Book Description
Shatter the line between fiction and fantasy....The life of an award-winning novelist probably bears more resemblance to "normal" than most fans would want to believe. But every once in awhile, strange things are bound to erupt around those most equipped to document them.... so imagine what renowned science fiction writer John Barnes might do when he finds himself in one of the wildest, most rollicking hard-SF adventures to hit print in years.Barnes' college friend Travis Bismark always brought back plenty of great stories from his job as an industrial spy. This time, over a few beer- and coffee-fueled chat sessions, Travis unravels a tale about his current case too tall for even an SF author to believe: a Gaudeamus machine that bends physics in order to make possible both teleportation and time travel, and how it gets stolen--twice; a grad student-cum-prostitute who deals in telepathy-inducing drugs that let her "download" top-secret documents from her client's brains, a romp through Colorado and New Mexico during which each episode and character is more bizarre than the last; and the internet meme that seems to tie it all together.Barnes' playful commentary on Travis' story and his own life as a SF writer and drama teacher, interspersed with their everyday interactions with a group of funny, compelling friends, is related in a surprising and non-traditional narrative that blurs the line between fact, fiction, and metafiction.
Customer Reviews:
Unprofessional Writing.......2006-11-09
I've always liked John Barnes writing: Orbital Resonance, A Million Open Doors, PARTICULARLY The Man Who Pulled Down the Sky, just a long list of well-written books with excellent SF ideas. But about four years ago he ran into some sort of Block in his writing, and he's been doing brain candy for awhile. Gaudeamus, while having reasonably interesting dialog and at least one "indicated" character who is interesting (Travis), is so badly written that it's embarassing. By this I mean that it doesn't have any character development and the whole story is told by a hokey "reminiscence" trick, where Travis sits down and talks for an hour at a time, with all sorts of non-germane sidetracks. When the aliens show up, Travis and John (who is writing the adventure -- right?) are both drunk, which is supposed to explain any possible errors in the plot. The problem is that the "plot" just kind of passes by in a haze (...and then we saw the aliens land and they wanted to buy the Island of Manhattan! Ha, ha!) I hope John Barnes gets himself together again soon. I can't read this. (I skipped to the end to see what "happened": nothing.) Remember, I LIKE John Barnes, but some people reviewing this can't tell a non-plot when they see it and gave it a misleadingly high average rating.
Energetic, fun, weird.......2006-06-13
Gaudeamus is a very energetic, very fun, fairly weird novel. It is narrated by one "John Barnes", who is clearly very much like the author -- a writer, married to Kara Dalkey, teaching at a small Colorado university. An old college friend shows up on his doorstep, asking for a ride. It seems his friend, a private detective, is being chased by some bad guys. A series of narratives ensues -- mostly the friend Travis Bismarck, relating the stories of his latest investigation and the fallout, but also some Barnes relating his limited involvement in these events.
The story involves a web comic called "Gaudeamus"; something called the "Gaudeamus" effect: teleportation and lots more; a fabulous new drug, enhancing sexual experience and allowing telepathy, also called "Gaudeamus"; a reason all these things might be called the same name; aliens in flying saucers; a very sexy and very smart prostitute; defense contractors who actually turn out to be on the side of good; small liberal arts colleges; a really bad rock band; and the possible end of the world. Pretty much.
What can I say? It's lots of fun. Barnes is just a neat writer to read: he is one of those Kipling descendants who adopts a "knowing" attitude which gives his infodumps bite and interest and -- comfort? The novel keeps upping the ante (which Barnes acknowledges in a curious way in the text) -- mostly this works but possibly the final resolution is a bit too abrupt. So -- a very enjoyable read, not a great novel but fun.
The Box That Sold the World.......2006-04-18
The cover blurb for this book says "shatter the line between fiction and fantasy..." Well not quite, but this is a very funny and entertaining slab of experimental sci-fi. The fact that John Barnes inserted himself and his real-life friends into the story as characters is not really so innovative, but here he makes great use of irony and alternative storytelling techniques to poke fun at sci-fi stereotypes, and to make the reader wonder if the story should even be taken seriously. In short, Barnes' friend Travis appears and tells a wild story of an industrial espionage assignment, in which he uncovered a bodaciously wacky conspiracy of corporate goons, rednecks, hippies, drug pushers, an underground internet cartoon, and aliens who are trying to buy the world and liquidate the assets. All of this is built around a futuristic technology called Gaudeamus, which effortlessly powers all the advanced cultures of the galaxy, and which humanity is accidentally stumbling into as part of cultural evolution. A large cast of human and alien weirdos hold the fate of the Earth in their hands as they connive for control of the technology.
But since this is a second-hand story from Travis, the whole thing could be a whole lotta hooey, and everyone else in the book barely notices the doom-bringing drama. Barnes does a great job with this storytelling device, making fun of stock plot devices (such as the bad guy explaining his entire villainous scheme voluntary) while ironically using the same corny devices himself. Barnes also does a great job poking at the absurdity of trends in fandom and geekworld. At some points the plots and subplots in this book get a little too ambitious for their own good, and there are a few gaps and loose ends here and there. But this is a very funny novel built on upon a pretty offbeat premise, and it's one of the most creative uses of science fiction that you're likely to see for a while. [~doomsdayer520~]
What Does It All Mean???.......2006-02-22
Gaudeamus is a Latin phrase meaning, "let us rejoice." It is also a new technology, an interactive web cartoon, a machine that moves things about in time and space, a pill that makes sex incredibly good, and--oh yes--the title of this book. John Barnes is the author of the book, as well as the narrator and a leading, if passive character. John Barnes, the character, is a professor of drama at a small Colorado college, just minding his own business, when his old friend Travis Bismarck shows up.
As always Travis Bismarck needs a ride somewhere pronto, because he is involved in a scary adventure involving industrial espionage and much, much more. The plot degenerates from there, and involves sex, drugs, flying saucers, and possibly the end of the Earth as we know it. I won't spoil it for you--to find out how it ends you'll have to read it for yourself.
Now, here's the deal about this book. Author John Barnes is terribly clever and well read and knows all kinds of things about science and philosophy. According to his blurbs he is an outstanding author. I found the book seriously over-written, with pages and pages of cutesy dialog, obscure digressions, adolescent sexuality, confusing changes of perspective, and a seemingly endless list of characters. The book was hard for me to finish, but I finally did. But hey, you might like it. Reviewed by Louis N. Gruber.
What this is, is a long shaggy-bar story...........2005-09-07
_____________________________________________
What this is, is a long shaggy-bar story, with a fictional version of the author as narrator. The protag is one Travis Bismarck, who appears to be a real-life friend of Barnes. The book opens with (literally) loopy scene-setting that circles around the actual start in amusingly recursive spirals, as Barnes old pal ficto-Travis, who is some sort of technical PI, relates his current case, and how it went weird.
Now, I'm assuming that Barnes's Real Life isn't too different (in its non-fantastic day-to-day details) than the fictional JB -- the broad outlines match, it isn't a very flattering portrait, and it's just easier to write what you know. I was pretty consistently entertained by Barnes "what is reality?" mind-games, but you might not be:
"I found that every now and then I'd be pulled out of the book by the character of John Barnes talking about being a science fiction writer. I couldn't help but wonder if he really thinks about SF conventions like that, or the fans, or the genre. Every time I came upon some Barnes POV stuff I'd get jerked out of the story. At times, reading the book was like peeking into someone's diary and wondering, would I get caught." -- Gayle Surrette, Google sfrevu.com
"Barnes has done a bang-up job creating a rich air of verisimilitude and a thickness of believable details. His self-portrait is unsparing and modest, even self-abasing, and the humility and skepticism of the narrator allow us easy entrance into the wacky doings described by Travis. Generous dollops of humor and satire-Barnes and Travis have a lot of wry opinions about academia, entertainment and other demented aspects of our culture-grease the telling as well." -- Paul Di Filippo at scifi.com, the best review I saw online.
Anyway, if you're in the mood for a cozy, clever, twisty, sexy, crackpot, meandering, recursive, wonderfully implausible piece of metafiction that's full of wisecracks and is just a whole lot of fun to read (plus, it's short!), go for GAUDEAMUS. A fine, semi-mindless read for a mental winter vacation. Caveat: if plot holes and logic-lapses offend you, Gaudeamus might not be for you. Then again, it moves so fast, you might not notice...
-- though few will miss the one where the Bad Guy is required [minor *SPOILER* WARNING] to overlook the *enormous* Rhodesian Ridgeback lurking inside the Good Guys' Range Rover...
Review copyright 2005 by Peter D. Tillman
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Gaudeamus (Oberon Modern Plays)
Peter Morris
Manufacturer: Oberon Books
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ASIN: 1840026677 |
Book Description
What if bed-hopping among university students was not just inevitable, but mandatory? A sexy, radical girl, an over-sexed jock, and an ancient professor of ancient Greek discover that with the lights off, a serious attempt to end discrimination can also be a very dirty joke. Peter Morris' new play is an all-American undergraduate sex farce.
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Gaudeamus Igitur
Jirasek
Manufacturer: Greenwood Press
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ASIN: 0837194695 |
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Gaudeamus! - Humorous Poems
Manufacturer: James R. Osgood and Company
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ASIN: B000HHXL0C |
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Gaudeamus: Novela (Libros Hiperion)
Jose Maria Conget
Manufacturer: Hiperion
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ASIN: 8475171818 |
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Jesus' Defeat of Death: Persuading Mark's Early Readers (Society for New Testament Studies Monograph Series)
Peter G. Bolt
Manufacturer: Cambridge University Press
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ASIN: 0521830362 |
Book Description
Peter Bolt explores the impact of Mark's Gospel on early readers in the first-century Graeco-Roman world. Focusing upon the thirteen characters in Mark who come to Jesus for healing or exorcism, Bolt analyzes their crucial role in the communication of the Gospel. Enlisting a variety of ancient literary and non-literary sources, this book recreates the first-century world of illness, magic and Roman imperialism. This new approach to Mark combines reader-response criticism with social history.
Book Description
More people read the Bible than any other book. Indeed, many try to live their lives according to its words. The question is, do they understand what they're reading? As Steven McKenzie shows in this provocative book, quite often the answer is, "No." McKenzie argues that to comprehend the Bible we must grasp the intentions of the biblical authors themselves--what sort of texts they thought they were writing and how they would have been understood by their intended audience. In short, we must recognize the genres to which these texts belong. McKenzie examines several genres that are typically misunderstood, offering careful readings of specific texts to show how the confusion arises, and how knowing the genre produces a correct reading. The book of Jonah, for example, offers many clues that it is meant as a humorous satire, not a straight-faced historical account of a man who was swallowed by a fish. Likewise, McKenzie explains that the very names "Adam" and "Eve" tell us that these are not historical characters, but figures who symbolize human origins ("Adam" means man, "Eve" is related to the word for life). Similarly, the authors of apocalyptic texts--including the Book of Revelation--were writing allegories of events that were happening in their own time. Not for a moment could they imagine that centuries afterwards, readers would be poring over their works for clues to the date of the Second Coming of Christ, or when and how the world would end. For anyone who takes reading the Bible seriously and who wants to get it right, this book will be both heartening and enlightening.
Customer Reviews:
biblereader.......2007-02-06
this is awful, angry, elitist, and boring. readers are better served by Brettler's book on reading the Bible. Mackenzie tries to be provocative, but it comes across as angry and condescending.
Terrible Book.......2006-07-07
Of all of the christian books I've read this one is the worst. If you are like me and know that the Bible is the inerrant word of God then you will laugh at this book. Not only does it say that Adam and Eve are just literary devices and dont exsist, it uses books not even in the canon of the Bible to prove nonsensical points. If you are a Christian don't waste your time reading the lies in this book. You could just save the trouble and read the ficticious Da Vinci Code.
Reading for context, not just words.......2006-05-14
Throughout history there has been no shortage of ways that people have read the bible: as literal truth, as an allegory, as history, as prophecy or as a guidebook. Professor McKenzie takes the bible as an important book, but one that needs to be read in context. The Bible was not written as a single book at a single time by a single author. Rather it is written by many, in many different ages for many purposes. Understanding the context that an author (or authors) prepared a book is important, or even crucial, to understanding the point the author is trying to get across. The prophets were not necessarily trying to tell what the future holds, but rather to point out what is going on in the world then, but in veiled ways to put their point across. We are reading the bible with hindsight, so we sometimes take the histories as accurate reporting, instead of stories with political or religious purpose, to create lines of events and people. The Gospels feature multiple traces of the lineage of Jesus, but each one differs, depending upon what the author wanted to emphasize, such as proving the unbroken link between Jesus and King David. The apocalyptic literature of Daniel, and the Book of Revelation can be shown to refer in context not to times yet to come, but the world situation when the author wrote the book - apocalypse meaning revelation in Greek. So instead of awaiting the end times, McKenzie shows how the books can be seen as a reflection of current political repression suffered by the Jews and early Christians.
Overall the book gives an interesting way to read and interpret the Bible - to make it a living book but in the proper context. Will this book convince the literalists and "end timers" a new interpretation of readings? Probably not. But for those who come in with an open mind, you may find something to make you think, or a new way of reading one fo the most important books in history.
Book Description
What questions do interpreters ask of Scripture and how have those questions changed over time? History of Biblical Interpretation starts at 150 BCE and moves to the present in exploring the major developments and principal approaches to interpreting the Bible. Thirty-four chapters survey the most significant methods and provide introductions to the prominent people who exemplify them. Each chapter also presents an original document that demonstrates this person's interpretational approach and includes a reference bibliography for further reading. Whether used as a textbook or in individual study, this excellent introduction to the history of biblical interpretation will open new doors for students of the Bible, theology, and church history.
Customer Reviews:
A Good Book.......2006-04-16
For my advanced hermeneutics class, we read through Yarchin's book. It was a clear and helpful guide through the maze of Biblical Interpretation. I recomend it to anyone who wants an understanding of various Biblical interpreters in one volume.
Essential for study of historical biblical exegesis.......2004-09-07
William Yarchin's History of Biblical Interpretation is a much-needed addition to the study of historical biblical exegesis. It is the only volume dedicated to historical exegesis of which I am aware whose prime concern is allowing the reader to experience the primary sources rather than informing the reader concerning the author's understanding of the primary sources. This does not mean that the reader is left to his or herself without any guidance concerning the primary sources, however. Yarchin gives brief yet complete introductions to each source, setting them in context and guiding the reader concerning themes and perspectives to look for while reading the source.
A primary strength of the book is its range. It is relatively short (429 pages of text plus introduction) while covering a span of twenty-two centuries. It is not the case, however, that the compendious nature of the book keeps it from being thorough. While I was unfamiliar with a good portion of the sources (many of which I had never heard of before), I am very familiar with works such as Origen's De Principiis, book IV and Augustine's De Doctrina. Yarchin has identified the heart of these works as I remember them and printed them for the reader. Because of this I feel confident in the assumption that he has done the same with the other works in his book.
Another strength of History of Biblical Interpretation is that it is not only dedicated to historical biblical exegesis in the Christian tradition, but pays ample attention to the Jewish tradition of biblical exegesis as well. Since these two traditions share so many of the same texts, a history of biblical interpretation is incomplete without attention to both. Yarchin's commitment to giving attention to both of these traditions not only gives his reader a more well-rounded history of biblical exegesis, but also can contribute to the discovering of ways in which the exegetical traditions of these two religions can inform one another in the future.
I was initially disappointed that there was not provided a summary essay at the end of the book. But what I would expect in such an essay is really presented in the introduction. I would strongly suggest anyone who has any interest in the history of biblical interpretation to read Yarchin's History of Biblical Interpretation. It not only provides much of the information one will find in some of the standard introductory texts concerning historical exegesis (although in a different format), but is also the best springboard to delving into more obscure, yet important, texts (which are ignored by most introductions) that I have come into contact with as of yet.
Book Description
This wide-ranging reader provides an extensive survey of the interaction between postcolonial criticism and biblical studies.The readings illustrate the relevance of postcolonial criticism to biblical studies. They examine how various past empires such as those of Persia and Rome affected the narratives of the Bible, how different biblical writers handled the challenges of empire, and show how such modern empires as those of Britain, Russia, and America have affected interpretation. They also include illuminating examples of the practical application of postcolonial criticism to biblical texts, and explore major preoccupations of post colonialism, such as migration, representation, and the politics of translation.The volume will be essential reading for those interested in the contemporary debate surrounding the Bible and critical theory, and for those interested in empire.
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The Composition of John's Gospel: Selected Studies from Novum Testamentum (Brill's Readers in Biblical Studies, Vol 2)
Manufacturer: Brill Academic Publishers
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ASIN: 9004111581 |
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The Composition of Luke's Gospel: Selected Studies from Novum Testamentum (Brill's Readers in Biblical Studies, Vol 1)
Manufacturer: Brill Academic Publishers
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ASIN: 9004111573 |
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David As Reader: 2 Samuel 12:1-15 and the Poetics of Fatherhood (Biblical Interpretation Series, Vol 23)
Hugh S. Pyper
Manufacturer: Brill Academic Publishers
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ASIN: 9004105816 |
Book Description
Starting from David's response to Nathan's parable in 2 Sam 12, this book employs an original synthesis of literary, linguistic and psychoanalytic theory to explore the impact of the biblical text on its readers. It draws parallels between the relationships of speaker to utterance, texts to reader and father to son in arguing for an underlying "anxiety of utterance" as the source of textual power. Biblical scholars will find stimulating readings of many problematic narratives as well as a detailed investigation of the poetics of the biblical oath. The theoretical account of the role of characters in mediating the interaction between text and reader will be of interest to all students of literature. Its provocative insights into the relationship between God, language, masculinity and authority raise important questions for theology and gender studies.
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The Discipleship Paradigm: Readers and Anonymous Characters in the Fourth Gospel (Biblical Interpretation Series, Vol 27)
David R. Beck
Manufacturer: Brill Academic Publishers
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Binding: Hardcover
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ASIN: 9004107002 |
Book Description
This volume examines the Fourth Gospel narrative in terms of its character portrayal, especially the portrayal of anonymous characters. It focuses on how characterization impacts readers, eliciting their involvement in the narrative, particularly the recognition of and response to Jesus' identity, and how anonymity facilitates that participation. The first chapters examine the understanding of characterization in contemporary literary theory, then the author explores other contemporaneous narratives for the function of anonymous characters in those narratives. The final chapters examine specific character portrayals in the Fourth Gospel, demonstrating how the narratives of anonymous characters draw the reader into participation in the narrative and enables identification with those characters, especially the disciple Jesus loved, the Johannine paradigm of discipleship.
Customer Reviews:
The best available introduction to OT Theology........1998-12-12
The book begins with a brief history of the development of Old Testament Theology as its own field of study (as opposed to a systematic approach to the Old Testament or a theology of the Old Testament in light of the teachings of the New), tracing its roots to the time of the Reformation and, more importantly, to J. Gabler's inaugural address at the university of Altdorf in 1798. In the ensuing chapters, the development of Old Testament Theology is further outlined via a survey of the major eras and contributors to the discipline (e.g. the methodologies of Bauer and Wellhausen in the 1800s, the theologies of Otto Eissfeldt and Walther Eichrodt of the 20's and 30's, the landmark work of Gerhard von Rad in the 60's, and the OT Theology "boom," if you will, of the late 70's). The book concludes with a look at more recent contributions in the field of Old Testament Theology by scholars like W. Brueggemann and P. Trible. Probably the most attractive aspect of this book is that it features the authors' views in their own words as opposed to another scholar's interpretation of their views. Also, since it is an introduction to the study of Old Testament Theology, a brief outline and commentary on each reading is provided by one of the book's editors. Finally, where applicable, views from all areas of the theological spectrum are included in this book, whether liberal, conservative, or anything between or beyond. If you're looking for a solid introductory text in Old Testament Theology, look no further.
Books:
- Gen 13: Meanwhile
- Ghost of the White Nights (Ghost trilogy)
- Girl in Landscape: A Novel
- Heart Of The Tiger (Wing Commander, Volume 3)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- Hokas Pokas!
- How to Draw and Sell Digital Cartoons (Barron's Educational Series)
Books Index
Books Home
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- Brock Biology Of Microorganisms
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- Beyond Genetics: Putting the Power of DNA to Work in Your Life
- THE RULING HOUSE OF MONACO, THE STORY OF A TRAGIC DYNASTY
- THE MEMOIRS OF WILLIAM JENNINGS BRYAN.
The Armies of Memory (Thousand Cultures)
The Sky So Big and Black (Meme Wars)
Orbital Resonance (Meme Wars)
Earth Made of Glass (Giraut)
A Million Open Doors (Giraut)
