Book Description
Fully updated-the classic comprehensive introduction to color technology
The Third Edition of Billmeyer and Saltzman's Principles of Color Technology combines the clarity and ease of use of earlier editions with two decades of advancement in the theory and technology of color. Defining color as "a certain kind of light, its effect on the human eye, or (most important of all) the result of this effect in the mind of the viewer," the book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging.
While retaining important material on the color technology of paints, plastics, textiles, and other materials, the Third Edition features in-depth coverage of computer-generated color, digital image capture, desktop color printing, and color management-achieving color fidelity among scanners, digital cameras, and other color imaging devices. The new edition of Principles of Color Technology offers expanded coverage that includes:
* Measuring color quality-a new chapter describes the principles and applications of setting instrumental color tolerances
* Mathematics of color technology-a new appendix presents principles of color technology using mathematics
* Color modeling-additional material covers CRT displays and color printing
Supplemented with copious numerical examples, graphs, and illustrations that clarify and explain complex material, as well as side bars that present technical details in a well-organized, accessible manner, this excellent and exciting introduction for newcomers to the field is also a valuable reference for experienced color technologists, color specialists, chemical and industrial engineers, computer scientists, research scientists, and mathematicians interested in color.
Customer Reviews:
Student Review of B&S Principles of Color Technology.......2001-10-14
The latest edition of Billmeyer and Saltzman's Principles of Color Technology is a complete rewrite. The author's use of in-text examples and "back to principles" appendix facilitate understanding of the concepts. The range of color science conepts (from basic colorimetry to an end-to-end color imaging system) make it a must-have for the color science student to the experienced color professional.
Average customer rating:
- A LOT of information packed into a deceptively small package.
- A treasure chest of interesting trivia
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Colors: The Story of Dyes and Pigments
Guineau Delamare , and
Ber Francois
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Paperback
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Color: A Natural History of the Palette
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Bright Earth: Art and the Invention of Color
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A Perfect Red : Empire, Espionage, and the Quest for the Color of Desire
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Blue: The History of a Color.
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Mauve: How One Man Invented a Color That Changed the World
ASIN: 0810928728 |
Amazon.com
In our overstimulated, color-saturated society it is easy to forget the impact of color in the dull world before cheap dyes and plastics. Colors is a delightful little book, highly illustrated and packed with intriguing information. It traces the history of dyes and pigments from cave paintings to modern textiles. The book's four sections cover the uses of color in ancient times; its development and refinement in the Middle Ages; the explosion of supply and demand after the Renaissance; and the triumph of industrial chemistry in synthesizing and inventing colors. Production processes often paralleled those of alchemy, giving an almost magical quality to colors. Dyes were expensive in medieval Europe and could increase the price of a cloth tenfold; thus color was used to indicate social status, with aristocrats in bright robes standing out against the drab mob. Since antiquity, writers have compiled technical manuals on dyeing and pigment manufacture, often using more ancient texts, so that a great many antique recipes and techniques have been preserved. We learn, for example, how Indian yellow was made from a concentrated extract of the urine of cows fed exclusively on mango leaves (which was not healthy for the cows). Every page of the book has interesting tidbits of information, such as the derivation of blue jeans (from bleu de Genes, Genoa blue, a form of indigo). Clearly written and well-designed, Colors reminds us of the powerful ways color permeates our lives. --John Stevenson
Book Description
From the painted caves at Lascaux, 40,000 years old, to the medieval cloth industry to today's computerized chemistry, this engaging book surveys the history of dyes and pigments-in a work as rich, varied, and colorful as a box of crayons.
160 illustrations, 135 in full color,
Customer Reviews:
A LOT of information packed into a deceptively small package........2006-03-21
_Colors: The Story of Dyes and Pigments_, is an excellent little book to read if you are interested in colors. It covers pre-history up through the modern era, and it discusses some of the chemistry, much of the mineralogy, and a lot of the economics & politics that went into the use of different dyes & pigments through the eons.
It is also lavishly illustrated, with many many photos, including photos of famous works of art, close-up photos showing artistic techniques, photos of artists' materials, and photos of historical treatises relating to cloth dyeing and other skills. There is a lot of good technical content, including explanations of the differences between dyes, pigments and lakes, and details of attempts in antiquity to create artificial colors, going as far back as the Egyptians.
The chapters are Painting & Dyeing, which covers paints and dyes from antiquity to the Middle Ages; Colors in the Middle Ages, which covers new technological & economic developments in the Middle Ages; The Explosion of Supply and Demand, which covers how the increased trade of the Renaissance, Enlightenment Era, and the Industrial Age drove the search for new colors; and The Triumph of Industrial Chemistry, which describes how colors are made today.
There is also a chapter titled Documents, which has excerpts from a number of historical works about dyes & pigments, and that chapter alone is worth the price of the book. The bibliography is also excellent.
It was a bit slow in places, and since it was originally written in French, there is a certain flow to the text that is subtly different from many contemporary books written by native English speakes. But, the differences are not unpleasant, and for the most part the text is very engaging.
I did notice that it repeats the statement that India Yellow was made from the concentrated urine of cows who at only mangoes, and according to Victoria Finlay in _Color: A Natural History of the Palette_, that provenance is mythical. But that was the only jarring note I found in the entire work.
A treasure chest of interesting trivia.......2001-10-16
I am a Color Manager for one of the worlds largest paint companies and even though I have been working with pigments for 15 years I have found this book to be a treasure chest of interesting trivia that I didn't know or had long forgotten.
But this book is not just for chemists. If you are like me interested in art, especially paintings, you will find that this book gives you a wealth of information and facts that one can use to better understand the development of art through the centuries.
I can highly recommend this beautifully illustrated booklet which is fun to read to everybody (not just color nerds like me).
Average customer rating:
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Color: An Introduction to Practice and Principles
Rolf G. Kuehni
Manufacturer: Wiley-Interscience
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Color Space and Its Divisions: Color Order from Antiquity to the Present
ASIN: 047166006X |
Book Description
Provides a solid foundation to the fundamentals of color science, this new edition contains thorough explanations of key technical concepts concerning light, human vision, and color perception phenomena, provides broad coverage of color order systems, examines color reproduction technologies and techniques, and offers a historical review of the development of color theory and art.
* Provides a concise, non-mathematical introduction to color science and technology, in an easy-to-read, conversational style
* Thoroughly revised from the first edition
* Includes a glossary of important terms
Download Description
Provides a solid foundation to the fundamentals of color science, this new edition contains thorough explanations of key technical concepts concerning light, human vision, and color perception phenomena, provides broad coverage of color order systems, examines color reproduction technologies and techniques, and offers a historical review of the development of color theory and art. * Provides a concise, non-mathematical introduction to color science and technology, in an easy-to-read, conversational style * Thoroughly revised from the first edition * Includes a glossary of important terms
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Principles of Color Technology
Fred W. Billmeyer , and
Max Saltzman
Manufacturer: John Wiley & Sons Inc
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Binding: Hardcover
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ASIN: 047103052X |
Book Description
Provides approaches to: what produces and affects color; the description of color in words and numbers; arrangement of color in ordered systems; measurement of color with instruments; calculation of color differences and setting of color tolerances; colorants (dyes and pigments); color mixing and matching (visually and by computer); and recent advances and problem areas. Includes equations, tabulated data, and references updated through mid 1980.
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Color Duplex Sonography: Principles and Clinical Applications
Karl-Jurgen Wolf
Manufacturer: Thieme Medical Publishers
ProductGroup: Book
Binding: Hardcover
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ASIN: 0865775427 |
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Colour Television: System Principles, Engineering Practice and Applied Technology
Geoffrey H. Hutson ,
Peter J. Shepherd , and
W. S. James Brice
Manufacturer: Mcgraw-Hill (Tx)
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Binding: Hardcover
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ASIN: 0070841993 |
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Physico-Chemical Principles of Color Chemistry (Advances in Color Chemistry, Vol 4)
Manufacturer: Springer
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ASIN: 0751402109 |
Book Description
This comprehensive review focuses on the fundamental principles which influence the generation of important dyes and pigments, including the formation of dye molecules, the processing of insoluble colourants to produce useful crystal forms, the application of dyes to fibres and other media, and the environmental chemistry of dyes. In addition the mechanisms of diazotization, diazo coupling, dye photodegradation, dye genotoxicity and the liquid crystal formation of anionic dyes are covered.
Average customer rating:
- For the college-level art school library
- A technical standby reference.
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Principles of Color Reproduction
John A. Yule ,
Gary G. Field , and
John A.C. Yule
Manufacturer: Graphic Arts Technical Fndtn
ProductGroup: Book
Binding: Hardcover
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ASIN: 088362222X |
Book Description
This reprint of a classic text addresses the areas of color reproduction which are unique to the graphic arts and features updated sections covering relevant, subsequent changes within the industry.
Customer Reviews:
For the college-level art school library.......2001-04-29
This very technical guide will reach beyond the arts to any involved in color photography or the science of reproduction: Principles Of Color Reproduction covers the underlying principles of successful color reproduction, masking methods, tone reproduction and influences on color results, with many formulas covering densities, color separation and balance, and calculations for reflection. Very technical and perfect for the college-level art school library.
A technical standby reference........2001-01-23
I can't believe this is only just now in its second edition -- my 20 year-old copy seemed like ancient wisdom at the time I got it... Back then, scanners were new and very expensive technology, so the book focused on the theory applicable to photography-based techniques. One needed to be well-versed in the science of photography (knowing physics helped) and human color vision to follow the book, but what it dealt with was great. All relevant aspects of color reproduction systems (esp. halftone systems based in inks) were dealt with in some detail, so for the very technically inclined the book was a goldmine of solid thinking and information -- even if many of the literature references were even then several decades old. Though the basic principles never change, I'll be interested to see whether the new edition has been sufficiently updated and revised to keep up with the revolution in the field the last two decades as things have moved over increasingly to electronic/digital ways of doing things.
Book Description
One of the most remarkable fossil finds in history occurred in Laetoli, Tanzania, in 1974, when anthropologist Andrew Hill (diving to the ground to avoid a lump of elephant dung thrown by a colleague) came face to face with a set of ancient footprints captured in stone--the earliest recorded steps of our far-off human ancestors, some three million years old. Today we can see a recreation of the making of the Laetoli footprints at the American Museum of Natural History, in a stunning diorama which depicts two of our human forebears walking side by side through a snowy landscape of volcanic ash. But how do we know what these three-million-year-old relatives looked like? How have we reconstructed the eons-long journey from our first ancient steps to where we stand today? In short, how do we know what we think we know about human evolution? In The Fossil Trail, Ian Tattersall, the head of the Anthropology Department at the American Museum of Natural History, takes us on a sweeping tour of the study of human evolution, offering a colorful history of fossil discoveries and a revealing insider's look at how these finds have been interpreted--and misinterpreted--through time. All the major figures and discoveries are here. We meet Lamarck and Cuvier and Darwin (we learn that Darwin's theory of evolution, though a bombshell, was very congenial to a Victorian ethos of progress), right up to modern theorists such as Niles Eldredge and Stephen Jay Gould. Tattersall describes Dubois's work in Java, the many discoveries in South Africa by pioneers such as Raymond Dart and Robert Broom, Louis and Mary Leakey's work at Olduvai Gorge, Don Johanson's famous discovery of "Lucy" (a 3.4 million-year-old female hominid, some 40% complete), and the more recent discovery of the "Turkana Boy," even more complete than "Lucy," and remarkably similar to modern human skeletons. He discusses the many techniques available to analyze finds, from fluorine analysis (developed in the 1950s, it exposed Piltdown as a hoax) and radiocarbon dating to such modern techniques as electron spin resonance and the analysis of human mitochondrial DNA. He gives us a succinct picture of what we presently think our "family tree" looks like, with at least three genera and perhaps a dozen species through time (though he warns that this greatly underestimates the actual diversity of hominids over the past two million or so years). And he paints a vivid, insider's portrait of paleoanthropology, the dogged work in the broiling sun, searching for a tooth, or a fractured corner of bone, amid stone litter and shadows, with no guarantee of ever finding anything. And perhaps most important, Tattersall looks at all these great researchers and discoveries within the context of their social and scientific milleu, to reveal the insidious ways that the received wisdom can shape how we interpret fossil findings, that what we expect to find colors our understanding of what we do find. Refreshingly opinionated and vividly narrated, The Fossil Trail is the only book available to general readers that offers a full history of our study of human evolution. A fascinating story with intriguing turns along the way, this well-illustrated volume is essential reading for anyone curious about our human origins.
Customer Reviews:
Detailed, complex but ultimately rewarding.......2004-09-18
Ian Tattersall's _The Fossil Trail_ traces the evolution of scientific undestanding of human origins in exquisite detail and in a language that is understandable to the lay reader. The book is rich with scale diagrams of the fossil record of early hominids, presenting the various theories of human evolution from the mid-nineteenth century to the present.
Because of the subject matter and the aim of the book, it is dense reading, and it clearly is not for everyone. Nonetheless it is a fascinating and rewarding book.
Tattersall provides access to a complex field.......2004-08-28
Ian Tattersall does wonders for paleontology and anthropology. Here he literally explains "how we know what we think we know about human evolution."
Tattersall illuminates just how fasions and concepts are constantly shifting as new fossils are found. His description of how and where fossils are found is fascinating. We don't know nearly as much about human evolution as most might think. And what we think of evolution is subject to constant change - and not at all firm.
Overall, Tattersall provides an easily accessible path to a complex subject. Anyone with an interest in how humankind may have evolved will find this interesting reading.
Jerry
Fascinating!!.......2003-05-20
Informative, interesting, and contrary to what Anthony, ... said, a very enjoyable read. This book was recommended to me by one of my professors and was far beyond simply worthwhile; it was scientifically accurate and absolutely fascinating. Ian Tattersall's unique writing style is what makes it that way!!
Fossilized Writing.......2002-11-24
How do you read a book for pleasure when the author is constantly stopping you from advancing by using one word parenthetical expressions? The answer is that you can't. This tome by Tattersall is in dire need of a good editing. It should be a warning for all those who would read scientific books; when the credits do not contain an "edited by" recognition, be wary.
Don't get me wrong, Tattersall tackles an incredibly difficult topic and does a great job with the chronology and with the scientific facts. The problem is that his prose and grammar are so dreadful that the book is painfully difficult to read. Tattersall is constantly badgering the reader with silly, needless one word parenthetic expressions.
Moreover, then, of course, indeed, you could choose to ignore these, well, annoying little pauses. And, therefore, you might, remakably, gain some knowledge and, well, insight into a, mostly, difficult subject. But, the fact that the book is so, well, scientifically informative, well, mostly.
ENOUGH ALREADY!! Buy a red pencil and use it. A copy editor at a weekly local newspaper could have edited this book on short notice and made it a five star candidate in about two hours. Why no editor? I have no idea. I am surprised that Oxford Press would print a book with such glaring grammatical nonsense. The problem is that scientists think that their peers will forgive their literary gobbledygook if the topic has innate merit and the scientist has authority in the subject.
My recommendation is to pass on this book. There are many other books that will give you the same information less painfully.
Great historical review.......2001-10-11
This book really went into the thinking behind paleoanthropology since its beginnings. It looks at the scientific mindset of the scientist at the time and why some of their views were developed. Not a great book for the current state of paleoanthropology although it eventually gets there in a round about way since it presents an historical account of the science.
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