Book Description
The Village Homes neighborhood in Davis, California is one of the few long-standing examples of sustainable community design. Mark Francis has been studying Village Homes for more than two decades and brings together existing research and writing on the community, studies about the children of Village Homes he conducted throughout the 1980s, and interviews with many parties involved with the project including designers, residents, gardeners, and maintenance people. Mark Francis takes a critical look at Village Homes, addressing its failures as well as its successes, and examines the question of why, despite its success, this development has not been replicated.
Book Description
In modern France, as in centuries past, village life revolves around the school, post office, shops, and railway station--the centers where people meet to exchange news and gossip. Marie-France Boyer's beautiful book is a visual distillation of village life in France today, where the traditions live on in the caf that doubles as a charcuterie, or in the small hotel (awarded no stars in the guide books) that provides long tables and decorative settings for local wedding receptions. We see the young adults who help keep the village viable and thriving. Boyer's text allows them to speak to us in their own words: the boulangre, who serves her many customers from a modern mobile bakery; the gendarme, who keeps a photograph of his wife and children inside his cap; and the incumbent mayor standing proudly in her office beside the bust of Marianne, symbol of the French Republic. This delightful record of French villages will prove irresistible to all those who love France and to anyone who appreciates the traditions of small-town life.
Book Description
This digital document is an article from Town and Country Planning, published by Town and Country Planning Association on December 1, 2001. The length of the article is 769 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Designing Sustainable Communities: Learning from Village Homes. (Reviews: alternative technology for planners).
Author: Lucy Nichol
Publication:
Town and Country Planning (Magazine/Journal)
Date: December 1, 2001
Publisher: Town and Country Planning Association
Volume: 70
Issue: 12
Page: 350(1)
Distributed by Thomson Gale
Book Description
This digital document is an article from Journal of the American Planning Association, published by American Planning Association on March 22, 2002. The length of the article is 1544 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Designing Sustainable Communities: Learning from Village Homes; The HOK Guidebook to Sustainable Design. (Sustainable Development). (book review)
Author: Matt Taecker
Publication:
Journal of the American Planning Association (Refereed)
Date: March 22, 2002
Publisher: American Planning Association
Volume: 68
Issue: 2
Page: 217(3)
Article Type: Book Review
Distributed by Thomson Gale
Book Description
This digital document is an article from Alaska Business Monthly, published by Alaska Business Publishing Company, Inc. on November 1, 2004. The length of the article is 1037 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: A new home for everyone: new concepts in construction might provide low-cost housing and jobs for some village communities.(Special section: building Alaska)
Author: Gary L. Martin
Publication:
Alaska Business Monthly (Magazine/Journal)
Date: November 1, 2004
Publisher: Alaska Business Publishing Company, Inc.
Volume: 20
Issue: 11
Page: 70(3)
Distributed by Thomson Gale
Book Description
This digital document is an article from Journal of the American Planning Association, published by American Planning Association on September 22, 2004. The length of the article is 2260 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Urban and landscape design.(Book Review)
Author: Margarita Hill
Publication:
Journal of the American Planning Association (Refereed)
Date: September 22, 2004
Publisher: American Planning Association
Volume: 70
Issue: 4
Page: 483(3)
Article Type: Book Review
Distributed by Thomson Gale
Customer Reviews:
A lesson.......2004-09-19
Simply, one of the greatest book ever written. Turgenev's style is wonderfully evocative, and yet it has not an ounce of sentimentalism: its depictions of natural landscapes are incredibly lucid, almost detached, in a sense; today, we could say his writing has a "zen-like" clarity. His human character are little parts of this whole, but Turgenev's panteism has nothing of the desperate, ferociously ironic pessimism of, say, Thomas Hardy; his vision is perfectly impartial, and yet sympathetic: each of his characters appears in his fundamental, intact dignity of human being. I'm not myself a starry-eyed dreamer: but reading this book, with its wonderfully easy and aimless wanderings, is like psychoterapy; you can't get out of it but feeling calmly hyper-oxygenated, as it were; you can't read this book but thinking that this man, Turgenev, mysteriously understood what it is like to be fellow sharers of this strange place, Earth, and of this strange thing, life. If something like "occidental buddhism" does exist, this book is a lesson in it.
Turgenev, sportsman and ardent liberal.......2003-11-18
Turgenev effectively invents a new form -- the literary sketch -- to impart a new kind of content. What is brilliant about these sketches which are in part nature meditation and in part biographical sketch is how Turgenev allows each character to speak for themselves. As a result we feel like we are hearing something we have never heard before -- the natural voice of the people. By allowing people to speak for themselves Turgenev gives us a truer and more genuine idea of how people -- serf and gentry -- really think and relate. Each sketch begins with a detailed description of the natural surroundings he is walking through and these descriptions give us insight into Turgenev's cast of mind which is infintely receptive, and discerning, even romantic and delicate at times as when he describes staring up through the forest canopy and imagining he is staring up at the world from beneath a vast body of water. These magnficent introductions set the mood for the character sketch to come. When he meets a serf it is as if he is merely continuing his communion with nature for the serfs live at one with the land. When he meets one of the gentry, however, and passes time in their company he feels removed from the natural settings and people he so values. It is a fascinating and very subtle technique but Turgenev makes the landowners seem like unnatural creatures who are disturbing the natural order. Though he is one of the gentry himself Turgenev hunts with the serfs , he values their company and conversation, and he values what they know. He knows them as individuals not just as serfs and so we too come to know them as individuals, each with their own personality and ideas about life and story to tell. Since we know these sketches are from real life we listen more carefully to them than we would if they were mere inventions; real life has a resonance that fiction does not. Given the choice of spending the day with a either serf or a landowner Turgenev would choose the serf. The serfs have not received an education and their opinions are often shaped by superstition, and yet it is these very superstitions that make them such colorful characters, the gentry may be educated but they are full of self-importance and affectations and see everything through the limited scope of their own self-interest which is merely another form of ignorance. Turgenev's most effective weapon is not bitter invective but irony. He never comes out and says serfdom is bad because the landowners are in some cases such vile creatures that there is no need to. By simply quoting them and describing their manners and actions Turgenev allows the landowners to do a fine job at condemning themselves.
The most profound sketch to my mind is "Yermolay and the Millers Wife" which relates the harsh treatment doled out to a beautiful serf woman merely because she wants to get married, and a close second is "Bezhin Lea" about a group of boys telling ghost stories around a fire as they tend a herd of horses grazing at night. The former sketch pefectly conveys what absolute power the landowners have over every aspect of the serfs life and the latter sketch perfectly conveys how the serfs pass down their own particular brand of wisdom from one generation to the next. Perhaps the most famous sketch however is "Khor and Kalinych" which juxtaposes two kinds of serfs--one resigned to his lot and the other who despite his status as serf finds his own kind of freedom by wandering the countryside. "Kasyan and the Beautiful Lands" is perhaps the most unusual story as it presents a sage-like man who speaks as though he were a living oracle. Deprived of education the serfs remain in thrall not only to the landowners but to ignorance as well; nonetheless there is a beauty and tragic grace in the voices of these serfs that remains in memory long after you have read these sketches. The sketches are complex and layered enough to invite you back to them again and again.
The biggest joy of the sketches is their casualness. Nothing is ever overly stated or stated in black and white but everything nonetheless appears clear as day. It seems at times as if Turgenev is the only enlightened soul in Russia and yet he is absolutely civil even when with a pernicious landowner because he innately knows what is right and he trusts that we know as well. Turgenev reminds me of Thoreau in his devotions which are equally divided between nature and the forwarding of liberal ideas. Though Pushkin and Lermontov both came before him Turgenev was the first Russian writer to achieve fame outside of Russia. Fathers and Sons is considered his masterpiece but these sketches stand as something unique in all of literature.
Lessons from a Master.......2002-06-18
It's taken me until now to get to Sketches From A Hunter's Album. Now I have finished it and now I am grieving. It will stay in my nonlending collection so I can savor it even after the surprise has gone. It's like losing a friend.
Turgenev calls these 'sketches' rather than stories. It's a good distinction. More story writers should concentrate on their sketch pads. The sketches are of places and people in the rural south of Russia in the 1840s. Each is strung thematically on Turgenev's wandrings through the countryside while hunting for game birds. Each begins with a mention that he was hunting in a certain place. He goes into lovely thoughtful and surprising descriptions of the woods or marsh, the sky, the smells, the sounds, the light. Even in translation, these are exquisite. He speaks of shifting light shining through the leaves onto the forest floor, or unbreatheable noonday heat, or changing skies at the advent of a storm, a dawn, or a sunset; he calls up moments from your own life that you thought could not be shared with anyone who wasn't there and he makes you relive those moments as if he had been there with you.
For anyone who has spent time out of doors, these little Aldo Leopold nature essays standing alone would be reason enough to read the 'Sketches', but these are just hors d'uvre to his descriptions of the persons he meets while hunting. When sketching people, Turgenev does gracefully what Dickens tried to do and did clumsily; that is, he describes the physical characteristics of a person and gives you a fully formed description of their character as well, and he does this without sounding forced and without showing himself. (And you will burst out laughing at the sudden recognition that, indeed, someone does look 'like a root vegetable'.)
"Sketches" was published twice in Turgenev's lifetime and in the second edition he added to it. In the earlier sketches, Turgenev brings a character to life in a description; the character may speak a few words, and disappear from the scene, as people do in real life, leaving the reader to speculate what became of him. Yet, Turgenev has given us enough insight into the character that we think we know what probably happened next, and so the story is complete. These are elegant Aristotelian constructs with the action taking place offstage, and, oh elegance! with the final action taking place in the reader's imagination after the story has ended. If my description leaves you wondering, read them! (Would that I could spur you to act as Turgenev spurs his readers to think. Ah, but it's too much... .) This is what Turgenev does. He starts you thinking, but requires you to complete the story. In the later sketches Turgenev is just as deft in his descriptions, but perhaps to satisfy the market or his editors he adopts a more plot driven model. These later contributions can more truly be called stories rather than sketches. They are equally well-crafted, but they demand less of the reader. Curiously, they give us less as well.
The hunter's travels theme gives the collection an interrelatedness, almost like a picaresque novel. As in Huckleberry Finn or Don Quixote, neither the author nor the protagonist directly express opinions, but as stories accumulate the reader acquires the author's strong politicized view. We meet the aristocrats and peasants of rural Russia. The serf-holding system had been 'liberalized' in the early 19th century, but it is revealed as the unnamed slavery it was. Landlords control peasants' rights to marry; they name the persons to fill regional conscription quotas; they assign agricultural and residential alotments; and thoughtless and uncaring aristocrats use these powers carelessly or maliciously to destroy lives. Liberal aristocrats fare no better than traditional feudalists, as Turgenev details social reformers' well-meaning disasters which beggar both for the peasants and the bumbling aristocrats who direct them.
America often forgets that its civil war was part of a European pandemic of peasant revolts driven by the extended logic of the Enlightenment. As masters and slaves in the United States were struggling with the immorality of a divine order handed down from a prior age, the masters and servants in Europe did the same. The 1840s, 50s, and 60s were tumultuous times in central and eastern Europe. Turgenev, arrested and exiled in 1852 because of the 'Sketches', has an historical place akin to the American abolitionists of the same day, however, unlike Harriet Beecher Stowe, Turgenev draws his characters in three dimensions with humanity, with love and understanding even when he does not forgive them their moral failings. The 'Sketches' would be an interesting book to teach alongside Huckleberry Finn.
A Collection of short stories for those who don't like them.......2001-12-06
I don't like short stories, never have and I don't know why. I had to read this collection for a course and found it pretty good. The professor told us that this was Hemingway's favorite book which Hemingway had read over and over. In fact, Hemingway modeled some of his own stories on those here, particularly the Hemingway stories where nothing happens except someone might make a pot of coffee. But let's face it, these are not so much stories (narrations of events in time) as sketches of characters. Any plot would be too much plot and would interfer with the general effect, which is to show us the life and times of Russians before the liberation of the serfs. I liked "The Singers", as other reviewer have, but the true masterpiece, worth the entire price of the book, is "Living Relic." Nothing happens in that story except we learn again the beauty and strength of the human spirit and in the process the redemptive nature of true literature.
Cor!.......2001-10-18
In giving this book only three stars, I'm not rating Turgenev but rather the translation. I'm not a translator myself, I'm sure it's very difficult rendering dialogue from another time and place, etc., etc. but I finally couldn't abide the translator's choice in this case to render the voices of nineteenth century Russian peasants in Cockney (or other English) slang.
Examples: "He was a right pain to his peasant girls." "They felt right idiots." "He's not a gent, is he?" "Help us, mate." "Judge for yourself, mate." "He's the soul of kindness, he is." "Gavrila comprehended-like how to get out of the wood." The use of "'cos" for "because." The use of "gotta"--"And I've gotta tell you this."
And what was for me the last straw, in the story Bezhin Lea, "Cor!" and "Cor, stone me!"
If you like this kind of thing, you'll love the book. For Russian lit in translation, give me Constance Garnett (and her Edwardian diction--which works so well, perhaps because it seems natural in contrast to the forced quality on display in "Sketches") or else the current team of Pevear and Volokhonsky.
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Complete Works : Two : The Caretaker, the Dwarfs, the Collection, the Lover, Night School, Revue Sketches
Harold Pinter
Manufacturer: Grove Press
ProductGroup: Book
Binding: Paperback
 Pinter, Harold
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Complete Works, Volume I
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Complete Works, Volume III
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Complete Works, Volume IV
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The Collected Plays Of Edward Albee: Volume 1 1958 - 1965
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Ashes to Ashes
ASIN: 0802132375 |
Customer Reviews:
Revue Sketches.......2006-07-12
I saw the Revue Sketches animated with the original dialogue on PBS in the late 60's. 'Trouble in the Works', a dialogue between the owner and head foreman in a machine parts factory, was hilarios with a lot of punning on the names of the parts. 'Last to Go' was also a funny and poignant sketch about a minimal conversation between a corner newspaper seller and customer about which London daily is the last one sold. The other plays I'm not familiar with.
Customer Reviews:
good quality,quick delivary ,high reliability........2005-08-07
the book was at good condition,delivered quick,although the first book had been returned back to the vendor-the second shipment arrived quickly.I'll continue to by from Amazon. Thank you Amir
The best ever intro to Mark Twain.......2005-01-11
My dad had the original hardback edition of this book in the early 60's, when it was first compiled. I read this book dozens of times, to the point where the covers were torn off and pages were missing.
This softback is the reissue, and is marvelous. It is a compilation of short sketches taken from his novels, newspaper articles and other published sources.
If you are only looking for the "funny stuff" from Mark Twain, without reading the accompanied novels it is all here. "Curing a Cold" is an early stand alone sketch, while "Guying the Guide" comes from "Innocents Abroad." Both of these are worth the price of the book. After reading this, you might consider "The Unabridged Mark Twain, Vol. I and II."
A great companion to this book is the "Complete Essays of Mark Twain." You'll find much less familiar material of a mostly serious nature. Great essays dealing with mental telepathy, international events and one brilliant, touching essay called "The Death of Jean," Mark Twain's thoughts when he found that his adult, epileptic daughter had died.
These two books together make reading in short bursts very meaningful when you don't have the time to read the entire novel. They serve to document the genius of a writer only America could have produced.
A distressingly funny book, inappropriate for quiet areas.......1999-04-16
This collection features stories so humourous that there should be a warning for heart patients. Ranging from advice for "Curing a Cold" to an angry article "Concerning Chaimbermaids", this set of articles will provide so much laughter aerobics will be unneccessary during the duration of the reading.
Customer Reviews:
Crane, Stephen (1963 edition) The complete short stories & sketches of Stephen Crane. .......2006-03-03
Crane, Stephen (1963 edition) The complete short stories & sketches of Stephen Crane. Editor Thomas A. Gullason. Doubleday, Garden City New York ASIN B0006AYWFS
I chose this book because even over a century later Stephen Crane's depiction of war is incredibly vivid and memorable. As one reads images play inside one's head as if a well done news video were running across some immaterial screen. A number of Crane's stories deal with Cuba and its wars. Surely the best known is "The Open Boat" (1897) which deals with the wreck of Cuban-exile Commodore expedition (for the author's newspaper account see [http://www.ponceinlet.org/open-boat-newspaper.pdf]). Historically the Commodore was attempting to land tons of arms, ammunition to support the Mambi rebels during the (1895-1898) Cuban War of Independence [http://volusia.com/crane/]. This is the conflict that would conclude with the Spanish-American War (1898).
However, I find Crane's other accounts set in Cuba or about Cuba as compelling and "real". These include: "Flanagan and His Short Filibustering Adventure" (1897), "The Price of the Harness" (1898), "The Clan of No-Name" (1899), "God Rest Ye Merry Gentlemen"(1899), "The Lone Charge of William B. Perkins" (1899), "The Revenge of the Adolphus" (1899), "The Sergeant's Private Mad House" (1899) "Virtue in War" (1899), "The Second Generation" (1899) and the "Majestic Lie" (1900).
The author's descriptions of war action all over the world, such as Greek struggle for independence in the Greco-Turkish War e.g. "Death and the Child" and other conflicts, are just as compelling as if it were yesterday.
Having so many of Crane's short stories in one place is most useful. As many others have before, I recommend this book as the classic it is, both for general reading and as a guide for writer describing war. This book should be on every author's shelves.
Book Description
This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program.
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Piano Works: Woodland Sketches, Complete Sonatas and Other Pieces
Edward MacDowell
Manufacturer: Dover Publications
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MacDowell: Piano Music, Vol. 1
ASIN: 0486262936 |
Book Description
The noted American composer’s best, most characteristic piano works, including all 4 sonatas and 4 suites—Woodland Sketches, Sea Pieces, Fireside Tales, and New England Idyls—reprinted from original editions.
Customer Reviews:
Neglected Gems.......1999-05-09
Macdowell's Piano Sonatas are a challenge for a virtuoso - and the musical ideas may not be worth the effort to surmount the technical obstacles.
The shorter pieces, however, will delight any amateur pianist. The "Sea Pieces" are stunningly evocative and make the most of a grand piano's sonorities. The "Woodland Sketches" was arguably the most popular collection of piano music in the United States for the first two decades of the twentieth century. Avoiding an overly sentimental approach to these pieces is essential allows MacDowell's compositional genius to shine.
The other collections are equally worthwhile. Some of the pieces are whimsical, some profound and some are downright odd, such as the quirky "Of Salamanders"...
The Dover Edition, as usual, is first class.
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O. Henry Papers: Some Sketches of His Life Together With an Alphabetical Index to His Complete Works
O. Henry
Manufacturer: University Press of the Pacific
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ASIN: 1410207862 |
Book Description
This book is a collection, an assembly, gathered from many sources of the most intimate and significant of the O. Henry memoirs. They will give a glimpse of the little known life of Sydney Porter, and the alphabetical index will be a convenient guide to his works.
The authoritative "O. Henry Biography," by Professor C. Alphonso Smith of the United States Naval Academy was published in 1916. Many years earlier the plans for this book were laid by Harry Peyton Steger, a friend of Sydney Porter's who visited, in 1912, every haunt of O. Henry in the South and brought to light a quantity of the dijecta membra of O. Henry's early literary efforts. These were later collected in the volume called Rolling Stones.
Steger's faith in the ultimate position which O. Henry would occupy in American literature was of the type which moves mountains. He was an indefatigable worker for the spread of O. Henry's fame after he died, and probably did more than any other individual to lay the foundations of O. Henry's popularity.
The article by George MacAdam, O. Henry's only interviewer, is new material, now printed in full for the first time.
The sketches by Arthur Page and Richard Duffy are reprinted from The Bookman.
Book Description
This Elibron Classics book is a facsimile reprint of a 1893 edition by Underhill and Nichols, Buffalo.
Customer Reviews:
The New Complete Van Gogh : Paintings, Drawings, Sketches.......2000-01-27
The New Complete Van Gogh : Paintings, Drawings, Sketche
An absolute must-have book for Van Gogh enthusiasts........1999-06-17
Dr. Jan Hulsker's 1996 catalogue raisonné of Van Gogh's complete works is a treasure for anyone interested in the life and works of Vincent van Gogh.
Jan Hulsker is one of the world's foremost scholars on Vincent van Gogh and this book is the first new catalogue of the complete works to come along in 26 years. The listings are updated and the commentary--as one would expect from Dr. Hulsker--is crisp and insightful.
This book is an invaluable part of my Van Gogh library--I honestly couldn't get along without it in my own studies of Van Gogh's art.
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- WHY Do They Act That Way?: A Survival Guide to the Adolescent Brain for You and Your Teen
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