Amazon.com
At a time when people are looking back on the 1970s with nostalgia, Jonathan Coe's The Rotters' Club is a timely reminder of how ghastly that benighted decade was in Britain. Set in the "industrial" heartland of the West Midlands, it chronicles the growing pains of four Brummie schoolboys--Philip, Sean, Doug, and Benjamin--who must come to terms not only with the normal pangs of adolescence but with terrible knitwear, ludicrous pop music, nightmarish food, and insidious racism, all set against the awful, surreal, and tragicomic reality of a postimperial nation.
The book suffers in its programmatic attempts to make the four boys and their families symbolize, or represent, something important to do with British life. Doug, for instance, symbolizes Industrial Decline--his dad is a shop steward at the doomed British Leyland Longbridge plant. Sean symbolizes Sexual Liberation--at least he's the one who seems most likely to get his rocks off. And young Ben Trotter would appear to represent A Young Jonathan Coe. But if this aspect of the novel seems contrived, then the author's capricious, deft, wryly comedic, and touchingly empathetic style keeps things chugging along, as he knits together the troubles and tragedies of some fairly ordinary people living through fairly extraordinary years. --Sean Thomas, Amazon.co.uk
Book Description
Birmingham, England, c. 1973: industrial strikes, bad pop music, corrosive class warfare, adolescent angst, IRA bombings. Four friends: a class clown who stoops very low for a laugh; a confused artist enthralled by guitar rock; an earnest radical with socialist leanings; and a quiet dreamer obsessed with poetry, God, and the prettiest girl in school. As the world appears to self-destruct around them, they hold together to navigate the choppy waters of a decidedly ambiguous decade.
Customer Reviews:
The Very Maws of Doom.......2007-09-24
"The Rotters' Club" was first published in 2001, and went on to win Bollinger Everyman Wodehouse Prize. It's set in 1970s Birmingham, and incorporates a number of real-life people, places and events into the back-story - including the Birmingham Pub Bombing (which led to the imprisonment of the Birmingham Six), the infamous British Leyland plant, the Unions and the inevitable strikes, Enoch Powell, the National Front and various other similar factions and the changes in musical fashion - most notably, from prog to punk rock.
The book tells the story of Ben Trotter's life at secondary achool, and opens in 1973. Ben has one older sister, Lois, and a younger brother, Paul and all three attend King Williams School - quite a prestigious establishment, though seen as a school for "toffs" by the city's working class. Of Ben's two siblings, Lois is much more likeable - and, as it turns out, a great deal more unfortunate. She starts dating Malcolm - generally just referred to as 'Hairy Guy' - shortly after the book opens. (Hairy Guy proves to be a big influence on Ben's musical taste). Paul, Ben's younger brother, generally tends to be a poisonous, spiteful brat. Among Ben's friends at school are Philip Chase, Duggie Anderton and Sean Harding. Like Ben's father, Duggie's father also works at British Leyland. However, where Ben's father is management, Duggie's father is a shop steward for the Union and a committed socialist. Ben, like every other boy at school, is hopelessly in love with Cicely Boyd. It's a pity, really, as he would have been much better off with the very likeable Claire Newman. (Meanwhile, Claire's sister - Miriam - is having an affair with Duggie's dad as the book opens).
The story is mostly told by Sophie - Ben's niece and Lois' daughter - looking back to the 1970s. Occasionally, some of the characters tell part of the story in their own words - a short story by Ben himself, a speech given by Duggie, sections of Lois' diary, the editorials of the school newspaper - even, at one point, a letter written to Ben by another character. On the whole it is a very readable, very enjoyable book - the only sections that didn't work for me were the introduction and the conclusion - featuring Sophie and Patrick. (In fact, the introduction was so bad I nearly didn't bother with the rest of the book). The book also, apparently holds the record for the longest sentence in English literature - Coe would've been better off just using punctuation, and forgetting about the record books, but it's not really that big a deal. Good enough for me to keep an eye out for its sequel - "The Closed Circle", which was released in 2004 and picks up the story in 1990s.
The Great British Novel.......2006-10-27
The funny thing is that I almost didn't get past the fourth page of "The Rotter's Club." I felt the the prologue was a little clumsy and I wasn't sure if I wanted to continue, afraid the rest of the book would be written that way; I kept the book in my bag anyhow. Fate intervened in the form of jury duty. For two days, I did nothing but read this novel while I waited to see if my number would be called (reader, it was) and found myself falling deeper and deeper in love with this novel. I forgave the prologue as well, it was just a case of a bad first impression. Had I not continued with this book, I would have denied myself one of the best reads of the year. So, despite jury duty being a pain, I'll always remember the shabby downtown municipal buildings fondly because it was the means of uniting me and this novel.
One thing I loved about the book is that it's absolutely, undeniably British. This isn't a book that will explain things to you (and there's a lot in here from 70s politics to labour unions to the punk movement), you either roll with it or you don't. I found myself going to Wikipedia many times for further information on many of the events that form Coe's tapestry. Much like Rohinton Mistry's India-set "A Fine Balance", these characters exist in a specific historic period in history (more specifically Birmingham, England) and play active roles.
One true-life situation that made my heart stop came at the end of the first section. Throughout the first part of the novel, Coe carefully gives us dates and situations that anticipate a late 1974 event at a pub in Birmingham. For those well attuned to contemporary (post-WW2) English history, (and those who are Brits themselves), they'll see exactly where Coe is going. As a North American whose grasp of English history grows fuzzy after the Blitz, I was taken aback by what happens and kept rereading that section to make sure I really did read that correctly; I felt sick for the next few minutes. (The only Birmingham event many Americans know of is Alabama in 1963.)
And if that stunning moment is Coe's best trick, it's a good one, but he doesn't stop there. Through multiple narratives, points of view, school newspaper articles, etc., Coe creates a complex and heartbreaking world in an uncertain era. And sheesh, Coe can write some of the funniest scenes possible; part of the glory is how he doesn't set you up for anything, you'll be reading along and then come upon unexpected hilarity. It's been a while since a book really made me laugh out loud and this was welcome, especially in a dreary, overheated jury room.
I'm looking forward to reading more of Coe's work and am surprised that it's taken me this long to discover him. "The Rotter's Club" is my recommendation for the Fall. Winter's coming, buy your copy now and save it for when you're snowbound or experiencing ennui- once you start this novel, you won't be bored much longer. Just a word to the wise: you may find it helpful to write down the names and relationships of the characters as you meet them as they variously go by both their first and last names. Happy reading.
A moving look at the recent past.......2006-07-31
Coe is better than most at telling a story, particularly a story set in a particular moment in history not long enough ago to have been memorialized as part of humanity's collective experience, but too long ago to stir immediate feelings of allegiance and identification--in this case, the politically fraught Birmingham of the 1970s. But he is transcendent when he is funny. I was sitting in a bar, no longer pretending to watch the World Cup, when I arrived at a scene in which a married couple are sitting around the living room studying, respectively, the daily crossword and a secret love letter, passing the dictionary back and forth, and I was giggling aloud as if I were drunker than I actually was, when I knew that I had passed from being entertained by Coe to being owned by him.
An Evelyn Waugh of the Left? .......2006-05-12
At the cover, it's quoted an apreciative NYT review describing Coe as "an Evelyn Waugh of the Left". Allow me to disagree, as this novel is far too much choke full of throughly postmodern traits (jagged structure, non-conclusive ending, various characters barely sketched, Pop/Erudite Culture mix, use of diaries, letters, etc.) for Waugh to be classed as its closest relative. Rather I found here a relationship with Philip Roth, mostly with the American writer's later novels - only, firstly, that Coe's politics are far more to my taste; secondly, that Coe is _far better_ than his older cross-Atlantic contemporary in that he has the ability of depicting a whole society as a totality (in the case, the British 1970s) without once marring his writing with the need to moralize that marred some of Roth's best depections of the American 1950s, 1960s and 1970s, such as "American Pastoral" & "I married a communist" ("the Human Stain" being the fortunate excepction).
SUPERB BOOK.......2006-04-02
Coe is a superb writer who really gets to the heart of the matter. He presses all the right buttons and in the right order. This book is equally as good as Born to be Mild - probably the best English book on the 70s and unlikely to ever be surpassed. But Coe comes mighty close and he's proving a force to be reckoned with in the same bracket of top novelists such as Nick Hornby and Tony Parsons.
Average customer rating:
- You won't fool the children of the Revolution -- oh, no
- "Does narrative serve any purpose? I wonder about that."
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Rotters' Club
Jonathan Coe
Manufacturer: Viking Books
ProductGroup: Book
Binding: Hardcover
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ASIN: 0670892521 |
Customer Reviews:
You won't fool the children of the Revolution -- oh, no.......2005-11-29
Nearly the end of Jonathan Coe's extremely funny masterpiece "The Rotters' Club", one of T. S. Eliot's poem is quoted. "Time present and time past / are both perhaps time future", and it is interesting that throughout the whole novel this is exactly what the writer is trying to state -- and he does so admirably.
Past and present walks hand in hand in "The Rotters' Club" -- such as in life. Our present is the result of the mistakes we made in the past. And the novels' characters -- as anyone -- have committed a lot of mistakes -- even though most of them are in their teens. As soon as we are born we start to make wrong choices.
Placed in the `70s, Coe uses Britain politics are the background for the story of Ben Trotter (a.k.a. Bent Rotter) and his friends. This is the period when the kids discover love, sex and above all that life is hard. In this fashion, the writer paints a paint a multicultural and multilayered portray of living in England in a troubled time, when IRA was bombing places and strikes were taking place all over the country.
Coe also exploits the kids' parents' lives exposing that not only youngsters are liable to commit idiotic mistakes. As a result he writes some of the funniest and saddest moments in the novel. Betrayal, failure and frustration seem to be the main cause of domestic problems.
Avoiding the common narrative, Coe brings to his text pages of characters' diaries, letters, school newspaper and even short stories written by them. In this sense the novel never falls the boredom because there always is something new and exciting in those pages.
The characters are amazingly real. And in the end one has the feeling that has met them in flesh and blood -- which is almost true since we have learned so much about them, that it is like we are all friends and part of the Rotter's club. And the fact that Coe wrote a sequel to the novel, called "The Full Circle", is even reason of joy, since we'll be able to meet our friends again and see what have happen to them in time present, time past and time future.
"Does narrative serve any purpose? I wonder about that.".......2005-11-28
In this novel of enormous reach, Coe attempts to give epic significance to the 1970's in Birmingham, England. Abandoning the extremely tight, limited focus he employed in The House of Sleep, Coe here employs a huge cast of characters, eight or ten of them teenagers (somewhat difficult to keep track of because they are not yet fully formed or unique), along with their parents and their parents' lovers, their brothers and sisters and the brothers' and sisters' lovers, and their teachers and some of their lovers.
Starting with a meeting in 2003 between the adult children of some of the characters from the 1970's, the novel switches back and forth in time through several different points of view, offering insights about what has happened in the interim. The teenagers' lives are depicted in minute detail as they work on school magazines, collect new rock albums, create their own bands, score with girlfriends, and do all the superficial things teenagers do the world over, told from the well-developed, if not particularly compelling, perspective of the `70's.
Coe can be very funny, and his view of teenage life is often amusing, but the teenagers also reveal their intolerance of differences, their casual cruelty, doubts about religion, ignorance of the political system, and general insulation from the forces which are shaping their world. Their parents' lives are completely separate from their children's, dealing with union vs. management issues, Labour vs. Tory political goals, a stagnant economy, resentment over immigration, IRA activity, some anti-semitism, and a belief that their dreams probably will not come true. These huge and important themes seem a bit jarring when juxtaposed against the superficial, day-to-day activities of the teenagers who are the main characters.
Coe has enormous, very obvious talents, but this book feels fragmented, with too many characters pursuing too many different ends, the ultimate goal seeming to be the recreation of the entire sociopolitical history of 1970's Birmingham. At the end of 400+ pages of this book, Coe himself states that a second volume will continue this story, perhaps the author's acknowledgment that his reach has exceeded his grasp with this one. Mary Whipple
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The Rotter's Club (Hercule Poirot Mysteries)
Jonathan Coe
Manufacturer: BBC Audiobooks
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ASIN: 075409619X |
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The Rotters' Club
Jonathan Coe
Manufacturer: Penguin Audiobooks
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ASIN: 0141804831 |
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- "Does narrative serve any purpose? I wonder about that."
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The "Rotters' Club"
Jonathan Coe
Manufacturer: Penguin Books Ltd
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Binding: Paperback
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ASIN: 0141020490 |
Customer Reviews:
"Does narrative serve any purpose? I wonder about that.".......2005-10-03
A novel of enormous reach, Coe attempts to give epic significance to the 1970's in Birmingham, England. Abandoning the extremely tight, limited focus he employed in The House of Sleep, Coe here employs a huge cast of characters, eight or ten of them teenagers (somewhat difficult to keep track of because they are not yet fully formed or unique), along with their parents and their parents' lovers, their brothers and sisters and the brothers' and sisters' lovers, and their teachers and some of their lovers.
Starting with a meeting in 2003 between the adult children of some of the characters from the 1970's, the novel switches back and forth in time through several different points of view, offering insights about what has happened in the interim. The teenagers' lives are depicted in minute detail as they work on school magazines, collect new rock albums, create their own bands, score with girlfriends, and do all the superficial things teenagers do the world over, told from the well-developed, if not particularly compelling, perspective of the `70's.
Coe can be very funny, and his view of teenage life is often amusing, but the teenagers also reveal their intolerance of differences, their casual cruelty, doubts about religion, ignorance of the political system, and general insulation from the forces which are shaping their world. Their parents' lives are completely separate from their children's, dealing with union vs. management issues, Labour vs. Tory political goals, a stagnant economy, resentment over immigration, IRA activity, some anti-semitism, and a belief that their dreams probably will not come true. These huge and important themes seem a bit jarring when juxtaposed against the superficial, day-to-day activities of the teenagers who are the main characters.
Coe has enormous, very obvious talents, but this book feels fragmented, with too many characters pursuing too many different ends, the ultimate goal seeming to be the recreation of the entire sociopolitical history of 1970's Birmingham. At the end of 400+ pages of this book, Coe himself states that a second volume will continue this story, perhaps the author's acknowledgment that his reach has exceeded his grasp with this one. Mary Whipple
Customer Reviews:
Disappointing.......2007-10-10
Having really enjoyed "The Trotters Club" I was very much looking forward to reading this follow up. Unfortunately I spent many days wondering whether I should continue or just give it up. It lacks the wit and sparkle of it's predecessor and is just hard going. Definitely not a page turner. Full of many factual events but without the "umph" I was looking for.
At loose in the world of the overprivileged and underdisciplined.......2006-11-04
This book is slightly more soapy (or, as some prefer to say, Dickensian) than "The Rotter's Club" and the adult predicaments of the characters a bit less charming, but my admiration for it only falls slightly below my enjoyment of the first book. And to be fair, I think much of my lowered esteem for this novel is because it takes place during the past seven years, years that I have experienced for myself and therefore it gives me less of an outsider looking in perspective and more of a groaning, "Oh god, he's certainly nailed that."
Part 2 in the saga of Ben Trotter and friends finds them in the age of Starbucks, cellphones, Tony Blair and alienation. Paul Trotter, more of a marginal troublemaker in the first novel, has a bigger role here and that proves to be a bit of a stumbling block on Coe's part as Paul's rather unsympathetic. Many of the characters are the same, just older but some of them, like Sean Harding, have developed in rather odd and almost unbelievable ways. To be fair, Coe alluded to this change in the very first pages of "Rotter's Club" but it still seems bizarre. The good news is that Benjamin is still as funny in his ineptness as ever.
The short three-year gap between this and "The Rotter's Club" would have me infer that Coe was probably writing these books in his head simultaneously. Questions from the first book are answered, and long simmering tensions come to a head. The book ends on a bleak, pessimistic note; am I happy with the way things turned out for everybody? Not really, but that's life. The characters are only in their 40s, and if Coe wanted to one day write more about them, I'll be one of the first in line in the States to get it.
The Closed Circle.......2006-07-06
It completes the story began in The Rotters Club, but is a
less compelling read.
LOSING HIS CROWN.......2006-06-18
Coe's crown as king of the male confessional is slipping and the likes of Dave Armitage and Mike Gayle are ready and waiting. This is a dreadfully disappointing follow up to the excellent Rotters Club. Coe walks a fine line with what he does and sometimes he slips up. Needs to come up with something better than this or risk losing a well earned following.
A Searing Disappointment.......2006-01-08
For those who don't know, this is a sequel to Coe's outstanding book The Rotter's Club, which chronicled pre-Thatcherite '70s Britain through the adventures of four Birmingham boys who enter into and pass through teenagerdom over the course of the story. Coe provides a summary of the first book's relevant plot elements at the end of this one, so that it can read this installment independently of The Rotter's Club. However, a lot of depth and richness will be missing without the full backstory. This book starts twenty years later, at the cusp of the millennium, and we find the protagonists muddling along toward middle-age. The first book was about the end of innocence and the demise of old Labour, this one's about the disappointment of growing up and the vacuousness of new Labour. In the former, the mining strikes formed the dominant backdrop and influenced the characters' lives, here they are buffeted by the Blairite ascendancy. But while the political backdrop to the first book felt organic and integral, here, issues like globalization and Gulf War II are equally important, but handled more clumsily than one can credit.
Our hapless hero Benjamin Trotter is a rather unhappily married accountant who still carries a torch for his teenage crush, and toils at the 1,000+ page Great Novel/Hypertext in his desk drawer. His younger brother Paul is now a good looking, smarmy, striving Labour MP determined to catch "Tony's" eye. Doug Anderton and Philip Chase are journalists of varying success. Claire Newman is returning from six years in Italy and a dead relationship, still mourning her missing sister. The book starts with her writing words in her journal that essentially sum up all that has changed in Birmingham over the two decades: "My first impression is that there are vast numbers of people who don't work in this city any more, in the sense of making things or selling things. All that seems to be considered rather old-fashioned. Instead, people meet, and they talk... Underneath is something else altogether -- a terrible, seething frustration." It is this frustration which consumes most of the story, as many of the characters are frustrated by where they are in their lives. Frustrated that they're still insecure, frustrated that they don't "have it all", frustrated that they have no sense of self, and frustrated by a nagging sense that life used to be much better, or at least just simpler. Of course, all of this is Coe's metaphor for the British national psyche and the state of modern politics.
Alas, it has to be said that as excellent as The Rotter's Club is, its sequel is a searing disappointment. The characters that were fully-realized, heartbreakingly bumbling teens are now barely recognizable two-dimensional adults. They've been stripped down to the bare minimum so that Coe can let loose his satirical hounds upon them in all too predictable a manner. The one significant new character (Malvina, a beautiful quasi-goth who completely implausibly ends up as Paul's media advisor) is both a representative of the next generation and an ridiculous addition. The sharp, believable dialogue of the first book is nowhere to be found, replaced here with wooden monologues or trite soap opera exchanges. And the intriguing plot twists that remained shrouded in mystery in the first book are here paid off in rather tepid fashion. Perhaps most disappointingly, the sharp political tone of the first book is replaced here with the most banal of satire: politicians who have no beliefs, parties which stand for nothing, secret policy groups, greedy corporate directors, and so forth. The entire enterprise is so far removed in quality from The Rotter's Club that one almost has to keep checking the cover to verify Coe is the author. In many ways, the book is about nostalgia, so it's somewhat ironic that what it perhaps most evokes is a sense of nostalgia for The Rotter's Club. If you liked that one, go ahead and read this, because like attending a dreadful 20-year reunion, it's it's worth it just to see how everyone turned out.
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The Rotters' Club
Jonathan Coe
Manufacturer: audible.com
ProductGroup: Book
Binding: Audio Download
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ASIN: B000A5CJVI |
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The Rotter's Club (Hercule Poirot Mysteries)
Jonathan Coe
Manufacturer: BBC Audiobooks
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Binding: Audio Cassette
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ASIN: 0754097218 |
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- Wait Until You Read This!
- Fairly exciting mysteries!
- Entertaining anthology
- A well balenced anthology
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Wait Until Dark
Karen Robards ,
Andrea Kane ,
Linda Anderson , and
Mariah Stewart
Manufacturer: Pocket
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When the sun goes down, the mood is right -- for heart-pounding romantic suspense!
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Customer Reviews:
Wait Until You Read This!.......2002-01-21
Charlotte Bates wishes for adventure in Karen Robards' MANNA FROM HEAVEN, and boy--does she get it! Jake Crutcher falls to her from the night sky, and soon drug smugglers are hunting Charlie and Jake, fighting river currents and falling in love.
In Andrea Kane's STONE COLD, Lindsey Hall is being threatened. Someone doesn't want her the keep the mansion she has just inherited. Could it be Nicholas Warner? He wants the land and he wants Lindsey...but which does he want more?
Addie Rivers, the beautiful librarian in Linda Anderson's ONCE IN A BLUE MOON, has a crush on Will Court, the handsome professor who's staying at her bed and breakfast. Addie's book club friends have been turning up dead and she may be next. Is it coincidence that the murders start up just when Will arrives in town?
In 'TIL DEATH DO US PART by Mariah Stewart, model Valerie McAllister is attacked by a stalker. She goes home to Montana and to Schuyler Hollister. Sky and Val never had the chance to get together, first Sky always saw her as his friends' little sister, and then her job took her away. Now they finally have the chance, but will the stalker come between them?
I enjoyed all four stories in the WAIT UNTIL DARK anthology. Great suspense, intrigue, adventure and romance in all. I especially enjoyed Linda Anderson's ONCE IN A BLUE MOON. I was lying in bed reading it last night, and I kept looking around my room making sure I was really alone. I felt so silly, but that just goes to show that Ms. Anderson has created an exceptionally atmospheric story.
If you are looking for a romance book that is heavy on the suspense and will keep you on the edge of your set, then you've found it in this anthology. Go out and get your copy today!
Fairly exciting mysteries!.......2001-09-04
I picked this up in the airport for light reading and was very amused by these 4 short story/mystery/romances. Karen Robards tale about a Country Western singer and the DEA agent who saves both their lives in a rather chilling, exciting chase was very good.
Andrea Kane's story about an inheritance that really messes up a family plan was interesting.
Linda Anderson's tale about a small town librarian and the handsome professor boarding at her mother's Bed and Breakfast was scary and chilling. I was kept guessing for a period of time on who the bad guy was. Mariah Stewart's story I found was the weakest. It just did not do it for me. But I finished the whole book by the time I got to Atlanta and it was a fun read.
Entertaining anthology.......2001-08-08
Karen Robards' first short story was so enthralling I couldn't put it down until I was finished. The others were equally entertaining. I am definitely going to explore more of the novels of Karen Robards !! Highly recommended for summer reading.
A well balenced anthology.......2001-05-01
"Manna From Heaven" by Karen Robards. Country western singer Charlie is in the remote wilderness getting rid of a wild and angry raccoon. As part of a drug deal, Jake parachutes onto her car, thinking that Charlie is the driver Laura he is to meet. Now love and danger have just begun.
"Stone Cold" by Andrea Kane. In Rhode Island, when her biological father dies, he leaves Lindsey a mansion that surprises everyone since they never met and had no relationship outside of shared genes. His family wants that house and Nicholas goes to obtain it from the usurper until he falls into his own seductive trap by loving his victim.
"Once In a Blue Moon" by Linda Anderson. Addie wonders if a serial killer is on the loose and could it be the handsome visiting research professor Will? She hopes not because he is quickly gaining her heart.
"'Til Death Do Us Part" by Mariah Stewart. In Southern California, someone stalks model Valerie to the point that she flees for her hometown in Montana. Her childhood sweetheart offers Sky comfort, protection, and most important love, as the clever culprit has followed her to Big Sky Country. All four stories are exciting non-stop romantic suspense tales that star fully developed charcaters who showcase the talents of this strong quartet of writers.
Harriet Klausner
Customer Reviews:
One of the best plays ever written!.......2000-02-04
This is a must read, or see play. One of the best depictions of a psycotic killer. Don't pass it up!
ok.......1999-11-19
This was really good. It kept me in suspense
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Manufacturer: Backinprint.Com
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ASIN: 0595142397 |
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Wait Until Dark
Manufacturer: Pocket
ProductGroup: Book
Binding: Hardcover
ASIN: 0739417029 |
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Wait Until Dark
ProductGroup: Book
Binding: Paperback
ASIN: 0439056896 |
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Wait until dark: Jazz and the underworld, 1880-1940
Ronald L Morris
Manufacturer: Bowling Green University Popular Press
ProductGroup: Book
Binding: Unknown Binding
General | Classical | Musical Genres | Music | Entertainment | Subjects | Books
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ASIN: 0879721499 |
Books:
- The Siege of Krishnapur (New York Review Books Classics)
- The Smell of the Night (An Inspector Montalbano Mystery)
- The Third Policeman
- The Thistle and the Rose: The Tudor Princesses
- The Time of Our Singing: A Novel
- The Virgin Suicides
- The Yiddish Policemen's Union: A Novel
- Three Complete Novels: The Andromeda Strain, The Terminal Man, and The Great Train Robbery
- Tsotsi: A Novel
- Two Old Women: An Alaska Legend of Betrayal, Courage and Survival
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