Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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Similar Items:
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
Pioneering book, profusely illustrated with 219 photographs, floor plans, drawing, and elevations, presents a detailed, comprehensive history of the evolution of American domestic architecture from 1620 to 1825. Detailed discussions of early shelters at Jamestown and Plymouth, prerevolutionary homes in the 18th century, and the rise of an independent American architectural style.
Customer Reviews:
A well-focused book .......2006-08-21
Books on historic architecture tend to devote too little space to the homes of ordinary people. This book covers dwellings from the huts of the first colonists to governors' mansions, from rural plantation houses to Colonnade Row in Boston.
The profusion of illustrations include early and modern drawings, photographs, engravings, and lithographs. They depict floor plans, elevations, interiors, exteriors, and details.
What I found particularly useful is the way the author develops the historical changes in materials, style, and philosophy. His research is thorough but not at all dry. For example, he quotes William Hubbard who, before 1682, wrote of the New Haven Colony: "They laid out too much...in building fine and stately houses, wherein they at first outdid the rest of the country."
This book will correct misunderstandings and oversimplifications about Colonial domestic architecture.
Book Description
n the tiny Russian province of Kalmykia, obsession with chess has reached new heights. Its leader, an eccentric million-aire named Kirsan Ilyumzhinov-ruthless dictator, alleged mur-derer, and former chess prodigy-has dedicated his impov-erished nation to the game. Exploring the obsessive hold chess exerts over its followers, Hallman examines the history and evolution of the game and the people who dedicate their lives to it. From traveling to Kalmykia to challenge a dictator to a match and touring New York's legendary chess district to crashing the Princeton Math Department game party and play-ing chess with a convicted murderer in prison, Hallman trans-forms an entertaining weaving of travelogue, journalism, and chess history into a compulsively readable narrative.
Customer Reviews:
A peek inside the chess world.......2007-06-22
Chess players can be very intriguing. At the highest levels, it is difficult to imagine what they go through and why they do it. It is a competitive obsession.
The reader is led through the world of a competitive chess player with some great insights of the motivation and culture in which a chess player immerses himself/herself.
Interesting at times, but it doesn't quite satisfy.......2007-04-29
The Chess Artist contains some interesting observations about the game, and the occasional worthwhile excursus, but it never quite closes in on an interesting story. This may be because so much of it is built on intentionally arbitrary encounters, events seemly engineered to generate something to write about (e.g. chess games played in prisons, or among a museum's Duchamp collection). I enjoyed it, and I learned something, but I had hoped for more.
you don't have to like chess to love this book.......2006-12-12
even if you don't like chess, this book is interesting enough for you to enjoy. it's part travel narrative, part outsiders look into the world of chess. the book is well written, extremely interesting, and is informative as well as entertaining. i like chess, so i enjoyed it, but i lent it to someone who doesn't like chess, and she enjoyed it just as much. hallman paints a detailed picture of chess city in the former soviet union, as well as personalities of people who play chess. for me, the best part was his description of the crazy subculture and chess playing in the park in NYC as well as the "skittles room" of the tournaments. i wish there were more books about chess like this one. great book, definately recommended.
Great Book.......2006-11-19
This is a great read even if you hate chess,this by far my favorite book about a chess player or players( I have read 2 others ,see my reviews)I would like to read a sequel to it.I was captivated by, and enthralled with this book!Hallman is a great writer, please write more books on chess players,maybe follow Nakamura and write about it!.
The weird underbelly of an intellectual pastime.......2006-09-21
J.C. Hallman's The Chess Artist is structured around a trip that the author took with his friend Glenn, the chess player of the book's title, to Kalmykia, a crumbling Russian Republic on the northwest shore of the Caspian Sea. Hallman was interested in interviewing Kalmykia's despotic president, Kirsan Ilyumzhinov, a former chess prodigy and the president of the World Chess Federation (FIDE), who was using chess "as a tool to unify and mollify his people." (He had made chess instruction compulsory in schools, for example.) Woven around the story of their journey are chapters on chess history--its development and geographical migration across a thousand years, the history of its individual pieces--and Hallman's further adventures with Glenn: marathon chess sessions over the internet, formal chess competitions, blindfolded chess and speed chess, chess played in prison and in Princeton, and the various characters they ran across on their adventures--child prodigies and the denizens of Dickensian chess shops and the down-and-out chess hustlers of New York's Washington Square Park.
Part travelogue, then, and part history, Hallman's book is also an exploration of both the international subculture of competitive chess and of his traveling companion. For most of the period covered by the book, Glenn was ranked as a chess master--exceptionally good but well below the grandmasters who form the true elite of the chess world. Glenn is an enigmatic character. A germophobic 39-year-old with a genius for the game and poor grammar, he is apparently incapable of consistently making smart decisions in the real world. Divorced and perpetually broke, almost childish at times, his friendship seems to be to a great extent a burden. Hallman has a tendency, actually, to write about Glenn as if he were a sort of lab animal, whose mannerisms and mode of play are alike under scrutiny.
"He shrugged and performed a gesture that was new to me, opening his palms suddenly and at the same time contorting his face to an expression of exaggerated surprise."
Annoying and strange, given to marking promising relationships with ceremonial whistling, Glenn is also a sad figure, a broken man "spiraling toward nothingness, a waste of twenty years of effort and energy." One wonders what Glenn thought of his presentation in the book.
The Chess Artist is very well researched and thick with information. And it is punctuated by some truly wonderful, sometimes poetic writing:
"The train was all lullaby, the gyroscopic jostle of the tracks, the steady click of the wheels like the eighth notes of some slower melody, the stars stationary out the small window, all of it a lull of travel nostalgia, a cradle or warm womb, Glenn and I like twins incubating in that cramped space."
In Kalmykia Hallman is served "a genocide of crayfish"; in a prison cafeteria the fare is instead "hockey pucks of meat like the leftover scrapings of a botched autopsy." One chess player they observe has the "eyebrows of a demon," while another is "a nondescript man who fit the profile of a serial killer--short, well-groomed, quiet, and very dangerous."
Hallman's writing is riddled with such evocative descriptions. This is both wonderful and, surprisingly perhaps, problematic: the problem is that Hallman tends to lavish his well-written descriptions on nearly every minor character who crosses his path, so that the reader is met with too much information. Hallman's flair is obvious. But after a time, the personalities in the book tend to blend together.
It is tempting to say that Hallman does for chess what Stefan Fatsis does for Scrabble in his book Word Freak, exposing the weird underbelly of an intellectual pastime, the obsessives who sacrifice sleep and hygiene over their chosen game. Hallman's book, though, is a more serious and more difficult read. Presumably, the more familiar a reader is with chess, the more he will get out of the book. I myself do not play, but I was able to understand and appreciate, at least on some level, most of what the author had to say. Non-chess players should not be afraid of diving in.
Debra Hamel -- author of Trying Neaira: The True Story of a Courtesan's Scandalous Life in Ancient Greece (Yale University Press, 2003)
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The Indoor Artist
Linda Birch
Manufacturer: Collins
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Binding: Hardcover
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ASIN: 0007151489 |
Book Description
The bizarre and often humorous creations of René Magritte, Joan Miró, Salvador Dalí, and other surrealists are showcased in this activity guide for young artists. Foremost among the surrealists, Salvador Dalí was a painter, filmmaker, designer, performance artist, and eccentric self-promoter. His famous icons, including the melting watches, double images, and everyday objects set in odd contexts, helped to define the way people view reality and encourage children to view the world in new ways. Dalí's controversial life is explored while children trace the roots of some familiar modern images. These wild and wonderful activities include making Man Ray-inspired solar prints, filming a dreamscape video, writing surrealist poetry, making collages, and assembling art with found objects.
Customer Reviews:
Try It You'll Like It.......2006-08-31
This is not only an informative book, there are many fun activities that will bring out the artist in anyone willing to try them. Love Dali and I used this book in a art class presentation ( I got it out of our local library) enjoyed the book so much and tried several of the activities. Had to own the book.
The art history is pretty good but the activities are great.......2004-02-19
I have read several of these Chicago Review Press volumes that combine art or history with 21 activities geared for kids ages 10 and up, and Michael Elsohn Ross' "Salvador Dali and the Surrealists: Their Lives and Ideas with 21 Activities" is the best of the bunch I have seen to date. The art history section is excellent but this time around the activities are even better. Art teachers looking for ways of introducing their young students to art in general and the surrealists in particular will find these activities to be extremely useful. Of course, in this age of schools dealing with deep budget cuts this book might be even more useful for teachers who do not have training in art or who are simply doing an art unit in their class.
Ross does a wonderful job of putting the Surrealists in historical context. Although he starts by looking at Dali's early life and first impressionist works, Ross tells young readers how World War I and the birth of the Dada movement, started to move art in a new direction. Throughout the book Ross provides looks at not only important artists like Pablo Picasso, Rene Magritte, and Frida Kaholo, but also Sigmund Freud, Francisco Franco, and Harpo Marx. When you get to the Marx Brothers and the idea of absurd comedy that they represented in their films such as "A Night at the Opera," then you can rest assured that Ross is providing not only breadth but also depth to his treatment of Surrealism. Dali is clearly the paradigmatic surrealist artist, which may well just be another way of saying the most popular, but that distinction will not matter to young students who will be fascinated by the famous melted watches in "The Persistence of Memory" (1931) and the gaping square hole in the back of the figure in "The Weaning of Furniture-Nutrition" (1934). I was surprised that they did not show the infamous harp, covered with silverware, that Dali made for Harpo Marx.
Consequently, the text of the book, where Ross looks at how surrealism drew on the revolutionary theories of Sigmund Freud to bring the creativity of the subconscious to art and details the fanciful creations of Magritte, Miro, Dali and other artists, stands on its own as providing a superb introduction to Dali and the surrealists. However, the activities Ross came up with are even better. Starting with such simple ideas a finding Pictures Everywhere, Ross moves on to tricks for altering the way you see the world (Crystal Eyes), and the inventiveness of Free Association and Inkblots. A series of activities are based on the work of specific artists, such as the Splotch Art of Joan Miro, the Solar Prints of Man Ray, the Surreal Objects of Marcel Duchamp, the Art in a Box of Max Ernst, and Dali's technique of Frottage. Of course, when they get to the concept of Hair Art, students might always recognize that from what some of their classmates have already been doing. Ross provides some actual examples of student projects based on these exercise as well as works by great artists that inspired the ideas. Even younger children will enjoy the "Exquisite Corpse" Drawing activity.
Although I supposed I could always glue a lobster to a rotary telephone on my own, perhaps the biggest compliment I can pay to this book is that I wish I had young students that I could get to try some of these out. My youngest daughter should be careful the next time she comes over because I do not think it is likely that I will come up with a way of getting my online Pop Culture class to do this, much as I would like to. This book is so inspiring that I can see teachers who only deal with art tangentially in their class to find a way to work some of this information and several of these exercises into their classes. There are also plenty of other great Surrealist artists for these students to learn more about as well as well as imaginatively inspirational paintings like Magritte's "Time Transfixed" (1938).
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Indoor
Anne Bertrand ,
Andreas Lindermayr ,
Marianna Neri , and
Thierry Raspail
Manufacturer: Charta
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ASIN: 8881582414
Release Date: 2000-02-02 |
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Contributions by Anne Bertrand, Jan Hoet, Andreas Lindermayr, Marianna Neri, Thierry Raspail.
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Isadora: Portrait of the Artist as a Woman
Fredrika Blair
Manufacturer: HarperCollins Publishers
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ASIN: 1853360090 |
Book Description
This convenient, portable edition of the fun-for-all-ages Colorforms set lets artists take their masterpieces wherever they go. The set includes over 200 Colorforms pieces in four primary colors and in a variety of geometric and abstract shapes; two “canvases,” one black and one white; and a 48-page idea book with concepts and design principles to further spark the imagination.
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Picasso-Indoor and Outdoor Landscapes
Maria Teresa Ocana ,
Maria Tersa Ocana ,
Valeriano Bozal ,
Brigitte Leal , and
Pablo Picasso
Manufacturer: Electra
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ASIN: 8481562394 |
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Used in the context of Picasso the word 'landscape' takes on a whole new meaning. Unlike the human body and still life, it was not one of his primary genres but emerged over time as a game he played with combinations and symbols. With the passing of time the generic outdoor landscapes of his first years opened the way to specific places where he lived, worked and spent his holidays. Through his progressive isolation he became accustomed to describing his own environment and consequently his immediate surroundings became the scenic center of his work. This superb book, catalogue to a 1999 exhibition of the same name at the Picasso Museu, Barcelona, maps the evolution of Picasso's landscapes and shows how, as time went by, the internal landscape became more and more important Essays include 'Making a Landscape out of the Body' by Valeriano Bozal. Works are divided into five chronological sections from 1917 to 1970 and include The Kiss, The Sleepers, Country Concert, The Pigeons (series), The Rescue, The Kitchen, The Bathers, and Flower Seller.
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- Hurricane Katrina and New Orleans- An Educational Therapeutic Story, Coloring and Workbook
- Interfacial Forces in Aqueous Media, Second Edition
- Interfacial Phenomena and Convection
- Interiorscapes: Gardens Within Buildings
- International Tables for Crystallography,Volume D: Physical properties of crystals (International Tables for Crystallography)
- Introduction to Chemical Principles: A Laboratory Approach (Brooks/Cole Laboratory Series for Introductory Chemistry)
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