With the world's economy in a slump, the Middle East's never ending conflict, and the on-going war on terrorism, there is a heightened awareness in the world community of the many sides of the numerous issues that both directly and indirectly affect our lives. Increasingly, people are feeling powerless and underrepresented because they have no voice.
Designers, however, have a voice. They are among the most influential bystanders because their skills enable them to communicate a message easily through the Web or through posters and printed pieces. A picture is worth a thousand words and designers have used this adage to their advantage for years by creating simple yet powerful designs that immediately convey the message to the viewer. The Design of Dissent focuses on graphic work that designers have made as a result of social and political concerns. The time is certainly ripe as the U.S., and world, flares in opposition on so many important issues.
NY fame), this book is survey of the use of design to express dissent in various arenas and mediums.
In the interview with Glaser in this book, "dissent" is defined as being both a response and challenge to existing power and can be either destructive or constructive. Destructive dissent often takes the form of violence, which, while sometimes an effective methodology for achieving change, also grants carte blanche for overwhelming use of force or oppression in response. Glaser views dissent via design as a more constructive approach that may be less directly effective, but is nonetheless subversively provocative in a useful way. In his words, design can be a "form of activism" in that "we all have the responsibility to be good citizens"--which means becoming involved (ie. passivity endangers democracy). Fortunately, design is a field that is open to all-- while "you have to know something about the nature of communication, either by instinct or training," all it can take to make an impact is a good idea and moderately capable execution of that idea. Finally, in Tony Kushner's foreword, the proposition is made that successful dissent design embodies three elements: it should be shocking, funny, easily grasped, and perhaps, forbidden or dangerous.
In keeping with the book's theme, the contents are arranged somewhat counterintuitively. The table of contents appears at the rear, along with the introductory interview and foreword, which theoretically set the tone for what follows (or rather, precedes...). The bulk of the book is comprised of hundreds of examples of designers' work grouped into the following themes: Communism, Palestine and Israel, Ex-Yugoslavia, Iraq War, Peace, Equality, Animal Rights, Corporate World, Media, Gun Control, Government, and the 2004 U.S. Presidential Election. Almost all of these examples are from the last twenty years, with the occasional foray into the 1960s or 70s. These are often very striking and compelling individual pieces accompanied with credits and succinct contextual notes, but as with many such portfolio or survey books, one gets the distinct sense that some designers and topics have been favored or over-emphasized based on Glaser's personal preferences.
More problematic is the emphasis on relatively recent works--a more apt title might have been "The Design of Modern Dissent." However, the most distressing aspect of the book is it's near universal emphasis on the leftist or liberal end of the spectrum. One could make a valid argument that since dissent is by its very nature in opposition to the powers that be, that of course the bulk of the examples are going to be anti-corporate, anti-military, anti-war, and anti-establishment. However, it would have been a much stronger presentation had there been examples from the entire political spectrum. For example, there's no doubt that the right-wing in America has some powerful visual imagery at its disposal (especially in regard to abortion), or even that some hate groups like the KKK and neo-Nazis have some very striking design components in their arsenal of dissent against the mainstream. However, its clear that Glaser has no interest in providing examples from beyond his own limited range of the political spectrum and thus he does a disservice to the topic.
the design of dissent.......2005-08-05
Milton Glaser is a genious. His graphics inspire, amaze, provoke, and delight. This is a book which will be revisted often.
Design of Dissent.......2005-08-05
Milton Glaser, Mirko Iilic & Tjony Kusner have put together a visually powerful book. The posters were drawn from individuals and groups around the world and encompass artwork from the 1960's to the present. They express a broad spectrum of concerns from many viewpoints.
Mr. Glaser has stated in an interview "the general perception I have is that design can function in culture and has a social role that cannot be only about selling goods". This is certainly true of the design art found in this book. The brief accompanying text to each poster adds to the reader's appreciation and is often invaluable to understanding the meaning of some posters that use language or symbols the reader may not be familiar with.
This is not a "coffee-table" book. The impact of the images and messages are direct, dramatic, sometimes humorous, and often very intense. You don't have to be a graphic designer to appreciate this book. If you believe as Mr. Glaser does that "dissent protects democracy", this book is worth a long look.
Customer Reviews:
A close, if brief, look at art-making.......2006-12-06
Since you've made it this far, allow me to briefly write about the book--the other commenter puts Glaser's personality so well in context. The book's content is graphic material, both published and rejected, complemented by Glaser's succinct explanations concerning any of the following: historic/social context, guiding professional principles, technique and process, interpretation, the tension between client and creator, etc. The text and the graphical works are very diverse, ranging from terse to lengthy, and simple to complex, respectively. All in all, the feeling of being in Glaser's presence (in class or studio) is likely to grow in you as you progress through the book.
If what you've read so far compels you to get the book, do so by all means, it's a 5-star! Otherwise, if, let's say, you are looking for for something akin to a cafe-table book, this one gets only 3 to 4 stars.
A landmark of graphic design books........1999-07-30
It's certainly unbelievable that nobody reviewed this book before (july 30 1999). Milton Glaser means to the history of graphic design what Michelangelo or Arcimboldo or Leonardo mean to the history of art. In a time when the likes of David Carson or any of the trendy computer BS designers reign, discovering Milton Glaser should be like a breath of fresh air. He represents a rare breed (almost extinct) of designers who master the craft of casting a good idea with the appropiate "visual language" in order to get the message across. His illustration skills as well as his thinking are always on the crest of the wave, regardless of who is "en vogue" at the time. He stands for excellency in the widest sense of the word. No designer who prides himself/herself of being one, should continue practising/studying without -at least- flipping through this book.
Average customer rating:
- Less was more
- A good ,allthough basic, overview of the giants
- monolithic work in the palm of your hand!
- if your a visual person, this book is for you
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Six Chapters in Design: Saul Bass, Ivan Chermayeff, Milton Glaser, Paul Rand, Ikko Tanaka, Henryk Tomaszewski
Philip Meggs
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Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs)
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The Elements of Typographic Style
ASIN: 0811817229 |
Book Description
Stylish and concise, this volume presents the work of six venerable names in modern design history. Featuring more than three hundred examples of their best work, yet still eminently portable, Six Chapters in Design is a charming model of economy. Each chapter begins with an essay by a fellow designer, or poet, or, in the case of Saul Bass, director Martin Scorsese, and closes with a biographical profile. Esteemed by designers around the world, these are the artists who created the identities of Warner, AT&T, IBM, ABC, UPS, and Westinghouse; film titles for The Shining and Cape Fear; posters; advertisements; and memorable images of every sort. Their work, nearly omnipresent in everyday life, has influenced an entire culture. This dynamic compendium is a smart resource for designers and artists working in any medium.
Customer Reviews:
Less was more.......2002-06-22
This book is exactly what I hoped it would be: a visual parade of the works of designers who are arguably considered superstars in graphic design.
The various graphics are seen applied to print (magazine/book/poster), signage, film and sculptural media.
The examples span several decades, from the early 40s to the mid-90s. The great thing about seeing superb design in the years before the 1980s is that design during that period was accomplished without the use of computers; as a result, greater emphasis was placed on composition, shape, typography, color and imagination. The result was design that was simple, bold and highly communicative. It's a far cry from the over-stimulated design that almost everyone with a computer is capable of producing -- and has.
The back of the book contains an index to the graphics with a descriptive label and the year in which each was produced. Each designer's section starts off with a few paragraphs of introductory text, and ends with a brief bio.
The graphics are displayed one per page, and speak for themselves. Designers should pay attention to the message in this body of work.
A good ,allthough basic, overview of the giants.......2001-04-14
I think this book is a fairly good inventory of design works by the giants. Some of the works displayed have dated and it seems there could have been better editorial choices. Nevertheless, i think its a good starter for the begginer, and is a fun way to kill an hour.The print quality is exellent, giving vivid colors, but the cover design is...well- a shame.
monolithic work in the palm of your hand!.......1999-09-29
Great works by the great designers, including my fav. Saul Bass's anatomy of a murder, it's simply a designers inspiration in carry size.Don't strain your eyes - it's picture only.
if your a visual person, this book is for you.......1999-03-22
i say this because theres absolutely no copy. color galore and histories of they're work are covered in full. have fun looking at the greats, i did.
Average customer rating:
- Great for Students
- Glaser a genius, all designers need this
- Magnificent!
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Art is Work: Graphic Design, Interiors, Objects and Illustrations
Milton Glaser
Manufacturer: Overlook Hardcover
ProductGroup: Book
Binding: Hardcover
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Milton Glaser: Graphic Design: Graphic Design
ASIN: 1585670693
Release Date: 2000-12-04 |
Book Description
Art is Work, lavishly illustrated with more than 500 full-color reproductions, is a comprehensive overview of legendary designer Milton Glaser's rich and varied oeuvre, a dazzling array of iconic work on well-known products, ranging from newspapers and magazines to toys, textiles, restaurant interiors, supermarkets, posters, album covers, and much, much more. An illuminating text accompanying these images offers a rare glimpse into his personal artistic philosophy and working methods. Art is Work reflects Milton Glaser's abundant gifts and is a fitting manifestation itself of the talents of one of the powerful and creative forces in design today.
Customer Reviews:
Great for Students.......2002-03-24
Milton Glaser has rightly been called a genius. With the exception of some printing issues (the only reason this doesn't get 5 stars), this is a great book. Besides cataloguing much of Glaser's work, the interviews and pieces which show the progression of his work are amazing. I'd highly recommend this to ANYONE involved in teh creative process, but especially to students who may not fully realize how the creative process can play out (and scoffs at the idea of multiple sketches and comps)
Glaser a genius, all designers need this.......2001-05-20
I'd have rated it 5 stars save that the printer (I returned my first copy) has a few blotches and splotches here and there; not terrible, just improper). Milton Glaser was called a genius when he was inducted into the NY Art Directors Club Hall of Fame. He is! His conceptions are powerful and creative. His control of many illustration media, of typography from various eras and modes of thought, of decorative matter, his ability to endlessly combine them, are a lesson to experienced designers, illustrators, and art directors, and a stimulus to those who get by on a few cheap tricks. The work is gorgeous, the text is instructional, the overall effect energizing. Buy it.
Magnificent!.......2000-12-06
From his famous Dylan poster to the iconic "I Love New York" logo, Glaser is probably (with the exception of Saul Bass and Paul Rand) the most recognized graphic designer of the 20th century.
Glaser is a true renaissance man- blending illustration, graphic design, signage and interior design. His work today still resonates and vibrates with the same intensity and passion as his days with the Pushpin era.
With his latest book, Milton Glaser once again proves he is the maestro of design and illustration. It is filled with case studies, personal captions and wonderful illustrations and photographs of his work.
Whether you are a student or a professional-buy this book. It will truly inspire you.
Book Description
Description: American Illustration continues its tradition of presenting the best editorial, advertising and packaging art of the year in this, its 22nd volume. More than 300 images selected by a jury of art and design professionals makes this volume the most exciting gallery in print. As American Illustration graduates into its third decade, a group of artist-educators were asked what they think of the book that has launched so many great careers: American Illustration is American art at its best, a rare experience in enjoyment and a trip to illustration Utopia. --Savannah College of Art and Design American Illustration is and has been, from the first volume, the primo juried annual of illustration in America. --Art Center College of Design American Illustration is the most innovative and visually exciting overview of illustrative work available today. --Rhode Island School of Design American Illustration is quite simply the most important book for any student who aspires to learn how to catch the elusive one great idea. --Cooper Union American Illustration is the perfect book to inspire and set an example for all of us to find our own visual song. --Parsons School of Design
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Graphic Design
Milton Glaser
Manufacturer: Overlook Press
ProductGroup: Book
Binding: Hardcover
ASIN: B000NUH8ZM |
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Graphic Design
Milton Glaser
Manufacturer: The Overlook Press
ProductGroup: Book
Binding: Hardcover
ASIN: B000NUT2G0 |
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Graphic Design
Milton GLASER
Manufacturer: see notes for publisher info
ProductGroup: Book
Binding: Hardcover
ASIN: B000MXDSJA |
Average customer rating:
- An elegant visual book for /about people who love tools
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Work, Life, Tools
Stanley Abercrombie , and
Milton Glaser
Manufacturer: Monacelli
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An elegant visual book for /about people who love tools.......1999-01-04
My favorite Christmas gift -- the cover is Red, the stock feels great to the touch, and there's plenty of white space. It's a book and an exhibition in one. It's filled with people who love their work. Work, Life, Tools qualifies as great design. (Hats off Milton Glaser, and to Steelecase for being enlightened enough to fund the exhibition.) This book cum exhibition guide ranks high on the visual, aesthetic and conceptual pleasure scale. My favorite aspect: the way the bios portray the multiple talents and the "I don't just do one thing" truth about their subjects. It's filled with lots of practical ah-has. You get to peek into people's work spaces. It represents a fascinating spectrum of thinking about work. And, it's amazing to me how loyal people are to their fountain pens (as one who's committed to Deluxe Uni-balls.) I loved it!
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Pencil, Paper, Draw!: Horses (Pencil, Paper, Draw!)
Steve Harpster
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Mustangs and broncos, ponies and colts, and their riders, too: every child is crazy for horses, and now they can draw ones in different sizes and colors, in action and grazing quietly.
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Airplanes (First Drawings)
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Manufacturer: Abdo Publishing Company
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Cars (First Drawings)
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Book Description
This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
Book Description
This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
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Transportation in Pencil (How to Draw and Paint Series)
Gene Franks
Manufacturer: Walter Foster Pub
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Binding: Paperback
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ASIN: 1560100672 |
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...Design of Modern Leftist Dissent.......2006-10-24
