Book Description
Best all-around book. Countless trade secrets. Author was foremost British expert. 367 illustrations.
Customer Reviews:
the most stimulating text om metalwork.......2006-07-25
For the professional, amateur or hobbyist, Herbert Maryon's book remains one of the most important books in its field. Originally published in 1912, this book was written at an important time in our history. It is a text of twentieth century knowledge and understanding encompassing over 3000 years of metalworking processes. It picks up where the master Italian goldsmith Benvenuto Cellini leaves off in his Treatises, and yet it is the last thorough publication that predates the advent of the modern electric power tool.
The importance of this is multifold. First it brings every process down to the directness of basic hand tools. It is the jeweler making every mark and every cut through the simplicity of the basic tools that have been used for centuries. Processes are not obscured through expensive specialized equipment that are limited in their application.
The same is true of the materials themselves. Sheet and wire that are readily made by the jeweler are the basis for all forms of fabrication. Hinges for example start with sheet metal and do not rely on the limitations of commercially produced products, thus freeing one financially and aesthetically.Thirdly, the use of basic hand tools expands the realm of the small studio. A simple burin, scraper and burnisher can accomplish many of the same tasks that match hundreds of dollars worth of specialized tools while performing a greater range of uses. Many of these tools can also be made by the jeweler or adapted to their own personal applications.
Herbert Maryon was a master metalsmith himself. His expertise is evident throughout the book. While no one book can cover everything, this book provides a foundation to develop any number of approaches. His sample of seventy-two kinds of twisted wire is one example of taking a basic technique and turning it into a full scope of possibilities of the highest caliber. From fabrication to casting, stone setting to enamel this book provides a wealth of information and insight.
(Review by Robert Jackson, University of Georgia, Athens, Georgia USA)
Keeping the rest of them honest........2004-11-03
The first two reviews are dead on target. However,there is another aspect to Marion's book. It gives a fine perspective for judging newer texts and would-be teachers. During a novice's jewelry class, students were offered a chance to take an advanced course, given by one of the instructor's friends. It would show us a "special method" of soldering fine gold grain work. An excellent method is plainly laid out on pages ten and eleven of Metalwork & Enamelling. These two pages saved me over four hundred dollars; a nice return on the book's price.
Excellent Instructional Book.......2004-06-08
I'm writing this review because I believe this book deserves another good review. My personal interest is working all sorts of metals. I have searched these sorts of sites extensively looking for books that give a clear explanation of the skills required to do this sort of work and this book by Herbert Maryon is one of the best.
In the first 20 chapters, at 166 pages, Maryon concentrates on metalworking. The subjects include Soldering, Setting of stones, Filigree work, Raising and Shaping, Spinning, Repoussé work, Twisted Wires, Metal Inlaying and Overlaying to name just a few.
I found the photos of twisted wires particularly good and have not found this sort of information in other books to date. The last chapter in this section on Japanese Alloys and Stratified Fabrics was excellent also as I have not encountered this information either.
Chapters 21-27, at 31 pages, deal with Enamelling and once again we have good descriptions on the different topics of Cloisonné enamels, Plique-à-jour enamels, Encrusted enamels and Painted enamels to name a few.
His next major section is Metal Casting at 33 pages, Chapters 28-31, and we again get good descriptions and techniques. Following on from this we have an assortment of chapters dealing with Construction, Design, The Making of Tools and Polishing and Colouring.
Maryon rounds the book out with some tables and conversion charts dealing with areas, gauges, measurments, weights and temperatures.
Overall I believe Maryon has done a very good job of explaining the skills and techniques required to do metalwork and enamelling at this level.
One criticism that could be leveled at this book is that compared to other books on the same subject there are possibly too few photos and drawings which could have given an added dimension to the otherwise clear descriptions.
When learning like myself from scratch it pays to draw on multiple sources. Other books I have consulted are; "A Silversmith's Manual" by Bernard Cuzner; "Silversmithing" by Finegold and Seitz; "Metal Techniques for Craftsmen" by Oppi Untracht. These books including Maryon's are the best out there and are all worth purchasing. Reasoning being that they all have invaluable infomation which often overlaps but have tips and tricks unique to each book. Which are invaluable to becoming proficient in this art.
The book therefore gets 4.5 stars from me as it gives good advice which is most, and has been, helpful.
Finally just to say another great book by Dover.
Excellent book for the price........1998-07-28
I have owned this book for 15 years and I think it is an excellent reference book for jewellers and metal smiths. It covers all types of metal work including gold and silversmithing, jewellery, stone setting and enamelling using traditional techniques. Written by Herbert Maryon O.B.E., who was one of London's best gold and silversmiths.
Average customer rating:
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Metalwork and Enamelling
Manufacturer: London Chapman & Hall Ltd. 1954.
ProductGroup: Book
Binding: Hardcover
ASIN: B000HTRSOK |
Average customer rating:
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METALWORK AND ENAMELLING.
Manufacturer: Chapman & Hall
ProductGroup: Book
Binding: Hardcover
ASIN: B000HIA4BU |
Average customer rating:
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Metalwork and Enamelling
Manufacturer: Dover Pubns
ProductGroup: Book
Binding: Paperback
ASIN: 9994312731 |
Book Description
Poring through the beautiful images in this exquisite gallery of earrings is like stepping inside a jewelry store filled with remarkable pieces from the finest contemporary jewelers. Juried by award-winning designer Alan Revere, the earrings range from the classic to the avant-garde, and come from an international array of artists, including Cynthia Eid, Rachelle Thiewes, and Jeff and Susan Wise. Their materials include not only traditional gold, sterling silver, copper, and wire, but also more unusual items such as glass, plastic, porcelain, and paper. The earrings are forged, soldered, chased, and cast, with surface embellishments that run the gamut from enamel and metal foils to patinas and inlay. Expert jewelers, students, artists, and everyone who appreciates fine craftsmanship will enjoy this collection.
Customer Reviews:
A Wealth of Ideas.......2007-07-02
As a beginning bench jeweler this series of books have given me product information besides the obvious design ideas. e.g. ultraviolet cement - not something I had been exposed to in class yet, but a marvelous material for pave work.
500 Necklaces: Contemporary Interpretations of a Timeless Form (Lark Jewelry Book)1000 Rings: Inspiring Adornments for the Hand (Lark Jewelry Book)500 Bracelets: An Inspiring Collection of Extraordinary Designs (Lark Jewelry Book)
Too Far Out for me.......2007-07-02
The photos were beautiful, but I wish I had paid attention to the word in the title: Contemporary. I had hoped there would have been some good silver or gold artsy types of earrings for inspiration. I found most of these to be geared toward a very limited market.
Fabulous!!.......2007-05-15
I was extreamly impressed with not only the content, but the quality of the photos. It is hard to find jewelry books that display true art and inspire. Most of them are just cheesy "artsy-crafty". I would definatly by this book again and any of the same collection.
Excellent design guide.......2007-05-13
500 Earings provides a wide vision on contemporary jewelry and design. It is a must have for any jeweler.
500 Rings.......2007-05-13
I liked many of the picture of the earrings. Many of the pictures where way out as far as design. It would make sense to let the really far out designs, have there own book. I like art jewelry, but unfortunately, much of the far out designs,are not marketable. There were many designs that are very different and still marketable. I would have to say I feel the same about the other books in this series.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Binding: Paperback
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
New Directions in Jewellery II is a sourcebook of the most experimental jewelry design today, focusing on innovations in materials, technique, scale and concept as exemplified by the work of over 40 makers. Following the success of New Directions in Jewellery, this second volume showcases a whole new range of designers, placing greater emphasis on international trends and new developments in the medium. Focusing on contemporary jewelry as an experimental practice that engages with fine art, craft, design, fashion and popular culture, this book further challenges our conception of adornment. Profiles of jewelers working in a variety of ways -- from those who are manipulating the properties of metal to conceptual works that critique the cultural and social meanings that have built up around the wearing and manufacture of jewelry -- document the progress of an everbroadening discipline. Alongside the visual survey is an essay by maker and academic Lin Cheung, exploring the relationship between wearer and work, which further contributes to a unique archive of the contemporary practice of this diverse discipline.
Customer Reviews:
biased, but great!.......2007-03-14
Well, I have to say that I am a little biased about this book. My sister is one of the artists. Her name is Shari Pierce and her work always amazes me because of the thought and meaning that goes into each piece. That being said, I really enjoyed looking through this book and seeing each artists' perspective and technique. Each time I go through I get a different take on the work presented.
Customer Reviews:
Think before buying this one .......2007-01-07
As the title says, this book is about "New Directions", which loosely translates to High End, Over the top designs. If you are into contemporary designs, a student of Jewellery design (high end not a bead stringer!), then you will love this book, it is inspirational with at least 80% of the book. The other 20% is just plain silly. It is not jewellery, it is more a garment or sculpture. Probably only 50% of the pieces shown could be worn in every day use, the rest is destined for a catwalk exhibition or gallery. If you are not in the above category you will hate this book, plain and simple and probably wish you had purchased something else.
A 'must' for any college-level or professional reference collection strong in modern art and jewelry........2007-01-07
Over 80 jewelry makers who are creating radical new designs, blending textiles with sculpture, are changing the way jewelry is made and presented, and NEW DIRECTIONS IN JEWELLERY discusses these changes in essays which profile artists and their approaches. Distinguishing design paths, examples of various designs which defy the usual geometric and material choices, and commentary on artist and fashion statements make NEW DIRECTIONS IN JEWELLERY an excellent survey of the latest trends in style and jewelry creation. Informed and informative, NEW DIRECTIONS IN JEWELLERY is a 'must' for any college-level or professional reference collection strong in modern art and jewelry.
Diane C. Donovan
California Bookwatch
A Priceless Book for the Jewelry Artist.......2006-04-18
I am a BFA student majoring in Metalsmithing and Jewelry and I really found this book helpful. The essays in the beginning are very clear, inspiring, and have given me a new understanding and appreciation for jewelry as a fine art practice. This book is not for the reader interested in jewelry as the mass produced, shiny, practical or trendily designed piece, or for the reader who is interested in metalsmithing techniques, but for the reader who is an artist interested in jewelry as an avenue for creativity and personal development. The book contains many contemporary pieces, their descriptions, and artist biographies in the back with a good balance of the different directions art jewelry is heading today. I would highly recommend this book to anyone interested in Metalsmithing and Jewelry as a major, anyone currently in that major, or any artist interested in jewelry.
Not what I wanted.......2006-02-27
I am a jewelry designer myself and it often inspires me when I see interesting jewelry by other artists. My work is sometimes considered to be a bit out there, but definitely wearable. So photos are important to me, not prose. The first part of this book is essays which may please others but not me. The rest of the book is indeed photos, but most of the work isn't wearable and much of it isn't interesting to me. Much of it is more art, less jewelry. Lots of it was tacky-looking, in my opinion. I often get inspiration from all kinds of non-jewelry things; nature, fabrics, clothing, shapes, materials. These pieces didn't do anything for me. I was really disappointed.
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