Customer Reviews:
Solutions manual volume 2 and 3.......2007-10-02
I got it in the mail faster than expected. The manual works well even though its only odd problems. I use it all the time to double check my work or figure out how to solve certain problems. I have volume one and i used it a lot so I decided to get this one. So far, its been worth the money.
Book Description
KEY MESSAGE: Richard Wolfson’s Essential University Physics is a concise and progressive calculus-based physics textbook that offers clear writing, great problems, and interesting real-life applications. At nearly half the length and half the price of other physics texts on the market, Essential University Physics is a compelling alternative for professors who want to focus on the fundamentals.
Electromagnetism: Electric Charge, Force, and Field; Gauss’s Law; Electric Potential; Electrostatic Energy and Capacitors; Electric Current; Electric Circuits; Magnetism; Electromagnetic Induction; Alternating-Current Circuits; Electromagnetic Waves Optics: The Behavior of Light; Images and Optical Instruments; Interference and Diffraction Modern Physics: Relativity
For all readers interested in calculus-based physic.
Customer Reviews:
Not for the regular guy.......2007-09-13
I've taken physics 1 with a different book (University Physics 11th Ed.) and had a A. Now in physics 2 I'm having a hard time because of this new book. The previous book was easy to understand, had plenty of examples and was entertaining to read for a physics book. I have to use that book to understand the class material. I have nothing good to say about this book, however. From page one it starts sentence after sentence of worthless facts and poorly explained ideas. Many people in my class feel that we will be switching back to the other book and the book store is stocking the other book for next semester instead of this one. I'm sure Wolfson can teach physics in person but for a writer he kinda sucks. Don't bother writing another edition, we aren't going to use it at NMT.
Incredibly easy to learn from.......2007-08-19
I took summer courses in introductory physics over the summer, and the two volumes of this book were the prescribed textbooks. Never have I found it as easy to learn material from a textbook as with these two books. Most everything is explained in a clear manner (even if some figures are a little confusing), and mathematical justification is given for most of the claims in the book. It's also good about making sure you get the right idea of what's being learned right off the bat, introducing vectors and light calculus usage early. Honestly, I think these books even helped my understanding of Calculus grow, and I've already taken several upper division math courses. I would highly recommend these volumes (or, if they ever come together in one book, that) to anyone looking to learn introductory physics.
Not even close.......2007-02-22
I have nothing but hatred for this poorly constructed book. I am a second year EE student with some prior Physics experience. This book has brought me nothing but frustration. Easy concepts are explained in detail, while advanced concepts get a short blurb. The information is poorly organized and structured and often takes other sources to understand the concept fully. I also found an error in Chapter 2 in one of the derivations of the equations. Though insignificant, it begs the question, what else was overlooked? In addition our professor has opted to use the "Mastering Physics" online tool as a daily homework assignment. This review will not delve into the infinite obscenities reserved for that component, as it is not part of the book as a reference, but let it be noted that it does nothing to save this book from the feelings I have already. If it's possible to avoid this book, I advise one to do so.
content matches the title.......2006-11-13
some odd 25 years ago i took an undergraduate course in physics based on the 3 volumes of Alonso-Finn "Fundamental university physics".
Keen to brush up on my rusty knowledge of classical physics i've been browsing the market searching for a present-day introductory university course on physics. This book more than fulfilled my expectations.
It's comprehensive, concise, well-structured, a joy to read, and above all, from an educational point of view, the best book on physics i've ever read. It's so easy as a student to get the wrong conceptions in your head, and once they're there, they usually stay there for a very long time. Richard Wolfson brilliantly avoids this pitfall - he knows exactly where students are likely to misinterpret certain equations or ideas in physics, and he does a splendid job making sure the students get all "the big ideas" right from the start.
I would not only recommend this book to students of physics, but to everyone interested in the most beautiful of all sciences. If only there were more educators the likes of R. Wolfson.
Average customer rating:
- Too Wordy, Doesn't get to the Point
- Second Edition
- An Academic Investment
- Confusing - I don't like this book
- Not Recommended
|
University Physics, Volume 2 (10th Edition)
Hugh D. Young
Manufacturer: Addison-Wesley
ProductGroup: Book
Binding: Paperback
 General
| Science
| Subjects
| Books
General
| Physics
| Science
| Subjects
| Books
General
| Physics
| Professional Science
| Professional & Technical
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Professional
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Science
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Extended , Fundamentals of Physics, 6th Edition
-
Sears and Zemansky's University Physics 10th edition (Study Guide, Chapters 1-21)
-
Sears and Zemansky's University Physics: Mechanics, Thermodynamics, Waves Acoustics Chapters 1-21, Student Solutions Manual
-
Fundamentals of Physics, , Problem Supplement No. 1
-
Calculus and Analytic Geometry (9th Edition)
ASIN: 0201603357 |
Customer Reviews:
Too Wordy, Doesn't get to the Point.......2005-10-04
I used this text for my sophomore year physics course. I thought it was very wordy, almost 80 percent of the pages are taken up by paragraph after paragraph. I want to learn something, not keep reading a whole essay after essay. It was frustrating because you have to navigate so many long paragraphs that were "going in circles" trying to explain something. I am now studying for my MCATs and need something to review physics with. But I'm dumping this book. Its too wordy - so spare yourself some grief. Stop reading through what feels like a whole dictionary. Lets get to the point!
Second Edition.......2005-09-10
I took Physics using the Second edition, out in 1954. I still have a copy. I used to have two copies, but my brother-in-law who edits textbooks asked for it. I had no idea there was a 10th edition. I recall something that happened perhaps eight years ago. Concerning my job, some people and I were talking about heat, and a fellow not party to the conversation asked me
if I knew what absolute zero was. Well, it turned out that this fellow was a physics professor--I'd probably not answered him if I'd known that, but I recalled the Sears and Zemansky
definition from the 2nd edition involving a chain of Carnot engines receiving heat one from the prior until such an engine
is reached that it rejects no heat. He said I was wrong, and he gave me the ideal gas version, contending that as no true Carnot engin exists, the answer I gave had no validity. I later sent him a Xerox of the relevant pages of the book. The interesting thing is that he took the ideal gas view to be true, but the Carnot engine version to be untrue because no true Carnot engine exists, but did not find it strange that the ideal gas version involves an "ideal" gas. Odd. To be truthful, I hope today's texts are clearer. Mine has few illustrations and very little explaining. One reason current students may have difficulty with the 10th edition of Sears and Zemansky or any other physics text could be a lack of understanding of trig. Educators ought to teach in high school or earlier how dependent understanding physics is upon understanding trig. A good trig course is a better foundation for university level physics than high school physics.
An Academic Investment.......2005-08-16
I used this textbook for my first college level physics course. The electricity and magnetism section are simply the best. Later on, I found myself referring back to it when I took an undergrad electromagnetism course. Now, even as a graduate student--when I find myself drowning in an ocean of details, this textbook has helped me navigate with purpose and understanding. Simply put, this book is a true academic investment.
Confusing - I don't like this book.......2003-05-18
I'm using this book for my first college physics course. I find the text very dry and boring, and the problems at the end of each chapter are confusing and not well explained. For example, I'm doing my homework and one of the problems is "speculate on how gaseous diffusion works." Just that, does not explain what gaseous diffusion is. As with many of the problems in this book, the first thing that comes into my mind is "what the hell are you talking about??" Another question asks me to compare the length of something to "the diameter of a molecule." Huh? What molecule? Are all molecules the same diameter? And how the heck am I supposed to know what that diameter is? Gah. I do not recommend this book unless you like being confused.
Also, the discussion questions at the end of each chapter are very nice, but the answers are not provided anywhere. So how are you supposed to know if you answered them correctly? And another thing I really hate about this book, it will say "and why do you think this happens?" and then not tell you why. About 90% of the time my answer is "I have no clue why that happened." :/ This book makes me hate physics.
Not Recommended.......2002-11-27
I bought this book because I thought is was "College Physics" by Sears. Well, it isn't. This looks, feels and reads like a high school textbook - if you're looking for a serious, academic-level introduction to physics, then don't buy this. Its full of pictures and "real life" examples that are intended to spare the student any effort and save him/her from abstract thought. Much is lost because of this, and we're left with a bunch of pictures and stories about the authors' flying hobby.
Don't buy this, please, I regret it everytime I see it sitting uselessly next to the open copy of the Sears book I loaned from the library.
Amazon.com
"The question that predicates this inquiry is not 'What was it like to be part of literary Paris,'" writes Shari Benstock, but "'What was it like to be a woman in literary Paris?'" That city's Left Bank, says the author, was in the early part of the 20th century "inhabited by all those on the margin of culture, a place for the dislocated, even the dispossessed." Among these expatriates were women writers, editors, poets, journalists, and novelists who came to Paris from America or England, often to escape a family or society that made it hard for them to live as a lesbian or a black woman--or simply as an intelligent, ambitious person uninterested in settling into traditional domestic life.
If you believe the usual literary histories, the early 20th-century modernist movement in English literature was, Gertrude Stein excepted, a movement of men. Benstock restores the roles of such remarkable women as Djuna Barnes, Jean Rhys, Sylvia Beach, and Janet Flanner in the history of the time, revealing what she calls the "underside of the cultural canvas." The book is thorough and wonderfully descriptive, offering both a literary history and a portrait of the lives of creative women. --Maria Dolan
Book Description
"Shari Benstock... weaves together, with great skill, the histories of an extraordinary group of talented women—publishers like Sylvia Beach, Caresse Crosby, Margaret Anderson, and Jane Heap, novelists Jean Rhys, Gertrude Stein, and Edith Wharton. She examines in some depth the writing produced by poets, journalists and novelists, thus combining literary criticism and social history in a seamless running narrative.... A valuable and intriguing book."
—Doris Grumbach, National Public Radio
"Benstock has made visible the women of the Left Bank (1900-40) and in doing so has forced a redefinition of what literary modernism was, who was important in it, and how it is to be defined.... Modernism as we will understand it for a long time to come will be defined by Benstock's book..."
—Choice
"
Women of the Left Bank is perhaps the most exciting book I've held in my hands all fall. It details and describes the lives (and relationships) of a community of women in Paris (1900-1940) that strongly parallels the feminist writing, publishing, thought-shaking community of our own times...
—Carol Seajay,
Feminist Bookstore News
"... presents the women who left their enduring mark on the cultural milieu of a nation. Through their writings, including unpublished and newly available documentary sources of the period, Djuna Barnes, Nancy Cunard, Jean Rhys, Gertrude Stein, Edith Wharton and others are revealed as significant in the development of modernism, imagism and other avant-garde movements in which they were overshadowed or ignored by their male counterparts.... Benstock tracks the sexually liberated lifestyles and the creative originality of these women with a wealth of documentation."
—Publishers Weekly
Now available in a durable paperback edition, Shari Benstock's critically acclaimed, best-selling
Women of the Left Bank is a fascinating exploration of the lives and works of some two dozen American, English, and French women whose talent shaped the Paris expatriate experience in the century's early years.
This ambitious historical, biographical, and critical study has taken its place among the foremost works of literary criticism. Maurice Beebe calls it "a distinguished contribution to modern literary history." Jane Marcus hails it as "the first serious literary history of the period and its women writers, making along the way no small contribution to our understanding of the relationships between women artists and their male counterparts, from Henry James to Hemingway, Joyce, Picasso, and Pound."
Customer Reviews:
Staggering good..........2004-06-03
Not really a biography, tho it is very biographic. Not really a study of Feminism, tho most of the women were early pioneers. Not really a study of Lesbians, tho most of the women were, at least, bisexual. What this book does, and it does it extremely well, is illustrate how these women struggled to 'define' themselves, as artists, as authors, as sexual beings, as individuals at a time when women were generally perceived as little better then simple minded children factories. From Gertrude Stein to Djuna Barnes to Natalie Barney (Rene Vivian...'a life spent looking for death')such different people but sharing a common thread of struggle (and cost). I've read a lot about this period and these women, and no book has given me a better understanding of them and emotional empathy with them, then this book.
Edifying & entertaining........2004-05-13
I picked up this book out of interest in expatriate Americans in the early part of the 20th century. I was immediately drawn into the worlds of these writers and artists and ultimately learned about incredible characters like Sylvia Beach, who was the first person to publish James Joyce's Ulysses, and Margaret Anderson, publisher of the modernist The Little Review.
As a feminist scholar, Benstock analyzes the places these women occupied in the Paris scene as well as in a world in transition. She admirably examines the literary works of the writers, but the book never feels solely like a book of criticism. Biographical information abounds and gives each chapter something of a story arc.
For readers who enjoy biographies of literary personalities but often miss the lack of detailed discussion of a writer's works, this book will not disappoint. And if you are at all interested Paris in the early part of the last century, modernism, or any of the many women discussed in the book (Edith Wharton, Djuna Barnes, Gertrude Stein & Alice Toklas, HD, Mina Loy, etc.) this book will be an invaluable source of information.
A enjoyable book about a time I would have liked to share.......1999-10-01
This book was a good introduction for me to read more about women who lived in Paris, but like so many, they went there to live a life ahead of their time.
Average customer rating:
- An all too brief glimpse of Genius
- Paris through female eyes
|
Paris Was a Woman: Portraits from the Left Bank
Andrea Weiss
Manufacturer: Harper San Francisco
ProductGroup: Book
Binding: Paperback
General
| Biographies & Memoirs
| Subjects
| Books
Women
| Specific Groups
| Biographies & Memoirs
| Subjects
| Books
General
| Biographies & Memoirs
| Gay & Lesbian
| Subjects
| Books
History
| Gay & Lesbian
| Subjects
| Books
General
| Nonfiction
| Gay & Lesbian
| Subjects
| Books
Europe
| History
| Subjects
| Books
| Albania
| Ancient
| Andorra
| Austria
| Belgium
| Bosnia and Herzegovina
| Bulgaria
| Central Europe
| Croatia
| Cyprus
| Czech Republic
| Denmark
| Eastern
| Eastern Europe
| England
| Estonia
| Finland
| Former Soviet Republics & Siberia
| France
| General
| Germany
| Greece
| Hungary
| Iceland
| Ireland
| Italy
| Latvia
| Liechtenstein
| Lithuania
| Luxembourg
| Macedonia
| Malta
| Moldova
| Monaco
| Netherlands
| Norway
| Poland
| Portugal
| Romania
| Russia
| San Marino
| Scandinavia
| Scotland
| Serbia
| Slovakia
| Slovenia
| Spain
| Sweden
| Switzerland
| Ukraine
| Vatican
| Wales
| Western
| Yugoslavia
Lesbian Studies
| Special Groups
| Social Sciences
| Nonfiction
| Subjects
| Books
Similar Items:
-
Paris Was a Woman
-
Women of the Left Bank
-
Sylvia Beach and the Lost Generation: A History of Literary Paris in the Twenties and Thirties
-
Paris Was Yesterday, 1925-1939
ASIN: 0062513133 |
Book Description
Paris was a Woman is an illustrated collective portrait of the unique community of women who became known as the women of the left bank. Authors Colette, Djuna Barnes, and Gertrude Stein, poets H. D. and Natalie Clifford Barney, painters Romaine Brooks and Marie Laurencin, editors Bryher, Alice Toklas, Margaret Anderson, and Jane Heap, photographers Berenice Abbott and Gisèle Freund, booksellers Sylvia Beach and Adrienne Monnier, and journalist Janet Flanner all figured in this legendary milieu.
A wealth of photographs, paintings, drawings, and literary fragments, many previously unpublished, combine with Andrea Weiss's lively and revealing text to give an unparalleled insight into this extraordinary network of women for whom Paris was neither mistress nor must, but a different kind of woman.
Customer Reviews:
An all too brief glimpse of Genius.......2005-02-08
There was a greatness there in these women, in that time. They loved Paris and France and the freedom and the people they met there. They came alive living and loving in a city that seemed to inspire them to certain greatness. Poets, writers, artists their talents ran the gamut of art.
For some, their fame was brief - Bryher, H.D. even Djuna Barnes are mere footnotes now if they noted at all. Others, Natalie Barney, Dolly Wilde are notorious for Who they were ..not What they actually did.
Janet Flanner and Mina Loy are names that some might dimly recall. And there is Gertrude Stein and Alice Toklas, who came to personify 'the special relationship' that bound them so tightly together.
The specialness of this book is the use of so much 'private' writing - what they wrote and thought of each other in their own words. The writing is brilliant introspective provocative and sometimes banal. Gertrude wanted to be published, Thelma loved Djuna years after their breakup and Janet managed to stay friends with everyone. There are many photos as well, lavishly illustrated is not an understatement here.
If there is a quibble, a minor one, the book is all too short, I wished it had been longer. Shari Benstock's "Women of the Left Bank' is a more in-depth look at the same women and time, tho with a stronger emphasis on the sexual nature of the relationships. But this is a well written and very readable book.
Update. I have now seen the movie 'Paris was a Woman' I would recommend both as companion pieces.But I would read the book before I saw the movie.
Paris through female eyes.......2004-01-24
Profusely illustrated and painstakingfully researched, this book is an enlightening account of women who between wars found their self and their own voice in Paris. Though mostly concerned with the stories of lesbian or bisexual women such as Colette, Gertrude Stein, Alice Toklas, Sylvia Beach, Djuna Barnes and Natalie Barney who came to the City of Light attracted by an aura of unbridled freedom missing in their places of origin, this book will appeal to all those who are interested in this fascinating early period of the twentieth century as well.
Book Description
This is the first book to examine the Rope, the special ladies-only group of spiritual seekers that G. I. Gurdjieff formed on Paris' Left Bank. All lesbians, except one, the group included such people as Margaret Anderson and Jane Heap, co-editors of the Little Review, the archetype of all avant garde literary magazines; Kathryn Hulme, author of The Nuns's Story and Undiscovered Country; Solita Solano, author, editor and companion of Janet Flanner who wrote for The New Yorker as Genet; and Georgette Leblanc, diva, actress and mistress of Maurice Maeterlinck, the Belgian playwright best known for The Blue Bird.
During his thirty-seven years of work in the West, Gurdjieff's creation of the Rope remains his most enigmatic. Recognizing, at the turn of the century, that the world would destroy itself unless there was an awakening in the West, he understood that a fundamental shock had to be applied. Although the Fourth Way was rooted in Tradition, nevertheless, he intentionally introduced this ancient esoteric teaching to the uninitiated.
Breaking vows of secrecy, in the hope that the originality, scale and practicality of the teaching would arouse enough people to undergo the rigors of self-awakening, he understood that he would be castigated by initiates and the uninitiated alike. That he took an even further risk and introduced the teaching to the ladies of the Rope is a subject which until now has never been examined. The conclusions reached by the author about why Gurdjieff created the Rope are as original as they are surprising and will be of serious interest to those involved with feminine spirituality in all its many forms.
Customer Reviews:
Although journalistic style, valuable information.......2005-10-11
Patterson's style is the style of a journalist (which he is): very bon ton. Besides, the information in this book is of high value, as it is one of the very few sources for information of a period of Gurdjieff's work in Paris.
Not your average people.......2004-07-02
The ladies of The Rope were in no way average people. They lived large lives. They were intelligent and talented. Patterson begins by describing their lives and you can't help but be impressed and caught up in the glamour and excitement. But when they meet Gurdjieff things are moved to a whole different level. They (and the reader) begin to see things from a different perspective. As Gurdjieff says of one of the women, "In life she perhaps have something good. But not for our work...She has only automatic mind...she quite not have real mind mentation."
Patterson take us all the way from the time the women met and began working with Gurdjieff, through Gurdjieff's passing and finally to the their old age and death. The letters written when they are old and physically feeble are very moving. You see the real experience and emotion of old age. The book lets us see the women's struggles and how they worked. As one of the women said, "Our 'rich' personalities had been an obstacle to understanding...We who had been born outside the dull, the routine... --what had we been all our lives? Almost nothing at all."
I found these women's stories very disturbing. I have many questions as to what transformations were actually realized by them. For some of them it seems that it may have just been on a psychological level. Why did Margaret Anderson, at the end of her life, say "I know it [the story of my life] at first hand, but so incompletely that it has little meaning."?
There is much to think about here. As Patterson says in the Epilogue, "What we may make of this is for each one of us to ponder and work with."
Seeds of influence.......2004-05-29
In Ladies of the Rope, William Patrick Patterson brings together the story of Gurdjieff and the women's only group of students he formed in Paris. The telling of this story sheds light on the formation of some of the seeds of influence that Gurdjieff had planted in the West. The group contained some brilliant and influential people mostly involved in the literary world.
Once again, William Patrick Patterson brings together a story which helps the reader understand the teaching that Gurdjieff brought to us.
Gurdjieff's Special Women-only Group.......2004-05-27
On his birthday in January 1936, G. I. Gurdjieff, a Greek-Armenian teacher living in Paris and a man of the most traditional views about men and women, consented to teach a group of fiercely independent western women to prepare them for a difficult spiritual path. Although he had previously stopped all teaching and had for the past few years been devoting himself to his writing, he saw something unusual and very special in these women. He told them that they must form themselves into a group where they could work together for mutual support, "roped" together for safety, as if they were climbing a dangerous mountain, "each one thinking of the others, all helping one another."
They had heard of him from people who had been to the Prieure where, during the twenties, Gurdjieff's Institute for the Harmonious Development of Man had attracted some of the brightest lights in the literary world. They were writers, editors, musicians, and women in the business world: highly cultivated, avant-garde personalities, intelligent and sensitive, living in Paris and rejecting the traditional paths for woman. Psychologically, they were fragile, yet tough; some had formed lesbian attachments - all were determined to learn and develop themselves through his teaching. They came from a group taught by one of his earlier students, Jane Heap, but now she was leaving Paris and these women were determined to study with Gurdjieff himself.
By 1935, the Institute for the Harmonious Development of Man was a failed experiment and Gurdjieff was putting all his energy into finishing his series of writings called, All and Everything. Given his traditional view of what he called the "third sex", why did he consent and what was it he saw that made him want to adjust his course?
From the papers of four of these women, now archived in various university libraries, William Patrick Patterson has written an absorbing history of this unusual women-only group of spiritual seekers and their teacher. We see another side of Gurdjieff, close up, he seems softer and more compassionate, yet in his demands on his students, perhaps, even more rigorous. The group includes Kathryn Hulme, author of The Nun's Story, and Undiscovered Country; Margaret Anderson and Jane Heap co-editors of the Little Review, early publishers of James Joyce, Ernest Hemingway, and T. S. Eliot; and Georgette LeBlanc, diva and actress.
For those interested in women's spirituality, it properly credits and documents the pioneering efforts of these accomplished women. And for the seeker following Gurdjieff's ideas, it is an invaluable text addressing, for the first time, this most enigmatic chapter Gurdjieff's life. Once again William Patrick Patterson has brought forth an excellent volume that adds to our understanding of Gurdjieff and the Fourth Way.
A Rare Perspective.......2004-05-19
The fundamental question of this book is, "Why did Gurdjieff create the Rope?" Because the Rope was made up of mostly lesbian women I wondered how or if it fit within spiritual tradition. After the first reading I did not have an idea why Gurdjieff did it. But later, in re-reading, the idea came, that maybe Gurdjieff was conducting an experiment to see if the third sex had the possibility to transform themselves or to get to the point where transformation was possible. So perhaps, this was a test of the Teaching, so to speak.
"Ladies of the Rope" also explores areas of the Teaching that are rarely mentioned elsewhere--the inner animal and the toasts to the Idiots, to name a few. This book also evokes the feminine, the idea and experience of relationship, and has a depth of understanding revealing subtleties that widen the reader's perspective. As most books of the Work are more masculine, this book is a jewel for those interested in this intimate perspective.
Product Description
This is a tribute to the men and women who settled the west and who made up the fabric of society in western times. These books are put out by the AZ. state highway dept. This Wild West Collection is fast-paced, real-life stories of when the Old West was still young and rowdy, where anything could happen-and too often did.
Average customer rating:
|
Tigers are Better-Looking: With a selection from The Left Bank (Penguin Twentieth-Century Classics)
Jean Rhys
Manufacturer: Penguin Classics
ProductGroup: Book
Binding: Paperback
General
| Classics
| British
| World Literature
| Literature & Fiction
| Subjects
| Books
Classics
| General
| Literature & Fiction
| Subjects
| Books
Contemporary
| General
| Literature & Fiction
| Subjects
| Books
General
| Criticism & Theory
| History & Criticism
| Literature & Fiction
| Subjects
| Books
Short Stories
| Literature & Fiction
| Subjects
| Books
| Anthologies
| British
| Canadian
| General
| United States
ASIN: 0140183469 |
Books:
- Subband and Wavelet Transforms: Design and Applications (The International Series in Engineering and Computer Science)
- Teaching Introductory Physics
- The Art of Electronics (Student Manual with Exercises)
- The Casimir Effect and Its Applications (Oxford Science Publications)
- The Effect of Sterilization Methods on Plastics and Elastomers, 2nd Edition (Pdl Handbook)
- The Essential David Bohm
- The Humanistic Tradition, Book 6: Modernism, Globalism, and the Information Age
- The Large, the Small and the Human Mind
- The Little Book of Snowflakes
- The Open Door: Entering the Sanctuary of Icons and Prayer (Pocket Faith Series, 4)
Books Index
Books Home
Recommended Books
- Rescue
- History: Fiction or Science
- Chemical Principles Student's Study Guide & Solutions Manual
- Complete Vampire Chronicles
- Frommer's Vancouver & Victoria 2007: With coverage of Whistler
- History: Fiction or Science
- Hallmark Keepsake Ornament Value Guide: Tracker Edition 1973-2005
- Integrating the Arts Across the Elementary School Curriculum
- Civilizing Rituals: Inside Public Art Museums
- Arboretum Album: A Pictorial History of the Arboretum of Los Angeles County
University Physics with Modern Physics: Student Solutions Manual, Vol. 1
University Physics with Modern Physics, 11th Edition
University Physics: Study Guide (University Physics)
University Physics: Study Guide, Vols. 2 and 3
Supplement: University Physics Volume 2 with Mastering Physics - University Physics with Modern Phys
