High Cycle Fatigue: A Mechanics of Materials Perspective

Book Description

Dr Theodore Nicholas ran the High Cycle Fatigue Program for the US Air Force between 1995 and 2003 at Wright-Patterson Air Force Base, and is one of the worlds leading authorities on the subject, having authored over 250 papers in leading archival journals and books.

Bringing his plethora of expertise to this book, Dr Nicholas discusses the subject of high cycle fatigue (HCF) from an engineering viewpoint in response to a series of HCF failures in the USAF and the concurrent realization that HCF failures in general were taking place universally in both civilian and military engines.

Topic covered include:

- Constant life diagrams
- Fatigue limits under combined LCF and HCF
- Notch fatigue under HCF conditions
- Foreign object damage (FOD)

* Brings years of the Author's US Air Force experience in high cycle fatigue together in one text
* Discusses HCF in the context of recent international military and civilian engine failures

Dynamic Fracture Mechanics (Cambridge Monographs on Mechanics)

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Dynamic Fracture Mechanics (Cambridge Monographs on Mechanics)
L. B. Freund
Manufacturer: Cambridge University Press
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ASIN: 0521629225

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This volume emphasizes fundamental concepts, both on the development of mathematical models of fracture phenomena and on the analysis of these models. Cases involving stress waves impinging on cracks, tractions suddenly applied to the faces of cracks, and rapid crack growth and arrest are considered in detail. Most of the work is concerned with the behavior of nominally elastic materials, but available results on elastic-plastic and elastic-viscoplastic materials are included. Connections to experimental results and to applications in structural mechanics, seismology, and materials science are noted whenever possible.

Plasticity: A Treatise on Finite Deformation of Heterogeneous Inelastic Materials (Cambridge Monographs on Mechanics)

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Plasticity: A Treatise on Finite Deformation of Heterogeneous Inelastic Materials (Cambridge Monographs on Mechanics)
S. Nemat-Nasser
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Micromechanics: Overall Properties of Heterogeneous Materials (North-Holland Series in Applied Mathematics and Mechanics)

ASIN: 0521839793

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Providing a basic foundation for advanced graduate study and research in the mechanics of solids, this treatise develops systematically the fundamentals of finite inelastic deformations of heterogeneous materials. The book combines the mathematical precision of solid mechanics with the physics-based micro-structural knowledge of materials science, presenting a coherent picture of finite inelastic deformation of single and polycrystalline metals.

Anisotropic Behaviour of Damaged Materials (Lecture Notes in Applied and Computational Mechanics)

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Anisotropic Behaviour of Damaged Materials (Lecture Notes in Applied and Computational Mechanics)

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ASIN: 3540004378

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The book contains invited lectures from the International Symposium on the Anisotropic Behaviour of Damaged Materials, held in Krakow, Poland, September 9-11, 2002. Eminent researchers and world experts in the field of damage mechanics report recent achievements and state-of-the-art results in the field. The book deals with the anisotropic damage mechanics involving micromechanical aspects and thermo-mechanical coupling. The contents are both of academic interest and relevant for practical applications, especially those concerning more advanced anisotropic models of materials and the transition from the microscopic to the macroscopic level.

Crack Dynamics (Advances in Fracture Mechanics)

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Crack Dynamics (Advances in Fracture Mechanics)

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ASIN: 1853129488

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The last two decades have seen considerable changes in the way fractures, including dynamic fractures, have been analysed. Conventional fracture mechanics approaches have slowly given way to more sophisticated and predictive ones including cohesive zone or traction-separation models. Popular for their simplicity and the ease with which they can be implemented into numerical codes, these need to prescribe the tractions holding the fracturing surfaces against the separation distance between them. It was thought that the main parameter of the model was the area under the traction-separation curve corresponding to fracture energy, while the shape of the curve would be of minor importance. However, as attempts were made to model complex problems it also became clear that the entire shape of the curve is often very important. Furthermore, the traction-separation laws were found to depend on constraint conditions apart from rate and temperature. The most important question for the fracture community pursuing the use of cohesive zone models should be how to obtain these laws.

Book Description

This book provides an up-to-date knowledge on theory and experimental results of rate-dependent fracture processes in metallic materials. The objective is to expose the current status of a growing branch of fracture mechanics called generally "Dynamic Fracture". Crack dynamics takes into account not only the effects of inertia but also rate sensitivity of a material under consideration. This volume has been prepared by four leading authorities in fracture dynamics: D.R. Curran, J.F. Kalthoff, J.R. Klepaczko and F. Nilsson. A broad range of problem is covered: dynamic fracture theory, application of dynamic fracture mechanics, dynamic crack inition and microstatistical fracture mechanics in dynamic fracture. The book in its present format may serve as a text supplement in lecturing on fracture mechanics. On the other hand, it may serve as an instructional aid in engineering of fracture prevention.

Damage and Fracture of Disordered Materials (CISM International Centre for Mechanical Sciences)

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Damage and Fracture of Disordered Materials (CISM International Centre for Mechanical Sciences)

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ASIN: 3211833277

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The principal objective of this book is to relate the random distributions of defects and material strength on the microscopic scale with the deformation and residual strength of materials on the macroscopic scale. To reach this goal the authors considered experimental, analytical and computational models on atomic, microscopic and macroscopic scales.

Dynamic Analysis and Failure Modes of Simple Structures

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Dynamic Analysis and Failure Modes of Simple Structures
Daniel Schiff
Manufacturer: Wiley-Interscience
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ASIN: 0471635057

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Offers practical coverage of vibration stresses and stress-induced displacements, isolation of sensitive components, and evaluation of elastic instability, fatigue and fracture as potential failure modes that arise in mechanical designs and aerospace. The approach taken is particularly useful in the early design stage--the physical problem is defined via known paramaters and a methodology is given for determining the unknown quantities and relating them to specified limiting values and failure modes to obtain an acceptable design. Many of the calculations can be performed on a PC or programmable calculator.

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Dynamic Crack Propagation

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ASIN: 9001798616

Dynamic Failure of Materials: Theory, experiments and numerics

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Dynamic Failure of Materials: Theory, experiments and numerics

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ASIN: 1851666656

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Proceedings of the International Seminar on Dynamic Failure of Materials - Theory, Experiments and Numerics held in the Technical University of Vienna, Vienna, Austria, 2-4 January 1991.

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First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the second edition, `to blend the two kinds of romance: the ancient and the modern'. He gives us a series of catastrophes, ghostly interventions, revelations of identity, and exciting contests. Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole's own favourite among his numerous works. His friend, the poet Thomas Gray, wrote that he and his family, having read Otranto, were now `afraid to go to bed o'nights'. The novel is here reprinted from a text of 1798, the last that Walpole himself prepared for the press.

Customer Reviews:

Probably better in its day.......2006-12-16

This book, like Pamela for feminist literary history, is important due to the fact that it was the first gothic novel ever written. The voice is a good one for the story, deep, reverant, dramatic; the writing is of excellent breed as well. With that said, however, so much has been ripped-off from this novel, and into novels that we've already read, that the story itself comes off as a bit cliche, not to mention ridiculous. Although the hyperbole of the novel is based off sybolic intentions, the best that one can say about this piece is that it lit a torch for future great novels--not that it's so much a great novel on its own two feet. Worty of reading if you care about the history of novels in general, but if you're looking for a great gothic novel this shouldn't be a first choice.

Walpole's Castle: More Historical Then Entertaining.......2006-08-21

When Horace Walpole published THE CASTLE OF OTRANTO in 1794, his reading public was unprepared for what was to them a floodtide of unrestrained emotion. It had only been recently that the concept of "sensibility" in writing had been in vogue. In novels of this type (later popularized by Austen) the protagonist, usually a well-born female, would be subject to a non-stop series of emotional excesses like fainting, weeping, and otherwise losing all restraint. And lying behind this relatively recent vogue of sensibility lay a much longer tradition of its polar opposite: the damming of all feeling in favor of a carefully controlled harmony between man and nature. With THE CASTLE OF OTRANTO, this harmony cracked into innumerable pieces that manifested themselves into what was soon to become staples of the genre: unexplained supernatural phenomenon, dark and dank castles that hinted at the equally dark and dank recesses of the human psyche, and a series of images that exploded into a cacophony of sound and sight.

The story is slight both in plot and theme. The evil Manfred, the usurping ruler of Otranto, plans to marry his weakened son solely to ward off a prophecy that suggests that unless he has male heirs, he will be deposed. Just before the nuptuals between his son and Manfred's choice for him, Isabella, a colossal helmet comes crashing down, crusahing his son to pieces. This tragedy does not deter Manfred as he then plans to marry the lovely Isabella himself. Isabella, aided by the peasant Theodore, helps Isabella escape. Theodore is captured, but the ghost of the previous owner of Otranto, Alonso appears and incredibly blasts his own castle to pieces, leaving Isabella to marry Theodore. Even for a nonsense story, the plot does not hold water. Further, the writing style is inexplicably formal, with all events, both mundane and preternatural, narrated in a pseudo-classic manner that fits in well enough in the Augustan mode but seems ill-suited to this new genre of emotional excess. Still, THE CASTLE OF OTRANTO is significant in that for those who care to learn the where and the how of the horror genre, then Walpole's innovative surge of novelistic emotion is a good place to begin.

Lovely, trashy early novel.......2005-12-24

The Castle of Otranto isn't the best novel you'll ever read, since its characters are more like "types" than living human beings. That said, it's a breezy example of an early novel, before the Victorians got hold of the form and made the books longer and more "respectable." This is one of the books that Jane Austen's gothic-novel-obsessed character Catherine Morland (in Northanger Abbey) would have read to scare herself out of her wits. For that reason alone it's worth reading--to understand what types of books Jane Austen herself was reacting to when she wrote her books.

Also, it's worth reading simply because the story begins with a character being killed by a giant helmet. What a great, fun, gloriously trashy way to begin a book!

Horace Walpole, incidentally, was the son of the prominent 18th century politician Robert Walpole, who is satirized in John Gay's "The Beggar's Opera" and in a number of works written by Jonathan Swift and Alexander Pope. Perhaps fortunately, however, the father had passed away before his son wrote this book.

A strangely epitomizing expression of gothic literature.......2005-12-08

I read this book back in May, 2005, as part of my Gothic Lit. class. It's not a book I'd read again strictly for pleasure, but there is a strange quality to it that beckons me to read it again.

While a fairly absurd and not-very-frightening book (at least to modern readers), this book is worth reading as it seems to contain every element that is a staple of gothic fiction -- and why not? It's the first, after all.

After the class and a little thought, I lean toward considering the following elements to be the staples of "true" gothic stories:

1. Numinous (frightening and awe-inspiring) supernatural elements (one could say that should be drawn loosely from real-world beliefs, but I won't make that stipulation myself)

2. Excessive violence (not necessarily blood/guts/gore, but something that leaves you thinking "that wasn't called for")

3. Sexual perversion (not necessarily anything explicit, just hints at something "not right" -- this element makes things both more exciting and more menacing)

4. Madness

5. Helpless hero (necessarily useless, but overwhelmed, unable to accomplish everything and/or take an active approach to the problem)

6. Social injustice (a challenge to "life as usual")

6. Religion gone wrong (a bleaker, maybe questioning look at religion and religious beliefs)

The surprising thing is that it does this while remaining a fairly tame book. It's excessive violence is performed off-camera, as does the majority of its supernatural elements. Manfred's desire to leave his wife on the basis that their marriage is actually incestuous in order to marry his late son's fiance was sufficiently disturbing to me but far even from X-rated. Manfred is flighty and prone to a kind of mania. The hero is vastly overwhelmed, stays on the defense, and is unable to save the one thing most important to him. At the heart of the novel are pointed social and religious questions/commentary.

One of the things that has fascinated me with this book is the retellings it has inspired in The Old English Baron and The Castles of Athlin & Dunbayne. Both of those are significantly less gothic than Otranto (especially Castles, which is not gothic at all), but are better retellings of the core romance between the hero and his love.

All in all, I'd recommend this work to anyone interested in gothic literature. I'd also recommend The Old English Baron and The Castles of Athlin & Dunbayne (especially the latter) as better retellings of the romance in the book.

Sterility, sterility! or, You Must Be Kidding.......2005-08-28

If "The Castle of Otranto" were *only* a predictable-yet-ridiculous, overwrought mass of goo -- a narrative devoid of delight, pacing, or any discernible reason to care about it -- I would not be writing this review. But it is also a frigid travesty of the English language, an abomination of unnatural phrases.

I shudder to think that anyone would deem this book more than a greasy stain upon the annals of English literature, supposing its faults to be just the pitfalls of its period, the charming traits of a world whose sentiment and taste have grown alien to modern readers. No! For God's sake, man, this was the same decade that saw "Tristram Shandy," the same year as Johnson's Preface to Shakespeare! I made the mistake of coming to "Otranto" right after treating myself to an 18th century novel in French. Walpole has managed to copy from his French contemporaries many words, prepositional expressions, etc., that have no place in the English tongue, but nothing of their grace, intelligence, or ability to fashion a story and a style.

Finally, what is going on with the Oxford World's Classics? This edition thinks you want an asterisk and an endnote to inform you that "brazen" means "brass." (It is interesting to see that Oxford imagines the readers of this text -- presumably English lit grad students -- as less literate than those who might pick up the World's Classics edition of, say, "Leaves of Grass," where you wouldn't find the help you might need.)

Two stars instead of one because it's just ludicrous enough a trainwreck to be very mildly diverting, and because its occasional lapses into competent fiction seem more pleasing after wading through the muck.

"This is more than fancy, said the marquis; her terror is too natural and too strongly impressed to be the work of imagination." You wish, Horace.

Four Gothic Novels: The Castle of Otranto; Vathek; The Monk; Frankenstein (World's Classics)

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Four Gothic Novels: The Castle of Otranto; Vathek; The Monk; Frankenstein (World's Classics)
Horace Walpole , William Beckford , Matthew Lewis , and Mary Shelley
Manufacturer: Oxford University Press, USA
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Binding: Paperback

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ASIN: 0192823310

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Macabre and melodramtic, set in haunted castles or fantastic landscapes, Gothic tales became fashionable in the late eighteenth century with the publication of Horace Walpole's The Castle of Otranto (1764). Crammed with catastrophe, terror, and ghostly interventions, the novel was an immediate success, and influenced numerous followers. These include William Beckford's Vathek (1786), which alternates grotesque comedy with scenes of exotic magnificence in the story of the ruthless Caliph Vathek's journey to damation. The Monk (1796), by Matthew Lewis, is a violent tale of ambition, murder, and incest, set in the sinister monastery of the Capuchins in Madrid. Frankenstein (1818, 1831) is Mary Shelley's disturbing and perennially popular tale of young student who learns the secret of giving life to a creature made from human relics, with horrific consequences. This collection illustrates the range and the attraction of the Gothic novel. Extreme and sensational, each of the four printed here is also a powerful psychological story of isolation and monomania.

The Castle of Otranto and The Mysterious Mother (Broadview Literary Texts)

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Setting the Tone
Leading the Way
The Broadview Edition of Horace Walpole's Castle of Otranto
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The Castle of Otranto and The Mysterious Mother (Broadview Literary Texts)
Horace Walpole
Manufacturer: Broadview Press
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ASIN: 155111304X

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On the day of his wedding, Conrad, heir to the house of Otranto, is killed in mysterious circumstances. Fearing the end of his dynasty, his father, Manfred, determines to marry Conrad's betrothed, Isabella, until a series of supernatural events stands in his way. . . .

Set in the time of the crusades, The Castle of Otranto (1764) established the Gothic as a literary form in England. With its compelling blend of psychological realism and supernatural terror, guilty secrets and unlawful desires, it has influenced a literary tradition stretching from Ann Radcliffe and Bram Stoker to Daphne Du Maurier and Stephen King.

This Penguin Classics edition includes a full selection of early responses to the novel, as well as a critical introduction, chronology of Walpole's life and works, suggestions for further reading, and full explanatory notes.

"[Walpole] is the father of the first romance and surely worthy of a higher place than any living writer." (Lord Byron)

Customer Reviews:

Free SF Reader.......2007-09-03

A nasty accidental death is not a good thing to have happen on your
wedding day, particularly when it happens to the guy you were going to marry.

After this unfortunate event, the father of the dead groom decides
he needs to marry the now did not quite make it to widowed woman. There are financial reasons, for this, of course.

Plenty of supernatural and other sorts of suspense follow.

Setting the Tone.......2007-06-10

"The Castle of Otranto" by Horace Walpole, is regarded as the first novel of the gothic genre. Indeed its short and simple story is filled with the supernatural, and what must nowadays count as caricatures for characters. The charm of the story lies within its historical relevance and what it brought to future stories within that genre, not in the story itself.

Immediately the reader is introduced to the tyrannical prince of Otranto, Manfred, as he is about to marry his sickly son to the princess Isabella in a quest to secure his claim to the throne he may not be entitled to. When Manfred's son Conrad is struck dead, with no witnesses to his ghastly death, Manfred is at a total loss. He strikes upon the idea of marrying the young princess Isabella for himself; when he proposes the notion to Isabella, she is frightened and repulsed and runs away, seeking sanctuary within the castle's monastery. Then ensues Manfred's stalking of Isabella while trying to get out of his marriage to his extremely pious wife Hippolita, while all about the castle the servants and ruling family keep having dreadful visions.

In the end these supernatural visions serve to bring justice to the rightful heir, a young man who unwittingly helps Isabella escape from Manfred's clutches only to fall in love with Manfred's daughter, Matilda. The theme is that of the sins of the father being visited upon the children (even generations later) and is not a new theme in modern literature, but an interesting choice and one that works with the supernatural means Walpole employs to bring it about. While "The Castle of Otranto" is a watershed in the gothic genre, it is by far not the best or most notable work of that period; yet without the blueprint laid meticulously out by Walpole, such greater stories may never have been written.

Leading the Way.......2003-11-03

Everything that can be said is almost certainly expressed in the comprehensive introduction to this fine edition.
I will attempt to review it anyhow as I enjoyed this literary, pioneering work immensely and hopefully my pale (in comparision to Walpole's and his peers) words might incite others to enjoy the first(claimed to be by many anyhow) gothic book written.

I am going to provide a brief synopsis although one has been provided in hopes of conveying how big and active the plot is of this novel. Manfred, Prince of Otronto prepares for his son' wedding day, but suddenly his son is crushed by a giant helmet. Not confident his wife would provide him with another male heir to carry on his line Manfred decides he wishes to marry his passed son's fiancee, Isabella. Fearing a marriage to tyrannical Manfred Isabella flees with help of the peasant Theodore, and finds sanctuary with the monk Jerome.
As Manfred tries to convince Jerome to bless his marriage to Isabella(and grant divorce from his wife)emmisaries from Isabella's family arrive at the castle. There is question of the legimitacy to Manfred's claim to the princedom of Otronto it seems and the rightful heir is Isabella's father one of the reasons Manfred is so keen on a marital union between the families. This all happens in the first fifty or sixty pages, and even as summed up I failed to really express how much takes place in this little book. Let's just say this is a dense plot, so much happening in so little time.
I tried to finish this book in time to post my review ofr it on Halloween, but The Castle of Otronto is not a book that can be called a fast read, nor is it a book you wish to skim pages on.
Walpole successfully blended romance and supernatural suspense leading the way in a genre of fiction that is still emulated and popular to this day.
The Castle of Otronto is a great Gothic novel and it is also a great novel period.

The Broadview Edition of Horace Walpole's Castle of Otranto.......2003-04-10

Prospective buyers and users should take note that the Customer Reviews posted on Amazon.com are erroneous. They pertain to previous
editions of Walpole's Gothic novel and do not apply to the Broadview edition. A unique feature of the Broadview edition is the inclusion of Walpole's drama, The Mysterious Mother, sometimes mentioned by literary historians as the first Gothic drama. Thus, the user has at his disposal two important prototypes of the Gothic novel. Appendices include excerpts from Burke's treatise on the sublime, Hurd's Letters on Chivalry and Romance, the Graveyard poets, Hervey's Meditations Among the Tombs, Walpole's correspondence, and the eccentric architectural splendors of Strawberry Hill, Walpole's Gothicized villa on the Thames. I am the edition's editor, Frederick S. Frank, another fact omitted from the Amazon.com descriptor.

Best edition available.......2002-03-27

Finally someone has provided us with a readable, absorbing, and correct edition of this novel. I've always found this a difficult work, but the introduction and notes are wonderful, reading the book as camp and as opera. The hundreds of errors in the Oxford University Press edition are finally corrected here, and the appendix (providing 75 years of responses to Walpole's romance) makes for hilarious reading. Without question the best available teaching text.

The Castle of Otranto A Gothic Story By Horace Walpole London Printed for The Folio Society 1976 Limited

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The Castle of Otranto A Gothic Story By Horace Walpole London Printed for The Folio Society 1976 Limited
Horace Walpole
Manufacturer: The Folio Society
ProductGroup: Book
Binding: Hardcover
ASIN: B000QYISZY

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143 Pages

The Castle of Otranto, a Gothic Story, Jeffery's Edition

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The Castle of Otranto, a Gothic Story, Jeffery's Edition
Onuphrio MURALTO
Manufacturer: see notes for publisher info
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Binding: Hardcover
ASIN: B000MXJPG0

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THE CASTLE OF OTRANTO... A GOTHIC STORY
Horace Walpole
Manufacturer: The Limited Editions Club
ProductGroup: Book
Binding: Hardcover
ASIN: B000K9ODAO

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THE CASTLE OF OTRANTO: A GOTHIC STORY
W LEWIS
Manufacturer: OXFORD UNIVERSITY PRESS
ProductGroup: Book
Binding: Hardcover
ASIN: B000SBO5E8

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The Castle of Otranto: A Gothic Story

Manufacturer: Oxford University Press
ProductGroup: Book
Binding: Paperback
ASIN: B000BUMDE0

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Castle of Otranto: A Gothic Story
Horace Walpole
Manufacturer: see notes for publisher info
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Binding: Hardcover
ASIN: B000NP6W04

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The Castle of Otranto: A Gothic Story
Horace Walpole
Manufacturer: Barnes & Noble
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ASIN: 0760763070

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