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The Collected Tales and Poems of Edgar Allan Poe (Modern Library)
Edgar Allan Poe
Manufacturer: Modern Library
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ASIN: 0679600078
Release Date: 1992-09-05 |
Book Description
Edgar Allan Poe was one of the most original writers in the history of American letters, a genius who was tragically misunderstood in his lifetime. He was a seminal figure in the development of science fiction and the detective story, and exerted a great influence on Dostoyevsky, Arthur Conan Doyle, Jules Verne, and Charles Baudelaire, who championed him long before Poe was appreciated in his own country. Baudelaire's enthusiasm brought Poe a wide audience in Europe, and his writing came to have enormous importance for modern French literature. This edition includes his most well-known works--"The Raven," "The Pit and the Pendulum," "Annabel Lee," "The Fall of the House of Usher," "The Murders in the Rue Morgue"--as well as less-familiar stories, poems, and essays.
Customer Reviews:
Quoth the raven.......2006-07-06
I've always had a liking for Edgar Allan Poe, with his tales of horror, mystery and suspense, done in the atmospheric prose of a master writer. Since I live close enough, I've even made some trips to his gravesite, a place that is always surrounded by a sense of sadness.
Poe was a tormented genius who died young, under mysterious circumstances, and at the time of his death he wasn't deservingly popular. Certainly his work was not cute romances for the masses -- he explored the darkness of the human heart, love, satire, and the earliest whodunnit stories. And "Complete Stories and Poems of Edgar Allan Poe" brings together all of his poetry and writings in one book.
Poe's fiction writings include short stories and novellas, which tend to be rather weird -- a treasure-hunt and a golden insect, a ship caught in a whirlpool, a hypnotized man talks about the universe, and stories of despair, madness, and occasionally beauty. There is also his trilogy of Monsieur C. Auguste Dupin stories, which were the first to feature a brilliant detective solving an impossible crime.
Most people know about "The Raven" (which even has the Baltimore Ravens named after it) but Poe actually wrote a lot of poetry, most of which readers never heard of. Sometimes dark, or whimsical, or even both. "By a route obscure and lonely/Haunted by ill angels only/Where an Eidolon, named NIGHT/On a black throne reigns upright..."
And, of course, the horror. This is what Poe is best known for, including such well-known stories as "The Fall Of The House Of Usher." But there are also lesser-known gems -- tales of a plague invading a party, being buried alive, a portrait that siphoned the life out of its subject, and a nightly visit to an Italian crypt leading to madness.
Don't read "Complete Stories and Poems" all at once. It's too intense. It's better to soak it in a little at a time, so that you can get a better feel for the different kinds of writing that Poe did, and how he excelled at pretty much everything he put down on paper. Most great writers can't boast of that much.
Poe's writing is what makes even his least story or poem come alive -- he brought a gothic, misty vibrancy to his stories, and could make his quiet dialogue seem utterly chilling (" "I have no name in the regions which I inhabit. I was mortal, but am fiend..."). It's not hard to see why he was an influence on authors such as Fyodor Dostoevsky, Oscar Wilde, Arthur Conan Doyle and Franz Kafka.
"Complete Stories and Poems of Edgar Allan Poe" is a must-have for anyone with an appreciation for great literature and beautiful, dark writing.
Meditations On Horror In "Terrible Ascendancy".......2006-05-06
'Horror,' as it is broadly understood, is defined by two essential elements: the active presence of decay, some 'abnormal' manifestation of nature, or a combination of both.
One hundred and fifty-seven years after his early death, Edgar Allan Poe (1809-1849), who made horror the dominant theme of his creative work, remains the American master of the weird tale. Poe's work has had enormous worldwide influence: French poet Charles Baudelaire was an early champion and translator, Poe's 'William Wilson' (1839) haunts the pages of Oscar Wilde's The Picture of Dorian Gray (1890), and several stories look presciently ahead to work of Sigmund Freud and Carl Jung.
The Collected Tales and Poems of Edgar Allen Poe (1992), which also includes humorous pieces ('The Devil in the Belfry' is a hilarious tribute to the father of American literature, Washington Irving), detective fiction (Irving's 1838 story-cycle 'The Money-Diggers' stirs fluidly beneath 'The Gold Bug'), and early examples of what would come to be known as science fiction, brings together most of the author's important work.
Two general narrator (or protagonist/character) types emerge. The first is meticulously rational, calm, and 'objective'--like Dupin, the amateur sleuth who coolly solves the mystery of 'The Murders in the Rue Morgue.' The second, best represented by Roderick Usher in 'The Fall of the House of Usher,' is psychically haunted, deeply subjective, acutely sensitive in every pore, and barely able to repress the hysteria--at best--simmering just beneath the surface of his consciousness.
Both general types are isolated and obsessive in their own way--the first perhaps imagines he has found salvation by holding the world at a kind of hard cerebral remove, while the second surrenders his will in increments and sinks obliquely into emotional, spiritual, psychic, and physical fragmentation. The second type (found in 'The Fall of the House of Usher,' 'Berenice,' 'The Black Cat,' 'The Pit and the Pendulum,' and 'William Wilson,' among others) dominates and defines Poe's work.
Poe occasionally offers readers a combination of both types, as in 'The Imp of the Perverse,' in which the narrator, after a lengthy, meditative, and 'objective' discourse on the self-destructive aspects of human nature, briefly tells his own story: compelled to commit a pointless murder, he then finds himself equally compelled to publicly confess it.
Fatalism and perdition are key characteristics of the author's work: death may await everyone, but, in Poe, death impatiently reaches forward into men's lives, sickening, exhausting, and corrupting them, thus hastening fragile humanity's end. Poe's protagonists are once healthy, now dire, everymen surrounded on every side by hostile, malevolent, and destructive forces which dominate every plateau, division, and category of existence that man has methodically--and rather naively--mapped out. Human instinct proves to be 'red in tooth and claw'; the senses betray; the mind collapses; the borders and boundaries of civilization are violently breached; the natural world reveals a harsh, predatory, and incomprehensible face; physical laws prove unreliable; loving relationships sicken and fester; all agents of stability prove false and slip away.
Most of Poe's work suggests that there is no escape for anyone (--"dead to the World, to Heaven, and to Hope!"), and, as several of the tales underscore, including 'The Fall of the House of Usher' and 'Ms. Found in a Bottle,' even the cessation of life may bring no solace for some. However, reprieves are possible: the narrator barbarically tortured by the Spanish Inquisition is freed by the arriving French army at the conclusion of 'The Pit and the Pendulum,' the sailor who experiences 'A Descent Into the Maelstrom' survives to tell of his ordeal, and the vengeful dwarves in 'Hop Frog' apparently escape at that story's conclusion.
Remarkably, because of the skill with which he illustrates his view of man's utter lack of genuine choice or ability for self-determination, Poe manages to make most of his characters likeably human, despite their illnesses, eccentricities, and perversions. Though the tales team with toxic bloodlines, incestuous relationships, premature burials, rioting lunatics, marauding plagues, 'tormenting' doppelgangers, parasitic spirits of the dead, animated corpses, "ghoul-haunted woodlands," and a fair variety of additional supernatural tableaus, Poe remains is a remarkably rational, balanced, and economic storyteller, since the ultimate horror lies not in the external threat, but in the narrator's realization that what he is experiencing is the genuine nature of life itself.
Poe's tales suggest that, if all of mankind lives within a perpetually collapsing, cannibalizing universe, the most one can hope for is that, in the present, it is collapsing on someone else.
Fantastic Poe!.......2002-08-27
Poe is one of the best horror writers ever to have lived. I have read all of his works. Some of his best stories are The Fall of the House of Usher, The Masque of Red Death, The Black Cat, The Cask of Amontaiado, The Pit and the Pendelum, and The Tell-Tale Heart. His great poems include-The Raven and The Bells. Poe is a fantastic author, and his creepy tales of the dark side of life should be read over and over.
Tales from the Master.......2000-06-19
Poe is one of the world's finest writers and this collection of stories is what he's all about. This book contains the best of his tales, with many others for you to explore on your own. It has his poems and short stores. Its contents is very close to being unabridged except, for it missing a few poems and stories that aren't very good anyway.
Poe's tales contain all the excitement of a novel, in around 10 pages. I recommend this collection because it offers hours of enjoyment. The only thing you might need is a large vocabulary because he tends to have an advanced word choice. Get this book and have fun!
I like it!.......1999-11-08
I am ordering it because I saw it in a local bookstore and it was much more than it is here. I really like The Raven and a Tell-Tale Heart so I figured I better order it. I really like the Raven. I liked it so much that I memorized it for a school project! It was hard but I did it! As a matter of fact, I still remember some of it!
Book Description
Bankruptcy in America, in stark contrast to its status in most other countries, typically signifies not a debtor's last gasp but an opportunity to catch one's breath and recoup. Why has the nation's legal system evolved to allow both corporate and individual debtors greater control over their fate than imaginable elsewhere? Masterfully probing the political dynamics behind this question, David Skeel here provides the first complete account of the remarkable journey American bankruptcy law has taken from its beginnings in 1800, when Congress lifted the country's first bankruptcy code right out of English law, to the present day.
Skeel shows that the confluence of three forces that emerged over many years--an organized creditor lobby, pro-debtor ideological currents, and an increasingly powerful bankruptcy bar--explains the distinctive contours of American bankruptcy law. Their interplay, he argues in clear, inviting prose, has seen efforts to legislate bankruptcy become a compelling battle royale between bankers and lawyers--one in which the bankers recently seem to have gained the upper hand. Skeel demonstrates, for example, that a fiercely divided bankruptcy commission and the 1994 Republican takeover of Congress have yielded the recent, ideologically charged battles over consumer bankruptcy.
The uniqueness of American bankruptcy has often been noted, but it has never been explained. As different as twenty-first century America is from the horse-and-buggy era origins of our bankruptcy laws, Skeel shows that the same political factors continue to shape our unique response to financial distress.
Customer Reviews:
A thorough, well-written history of US bankruptcy law.......2002-04-11
Mr. Skeel's book is an excellent description of the meandering history of bankruptcy legislation in the United States, linked to the conflicting reactions bankruptcy legislation has always provoked (debtors are expected to pay; but those who for, reasons beyond their control, become unable to do it, are morally entitled to relief and to a fresh start). The book's introductory chapter explains well the basic legal concepts underlying subsequent chapters and makes the book quite accesible to non-specialists. Besides factual information about legislative changes since the beginning of the XIX century - I found particularly interesting Chapter 2, on how judges created de facto a regimen akin to modern Chapter 11 to deal with bankrupt railroads-, the book frames some of those changes in terms of "public choice" theory. For instance, I found interesting Mr. Skeel's view that the conflicting preferences of the various political groups represented in Congress led to a pattern of cyclical majorities among three alternatives (i.e. a)no bankruptcy law b)strict, "complete" pro-creditor bankruptcy code, and c)lenient, "voluntary-only" pro-debtor bankruptcy legislation) which might explain the instability of US bankruptcy law up to 1898. Chapter 4, on legislative changes introduced in the 30s in the backlash against the previous excesses in Wall Street, sheds significant light on some outstanding and recently-discussed differences between US and British bond legislation (e.g. the prohibition in the US, under the 1939 Trust Indenture Act, of many "collective action clauses" allowing bondholders to accept by majority -as oppposed to unanimity- changes in the terms of the bonds). Some short passages of the book -e.g., those explaining changes in the internal pecking order within the legal professions- will appeal primarily to US practitioners and academics, not so much to a wider audience. The book covers lots of ground and is highly recommendable as written. But if Mr. Skeel were willing to expand its scope, it is easy to think of additional areas which he might usefully explore, at least briefly, in future editions (e.g.lessons from Enron's debacle; recent international debates on "collective action clauses" or even Chapter 11-like "Sovereign Debt Restructuring Mechanism" to deal with the bankruptcy of sovereign borrowers; a more detailed description of Thomas Jackson's characterization of bankruptcy as a "prisoner's dilemma" for creditors;or, finally, to highlight the relatively lenient US bankruptcy law, some passing reference to the traditional, British-style debtors' gaol so well described by Dickens and other authors).
Book Description
In 1982 Johns-Manville, a major asbestos manufacturer, declares itself insolvent to avoid paying claims resulting from exposure to its products. A year later, Continental Airlines, one of the top ten carriers in the United States, claims a deficit when the union resists plans to cut labor costs. Later still, oil powerhouse Texaco cries broke rather than pay damages resulting from a courtroom defeat by archrival Pennzoil.
Bankruptcy, once a term that sent shudders up a manager's spine, has now become a potent weapon in the corporate arsenal. In his timely and challenging study, Kevin Delaney explores this profound change in our legal landscape, where corporations with billions of dollars in assets employ bankruptcy to achieve specific political and organizational objectives. As a consequence, bankruptcy court is rapidly becoming an arena in which crucial social issues are resolved: How and when will people dying of asbestos poisoning be compensated? Can companies unilaterally break legally negotiated labor contracts? What are the ethical and legal rules of the corporate takeover game?
In probing the Chapter 11 bankruptcies of Johns-Manville, Frank Lorenzo's Continental Airlines, and Texaco, Delaney shows not only that bankruptcy is pursued by managers more and more as a strategy, but that it is becoming accepted by the business community as a viable option, and not just a last-ditch solution.
This searing exposé of current corporate practices will incite debate among corporate executives, lawyers, legislators, and policy makers.
Customer Reviews:
Don't Bother.......2004-02-27
The author should have stuck with sociology or at least taken an accounting class before writing this book. Overall, the book is what you would expect from a sociologist writing about business.
Corporate bankruptcy can be a STRATEGY!.......2003-06-05
I wanted to learn more about the asbestos problem and the bankruptcy filing of John-Mansville since I knew someone who had lung problems from asbestos. I heard about this book and got it. This is the first thing that I have read that really helped me to understand what happened when Mansville, the biggest asbestos company went bankrupt. The book is clear and explains complicated bankruptcy cases to the lay person. Now, I finally understand why people with asbestosis ended up going through years of delay in BANKRUPTCY court of all places! What is most amazing is how people who get asbestos end up being treated like "unsecured creditors" as if they lent their life to the corporation like a bank loan! Truly amazing.
Great book.......2003-02-13
I read this book for a college class. I expected it to be boring because it was about bankruptcy but instead it was really interesting... The cases do come alive and you realize bankruptcy means something different than you thought it did. This book has me interested in taking bankruptcy classes in law school, something I thought I'd never do!
The politics of corporate bankruptcy: top-rate.......2002-08-19
This book is not about the financial aspects of bankruptcy and it is not about how to turn around companies. It is about the politics of major corporate bankruptcies. It is clearly written and well documented. It is amazing how prescient the book is given what has happened at WorldCom and at Enron. For anyone that is interested in politics and the ways that Chapter 11 can be used as a strategy, this book is the best. If you want to understand why some huge companies might actually CHOOSE bankruptcy and gain some advantages by doing so, check out this book.
A Poor Use of Paper.......2002-08-14
This is without a doubt, the most uninsightful book I've ever laid eyes on. The book reads like a freshman term paper written in short order. It is clear the book was written without objectivity and any depth in understanding of finance. The book was also originally published in 1992 (or sooner). Save your money.
Book Description
Inside the Minds: The Art & Science of Bankruptcy Law is the most authoritative book ever written on the essentials behind the successful practice of bankruptcy law. This title features Group Chairs and Department Heads of Bankruptcy from some of the nations top law firms, who have each contributed chapters akin to objective, experience-related white papers or essays on the unique responsibilities they hold within the legal field. In an over-arching as well as in-depth presentation of the fundamentals, authors articulate the unspoken rules and the important issues facing any bankruptcy lawyer now, and what will hold true into the future. From examining the fundamental role of the lawyer and the creditor-debtor relationship, to evaluating the process of emerging from bankruptcy, and protecting and liquidating assets, this book pulls readers through all facets of bankrupcy law, from start to finish. The different niches represented and the various perspectives presented enable readers to get inside these great legal minds and gain valuable insights into the industry, as the experts go back to basics in a must-read for anyone interested in bankruptcy and the law.
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The Fallen Colossus
Robert Sobel
Manufacturer: Beard Books
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Binding: Paperback
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ASIN: 1893122883 |
Book Description
The Penn Central debacle has much to teach investors, businessmen, and financiers about giant corporations caught in economic recessions or industries suffering a slow decline.
Customer Reviews:
A Detailed History.......2001-04-18
The Fallen Colossus is, on the surface, the story of the failure of the Penn Central Railroad. Sobel, however, takes great pains to chronicle the development of transportation in America. Starting with the the very begining of freight and passenger transit by roads and turnpikes, through the canal era, he ulitmately provides a thorough treatment of the eastern lines (and even a bit beyond when he discusses the impact of air and highway transport on the rail industry). The book is, at times, tedious with figures and balance sheets, though they are important to understanding railroads as a business and as a contributing factor to the near catastrophic collapse of the 1960s. The book was written as the Penn Central mess was just being cleaned up with the advent of Conrail and Amtrak. It is notable that the author notes the overly optimistic estimate by the directors of the new Conrail organization that they expected to take these bankrupt railroads and make them profitable by the 1980s. The author and others doubt this potential. Ironically, it worked and Conrail was reasonably successful where the Penn Central failed. Overall, an informative, if not lively, read for those looking into how not to run a railroad.
One curious item is the generic cover art. It cannot possibly be part of what was the Penn Central. The scene is one of flat desert with straight rails running toward a series of treeless hills on the horizon. It looks more like the Southern Pacific as this scene couldn't possibly be Appalachia. Details, details.
Book Description
The escapades of such Debtor Barons as Robert Campeau are depicted against the backdrop of national ardor for acquiring debt that characterized the 1980s.
Customer Reviews:
A great read for those interested in the retail industry.......2007-02-26
This story is so outrageous that its sad to be true. Mr. Campeau is directly responsible for much of what we see and don't see today in the department store industry, especially industry behemoths and the disappearance of once celebrated stand-alone department stores. It is a warning for investment bankers, private equity buyers, and corporate buyers who have quickly forgotten how the excesses of the 1980s came crashing down, as well as providing a solid foundation the department store retail sub-sector. To top it off, it is a good, well written, and entertaining story.
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The Fall and Rise of Freedom of Contract
F. H. Buckley
Manufacturer: Duke University Press
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Binding: Hardcover
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ASIN: 0822323338 |
Book Description
Declared dead some twenty-five years ago, the idea of freedom of contract has enjoyed a remarkable intellectual revival. In The Fall and Rise of Freedom of Contract leading scholars in the fields of contract law and law-and-economics analyze the new interest in bargaining freedom.
The 1970s was a decade of regulatory triumphalism in North America, marked by a surge in consumer, securities, and environmental regulation. Legal scholars predicted the âdeath of contractâ and its replacement by regulation and reliance-based theories of liability. Instead, we have witnessed the reemergence of free bargaining norms. This revival can be attributed to the rise of law-and-economics, which laid bare the intellectual failure of anticontractarian theories. Scholars in this school note that consumers are not as helpless as they have been made out to be, and that intrusive legal rules meant ostensibly to help them often leave them worse off. Contract law principles have also been very robust in areas far afield from traditional contract law, and the essays in this volume consider how free bargaining rights might reasonably be extended in tort, property, land-use planning, bankruptcy, and divorce and family law.
This book will be of particular interest to legal scholars and specialists in contract law. Economics and public policy planners will also be challenged by its novel arguments.
Contributors. Gregory S. Alexander, Margaret F. Brinig, F. H. Buckley, Robert Cooter, Steven J. Eagle, Robert C. Ellickson, Richard A. Epstein, William A. Fischel, Michael Klausner, Bruce H. Kobayashi, Geoffrey P. Miller, Timothy J. Muris, Robert H. Nelson, Eric A. Posner, Robert K. Rasmussen, Larry E. Ribstein, Roberta Romano, Paul H. Rubin, Alan Schwartz, Elizabeth S. Scott, Robert E. Scott, Michael J. Trebilcock
Book Description
Americans now depend more heavily upon credit than any other society on Earth, or any other time in history. Borrowing has become a way of life for millions of families, and it is hard to imagine a time when charge accounts did not exist. Nonetheless, it would be a mistake to assume that, because a wallet filled with plastic instead of cash is a relatively new phenomenon, Americans have not been borrowers and lenders since the colonization of the New World. Author Peter J. Coleman proves otherwise. In one Form or another -- notes of hand, book credit, commercial paper, mortgages, land contracts -- settlers borrowed to pay their passage from Europe, to buy and clear land, to build and operate mills, to purchase slaves, and to gamble and drink. Debtors' prison awaited those who could not pay their debts, and a pauper's grave received the unfortunate who lacked the private means to feed and clothe himself in prison. While the debtors' prisons described in this book no longer exist, the author maintains that our credit-oriented society has yet to devise cheap, efficient, equitable, and humane methods of enforcing contracts for debt.
Book Description
These case studies were prepared primarily to provide basic material for the analysis, presented in Volume I, of the problems and practices that have developed from the experiences of foreign bondholders with insolvent states.
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Bankruptcy in United States History
Charles Warren
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Debt's Dominion: A History of Bankruptcy Law in America
ASIN: 1893122166 |
Book Description
An informative look at the historical and constitutional development of bankruptcy laws.
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