Quantitative Conservation Biology: Theory and Practice of Population Viability Analysis

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Quantitative Conservation Biology: Theory and Practice of Population Viability Analysis
William F. Morris , and Daniel F. Doak
Manufacturer: Sinauer Associates
ProductGroup: Book
Binding: Paperback

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ASIN: 0878935460

Part of the reason for the ongoing gap between conservation practitioners and population modelers has been the lack of an easy-to-understand introduction to PVA for conservation biologists with little prior exposure to mathematical modeling as well as in-depth coverage of the underlying theory and its applications. Quantitative Conservation Biology fills this void through a unified presentation of the three major areas of PVA: count-based, demographic, and multi-site, or metapopulation, models. The authors first present general concepts and approaches to viability assessment. Then, in sections addressing each of the three fields of PVA, they guide the reader from considerations for collection and analysis of data to model construction, analysis, and interpretation, progressing from simple to complex approaches to answering PVA questions. Detailed case studies use data from real endangered species, and computer programs to perform all described analyses accompany the text.

The goal of this book is to provide practical, intelligible, and intuitive explanations of population modeling to empirical ecologists and conservation biologists. Modeling methods that do not require large amounts of data (typically unavailable for endangered species) are emphasized. As such, the book is appropriate for undergraduate and graduate students interested in quantitative conservation biology, managers charged with preserving endangered species, and, in short, for any conservation biologist or ecologist

Dynamic Economic Theory: A Viability Approach (Studies in Economic Theory)

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Dynamic Economic Theory: A Viability Approach (Studies in Economic Theory)
Jean-Pierre Aubin
Manufacturer: Springer
ProductGroup: Book
Binding: Hardcover

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As writers of English from Australia to India to Sri Lanka command our attention, Salman Rushdie can state confidently that English fiction was moribund until the Empire wrote back, and few, even among the British, demur. A. S. Byatt does, and her case is persuasive. In a series of essays on the complicated relations between reading, writing, and remembering, the gifted novelist and critic sorts the modish from the merely interesting and the truly good to arrive at a new view of British writing in our time.

Whether writing about the renaissance of the historical novel, discussing her own translation of historical fact into fiction, or exploring the recent European revival of interest in myth, folklore, and fairytale, Byatt's abiding concern here is with the interplay of fiction and history. Her essays amount to an eloquent and often moving meditation on the commitment to historical narrative and storytelling that she shares with many of her British and European contemporaries. With copious illustration and abundant insights into writers from Elizabeth Bowen and Henry Green to Anthony Burgess, William Golding, Muriel Spark, Penelope Fitzgerald, Julian Barnes, Martin Amis, Hilary Mantel, and Pat Barker, On Histories and Stories is an oblique defense of the art Byatt practices and a map of the complex affiliations of British and European narrative since 1945.

In his first book devoted exclusively to naturalism, Donald Pizer brings together thirteen essays and four reviews written over a thirty-year period that in their entirety constitute a full-scale interpretation of the basic character and historical shape of naturalism in America.

The essays fall into three groups. Some deal with the full range of American naturalism, from the 1590s to the late twentieth century, and some are confined either to the 1890s or to the twentieth century. In addition to the essays, an introduction in which Pizer recounts the development of his interest in American naturalism, reviews of recent studies of naturalism, and a selected bibliography contribute to an understanding of Pizer’s interpretation of the movement.

One of the recurrent themes in the essays is that the interpretation of American naturalism has been hindered by the common view that the movement is characterized by a commitment to Emile Zola’s deterministic beliefs and that naturalistic novels are thus inevitably crude and simplistic both in theme and method. Rather than accept this notion, Pizer insists that naturalistic novels be read closely not for their success or failure in rendering obvious deterministic beliefs but rather for what actually does occur within the dynamic play of theme and form within the work.

Adopting this method, Pizer finds that naturalistic fiction often reveals a complex and suggestive mix of older humanistic faiths and more recent doubts about human volition, and that it renders this vital thematic ambivalence in increasingly sophisticated forms as the movement matures. In addition, Pizer demonstrates that American naturalism cannot be viewed monolithically as a school with a common body of belief and value. Rather, each generation of American naturalists, as well as major figures within each generation, has responded to threads within the naturalistic impulse in strikingly distinctive ways. And it is indeed this absence of a rigid doctrinal core and the openness of the movement to individual variation that are responsible for the remarkable vitality and longevity of the movement.

Because the essays have their origin in efforts to describe the general characteristics of American naturalism rather than in a desire to cover the field fully, some authors and works are discussed several times (though from different angles) and some referred to only briefly or not at all. But the essays as a collection are "complete" in the sense that they comprise an interpretation of American naturalism both in its various phases and as a whole. Those authors whose works receive substantial discussion include Stephen Crane, Frank Norris, Theodore Dreiser, Edith Wharton, James T. Farrell, Norman Mailer, Joyce Carol Oates, and William Kennedy. Of special interest is Pizer’s essay on Ironweed, which appears here for the first time.