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New Mexico: Images of a Land and Its People
Arthur Gómez
Manufacturer: University of New Mexico Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0826332579 |
Book Description
Internationally renowned photographer Lucian Niemeyer and National Park Service historian Art Gómez have combined talents in a new presentation on New Mexico. Niemeyer's more than 150 color photographs encompass the entire state throughout the seasons presenting New Mexico's people, cultures, and magnificent scenery at the millennium. Gómez's sweeping history views the state in terms of corridors, geographic as well as cultural. New Mexico's mountains, deserts, and rivers form natural corridors that migrating birds and animals have traditionally used for survival. Navigating these same corridors across the state, human cultures of Paleo, Plains and Pueblo Indians, Hispanos, and Anglos forged viable communities on the astringent New Mexican landscape.
Pueblo ancestors migrated from austere environments throughout the Southwest to more inviting surroundings on the Rio Grande. Plains Indians from the north and Hispano tradesmen from the south converged via the Camino Real. American settlers migrated west along the Santa Fe Trail, the southernmost corridor around the formidable Rocky Mountains. Improved transportation such as the railroad and later Route 66, precursors to the interstate highway system, annually lured new inhabitants to this compelling land called New Mexico.
Handsome color photographs of the unique landscapes of New Mexico with an essay on the pathways which have drawn people and animal life to its varied surroundings for millennia.
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Chesapeake Country
Lucian Niemeyer , and
Eugene L. Meyer
Manufacturer: Abbeville Press
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ASIN: 1558590633 |
Book Description
The rarest kind of destination, Chesapeake country is an exotic locale that resides in our national neighborhood. Stretching from the Susquehanna to the Virginia capes, these eight thousand miles of shoreline boast a rare abundance of wildlife--from green-backed herons to white-tailed deer--inhabiting the charming villages and great cities of Chesapeake Bay, America's largest estuary. Here the settlers celebrated the first Thanksgiving in 1619, Francis Scott Key composed our national anthem, and the Civil War ironclads Monitor and Merrimack clashed.
Handsomely photographed and authoritatively written, Chesapeake Coutnry guides the reader through the varied wildlife, the towns forgotten by time, and serenely spectacular vistas, all within an easy drive from the Atlantic seaboard's megalopolis. But for everyone it is a journey of discovery.
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- I want more!
- A story out of time but insynch with the world today
- a definite page-turner
- Lucian's Place
- Lucian's Place
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Lucian's Place
Belle Smith
Manufacturer: PublishAmerica
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ASIN: 1413769632 |
Book Description
No matter what age we live in, we are pretty much like our ancestors: We eat what Og ate two hundred thousand years ago, we still reproduce and love basically the same way, and most importantly, we all average three score and ten life spans. This is a little better than Og but not much in the larger scheme of things. Lucian's Place is a story of three people thrown back in time with just themselves, a huge plantation, two horses, and a self-aware computer. Two of these people are a mother and daughter. Our third unintended time traveler is the best friend of the late father and husband of the other two sole inhabitants of Earth. This story is of hope and a prediction of the miracles of science just a very few years off in our lifetime. It's funny, loving, sexy, thrilling, and prophetic.
Customer Reviews:
I want more!.......2006-11-11
What an exciting adventure! This book will give you what only reading can do; an experience you imagine - prompted by the author's words. I loved it that this book took me off guard. No way did I anticipate how the story would evolve. The true test of a good book is when you don't want it to end, and will actually put off reading the last pages. This one's a keeper. I hope to read a sequel someday. Thank you, Belle.
A story out of time but insynch with the world today.......2006-05-23
Book review: Lucian's Place by Belle Smith, PublishAmerica 2005
ISBN 1-4137-6963-2,
With this, her first published novel - Lucian's Place, Belle Smith has immediately established herself as a dynamic new force in the Sci/Fi genre. Long dominated by highly charged testosterone fueled adventurers on quixotic quests, exotic alien landscapes, mind boggling technologies that defy known physics or monstrously fanged meanies drooling all over their next meal with the totally anticipated "unexpected twist" at the last minute setting up the obligatory sequel, the entire Sci/Fi industry has become somewhat trite and highly repetitious. Lucian's Place is a most surprising and altogether welcomed exception to what has become the rule. The accepted rules have all been thrown out as Belle Smith creates a totally new form of Sci/Fi thriller that is as romantic and charged with sensual tension as it is fraught with perils and dangers utterly out of time and beyond explanation. Make no mistake! Lucian's Place is no gothic bodice buster set in an implausible setting. Smith not only manages to crate a most compelling drama which stretches the imagination but also does so with such natural insight into human psychology and basic logic, and from such an entirely human perspective as to present a totally fresh and thoroughly exciting read even for a long time Sci/Fi enthusiasts such as this reviewer. Her scope is dramatic and panoramic, her characters are charismatic and endearing, and her plot is so intensely developed and filled with breathtaking twist and turns that every page provides a provocative revelation or exhilarating thrill.
Belle Smith has a unique ability to tell a very complicated tale with such seamless ease that one is instantly drawn into the story. The reader becomes so fully enmeshed with the individual characters on such a deeply emotional level that the fantastic situation in which they find themselves serves as an extraordinarily exciting milieu in which to discover the many intensely personal and often magnificently admirable qualities of these bigger than life but essentially normal everyday people caught up in the most extraordinary of circumstances.
It is the incredible power of the storyteller and her unique ability to capture not only the exhilarating drama of the moment, but then to also reveal the individual feelings and exceptionally personal emotions of her characters as to give them real identities and totally believable personalities. The strength of Smith's characters are their very human weaknesses and the power of this terrific read is as much in the very down to earth and timeless reality of her message -- the utterly indomitable power of the human spirit, as in the utterly fantastic setting.
Belle Smith has created something very special with Lucian's Place. She has managed to put the human factor back into Science Fiction while continuing to expand the imagination and legacy of the genre by revealing yet another of the incalculable universes and unlimited possibilities that can be conceived with an unbridled imagination. Lucian's Place is a terrific book and an extraordinary achievement for a first time author. Her readership is bound to grow exponentially as this book is discovered by the masses. Belle Smith is a talented new author with an entirely fresh voice who deserves to be appreciated and respected along with the other modern day Sci/Fi greats. Her many fans, including this reviewer, anxiously await her next release. Reviewed by R. deVoll Fisher, author of Caleb's Branch: An Incomplete Tale Of Unfinished Lives for Cheers E-zine May 2006
a definite page-turner .......2006-04-02
Lucian's Place is a tale of far-fetched proportions, yet so close to the possibilities of our own present technologies that it is quite believable.
The idea of three people and their immediate surroundings (a high-tech self-sustained ranch) being thrown back in time might seem a trifle wild, yet the author gives it all a sense of normalcy that distracts you from that. As the characters discover they are defending their very lives from strange creatures from another time, the dangers never relent. With the help of an aware computer that thinks acts and feels like a human, the battle to simply survive is eased somewhat, however the question of returning to their proper time is inherent.
Belle Smith gives us a great science fiction read without the typical concoction of space travel and high-tech aliens. Instead, she keeps us on Earth with a taste of what computers, combined with nano-technology and human creativity, may achieve for us in the not too distant future... or should I say past? Her unique vision of how civilization might be rebuilt from scratch with minimal impact on the environment makes for an inspiring read.
Lucian's Place is a definite page-turner and a book I found very hard to put down. Guaranteed to make you think differently before cursing your home computer!
ISBN#: 1-4137-6963-2
Author: Belle Smith
Publisher: Publish America
Pages: 364
~ Book Reviewer: Dave Brummet - Co-author of the book Trash Talk, a guide for anyone concerned about their impact on the environment (http://www.sunshinecable.com/~drumit)
Lucian's Place.......2005-12-31
Most exciting and up lifting story of the human condition told in away that keeps the pages turning. I loved it right to the last word.
Lucian's Place.......2005-12-11
Great book!!! It held my attention and interest to the last great line. I would recommend it to anyone looking for a great book. You will have a hard time putting down.
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- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Amazon.com
Almost 500 years after Michelangelo Buonarroti frescoed the ceiling of the Sistine Chapel in Rome, the site still attracts throngs of visitors and is considered one of the artistic masterpieces of the world. Michelangelo and the Pope's Ceiling unveils the story behind the art's making, a story rife with all the drama of a modern-day soap opera.
The temperament of the day was dictated by the politics of the papal court, a corrupt and powerful office steeped in controversy; Pope Julius II even had a nickname, "Il Papa Terrible," to prove it. Along with his violent outbursts and warmongering, Pope Julius II took upon himself to restore the Sistine Chapel and pretty much intimidated Michelangelo into painting the ceiling even though the artist considered himself primarily a sculptor and was particularly unfamiliar with the temperamental art of fresco. Along with technical difficulties, personality conflicts, and money troubles, Michelangelo was plagued by health problems and competition in the form of the dashing and talented young painter Raphael.
Author Ross King offers an in-depth analysis of the complex historical background that led to the magnificence that is the Sistine Chapel ceiling along with detailed discussion of some of the ceiling's panels. King provides fabulous tidbits of information and weaves together a fascinating historical tale. --J.P. Cohen
Book Description
“There is no other work to compare with this for excellence, nor could there be,” wrote Vasari in his Lives of Artists.
The extraordinary story behind Michelangelo’s masterpiece in the Sistine Chapel - from the author of the acclaimed Brunelleschi’s Dome.
In 1508 Pope Julius II commissioned Michelangelo to paint the ceiling of the Sistine Chapel. Though he considered himself primarily a sculptor not a painter, he laboured over it for the next four years and the result was one of the greatest masterpieces of all time.
Ross King’s fascinating new book tells the story of those four extraordinary years. Battling against ill health, financial difficulties, domestic problems and inadequate knowledge of the art of fresco, Michelangelo created figures so beautiful that, when they were unveiled in 1512, they stunned the onlookers. From Michelangelo’s experiments with the composition of pigment and plaster to his bitter rivalry with Raphael, who was working on the neighbouring Papal Apartments, Ross King paints a magnificent picture of day-to-day life on the Sistine scaffolding and outside in the upheaval of early sixteenth-century Rome.
From the Hardcover edition.
Customer Reviews:
Well worth the read.......2007-08-16
A master sculptor, who becomes a painter, to continue with his quest and passion as a sculptor. King's accounting of the painting of the sistine chapel ceiling is filled with details of day-to-day situations arranged and contrived by the artist. Micelangelo must use real world problem solving skills to deal with the realities of his times in his performance in completing a task of incrediable challenges. King convincingly clarifies and disarms some of the myths surrounding the work and working process. Clearly King has done his research and gives an insightful accounting of the life and times of Pope Julius II and his relationship with Michelangelo and other artist, architects and politicians. The warrior Pope maintains a love and support of the arts throughout his career with a special display of admiration and love for the artist, Michelanglo. He does all this while managing some strategic manuevers in an era of difficult and trying political arena. For anyone interested in the Renaissance art and artist of the time this approach to learning is a pleasant read. As for me, I am looking into what else Mr. King has to offer.
A Pretty Good Book.......2007-05-12
I found this an excellent read. It's pretty much a straight forward story of Michelangelo. It seemed to have updated information compared to "The Agony and the Ecstacy" and much less drama.
Loved it!.......2007-03-08
I am an art historian, and spent a year of grad school researching the restoration of Michelangelo's Sistine frescoes. I only with that this book had been published when I was still in grad school. Ross King writes very well, with good research of primary sources.
A Lasting Work of Art:17,000/Day Visit The Sistine Chapel.......2007-01-16
At the age of 33, the sculptor Micelanagelo Buonarroti, was summoned to Rome by Pope Julius II. Having been essentially fired from the job of sculpting the Pope's tomb, this strong willed artist defied and denied the invitation as long as he could. Since his patrons, the Medici, did not want a war over this, he reluctantly went. To finally arrive and learn that the task was a mamouth painting assignment must have been a shock. He was not a painter. He wanted to finish the tomb.
Then follows the amazing story of how he did it. This reluctant artist gave it his all created an enduring work of art. The book covers the fresco process, how paints were made and their components procured and how the sculptor turned painter defied the architect and built his own scaffold. Going in order of their creation, the panels are explained.
While Michelangelo is painting, Pope Julius is also busy. He's having Rapheal paint his apartments and making wars. At one point the fear of invasion is so great there was fear for the paintings. Michelangelo's family is busy too. They hound him for money and want to exploit his contacts.
The book tells the tale but leaves you wanting more. You're only teased with the character development of the two principles. For instance, that Michelangelo's father beat him for drawing as a child is merely mentioned. The reader doesn't have a feel for the personal relationship of Michelangelo and Julius, only the formal one. A few weeks ago I read Basilica which led me to this. The very brief sketches of Julius and Michelangelo in Basilica are more compelling.
Perhaps the hardcover has more photos. The paperback's are wanting but this can be remedied with several internet sites that have the images. The black and whites that appear with the text, such as Michelangelo's sketch of the scaffold and the various portraits, appear on the right pages to help the reader visualize the story and times.
The book will no doubt be a classic, because it brings together so much of the period in a highly readable style.
The god within Man.......2006-12-22
While I read this book, repeatedly I had to remind myself that despite the drama on so many pages [the drama of clashing personalities, the drama of papal-declared wars, the drama of artistic competition, the drama of family obligations/frustrations], this was no "historical novel." The "characters" were actual people who existed and a great deal of the action is actually accounted for through the original writings of Michelangelo himself [for example, to his brothers and father] as well as of his contemporaries like Vasari and Bramante.
The descriptions of what a day consisted of for Michelangelo and his assistants as they tackled all the logistics of painting something as epic [epic in space, style and substance] as the Sistine Chapel - well, even these "quieter" elements of King's story grabbed me. It made me respect Michelangelo more and more deeply as I read into what it took to retain the necessary funds for materials for scaffolding, plaster and paints, mixing the various paints, transfering the outlines of the images into the wet ceiling to accomplish the amazing frescoes that we still enjoy today, so many hundreds of years after their original creation.
Add to that, King manages something along the lines of an art-in-context education course - you learn about the politics of the day, who the power brokers were, whether it was the Pope himself or one of the many Medici, who owned what land and who pledged allegiance to who.
Finally, the paperback version that I read had many black & white images sprinkled throughout the chapters that are of Michelangelo's sketches and other works, along with a handful of color prints of the Sistine Chapel.
You will find yourself repeatedly returning to those color images as you read about Michelangelo's painting of Genesis or Noah or even the many architectural accents.
Michelangelo, even though he was essentially forced into this painting commission when what he truly desperately wanted was to design & execute a 3-story, 40-taue layout for Pope Julius II's burial in St. Peter's Basilica -- which we only get the slightest taste of with his powerful and amazing rendition of Moses, which is contained within the comparatively tiny San Pietro in Vincoli church -- created what should truly be considered of the wonders of the "modern" world... we will never see his equal and King does right by the man who had the ability to create reality with paint and marble like a god creating man out of some baser element.
King's words bring the era and the man to life.
Product Description
The story of the ceiling of the Sistine Chapel.
Customer Reviews:
"I live wearied by stupendous labors...a thousand anxieties".......2005-01-24
In his masterful, well researched portrayal of Michelangelo's four-year (1508-1512) effort to fill the 12,000 square foot, vaulted ceiling of the Sistine Chapel with new frescoes for Pope Julius II, Ross King examines and places in context the known details of Michelangelo's life, the images he includes in the frescoes, and his relationship with Pope Julius II, called the "terrifying Pope." Michelangelo had tried to avoid this commission. He was a sculptor, not a painter, and Pope Julius II had angered him by postponing his commission to build the Pope's tomb after Michelangelo had bought all the marble.
Unpracticed in the difficult technique of fresco, he accepted the commission reluctantly. Illustrating stories from Genesis in the brightest and most costly pigments available, he created powerful visions of a terrifying and vengeful God in twelve panels, which depict stories of crime and punishment, prophets crying in the wilderness, and doomed sinners facing hanging, beheading, flood, and plague.
Halfway through his commission, Michelangelo decided that his earliest, most tumultuous panels were too "busy," with too many figures painted too small, and he changed his style significantly. Beginning with the famous Creation of Adam, he painted simpler, more powerful designs with larger figures, dramatically foreshortening and contorting them. God, who appears fully robed in classical attire in the early panels, becomes far more vigorous, muscular, and "human" in the later panels, appearing with his chest bare, his poses contorted and foreshortened. Eventually, he appears to "tumble down" toward the viewer from the ceiling.
Full of fascinating, memorable details, King's text tells how Michelangelo constructed the scaffold for the fresco (which did not require him to lie on his back), how his first panel was ruined by the build-up of salts and efflorescence and six weeks' labor had to be laboriously chipped away, how a child in one panel is "making the fig"" (an obscene gesture), and how the fingers of God and Adam at the Creation are not the work of Michelangelo or of his assistants but complete restorations. A helpful "map" of the ceiling allows the reader to locate particular details, though the colored pictures of the ceiling itself, reproduced almost in its entirety, are extremely small.
When the ceiling was completed in 1512, the world was dumbstruck, according to Vasari, and Michelangelo's figures were said to surpass those of the ancient Greeks. Never before had the human form been used with such "astonishing invention and aplomb...or with the brute force of Michelangelo's naked titans." Writing with enthusiasm and insight, in addition to careful scholarship, King tells the intriguing human story of this artwork, which is as fresh and relevant today as it was when it was painted almost six hundred years ago. Mary Whipple
Product Description
The author of the acclaimed BRUNELLESCHI'S DOME tells the extraordinary story of the four years during which Michelangelo painted the ceiling of the Sistine Chapel. Although the artist considered himself a sculptor, Pope Julius II commissioned Michelangelo as a painter. With only scant knowledge of the art of fresco, Michelangelo created figures so beautiful that when they were unveiled in 1512, they stunned the onlookers. Ross King chronicles what went into this monumental project: not only Michelangelo's experiments with the composition of pigment and plaster, but also his ill health, financial difficulties, domestic problems, and bitter rivalry with Raphael, who was working on the neighboring Papal Apartments. A masterly picture of day-to-day life on the scaffolding and outside in the upheaval of early sixteenth-century Rome.
Book Description
This digital document is an article from First Things: A Monthly Journal of Religion and Public Life, published by Institute on Religion and Public Life on October 1, 2003. The length of the article is 1627 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Sweet Sistine.(Michelangelo and the Pope's Ceiling)(Book Review)
Author: Gregory Wolfe
Publication:
First Things: A Monthly Journal of Religion and Public Life (Refereed)
Date: October 1, 2003
Publisher: Institute on Religion and Public Life
Issue: 136
Page: 71(5)
Article Type: Book Review
Distributed by Thomson Gale
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