that can be viewed and read several ways. Foremost, it is unquestionably the greatest work of photojournalism ever published. I do not make this statement lightly or without professional judgement. For twenty-five years, I edited the work of distinguished photojournalists -- Capa, Richards, Salgado, Peress, and Nachtwey among many others. Comparable only to W. Eugene Smith's MINIMATA: LIFE -- SACRED AND PROFANE, a passionate chronicle of the devastating effects of post-WW II industrial pollution on a Japanese town, AGENT ORANGE surpasses all previous attempts to synthesize the medium of still photography with historical documentation. Griffiths's masterly images unselfconsciously insert readers into the scene of an historical crime and guide them through the evidence page by excruciating page as a means to elicit direct testimony from the perpetrators and their victims. With the possible exception of Erich Maria Remarque' s ALL QUIET ON THE WESTERN FRONT, no other monograph so successfully confronts citizens with the folly of leaders who commit atrocities in their name. The stares of genetically deformed children struggling to articulate humanity across the threshold of pain and disability give absolute lie to the facile excuses of national security used by politicians to conduct high tech assault-and-battery on unwitting, innocent populations. Then it was Vietnam, today Iraq and Afghanistan.

Beginning with his eloquent book, VIETNAM INC. first published in 1971, Griffiths has pursued an unrelenting inquiry into the truth of violence and war. He reported from the Mekong Delta battlefront and also the brothels of Saigon. Returning years later, he earned the trust of farmers who had rebuilt their devastated villages with the detritus of war. Pushing his inquest further he located and photographed war orphans, now shunned as the miscegenated offspring of foreign invaders (DARK ODYSSEY, 1997). Infrequently supported by the mass media, Griffiths parlayed his skills as a commercial photographer to raise the cash necessary to return periodically to Southeast Asia, as if excavating its pitted landscape for some fragment of reason that might explain the macabre body counts and haunting trans-generational birth defects. Some photographers are celebrated for their commitments in documenting a family coming of age or the rise and fall of a nation. Journalism schools promote the virtues of in-depth or extended coverage (sometime a whole week!) while network and cable news personnel embrace the fame of sticking with a big story only to defer, in the final analysis, to the desire of corporate sponsors. By contrast Griffiths has the determination of a seasoned forensic scientist. Although no maverick, he has paid the price of banishment from the newspapers and magazines "of record" whose editors remain too frightened by management to commission or publish his work. Why would they want to remind subscribers of their own inaccuracies and slavish pandering to the official story?

In this respect, AGENT ORANGE can also be read for its scholarship because it presents new historical research about the manufacture and deployment of chemical weapons during the Vietnam era. It has been almost twenty years since American courts acknowledged the gravity of dioxin poisoning in rulings on lawsuits filed by military veterans. Yet companies who supplied the military with these chemical defoliants continue to falsify experimental data on their products' potential for birth defects. Our government stands mute on the issue of "peace with honor" and refuses to contribute any meaningful economic assistance, nonetheless stipulated in the treaty with Hanoi. The war's apologists and neoliberal ideologues continue to deride Vietnam as a failed socialist experiment. Griffith's photographs and words rip their lies to shreds and dissolve their chauvinism in the cold truth of twisted limbs, hare lips, and hydrocehpalic fetuses preserved in formaldehyde. AGENT ORANGE is the black book of American infamy, its author has given citizens a priceless instrument to test their politicians sincerity and commitment to peace. Buy a copy and ask Kerry for a clear statement of conscience!

The ticking "time bomb" uniting two cultures once at war........2004-02-29

In September, 1976, just back from eight years helping homeless streetchildren in Viet Nam, I wrote an Op/Ed piece for the New York Times ( "Learning From the Vietnamese -- And Giving", 12/04/76) that concluded: "And I'm at a loss how to tell my own people that Vietnam's needs are our remedy - to say that what the Vietnamese people have to offer us - as they did me - is so great that for our own sake we must help them." I was attempting to make a connection between the spiritual strengths the people of Viet Nam had to offer us and the technological assistance we, in turn, could give them. Philip Jones Griffiths, in his book "Agent Orange, 'Collateral Damage' in Viet Nam" has made an even more compelling, if depressing, case for interdependency, i.e., because of the American military's chemical spraying in south VN during the war years there are now thousands of people in both the U.S. and Viet Nam who are dealing with deformities and death because of a ticking "time bomb" planted in Indochina decades ago. Griffiths, author of "VIETNAM, INC.", an award-winning photography book on America's longest war, has included here some unsparing images of humans beings brutally deformed by man's more fiendish dalliance with Weapons of Mass Destruction. Here is a "legacy" that must give all of us pause by a brilliant photographer's tireless effort to bring almost unbearable evidence to us of man's inhumanity to man. Like the Holocaust itself, the full impact of these atrocities took years to come to the fore, but "Agent Orange" makes a compelling case that two countries once at war remain linked in a tragic bond that will not soon go away. This is not an easy book to read or, should I say, to view, but I think we ignore it at our peril. Griffiths knows what of he "speaks", having spent years in Indochina and seen un-speakable carnage firsthand. Here he has placed the evidence before us, as well as a precious opportunity to understand where we have gone wrong and how we may become better human beings in the future. "Agent Orange, 'Collateral Damage'", it almost goes without saying, may be the ultimate brief on America's own WMDs. - ---------------------------------------------------------------------

Masterfully photographed and written, poetic.......2004-02-14

Philip Jones Griffiths is among the unsung heroes of our time, photographing the otherwise untold, unsavory aspects of a mean-spirited war completely lacking in human decency. Agent Orange is masterfully conceived, researched, photographed and written in prose that at once is dark, beautiful poetry.

America in Vietnam: A Documentary History

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An Excellent Complement to the Pentagon Papers
Be Wary of this Collection!
Oregon State University's critique

America in Vietnam: A Documentary History
William Appleman Williams , Thomas McCormick , Lloyd Gardner , and W. Lafeber
Manufacturer: W. W. Norton & Company
ProductGroup: Book
Binding: Paperback

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ASIN: 0393305554

Customer Reviews:

An Excellent Complement to the Pentagon Papers.......2000-07-18

This collection of documents is especially useful for documents not in the Pentagon Papers, including some amazing ones from the 1950s. It's concise and annotated, emphasizing the origins of the war; half of the documents are dated prior to 1960.

Be Wary of this Collection!.......2000-02-25

The documents are documents and they speak for themselves. However, the editors are revisionists and their explanation of the documents is very suspect. The editors put this collection together and based their commentary on the idea that United States foreign policy has always been evil, all the "dead white guys" who made these policies are evil, and everything we did during the cold war and Vietnam reflect that evil. I am not saying I agree with the Vietnam War. However, what I am saying is that if you are presenting documents present them fairly and in the proper context. The editors fail to do this. Their commentary reflects what they are trying to push: bad revisionist junk history. For an even handed look at the Vietnam War look at Karnow's Vietnam book. This book is dangerous in that if you don't have a background in the cold war or Vietnam, you might buy into this revisionist junk.

Oregon State University's critique.......1998-01-17

William Appleman Williams was a prolific and influential writer of a dozen revisionist books that challenged prevailing views of American history, deploring the United States as an imperialist power pressing its economic and ideological will around the globe. He was a professor at the University of Wisconsin from 1960 to 1968 and at Oregon State University from 1968 to 1986, when he retired with the title emeritus. The genially combative professor, who termed himself a radical and was often called the founder of the New Left school of American history, was particularly critical of America's role in the Cold War and in Vietnam. With passionate argument and complex analysis, he championed self-determination for all people and argued that a refusal by Americans to acknowledge a national desire for expansion and global hegemony has led to major errors and confusion over the nation's future.

Average customer rating:

America In Vietnam: A Documentary History.
Ed. WILLIAM A., THOMAS WILLIAMS
Manufacturer: Doubleday & Co.
ProductGroup: Book
Binding: Paperback
ASIN: B000UCMU60

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