Book Description
Double the heat: the queens of super-sexy paranormal romance join forces for a one-of-kind novel.
Celeste and Corinne Carson are more than sisters-they're bestselling writers, each with a fantasy-fulfilling alpha-male hero. For Celeste, it's Jarred, a conqueror from the future. For Corinne, it's the barbarian Mykhayl from a world long ago. Devilishly sensual warriors, Jarred and Mykhayl have something in common themselves-they're both more real than their creators could have imagined. Fearing that the sisters are about to write them off, Jarred and Mykhayl decide to exact sweet revenge. The plan? Kidnap Celeste and Corinne, spirit them away to the very worlds of which they wrote, and persuade them to surrender to the sublime punishments of their own uninhibited imaginations.
Customer Reviews:
captive dreams.......2007-08-03
I bought this book because of Angela, I have her other books and I love her stories. This book was awesome.
Couldn't Angela Knight have written both??.......2007-05-16
I bought this book because I like Angela Knight. But, I couldn't get over some of the phrasing the author of 'Bound by the Dragon used...'woman's jewel', 'yoni's petals'. AAagh! It drove me nuts. And Angela Knight's contribution to this book is about 1/4 the length of the other author's. Boooooo!!! This book did have a really neat concept & plot line though.
Captive Dreams.......2007-05-08
The Plot: Two sisters who both happen to be writers are kidnapped by the characters they created. It's a really interesting premise.
Bound by The Dragon by Diane Whiteside
The good points: The author pulls you into a fully developed world rich in history and color. Her hero was most attractive really tall and handsome with waist length red hair. And he's a king! The characters were likable and honorable. By the end, I felt liked they truly knew each other and loved one another.
The negative points: This book is so steeped in magic, spells, talismans, etc. that many times I felt like I was reading a sequel and I badly needed the first novel to explain what was going on. After a while, I just didn't care and only wanted to finish it so that I could move on to the next novel.
Bound by the Dream by Angela Knight
The good points: This one is more straightforward and crisply written than the first novel. The love scenes are hot. I breezed through this one.
The negative points: I would have liked to know more about his world than just a vague description of his ship and a trip to one planet. Jared's form of revenge is turn Celeste over to his friend so that she might become a submissive. Can't say that that endeared him to me very much. Even when he realizes that he cares for her, he sticks to this plan. He doesn't want her getting hurt by staying by his side. Evidently in the future, there are very few job options for women since he couldn't come up with any better alternatives. My main complaint is about a sex scene between the heroine, the hero, and his friend. It's something I would have liked to know about before I purchased this book. I probably would not have bought it especially from amazon since I wouldn't want them recommending this type of book to me again.
I gave this book 4 stars because despite my complaints, I really did enjoy both adventures.
Not so bad !!!!.......2007-04-10
I am a big fan of Angela Knight's and was a little disappointed when it came to her story.
As for Diane Whiteside, I was very impressed with her story in the beginning more so than Angela's.
Great read none-the-less. Stayed up all night reading the first story..
Captive Dreams.......2007-04-10
Erotic. I liked how the two authors combined a story into one. Each author told their own tale, but linked the stories in the beginning and end. The story of two sisters, both writers, whose characters really exist. The writers have no idea and assumed their characters were figments of their imaginations, when in actuality, they were beings from other dimensions, whose lives have been manipulated by the sisters. They exact their revenge when they find a spell to enter into the sister's world, kidnapped them, and bring them back to their own separate dimensions.
Of course, sex slave, is on their mind, but the girls have a way of turning the tables on them. Very satisfying book. Not meant for the prude at heart.
Book Description
Britain’s pursuit of empire seems an inexorable march across continents toward its ultimate—if temporary-—global hegemony. But, as Linda Colley shows in this masterfully written book, Britain’s overseas enterprises were always constrained by its own limitations in size, population, and armed forces, and by divisions among its subjects-—constraints and deficiencies that could make the dream of empire an ordeal even for its makers. Drawing on a wealth of captivity narratives by men and women of different social and ethnic backgrounds from the early seventeenth century to the Victorian era, Colley chronicles the complicated dynamic between invader and invaded.
Here are the stories of Sarah Shade, who was married to a succession of British military officers, attacked by tigers, and imprisoned by Indian ruler Tipu Sultan; Joseph Pitts, a white slave in Algiers from 1678 to 1693 and author of the first authentic—and very complimentary—English account of the pilgrimage to Mecca; and Florentia Sale, a captive in the Kabul insurrection of 1841 who used her time in confinement as an opportunity to interview military men for her memoir. There were also those who crossed the cultural divide and switched identities, like the Irishman George Thomas, a mercenary fighter for Indian rulers and failed dictator, and those who crossed but made it back, like John Rutherfurd, the onetime Chippewa warrior and Scot.
Colley uses these extraordinary tales to trace the changing boundaries of Britan’s pursuit of empire and its shifting attitudes toward Islam, slavery, race, and American revolutionaries.
Hailed by The Financial Times as a “White Teeth version of imperial history,”
Captives is at once an
original chronicle and a prescient meditation on the meaning of empire.
Customer Reviews:
"Airbrushed from history . . . ".......2004-08-25
Once, i hoped for a truly comprehensive survey of the British Empire and its global impact. This excellent book is almost the response i wished for. Colley examines "a quarter of a millennium" in an overview of three stages of Britain's expansionist adventure. From the start, she reminds us, Britain's miniscule population and limited resources made it an unlikely candidate for global expansion. Contending with nations better prepared or more experienced in empire-building, the founding of the British Empire was typified by false starts and unlikely events. In using the accounts of prisoners - kidnappees, prisoners of war or other captives, Colley is able to point out how both public views and policies changed during the growth of the Empire. Most important, she argues, is the need to dispel notions that the empire was monolithic in concept or development.
Clearly organised and written with clarity and intensity, Colley opens her study with an example of glaring failure. How many remember Britain's occupation of Tangier on the west coast of Africa? The city was part of a queen's dowry in 1661, giving Britain a control point over the Mediterranean trade routes [Gibraltar came under British power in 1701]. With Spain, France and Italy, not to mention the Dutch, all expanding their sea-going commerce, Tangier was a key location. The British poured immense sums into Tangier to create a fortified city, but it was lost less than a generation later. Colley explains how relations with the "Barbary" states of North Africa drove British foreign policy for many years. Those relations included ongoing efforts to redeem captives taken by corsairs, swift vessels that even raided coastal areas of the British Isles.
Britain's next expansionist efforts were even less calculated - the settlement of North America. While religious and other dissident groups founded communities along the eastern shores of North America, Britain's policy toward them remained ambivalent. Unlike the mostly military Mediterranean and Indian ventures, Colley says, North America focussed on settlements. When captives were taken, they might thus be whole families, with a wide age range and including more women that would be the case elsewhere. Accounts of captivity, therefore, were different from Tangier. Men taken by the Barbary corsairs might adopt local dress, customs, language, even Islam. This blurred the image of Muslims as the Other - an identifiable enemy figure. In North America, as colonies expanded, the Native Americans became more demonised in tales of warfare and capture. Even so, she notes, the North American enterprise was "poly-ethnic", with many nationalities arriving and the use of favoured Native American tribes as allies.
Britain's Indian incursions, Colley points out, added new dimensions to imperial imagery. Severe defeats and sepoy [Indians acting for British rulers] uprisings forced reflection on colonial costs and eroded prestige. Captivity accounts expanded knowledge of the culture of the subcontinent, demonstrating how many aspects of Indian life might be adopted - even brought home to Britain. Yet, captive accounts are generally sparse or non-existent. The Mysore wars created a population of captive soldiers held in recessed dungeons, but not one account of their ordeal reached print in their lifetimes. By the era of Victorian Britain, tales of captive life were nearly "airbrushed from history".
Given the location of some of her areas of study force comparisons to modern situations. Afghanistan has been the subject of outsider invasion more than once. Each time, while declaring they intended "no war on the Afghan people", people died as the intruders sought to install unpopular leaders on them. Inevitably, the result was embarrassment for the invaders and incarceration of their troops and civilians. Thus, even at the end of the period of Colley's study, she notes that the British Empire was still being consolidated haltingly. Uniformity, never a well-defined condition of the enterprise, remained lacking. Defeats and losses through captivity brought criticism and demands for redemption of captives. It failed to halt the expansionist nature of British policy, however.
Colley's book opens a new phase in historiography. Her eloquent style keeps this book alive for the reader at all times. Those thinking history can only be "dry" when written by an academic are in for a pleasant shock in picking up this book. Well illustrated and containing a rich bibliography, students of empire will welcome this book on their shelves. [stephen a. haines - Ottawa, Canada]
Publishing Agendas?.......2004-03-14
Colley takes what at first seems an interesting subject that fashionably appears to be "previously uncovered" or left "at the margins" of contemporary revisionist imperial historiography. She is a genuine historian with a legitimate interest and professional weight in the discipline. But if she claims to be at odds with or neutral when it comes to the contemporary political context and agendas in which her argument to look at what will always be interpreted as "white slavery", she is vastly naive. She most certainly is in danger of being complicit with empire revisionists only too happy to make the claim that "ours wasn't all that bad". Edward Said mentioned this in his review of Catherine Hall's "Civilising Subjects" in the London Review of Books just months before he past away.
Furthermore, the decision of the publishers to publish the paperback edition of "Captives" with a cover that is almost the spitting image of Routledge's new edition of Paul Gilroy's "There Ain't no Black in the Union Jack" is just baffling. Somebody knows what they're doing and I don't like it.
The Cost of Empire.......2003-11-06
Colley makes it easy to understand why English is the world standard language today: a small population could only control as much as it did by co-opting vast numbers of people and this meant expending captives at a fairly high rate.
Their story is the story of the Empire at its bleeding edge.
Using captives to illuminate imperial expansion is a novel idea and well done.
If you know nothing about the British Empire..........2003-01-10
...this would be a good book. But if you know more this book will be slightly disappointing. Welcome to Linda Colley's new book about the British Empire which looks at it through the unusual prism of captive narratives. Colley's new book is oddly similar to her last book, "Britons", having approximately the same number of pages (c.380), the same number of illustrations (c.75-80), and the same number of notes. Colley's book is part of a particular British history genre. Following in the path of Simon Schama's "Citizens," these books are often lavishly illustrated and rely less on systematic research than amusing and telling anecdotes. Although the authors often have strong opinions, their interest lies less in their originality than at their ability to bring to the public an element of scholarly research that hitherto been overlooked. Similar authors include Orlando Figes, Niall Ferguson, and, in a pinch, Andrew Roberts.
Colley's book can be divided into three parts. First, she discusses the narratives of Britons captured by the Barbary and Algiers Corsairs in the 17th and 18th centuries. Second, she uses the narratives of those captured by Native Americans to highlight the relationship between the Britons and their American colonies. Thirdly, she looks at those Britons captive in India, either at the hand of rival kingdoms, or as soldiers captive in their own army. Throughout this book, Colley has a sharp turn of phrase ("The thin red [Imperial army] line was more accurately anorexic.) And she has an eye for fascinating detail. We learn that in the 1820s, two out of every five soldiers in Bermuda were whipped, and we are told about a particularly horrifying one in which the victim was whipped to death such that his back was "as black as a new hat." We learn that Irish soldiers in the 1680s in Algiers spoke in Gaelic to each other so that the English Protestants helping the besieging Moroccans wouldn't understand. We learn that not only did the British have campaigns for the benefit of the French prisoners they caught during the Seven years War, but the French held similar campaigns for the British prisoners they caught. We also get a sense of the continual expansion of the Empire. In the relatively quiet decade of the 1840s alone, Great Britain gobbled up New Zealand, Natal, the Punjab, and Hong Kong among other places.
Colley has two messages from her captivity narratives. First, there is the constant ambiguity of response. The British often could not help admitting the civilization of the Ottomans, the courage of the native Americans, and the resourcefulness of their Indian rivals. Many Britons admitted even more, and many crossed over to the other side, although the attempt to do so had their own difficulties and ambiguities. Colley constantly, indeed somewhat repetitively, argues that there was no monolithic racism. Secondly, she points out the constant vulnerabilities of the empire. Imperial overstretch was always a problem. Consider the example of the Barbary captives. Why would the British spend decades paying ransom for thousands of captives? The answer is that the Mediterranean was vital for British ambitions, and since the Spanish were not likely to subsidize their hold on Gibraltir, Muslim trade was vital for British provisions, and for the British hold on it. Similarly, British control of India required a tactful attitude towards its Native sepoys.
Much of this is interesting, and the chapter on British soldiers in India is very informative. But I have a number of reservations. (1) The constant use of illustrations shows a weakness in comparison with "Britons." There, Colley's discussion of national iconography was acute and informative. Here the illustrations are much less so. (2) Colley's arguments about racism, like those of her husband David Cannadine in "Ornamentalism," are based on a straw man. "There are those who argue, with the utmost sincerity, that were the British to remind themselves of their empire it would only further incite the racism inextinguishably associated with it." (376) Who are those people precisely? Post-colonial scholars, such as Barbara Fields, or Theodore Allen or David Roediger and others are well aware that racism has a history, and is not an invariable constant. David Brion Davis pointed out in the sixties that 18th century writers agreed that Africans did not live in a state of simple savagery. Yet Colley quotes none of these writers. (3) Colley's chapter on the American revolution is based on limited research. Allen Kulikoff is much more interesting on the viciousness of the war, and Colley does not even mention Bernard Bailyn, Edward Countryman, J.C.D. Clark, Gordon Wood and other scholars. (4) Finally, the constant emphasis on ambiguity and nuance tends to blur the fact that many indigenous populations were defeated, devastated, and in the case of Newfoundland and Tasmania, exterminated. Many of the subjects of the Ottoman and Mughal empires would fall under British rule. Some discussion of whether this was a good thing or a bad thing would be in order. And Empire and imperialist ideology did not only affect the Empire's subjects and citizens. Conquering the world would inspire other countries: Hitler was an admirer of the British empire.
Colley Borders On Captivating.......2003-01-08
I love books that get you to reexamine your attitudes or to at least look at something familiar in a new way- and not just for the sake of "novelty", but because the author has something important to say. "Captives" is such a book. What more can be said about the British Empire? The answer turns out to be quite a bit. Ms. Colley takes a look at four areas: North Africa, North America, India and Afghanistan- and examines the "captivity experiences" of white Britishers...soldiers, East India Company representatives and their families, merchant seamen, etc. This alone would be fascinating, because it is a subject rarely dealt with. But in addition to the "human interest/storytelling" aspects of the book, Ms. Colley has some serious, scholarly points to make. One is that, for the period covered in this book, it was certainly never clear, not even to the British, that there was going to be a British Empire. Britain was geographically small, had a small population and therefore a small army, and technology wasn't yet so far advanced that the British could feel confident that their weapons were automatically going to win battles or intimidate people. Another point the author makes is that due to consistent manpower shortages, the British could never just rely on their own forces. They had to depend on local, native troops. This was most obviously true in India, but it was also true in North America. The British had no choice other than to use Native American warriors against the French during the Seven Year's War and Native Americans and Blacks against the "rebels" during the Revolutionary War. Since the British needed these "outside" forces it influenced the way these "outsiders" were perceived and treated. For example, while Americans of European ancestry would caricaturize Native Americans as "savages", the British, in paintings of the period, would tend to show Native Americans in a way which, they felt, made them look "civilized" i.e.-in European dress or they would give them somewhat European features or mannerisms. Politically speaking, the British had to be careful not to antagonize or alienate these "mercenary" forces. They needed them too much. So, for example,if Native American forces killed prisoners who had surrendered or scalped civilians, the British sometimes just had to look the other way. In India, the absolute necessity to rely on native Indian troops influenced the way the British saw these troops. Ms. Colley cites quotations showing the sepoys were seen to be abstemious, intelligent and reliable, while the common soldier from Britain was seen to be a drunken, thieving brute who had to be kept in line with the lash. This punishment was much more likely to be used on the soldier from Britain, by the way. If the sepoys mutineed or deserted, that would result in the loss of about 85% of the British forces. As far as North Africa went, since they needed to hold onto Gibraltar and Minorca, the British had to "cut a deal" with the Barbary states and pay protection money. Once again, they weren't powerful enough to do otherwise. In Afghanistan, in the 1840's, the British would have to make alliances with certain warlords in order to try to defeat other warlords. The Royal Navy couldn't help out in a landlocked country! And, in a parallel with the present, Ms. Colley shows that it's a lot easier to invade Afghanistan than it is to accomplish what you want to accomplish and to get out. As you can see by what I've been writing, Ms. Colley doesn't just deal with the actual, physical nature of captivity. (She does deal with that, in detail, also. There are numerous "captivity stories" based on published and unpublished diaries and manuscripts.) Much of the "restraint" is political (what policies are necessary and what actions are acceptable) or intellectual/emotional (needing "outsiders" affects the way you think or feel about them). Ms. Colley is far too intelligent and too good a scholar to ever present any simplistic conclusions about any of this material. For even though many people could look on Native Americans, Blacks and sepoys, etc. in a favorable light, there were many people in Britain (both civilians and in the military) who could look down on those they considered to be their "inferiors". Hence, while during treaty negotiations at the end of the American Revolution British representatives would make sure to bend over backwards to protect the rights of loyalists, Blacks and Native Americans would be ignored. And condescending, racist attitudes would certainly contribute to the Indian Mutiny of 1857. While some physical captives would "go native"- adopt native dress and learn native language, convert to Islam, take a native spouse, etc., others would never look on their captors, even after long periods of time and even if treated well, as anything other than "barbarians". As Ms. Colley points out, history is rarely just about the past. The lessons and nuances of the "captivity experiences" of 200-300 years ago are still being learnt and felt today. There are still plenty of examples of racism (a worldwide phenomenon...obviously not confined to Britain) but Ms. Colley also notes that Britain has the highest instance of interracial marriage in the world. So, perhaps we can all hope that familiarity sometimes breeds something much more positive than contempt.
Product Description
Beautiful, evocative black and white photographs by Romanian photographer Razvan Voiculescu. Landscapes and portraits of simple eloquence and tranquility. Text in English and Romanian.
Average customer rating:
|
Captive to a Dream
Susan Tanner
Manufacturer: A Centurion Book
ProductGroup: Book
Binding: Mass Market Paperback
ASIN: B000VHBL5K |
Average customer rating:
- Interesting premise badly flawed
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Dream Captive
Reese Gabriel
Manufacturer: Chimera Publishing
ProductGroup: Book
Binding: Mass Market Paperback
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Customer Reviews:
Interesting premise badly flawed.......2005-10-12
The basic premise of a group of women who can see the future one of who is captured by a pirate and forced to predict where a treasure convoy is going to be. Unfortunately there is more brutality than erotica. The only saving feature is an interesting Deau ex Machina conclusion. Overall not up to par for the genre.
Book Description
College kids living on their own for the first time are startled to realize that now they have to cook for themselves. This attractive spiral-bound book is exactly what they need, serving up easy recipes and basic cooking methods for beginners. The resulting meals are nutritious and appetizing, more healthful and less expensive than relying on the local pizza parlor or Burger King every time hunger pangs strike. Practical advice and helpful tips instruct busy college kids on everything from food and equipment shopping and sharing a kitchen to scrambling an egg and preparing a complete, well-balanced meal. Recipes are divided into these general categories:
Munchies * Breakfast * Main Courses * Pasta and Rice * Soups * Veggies and Salads * Desserts *
Munchies include a great array of snacks and finger foods, from garlicky humus to pizza-flavored popcorn. Breakfast recipes include egg dishes, French toast, pancakes, and others. Main courses range from simple grilled sandwiches to more ambitious entrees like roasted chicken with lemon and herbs. Vegetarian dishes include tasty Portobello mushrooms with garlic mayonnaise, pan-fried Asian dumplings with dipping sauce, couscous and veggie salad, and many others. Among the dessert recipes are instructions for making brownies, cookies, chocolate cake, apple crisp, and a remarkably easy pumpkin pie. Recipes come with a special trouble-shooting and mistake-avoiding feature called Don't Let This Happen to You. Attractive line illustrations and a handy index help make this book a godsend for hungry college kids. Makes a good high school graduation gift!
Customer Reviews:
not for serious cookers..........2007-08-11
if you already know your way around the kitchen, this book is not for you. Its for dumb college kids who have never cooked for themselves before. If you already know how to make grilled cheese sandwiches and egg mcmuffins you can spring for something more advanced.
A simple guide to getting you on your way towards being a master chef.. well maybe.......2007-06-05
I didn't get this when I went away to college. I'm going on my third year and this is also the first year I have to start cooking all my meals. I got this book for the how-to on simple everyday things that I think every kid/teenager/young adult should know about cooking. I've used it a few times already, mostly just to consult with and build off of. I do think it will always serve as a good reference or for those nights when I want something different I know I can always open it up and find something new that isn't complicated and doesn't call for too many ingredients. Overall I would definitely recommend this book. For once I'm not reading a recipe and going "what's that ingredient?" I'm more comfortable being able to check things like whether or not I need butter/oil in the pan to cook french toast and other such simple things that the experienced cook doesn't even think about. A very good guide to get you started.
excellent.......2007-02-14
Excellent product. Easy to use, nicely written. Received in a timely fashion.
Good beginners' cookbook.......2007-01-14
I gave this to my 21 year old son who just got his own apartment but was still in college and living 3 hours from ome. He was interested in cooking and was calling me up for "recipes" and advice on how to cook his favorite foods. This book seemed too simplistic to me, but he said it was just what he needed and was a great help.
Great for People New to Cooking.......2007-01-12
I originally bought this book for myself, and found it to be too introductory for me, so I gave it to my brother, who despite being older than me still calls me to ask things like how you mash a potato. The recipes are very easy to read, making no assumptions about previous knowledge, and they utilize store-bought pre-prepared ingredients (the author is especially fond of frozen potsticker dumplings) in a way that is helpful to college students, although I thought occasionally the scratch alternative would have been no more difficult and probably cheaper and better tasting.
What I love best about the book is the way it is organized. Recipes that require no cooking or are microwave-only are marked with big icons on the page, and while the recipes are organized by meal or food type, like most books, the book also contains multiple tables of contents that group the recipes differently--vegetarian, microwavable, appropriate for a date, seasonally, etc.--and even has one set of listings that put together recipes for a complete meal. While not particularly elaborate (as most of the recipes are pretty simple anyway) I love this feature, because matching flavors can be particularly difficult for a new cook, and for any cook a recipe book can be unhelpful in planning a meal if you don't kind of already know what you want.
The first section of the book is also really good for first-timers because it goes over the basics of setting up, cleaning, and sharing a kitchen. It provides lists of basic equipment and the basic ingredients you should always have on hand, and this list is in general pretty sensitive to the limitations of dorm sizes and mini-fridges. It even gives cleaning instructions for some of the less obvious cleaning challenges in the kitchen. I thought the list of things to discuss and agree on with roommates regarding kitchen use was particularly helpful. Lastly, the book itself is well-designed, being spiral-bound rather than a traditional paperback, so that it lays flat easily while staying open to the same page hands-free. This seems like a silly note, but I have a lot of cookbooks, some with a similar target market as this one, and I've had to waste a lot of time copying recipes down onto other paper or recipe cards just because I needed both hands and the book kept closing itself or flipping to another page.
In summary, a great book for someone who doesn't know anything about cooking. Would make a great high school graduation gift perhaps made more interesting by pairing it with some of the basic kitchen tool necessities listed in the first few chapters of the book.
Books:
- Curious George the Movie: A Junior Novel (Curious George the Movie)
- Deadfall: An Alaska Mystery (Alaska Mysteries)
- Dear Lillian: A Letter about the End of Life's Journey and the Beginning of Eternity
- Dinosaur Summer
- Earthquake in Metropolis! (Superman Returns)
- El Mundo 21 hispano
- Enmity Between the Seeds
- Escape from Loki
- Final Impact (The Axis of Time Trilogy, Book 3)
- Flower Fairies: The Meaning of Flowers (Flower Fairies)
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