Book Description
The two volumes that comprise String Theory provide an up-to-date, comprehensive account of string theory. Volume 1 provides a thorough introduction to the bosonic string, based on the Polyakov path integral and conformal field theory. The first four chapters introduce the central ideas of string theory, the tools of conformal field theory, the Polyakov path integral, and the covariant quantization of the string. The book then treats string interactions: the general formalism, and detailed treatments of the tree level and one loop amplitudes. Toroidal compactification and many important aspects of string physics, such as T-duality and D-branes are also covered, as are higher-order amplitudes, including an analysis of their finiteness and unitarity, and various nonperturbative ideas. The volume closes with an appendix giving a short course on path integral methods, followed by annotated references, and a detailed glossary.
Customer Reviews:
Do yourself a favour and use instead the book by Green Schwarz & Witten or the one by Theisen........2006-08-26
Dr. Polchinski may know a lot on string theory but he doesn't know that much on how to write a book. I have been struggling with this book trying to learn string theory and it has been a total failure. You may think it's me but is not. I have studied chapters 1 to 4. I will announce some of its bad features: 1-The notation is awful specially on chapter 2 when he defines the infinitesimal variation of a physical quantity in a very complicated way, all formulas are presented in terms of awful excesively complicated expresions that make you feel sick (and I'm not joking), also on chapter two he defines a way for applying Wicks theorem (eq.(2.2.7)) using exponential operators but I finally gave up and did it my way for calculating expression (2.2.13). 2-Many of the results are not derived and trying to understand what happen from line to line is, besides being a mystery, in my opinion hard to say the less.
3- On chapter 3 I liked the way he calculates de Faddeev Popov determinant in terms of ghosts and you begin to hope that the book is finally going to start getting better but is not, on page 102 and 'till the end of the chapter (page 118) he starts just throwing a lot of equations that you just can't understand where they came from, specially page 105 where he uses the geodesic distance to higher orders but never explains nor show what this expressions are nor what approximations he is doing, nor where they came from. Then again on page 107 he gives a relation between operators regularized by dimensional regularization and by 'polchinski' regularization, at least the second one is defined but the other is not (on curved space)and he just shows some awful equations that no one knows where they come from. This book has been written for someone who already knows a lot on string theory but it is not for someone who is trying to learn string theory for the first time. All in all try instead the classic book by Green Schwarz and Witten or the one by Theisen and this one use it only as a reference.
The string theory book.......2006-04-01
In short, I think volumes I and II of "String Theory" are the best books on string theory available. Presumably any serious student of string theory will study them both. The writing style is clear, physical considerations are at the forefront, the selection of topics is excellent and the treatment is as up-to-date as any I'm aware of.
Volume I covers the bosonic string. Of course this doesn't provide a realistic model for our universe, but understanding it forms the foundation of the study of more realistic string theories.
The first chapter provides the physical motivation for string theory. A brief description of some current unsolved problems in physics, and how string theory may resolve them, is given. Most notably this includes not only providing a quantum theory of gravity, but also providing a grand unified theory. A brief outline of techniques used throughout the book is given. These are covered in more detail as the book develops and include: the Polyakov action (how to get it from the Nambu-Goto form and why it's more useful), the Polyakov action symmetries, string theory as a two-dimensional quantum field theory, string boundary conditions, the string spectra, supersymmetry (worldsheet and spacetime) and the critical dimension. This is an excellent introduction and nicely sets the stage for the rest of the book.
The next chapter presents conformal field theory. It's also an excellent introduction. In particular covering conformal field theory with anticommuting fields. The Virasoro algebra is also derived. He could have covered these conformal field theory concepts as they came up, but I liked having them in one central location early in the book.
Strings take center stage again in the following chapter as the Polyakov path integral is examined in great detail. Among the results are a calculation of the critical dimension and the recovery of general relativity in the low energy limit of string theory. These are just a couple of the interesting results, there is much more in this chapter.
The following chapters quantize the string, calculate the string spectrum, derive the S-matrix, calculate tree level scattering amplitudes and calculate one-loop amplitudes (higher order amplitudes are covered in the final chapter). One of many things that stand out is his discussion of divergences. He describes the difference between infrared and ultraviolet divergences. After showing ultraviolet divergences are absent in string theory he comments on how the mechanisms that remove them is different for open and closed strings. This is just one example of how physical concepts are kept at the forefront.
The chapter on compactification covers more than just the basics such as (D - 4) dimensions must be compactified and this gives rise to some extra gauge fields. Orbifolds are introduced in this chapter. It also covers T-duality, one of the important (and unexpected) symmetries of string theories. D-branes are also introduced (D-branes are covered in more detail in volume II), obviously this is an important concept in string theory. I was happy to see such important concepts introduced so quickly.
In short, this is a great book. Even with only light coverage of supersymmetry (this is covered in detail in volume II) many interesting and up-to-date topics are presented. Clearly the author put a lot of time into thinking about how to make a difficult subject as approachable as possible. Throughout the book he anticipates questions the reader may have, or maybe should have, and addresses them.
Enlightening text on a murky topic.......2002-09-17
This book succeeds in what seems to be the impossible. It actually presents a clear, up to date, and entertaining version of a field that is still very much in a state of active research and is still, after all these years, on quite uncertain ground. By studying this, the reader who thinks intelligently about the material presented will be able to form his/her own opinions on this still somewhat controversial topic and will be able to converse intelligently with others who have opinions on the topic. I know that for me personally, this text opened up beautiful ideas which, to a large extent, are still unexplored. Before I read this book, my gut feelings about the topic were that it was rather dubious at best, but now that I understand (I think) the basic ideas of the field, I feel quite comfortable in it, indeed almost as if it is completely natural. What I think is one of the best things about this book is that it does not assume the pretense that string theory is on firm ground, that everything is quite certain and that string theory HAS to be the final theory of nature in all its glory. I find this attitude EXTREMELY pretensious and annoying. Instead, it simply covers what we know about string theory, and explains in detail just why it is consistent, and why it offers an explanation for what we see in nature. In short, it leaves just enough room for the imagination of an intelligent reader to philosophize as to the meaning of the theory and as to its ultimate place in nature
As for practical details, it seems to me that the reader should at the very least have a firm understanding of Quantum Field Theory (at least at the level of Weinberg's first volume, see my review on that modern masterpiece), and to a lesser extent of General Relativity, before even attempting to tackle this. I know that I myself, despite the fact that I have read several texts on QFT, had to reread several sizeable chunks of the book to fully digest it.
Good try, but too dense.......2002-04-12
Lets face it, string theory is a difficult subject. But the only reason this book is the best string theory text is because they are all lousy. What it comes down to is string theory is too new for a good textbook writer to have tackled the task. What has happened, is string theory is currently populated by a small group of elite geniuses. So some of these elite geniuses take to writing a book, which turns out to be clear to other geniuses, but maybe not so clear to others, who are nonetheless capable of learning the theory. This happens in all fields, you will find that modern quantum mechanics books are much more readable than volumes written by the founders of the theory. Polchinski has clear writing, but can you solve the problems? If it seems clear but solving the problems is a mystery, it isn't a good book. Why can't people put in lots of examples? Why can't they include solutions to at least odd numbered problems? If they went to all the trouble to write the book they could at least do that. After all the goal is to teach, not to be mysterious. What needs to happen is some physicist with a talent for writing needs to A)Write an undergraduate level text on field theory, and B)write a more accessible book about string theory aimed at people who aren't at the level of Weinberg intelligence wise.
very thorough and complete.......2000-08-22
Polochinski presents upto date developments (mostly in 2nd volume) in string theory such as D-branes and dualities that are not discussed in Green, Witten, Schwarz's Superstring theory text. However, I found GWS's arguments easier to follow because they were intuitively and physically motivated. Although Polchinski's books lack physical insights, he more than makes up for them by completeness of the material, mathematical rigor and helpful exercises. However, I highly recommend that you first get Di Francesco's conformal field theory and read chapters 3-7 , 10 and 12 to get a better feel for stuff like state-operator mappings, Virasoro algebra, OPE's, etc. Although Polchinski claims the books are pretty much self-contained, I would say QFT (probably around lvl of 1st vol. of Weinberg) and GR are min prereq and some knowledge of SUSY, rep. theory of Lie alg, alg. toplogy wouldn't hurt. Lastly, the first edition had many many typos but corrections are frequently updated and you can download them through a website whose address is given in the book (the address in the book has a typo and should read "ucsb").
Amazon.com
If Jorge Luis Borges had been a computer scientist, he probably would have invented hypertext and the World Wide Web.
Instead, being a librarian and one of the world's most widely read people, he became the leading practitioner of a densely layered imaginistic writing style that has been imitated throughout this century, but has no peer (although Umberto Eco sometimes comes close, especially in Name of the Rose).
Borges's stories are redolent with an intelligence, wealth of invention, and a tight, almost mathematically formal style that challenge with mysteries and paradoxes revealed only slowly after several readings. Highly recommended to anyone who wants their imagination and intellect to be aswarm with philosophical plots, compelling conundrums, and a wealth of real and imagined literary references derived from an infinitely imaginary library.
Customer Reviews:
Writings of a great reader.......2007-09-09
In "How To Read a Book" Mortimer J. Adler and Charles Van Doren describe the fourth level of reading. Synoptical reading challenges the reader who, having carefully and thoroughly understood several individual works, strives to hear the conversation of their ensemble. "Labyrinths" brings us the dreamlike reflections of Argentine author Jorge Luis Borges's profoundly synoptical reading. Borges heard the conversation of writers across cultures, centuries, languages, genres. Then he came back to outline over and over the one nearly infinite and unattainable truth in these stories, essays, and parables.
Yet Borges's writings remain humble and personal. With the voice of a shy, erudite uncle, Borges recounts magical reveries that came to him deep in the stacks of some dim basement of the library. Throughout the text the reader feels at once the quiet loneliness of the bookworm, the presence of the immortal, and the terrible portents in the twilight rustling of leaves.
Enjoy Borges.......2007-01-10
A nice light book for travel if you do not need all his works in one volume.
The place to start with Borges.......2006-09-18
First, a memory: at the age of 19, I walked into a college elective course on Latin American literature, and was presented with a syllabus which included several works by Gabriel Garcia-Marquez, Carlos Fuentes, Manuel Puig, Julio Cortazar, and Jorge Luis Borges. We were to begin with Borges, which became a life-changing discovery.
Since then, Borges has come to stand alongside Vladimir Nabokov as my favorite writer; they are two people whose writing I couldn't imagine not knowing. And LABYRINTHS is the place to begin - it's where I started, and once a year or so, it's the collection I most readily return to.
Other reviewers have done an excellent job of summing up his style, so instead of rehashing, I'll zero in on some favorites: "Death And The Compass," which blends Borges' vast knowledge of global histories and religions with his love of pulp and genre conventions; the end results are a metaphysical mystery like no others. Or "The Sect Of The Phoenix," which - in the most simplistic analysis - is a birds-and-bees discourse undertaken with unusual originality, and enhanced with anthropological allegories.
Other high-water marks include "A New Refutation Of Time," "The Garden Of Forking Paths," the brief "Borges And I" and "Pierre Menard, Author Of The Quixote." I would note that there's not a false moment to be found here, and after dozens of re-readings, I still enjoy finding new secrets hidden within these crystalline fictions, parables and essays.
Anyone with a love of literature should get to know Borges.
-David Alston
Timeless literature.......2006-07-29
This is a very fine collection, which in its condensed form manages to distill the essence of Borges' writing. The book contains selected fictions and essays of the great Argentine writer. A brief preface by Andre Maurois serves as a useful introduction to Borges.
In the short fictions and the essays that follow, the reader gets to freely partake in the world of Borges; all of his great themes and motifs are here - labyrinths, mirrors ("mirrors and copulations are abominable, because they increase the number of men"), time distortion (he was intrigued by Zeno's paradox since his childhood days), dreams in which characters are actors in others' dreams, infinite libraries that contain exhaustive sets of linguistic permutations...
Borges' writing style is precise and taut, almost scientific; one does not find extended, florid passages in his prose. The short fictions are not so much about poetic description (though Borges also wrote poetry) - instead the beauty of the writing lies in its ideas and their wonderful intelligence. Every word seems to have its specific function - this is doubly true because toward mid-life Borges lost his eyesight. He composed his wonderful thoughts and stories in his head and then had them dictated. For the average reader this means that to read Borges requires some effort and the full capture of one's attention - these are not writings that you breeze through, read once and then forget about. The enjoyment lies in the contemplation. Borges was a genuine `man of letters', probably one of the most widely read and erudite people in the recent history of literary discourse. He was especially fond of Berkeley and Schopenhauer and the philosophy of idealism is a topic that he found immensely interesting (this is evident in many of his stories). Today, the writings of Borges are not only treasures to lovers of literature - he is also highly regarded among some contemporary philosophers and scientists. Dan Dennett has written that while Borges is not traditionally considered a philosopher (he once defined philosophy as "that organization of the essential perplexities of man") in his brief meditations, he has given to philosophy some of the most fascinating thought-experiments. Dennett makes extensive use of `The Library of Babel' in particular. Oliver Sacks has often quoted from and referred to `Funes the Memorious' in his discussions on mnemonists.
"Labyrinths" is not by any means a complete collection of Borges' work - in fact, some of my favorite Borges pieces are not included here (`The South', `The Other Death'. `The Aleph' to name a few) but it is still an excellent resource. The translations are of high quality and for a reader not familiar with Borges this makes the perfect first book to buy.
Borges was truly a giant of South American and for that matter, world literature. Italo Calvino was right to be thoroughly exasperated that Borges never received the Nobel; he famously said that having given the Nobel to Marquez before Borges was tantamount to giving it to the son before the father. This is timeless literature, by which I mean that it belongs to a rare class of books which do not have an `expiry date' - one can keep returning to them, over and over, throughout life, reading and re-reading and never exhausting. I often imagine Borges as a kind of eternal figure - one thinks of him still inhabiting his beloved libraries, blind to the world and dreaming of labyrinths and mirrors that reflect infinity.
Satisfying estrangement for restless, unsold minds.......2005-10-17
I imagine in my mind what it would be like to have coffee with Luis Borges on a Sunday afternoon. Borges would be wearing a suit and have little cakes on hand, cane leaning on his armrest, as if nothing out of the ordinary were about to occur.
Labyrinths is a useful first book to kick off a lifetime investigation into Borges' writings. Borges is truly original as an author as much for his intent as for his achieving it. Not quite Magic Realist, not quite Existentialist nor Kafkan: no one is Borges' equal in taking established assumptions and turning them into curious, elaborate, eruditely-supported flashing crossroads that defy simplification.
Even the most unassuming essays like "The Fearful Sphere of Pascal," a subtle historical resketching, are characteristically erudite, yet sticky and complicate the subject irresistibly from your first reading onward. The prickly thorns reach out for your existing education on the subject and are designed to flesh out the glaring inconsistencies you will have read on the subject.
The Garden of Forking Paths is an example of prime Borges storytelling at work. The story itself is a ruse. The first reading-through is not the time you are affected most by Borges, but rather only AFTER you have put the book down, when the Borges' physics of Being begin to gnaw at your world of compact, necessary daily conveniences, even in 2005 when we really ought to be intimately familiar with his universe by now. I think ultimately Borges sets tiny mind bombs set to detonate at exactly the time you seek to superimpose a Newtonian universe upon one of his stories, and ultimately, later, when you seek to superimpose order upon your own human experience. The entrance seems the same, but it has clearly moved by the time you exit the story. You become part of the puzzle, and that is the bedazzling signature of Borges, and his unassailable virtue. Everything solid in the universe of daily lived experience becomes compost and peacefully unsettled, as it originally was, before we came along to fix it up like morticians just before the funeral.
Book Description
Using the works of Dante as its critical focus, María Rosa Menocal’s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations.
Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante’s own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante’s Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.
Average customer rating:
|
Books and Bombs in Buenos Aires: Borges, Gerchunoff, and Argentine Jewish Writing
Edna Aizenberg
Manufacturer: Brandeis
ProductGroup: Book
Binding: Paperback
General
| Jewish
| World
| History
| Subjects
| Books
General
| Classics
| United States
| World Literature
| Literature & Fiction
| Subjects
| Books
General
| Literature & Fiction
| Subjects
| Books
| Classics
| Comic
| Contemporary
| Literary
General
| Criticism & Theory
| History & Criticism
| Literature & Fiction
| Subjects
| Books
Discrimination & Racism
| Social Sciences
| Nonfiction
| Subjects
| Books
General
| Social Sciences
| Nonfiction
| Subjects
| Books
Terrorism
| Current Events
| Nonfiction
| Subjects
| Books
ASIN: 1584652543 |
Book Description
On July 18, 1994, the Asociacion Mutual Israelita Argentina (AMIA), which housed major Argentine Jewish organizations and served as a storehouse of Hebrew, Yiddish, and Argentine Jewish documents and literature, was bombed by terrorists. Although over 80 people were killed and the bomb leveled a city block in downtown Buenos Aires, the perpetrators were never found.
Taking the bombing as her starting point, Edna Aizenberg crafts an unusual and powerful study of two canonical Argentine writers, Jorge Luis Borges and Alberto Gerchunoff. Examining in particular the literary and cultural reverberations in other authors of Gerchunoff's 1910 story collection, The Jewish Gauchos and Borges' Judaically inspired work, Aizenberg delves into the primary issues of Argentine and Latin American Jewish cultural production: Holocaust writing, resistance to dictatorship, pluralism and identity, and the position of the writer-scholar as a direct and vital participant in the transformation of culture and society. Situating Latin American Jewish literature within the multiple contexts of the Holocaust, postmodernism, and postcolonialism, Aizenberg argues that a literature celebrating pastiche, hybridity, and carnivalization is more democratic than literature that does not. She makes a brave case for the power of the pen in a contemporary world dominated by the power of the sword.
Average customer rating:
|
Narraciones / Narrations (Letras Hispanicas / Hispanic Writings)
Jorge Luis Borges
Manufacturer: Ediciones Catedra S.A.
ProductGroup: Book
Binding: Paperback
Contemporary
| General
| Literature & Fiction
| Subjects
| Books
Literary
| General
| Literature & Fiction
| Subjects
| Books
General
| Short Stories
| Literature & Fiction
| Subjects
| Books
Latin American
| World Literature
| Literature & Fiction
| Subjects
| Books
Spanish
| World Literature
| Literature & Fiction
| Subjects
| Books
Spanish
| Untranslated
| World Literature
| Literature & Fiction
| Subjects
| Books
Borges, Jorge Luis
| ( B )
| Authors, A-Z
| Literature & Fiction
| Subjects
| Books
Spanish
| Foreign Language Fiction
| Literature & Fiction
| Subjects
| Books
Borges, Jorge Luis
| ( B )
| Autores, A-Z
| Literatura y ficción
| Libros en español
| Formats
| Books
Contemporánea
| General
| Literatura y ficción
| Libros en español
| Formats
| Books
Literaria
| General
| Literatura y ficción
| Libros en español
| Formats
| Books
General
| Cuentos Cortos
| Literatura y ficción
| Libros en español
| Formats
| Books
Latino Americana
| Literatura Mundial
| Literatura y ficción
| Libros en español
| Formats
| Books
Española
| Literatura Mundial
| Literatura y ficción
| Libros en español
| Formats
| Books
Similar Items:
-
El Aleph
-
El beso de la mujer araña
-
Aura: Bilingual Edition
-
Rayuela/ Hopscotch
-
Cronica de una muerte anunciada
ASIN: 8437602351 |
Average customer rating:
|
Reading Borges After Benjamin: Allegory, Afterlife, and the Writing of History (Suny Series in Latin American and Iberian Thought and Cure)
Kate Jenckes
Manufacturer: State University of New York Press
ProductGroup: Book
Binding: Hardcover
General
| Classics
| United States
| World Literature
| Literature & Fiction
| Subjects
| Books
20th Century
| British
| World Literature
| Literature & Fiction
| Subjects
| Books
General
| Literature & Fiction
| Subjects
| Books
| Classics
| Comic
| Contemporary
| Literary
General
| Criticism & Theory
| History & Criticism
| Literature & Fiction
| Subjects
| Books
Caribbean & Latin American
| History & Criticism
| Literature & Fiction
| Subjects
| Books
German
| European
| History & Criticism
| Literature & Fiction
| Subjects
| Books
General
| Philosophy
| Nonfiction
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
ASIN: 0791469891 |
Book Description
Together with original readings of some of Benjamin's finest essays, this book examines a series of Borges's works as allegories of Argentine modernity.
Average customer rating:
|
The Great Wall of China
Daniel Schwartz ,
Jorge Luis Borges ,
Franz Kafka , and
Zhewen Luo
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Hardcover
Criticism & Essays
| Photography
| Arts & Photography
| Subjects
| Books
General
| Photography
| Arts & Photography
| Subjects
| Books
Nature & Wildlife
| Photography
| Arts & Photography
| Subjects
| Books
Photo Essays
| Photography
| Arts & Photography
| Subjects
| Books
Photojournalism
| Photography
| Arts & Photography
| Subjects
| Books
Asia
| Travel
| Photography
| Arts & Photography
| Subjects
| Books
Far East
| Travel
| Photography
| Arts & Photography
| Subjects
| Books
General
| Travel
| Photography
| Arts & Photography
| Subjects
| Books
Travel
| Writing
| Reference
| Subjects
| Books
General
| China
| Asia
| Travel
| Subjects
| Books
General
| Travel
| Subjects
| Books
General
| China
| Asia
| History
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
ASIN: 0500542430 |
Book Description
Beginning in the 1980s, over many years and many journeys, Daniel Schwartz has patiently and obsessively photographed one of mankind's supreme monumentsthe Great Wall of China. Schwartz was the first foreigner ever to be allowed to see so much of the Wall. From the border of North Korea westward he traveled through mountains and deserts and frozen grasslands to the borders of Central Asia. China's new policy of openness encouraged him to revisit the Wall and to photograph areas that had been closed even to him on previous journeys. This extraordinary project is at once a beautiful photographic essay, an intriguing conceptual art project, and a personal odyssey. As Schwartz has said: "I went to China to find out what I was capable of...I wanted to do it because it was impossible. I wanted to find out where the boundaries of the impossible lay and how close I could get to them." To place the photographs in context, the Chinese historian Luo Zhewen, who has dedicated his life to a study of the Great Wall, has written an essential brief history. Also included is Jorge Luis Borges's short meditation "The Wall and the Books" and an extract from Franz Kafka's illuminating short story "The Great Wall of China." The Great Wall is acknowledged as the world's most amazing man-made artifact. Daniel Schwartz, with his profound and haunting photographs, has made not only a unique document but a book that is a work of art in itself. 149 duotone photographs and 6 maps.
Average customer rating:
|
Borges On Writing
Jorge Luis Borges
Manufacturer: Harper Perennial
ProductGroup: Book
Binding: Paperback
Authors
| Arts & Literature
| Biographies & Memoirs
| Subjects
| Books
General
| Classics
| United States
| World Literature
| Literature & Fiction
| Subjects
| Books
Literary Theory
| History & Criticism
| United States
| World Literature
| Literature & Fiction
| Subjects
| Books
Latin American
| World Literature
| Literature & Fiction
| Subjects
| Books
Spanish
| World Literature
| Literature & Fiction
| Subjects
| Books
Classics
| General
| Literature & Fiction
| Subjects
| Books
Borges, Jorge Luis
| ( B )
| Authors, A-Z
| Literature & Fiction
| Subjects
| Books
Spanish & Portuguese
| European
| History & Criticism
| Literature & Fiction
| Subjects
| Books
General
| Writing
| Reference
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Similar Items:
-
Jorge Luis Borges: Conversations (Literary Conversations Series)
-
This Craft of Verse (The Charles Eliot Norton Lectures)
ASIN: 0880013680 |
Book Description
Borges On Writing
In 1971, Jorge Luis Borges was invited to preside over a series of seminars on his writing at Columbia University. This book is a record of those seminars, which took the form of informal discussions between Borges, Norman Thomas di Giovanni--his editor and translator, Frank MacShane--then head of the writing program at Columbia, and the students. Borges's prose, poetry, and translations are handled separately and the book is divided accordingly.
The prose seminar is based on a line-by-line discussion of one of Borges's most distinctive stories, "The End of the Duel." Borges explains how he wrote the story, his use of local knowledge, and his characteristic method of relating violent events in a precise and ironic way. This close analysis of his methods produces some illuminating observations on the role of the writer and the function of literature.
The poetry section begins with some general remarks by Borges on the need for form and structure and moves into a revealing analysis of four of his poems. The final section, on translation, is an exciting discussion of how the art and culture of one country can be "translated" into the language of another.
This book is a tribute to the brilliant craftsmanship of one of South America's--indeed, the world's--most distinguished writers and provides valuable insight into his inspiration and his method.
Books:
- Student Solutions Manual Volumes 2&3 University Physics 11th Edition
- Subband and Wavelet Transforms: Design and Applications (The International Series in Engineering and Computer Science)
- Teaching Introductory Physics
- The Art of Electronics (Student Manual with Exercises)
- The Casimir Effect and Its Applications (Oxford Science Publications)
- The Effect of Sterilization Methods on Plastics and Elastomers, 2nd Edition (Pdl Handbook)
- The Essential David Bohm
- The Humanistic Tradition, Book 6: Modernism, Globalism, and the Information Age
- The Large, the Small and the Human Mind
- The Little Book of Snowflakes
Books Index
Books Home
Recommended Books
- Ready, Set, Grow!: A What's Happening to My Body
- Harry Potter and the Sorcerer's Stone
- Chemical Magic
- Commodore Hornblower
- Figure Drawing for Fashion Design
- History: Fiction or Science
- Guia completa de gatos
- Impressionist Still Life
- Chris Marker: Memories of the Future
- An index to the chemical action of microorganisms on the non-nitrogenous organic compounds,