Book Description
Born and raised in Torino, Italy, Laura Giannatempo spent most summers growing up at her family's seaside house in Liguria, a narrow strip of beautiful coastal land in the northwest of Italy known as the Italian Riviera. Here she developed a passion for the region's vibrant food--refreshing and piquant, best known for its lavish use of fish as well as fresh herbs and produce. A Ligurian Kitchen is a sophisticated love story between the author and the land whose foods and people she vividly describes. It's a lively, pulsating account of the intermingling of life and cuisine in the best tradition of the cookbook memoir.
Quintessential regional specialties such as Trofie con Pesto alla Genovese, (Trofie Pasta with Pesto, Green Beans, and Potatoes) and focaccia fill the book's pages, along with original dishes like Maltagliati con Pesto Piccantino (Fresh Maltagliati with Spicy Purple Pesto) and Ciuppin con Crostoni di Paprika (Ligurian Seafood Bisque with Paprika Crostoni). You'll be tantalized by the delights of seafood lasagna and olive oil gelato--but breezy tales of lovable uncles and a lyrical account of making pasta in the midst of a thundering storm tempt just as much.
With 100 delicious recipes and a beautiful selection of color photographs, Giannatempo takes you on a spirited gastronomic journey through "that extraordinary marriage of land and sea that is Ligurian cuisine." The recipes are peppered by zestful portraits of artisanal bread bakers and wine makers, along with evocative reminiscences that are part memoir, part diary and travelogue with a dash of humor.
Customer Reviews:
A welcomed addition to my kitchen stack..........2007-03-03
really ligurian, really good
The reviewer who claimed this book is "not really Ligurian" seems not to have paid attention. In her introduction, the author is straightforward about the fact that "the recipes in this book don't add up to an encyclopedia of Ligurian cuisine.
"It's not my intention to present you with a comprehensive collection of dishes from the region," she tells us. "Instead, I want to take you on a more intimate, personal journey...."
She does exactly that. It's a book about the spirit of a place. The author captures that spirit well.
That said, it's just plain wrong to say that the recipes here aren't Ligurian in character. I've travelled in Liguria, and while it's true the author offers her own personal interpretation of certain classics (any good cookbook author does that), and in some cases adapts ingredients for what's available in US markets (which I consider a service to readers like me, since the book was published in the US), I've eaten many of these very dishes in restaurants throughout the Ligurian coast and entroterra.
Not only are the recipes here spot-on in their invocation of the region, they're also accessible to a home cook like me. The book is a pleasure to read and a pleasure to cook from.
Touching & tasty too.......2007-03-03
Giannatempo mixes stories from her childhood summers with reflections on the region's food and what it meant to her family. The stories are full of funny characters and a certain nostalgia, all tied to a strong (and inviting) sense of place. The recipes are clear & easy to follow (who knew focaccia could be such a simple thing?) and though some of the favors may be unfamiliar to American readers, that's part of the fun. A great combination.
not really liguraian.......2007-02-16
book is only ok I have thousands of cookbooks and this one is only fair
Enthusiastically recommended.......2007-02-03
Laura Giannatempo's LIGURIAN KITCHEN: RECIPES AND TALES FROM THE ITALIAN RIVIERA is the fifth and newest title in the Hippocrene Books regional Italian cookbook series and narrows the focus to the Ligurian region, blending photos by Michael Piazza with the author's memories of her home. Liguria is a narrow strip of coastal land in northwest Italy: recipes there are filled with dishes you won't find in your usual Italian cookbook - such as Herb Ravioli with Walnut Cream Sauce - and are accompanied by sidebars of information and history. A centerfold of color photos adds inspiration but it's really the unique dishes and stories which stand out in a cookbook that is enthusiastically recommended for any dedicated Italian cuisine collection.
Average customer rating:
- It ain't all Moby Dick
- The Lonesome Latter Years
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Herman Melville : Pierre, Israel Potter, The Piazza Tales, The Confidence-Man, Tales, Billy Budd (Library of America)
Herman Melville
Manufacturer: Library of America
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ASIN: 0940450240 |
Book Description
Herman Melville's dark and brilliant late works contain some of his most powerful writing. After "Moby-Dick" he turned from the high seas to record his keen, bleak vision of life at home in America. "Pierre," "Israel Potter," and "The Confidence-Man," satirical dissections of moral breakdown and social hypocrisy, anticipate modernist fiction with their black humor and formal experimentation. With them here are "The Piazza Tales"--including "Bartelby the Scrivener," "The Encantadas," and "Benito Cereno"--and the haunting, posthumously published masterpiece, "Billy Budd, Sailor." Rounding out this third volume of Melville's complete prose in the Library of America are many pieces rarely collected, including magazine stories, comic sketches, and reviews of Nathaniel Hawthorne, Francis Parkman, and James Fenimore Cooper.
Customer Reviews:
It ain't all Moby Dick.......2002-03-16
If you think that you can't read classic American Literature because it's all so big and intimidating (i.e., Moby Dick) think again. Some of the short stories in this collection of Melville's "other" work are incredibly well-written insights into human nature. (As is Moby Dick, but I digress).
Billy Budd's encounter with "justice," Bartleby's statement that he would "prefer not", Benito Cerino's exploration of slavery-- these tales are not to be missed. You should read this book as a starter, then move on to the BIG OLD white whale.
The Lonesome Latter Years.......2001-05-12
Darkly humorous, cynical, horrific and melancholy, Melville's later works are the capstone to the author's deepening discontent with his America. The vision here can be frustrating: Melville conjures up the most painful, soul-searching mysteries, and then refuses to knot them up with tidy solutions. Instead, Melville deepens the moral ambiguity that seeped through the skin of the transitional Moby Dick in full-length works like Pierre and Billy Budd, Sailor. And the shorter works--among them The Piazza Tales, Benito Cereno, and Bartleby the Scrivener--are imbued with such a longing for any kind of graspable meaning, that their readers, like their characters, find themselves in a ponderous state of shock. The human condition, Melville seems to say, is one of isolation, cast adrift, searching alone for a truth that is, and always will be, inscrutable.
Customer Reviews:
Not so Light .......2005-12-27
I purchased this book because the Broadway production of the title story had proved so enchanting. Don't be mistaken, though. The play bears little resemblance to the story. The story tries so hard to be symbolic and airy that the characters become cardboard symbols and I did not find myself caring much for any of them. The story may have proved more engaging had I not been expecting beauty and life to match what I had seen onstage, but as it was, I couldn't bring myself to read the rest of the stories.
Italy Rendered Dull.......2005-07-31
Apparently highly regarded as a writer, Elizabeth Spencer's "The Light in the Piazza and Other Italian Tales" left me cold. The title story, recently made into a Tony Award winning musical is the tale of an American woman and her daughter vacationing in Italy. There, daughter Clara meets and falls in love with local Florentine, Fabrizio. However, what the besotted Fabrizio doesn't know is that the beautiful Clara is mentally challenged, having suffered a childhood injury to the head. Should mom reveal her daughter's handicap to Fabrizio and his family? This is the question around which the novella revolves. I won't reveal the ending. However, what could have been a poignant tale of maternal love and responsibility becomes a comedy of manners examining the national differences between Americans and Italians. To me the portrayals of both groups were stereotypical. This story was the best of the lot. The others were boring beyond words. In fact I did something I rarely do. I put the book down three quarters of the way through. A waste of reading time. I plan on avoiding the musical.
Drifting lives, drifting stories.......2005-07-22
With a healthy anticipation of seeing the New York theatre production of "The Light in the Piazza" I decided to orient myself with Elizabeth Spencer's story of the same name. After finishing this tale, I went on to read the others.
"The Light in the Piazza" is perhaps the most defined of the collection and one gets an instant taste of Ms. Spencer's writing and the kinds of characters she prefers. Women are central in all of them, no less Margaret Johnson in "Light". The author's women command attention as they maneuver the action around them. Manipulation is an even better word. All of these collected stories begin somewhere in mid-sentence and finish not much farther along. Enigmatic, troubled, wistful and "vagabondish", Ms. Spencer's men and women prefer the waft of an Italian breeze to any set action or direction. The vignettes are more or less satisfying, if only for the time that one spends with them. "Knights and Dragons", the longest of the stories, is an aimless sojourn but the final one, "the Cousins", is second only as a success to the title tale.
Elizabeth Spencer has put together a nice group of stories. Even though her writing is mostly even and descriptive, some of her offerings end up being less so, though her depictions of Italy are true to form. Still, the bookend chapters are worth the read.
Italy of 50 years ago.......2005-07-14
The author, born in Mississippi, brings a Southern sensibility to these stories. She has written a series of short stories about Southern women living and visiting in Italy in the 1950's. Ms. Spencer writes beautifully, and her stories are never overly sentimental or superficial. They ring true. Italian words are sprinkled throughout the text which adds to the overall effect.
I found the stories a little "dated" though. These women are trapped here in an era of proper white gloves, cocktail parties and long cigarette holders. The 1950's was a rather repressive time for women, and in many of these stories we find women struggling to be in control of their own lives. They have come to Italy to vacation "abroad"; to fulfill a lifelong dream; to work, or to distance themselves from the past.
By far, the best of the stories is "The Light in the Piazza" which has a warmth and appeal that I found missing in most of the others.
deceptively simple.......2005-07-12
After watching the Tony Award show this year I was curious about Elizabeth Spencer, a Southern writer whom I had not heard of before the show. I have just finished reading her novella "Light in the Piazza" (haven't seen the touted play yet)and it was a memorable read. It starts out like a fairy tale---you don't quite know why Mrs. Johnson and her daughter are in Florence, what time period they are in, their background---and you're quickly engaged in a charming romance story. But there's also an undercurrent of tragedy. You discover lies, family strains, an accident in the past. Every character in the story becomes suspect. You start to question every character's motives, possible deceptions (with the exception of Clara, who becomes a symbol of clarity and innocence, as in the Virgin Mary). For the last 30 pages of the story I am nervously living inside Margaret Johnnon's head, worrying about the future of her "simple-minded" daughter Clara.
Elizabeth Spencer is a masterful storyteller, making me ponder what level of control we have in life, how easily we make assumptions about people soley based on appearance, how we can manipulate others and fool ourselves. Her prose is deceptively simple at times. I found myself reading and re-reading many a sentence to decipher the multiple levels of meaning. I closed the book wistfully, wishing for a sequel!
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Billy Budd and The Piazza Tales (Barnes & Noble Classics Series) (Barnes & Noble Classics)
Herman Melville
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ASIN: 1593082533 |
Book Description
Largely neglected in his own lifetime,
Herman Melville mastered not only the great American novel but also the short story and novella forms. In Billy Budd and The Piazza Tales, Melville reveals an uncanny awareness of the inscrutable nature of reality.
Published posthumously in 1924, Billy Budd is a masterpiece second only to Melville’s Moby-Dick. This complex short novel tells the story of “the handsome sailor” Billy who, provoked by a false charge, accidentally kills the satanic master-at-arms. Unable to defend himself due to a stammer, he is hanged, going willingly to his fate. Although typically ambiguous, Billy Budd is seen by many as a testament to Melville’s ultimate reconciliation with the incongruities and injustices of life.
The Piazza Tales (1856) comprises six short stories, including the perpetually popular “Benito Cereno” and “Bartleby,” a tale of a scrivener who repeatedly distills his mordant criticism of the workplace into the deceptively simple phrase “I would prefer not to.”
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- Six tales (including perhaps the best story ever written in English) showing how "truth comes in darkness"
- The Lighting-Rod Man
- brillaint and terrifying
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Piazza Tales and Other Prose Pieces, 1839-1860: Volume Nine, Scholarly Edition (Melville)
Herman Melville
Manufacturer: Northwestern University Press
ProductGroup: Book
Binding: Paperback
Melville, Herman
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ASIN: 0810105519 |
Book Description
Published in 1856, The Piazza Tales were written upon the public indignation over his novel Pierre, which had forced Melville to retire to the piazza of his house in Lenox, Massachusetts. The six tales included here are among Melville's most notable writings. They include the famed tale "Bartleby" a story of slavery, "Benito Cereno," "The Encantadas," "The Lightning-Rod Man," "The Bell-Tower," and the title story, "The Piazza."
Although
Herman Melville published ten books during his lifetime, and left unpublished a masterwork, Billy Budd, he died in relative obscurity in 1891.
Download Description
First published in 1856, five years after the appearance of Moby Dick, The Piazza Tales comprises six of Herman Melville's finest short stories. Included are two sea tales that encompass the essence of Melville's art: "Benito Cereno", an exhilarating account of mutiny and rescue aboard a disabled slave ship, which is a parable of man's struggle against the forces of evil, and "The Encantadas", ten allegorical sketches of the Galapagos Islands, which reveal nature to be both enchanting and horrifying. Two pieces explore themes of isolation and defeat found in Melville's great novels: "Bartelby, the Scrivener", a prophetically modern story of alienation and loss on nineteenth-century Wall Street, and "The Bell Tower", a Faustian tale about a Renaissance architect who brings about his own violent destruction. The other two works reveal Melville's mastery of very different writing styles: "The Lightning-Rod Man", a satire showcasing his talent for Dickensian comedy, and "The Piazza", the title story of the collection, which anticipates the author's later absorption with poetry.
Customer Reviews:
Six tales (including perhaps the best story ever written in English) showing how "truth comes in darkness" .......2006-11-11
The six stories collected in "The Piazza Tales" range vastly in theme and subject, from the allegorical travelogue of "The Encantadas" to the haunting psychodrama of "Bartleby, the Scrivener." With the exception of the title story (which was original to the collection), they each were published in "Putnam's Magazine," where they were well received and widely read. Although the book (like all of Meville's later work) was a commercial flop, the stories are highly regarded--and rarely read--today.
Opening the volume is "The Piazza," a charming (bordering on precious) pastoral sketch that frames the collection in much the same way that Hawthorne and Irving framed their collections with a stroll around the Manse or a view of Bracebridge Hall. It provides an almost romantic and (for Melville) rare excursion into "fairy-land" in the daylight of the countryside surrounding his home, but at the close of the story the author warns us that "truth comes in darkness."
The best of the five remaining pieces is, surely, "Bartleby, the Scrivener" (possibly my favorite story written in English); it is the most Kafkaesque story not written by Kafka. The narrator, a Wall Street lawyer whose office resembles a claustrophobic dungeon, hires Bartleby, a supremely competent copyist who subverts the safe order and hierarchy of the firm when he replies "I would prefer not to" when requested to execute tasks he'd rather not perform. From the first act of rebellion to the end of the story, the atmosphere resembles Poe as much as it anticipates Kafka; its bleak views of the market, of madness, and of municipal estrangement are unsettling.
The other stories vary in quality. The wickedly subversive satire of "Benito Cerenno" is based on a true incident in which a transport of slaves overtook their captors; Melville revises the original narrative to condemn the covert racism of the narrator, a "Massachusetts man" who captains the ship that encounters the mutineers and whose liberal, patronizing opinion of the Africans is so unnuanced that he is unable to recognize that a rebellion has occurred. To modern readers, it all seems ridiculously unbelievable and, while remarkably ahead of its time, Melville's version of the episode sometimes suffers from attitudes and stereotypes which have themselves become unfashionable and uncomfortable.
Interesting and clever, "The Lightning-Rod Man" and "The Bell Tower," are ultimately unmemorable, but the only tale that doesn't work for me at all is "The Encantadas," a series of ten travel sketches based on Melville's trip to the Galapagos Islands. Rather than presenting a literary version of Darwin's earlier travels, Melville emulates Dante, presenting an allegorical vision of purgatory on earth, of "cut-throats" and "tyrants" and "cannibals" amidst the dichotomy of the landscape's unforgiving harshness and overwhelming beauty. Of the pieces in the collection, these ten sketches received the most critical attention during Melville's lifetime, and they are still considered masterpieces by academics. There are inarguably brilliant passages and poetic descriptions, but the allegory seems labored and the "tale" as a whole pales in comparison to either Darwin or Dante.
The Lighting-Rod Man.......2001-12-16
The Lighting-Rod Man is one of Melville's lesser known stories. Despite the cold, dark setting, it is more comical than most of his works other works. This satire tells about one door-to-door salesman, and how annoying, pushy, and arrogant he was to his perspective customer (Doesn't seem like a lot has change since then), and how he ends up getting thrown out of the house.
The story The Lighting-Rod Man jumps right into the story in the first paragraph and just goes, which makes it much easier to get into and a much easier read for those that have a hard time getting started reading. I feel that it is worthy buying The Piazza Tales even if you just read this one story let alone the five other stories.
brillaint and terrifying.......2000-06-22
Put simply, this is the best collection of short stories by any American author.
Average customer rating:
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Moby Dick Confidence Man Piazza Tales Bi
Herman Melville
Manufacturer: Amaranth Pub
ProductGroup: Book
Binding: Leather Bound
Melville, Herman
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General
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ASIN: 0706421183 |
Average customer rating:
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Billy Budd & The Piazza Tales
Herman Melville
Manufacturer: Garden City: Doubleday & Company, Inc. 1961
ProductGroup: Book
Binding: Paperback
Melville, Herman
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ASIN: B000O3KGT8 |
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Billy Budd, Sailor & The Piazza Tales
Herman MELVILLE
Manufacturer: see notes for publisher info
ProductGroup: Book
Binding: Hardcover
Melville, Herman
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ASIN: B000RJEEO2 |
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- 3rd rate Tim Powers
- Very strange book
- cutting edge urban fantasy
|
One King, One Soldier
Alexander C. Irvine
Manufacturer: Del Rey
ProductGroup: Book
Binding: Paperback
Contemporary | General | Literature & Fiction | Subjects | Books
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ASIN: 0345466969
Release Date: 2004-07-27 |
Book Description
The story says that one day a Fisher King will rise to heal the land.
In the 1950s, they’re still waiting. . . .
At the turn of the twentieth century, a baseball player named George Gibson embarks upon a mystical journey to the Congo. His mission: to shepherd a powerful relic to its home in Abyssinia. But poet—turned—grail seeker Arthur Rimbaud is after what Gibson possesses–as others before him have been for millennia.
A half-century later, after receiving an honorable discharge from the Korean War, twenty-year-old Lance Porter vows to put his civilian life back together–which means heading to commie-infested Berkeley to see his high school sweetheart, Ellie. But after Lance gets cold feet, he encounters instead a drunk, gay poet named Jack Spicer, who spews crazy stories about Lance being the Fisher King.
It appears that the bearing of the grail has been bequeathed to young Lance, much to his shock and disbelief. Can a legacy born in the deserts of Ethiopia truly be reemerging in the bohemian bars of New York City and San Francisco? And is a vet with a lost soul really worthy of its care?
ALEXANDER C. IRVINE has breathed a refreshing burst of air into the Arthurian legend. In One King, One Soldier, ancient characters and Irvine’s pitch-perfect historical accuracy merge with a gritty, dark portrait of America in the Cold-war ‘50s. Here, three stories come brilliantly together in an edgy mix of baseball, imperialism, poetry, and grail mythology.
Download Description
The story ways that one day a Fisher King will rise to heal the land.In the 1950s, they're still waiting….
At the turn of the twentieth century, a baseball player named George Gibson embarks upon a mystical journey to the Congo. His mission: to shepherd a powerful relic to its home in Abyssinia. But poet-turned-grail seeker Arthur Rimbaud is after what Gibson possesses-as others before him have been for millennia.
A half-century later, after receiving an honorable discharge from the Korean War, twenty-year-old Lance Porter vows to put his civilian life back together-which means heading to commie-infested Berkeley to see his high school sweetheart, Ellie. But after Lance gets cold feet, he encounters instead a drunk, gay poet named Jack Spicer, who spews crazy stories about Lance being the Fisher King.
It appears that the bearing of the grail has been bequeathed to young Lance, much to his shock and disbelief. Can a legacy born in the deserts of Ethiopia truly be reemerging in the bohemian bars of New York City and San Francisco? And is a vet with a lost soul really worthy of its care?
Customer Reviews:
3rd rate Tim Powers.......2005-07-25
I might have liked this book a LOT more if I hadn't stumbled over one, maybe two factual errors in the beginning-- that set the stage for me to wonder how accurate the rest of the book's 'facts' were:
The author refers to an "MRE box" in the Korean War, 1953 to be exact. According to my sources, MREs weren't even in development until 1966, and not deployed until the 70's at the earliest. Korean soldiers still used C-rations. Definite big-time miss.
Secondly, and not so surely, he refers to a baseball game between the S.F. Seals and the Seattle Pilots. Now, I know the Pilots had a couple of instantiations, but I BELIEVE (but am not sure) that in 1953 the Seattle minor-league club was the "Rainiers".
If you're going to do the Tim Powers "Conflate modern history with ancient myth" schtick, you have to be rigorous in your research.
Other than that, the plot seemed jumbled, the motivations poorly delineated, and the characters' actions random. Too bad, I enjoy this type of thing, but "Last Call" did it far better.
Very strange book.......2005-05-23
This book is really very strange, with combinaions of history, fantasy, Arthurian legends, and the myth of the Holy Grail. It goes from Korea to the United States, to Canada, Europe and Africa. There are historical characters mixed in with the fictional ones, and it's very difficult to tell when the historical folks are acting as they would have in reality. The story is quite convoluted, and keeps skipping back and forth in time, and also in place, so that your head begins to spin at times. I can't fault the writing, because it is good, but there's just too much oddity going on to rate it any higher than I have.
cutting edge urban fantasy .......2004-07-28
After his knee shattered in the Korean War, Lance Porter goes to San Francisco to recover from his wounds. While in the hospital, he receives a letter from his girlfriend Ellie who tells him to wait for her to come to him because she has something important to tell him. Thinking that she is coming west because she has become a communist, he explores the Bay Area looking to see if there really are communists in Berkley where Ellie will be staying.
He meets Jack a gay poet who seems to believe that Lance is the Fisher King, the man destined to find the Holy Grail, the missing piece of the Ark of the Covenant. He learns from Jack that his twin brother Dewy, who disappeared when he was twelve years old, resides in a small Canadian town. He travels to see Dewy, who tells him that he was chosen by their father to carry out the family heritage but is abdicating in favor of Lance since death surround those who have the Holy Grail. Lance and Elle search for the Holy Grail and evade the people who are searching for it, intent on having it or kill his enemies in a holy war.
Readers who want something different in their fantasy reading will enjoy ONE KING, ONE SOLDIER. It is cutting edge urban fantasy and the protagonist must discover the truth about himself and his family if he is to fulfill his quest. This is a different archetype on the Arthurian legend, one that is keeping with modern day society. Alexander C. Irvine has written a fantastic work of speculative fiction that will change the way readers think of urban fantasy.
Harriet Klausner
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The story of a king
One of his soldiers
Manufacturer: Blackie
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Binding: Unknown Binding
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ASIN: B00087XRAK |
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