Book Description
This book provides a simple but comprehensive framework for the emerging academic discipline of urban design, from its origins in Europe and America, to contemporary issues of imagery, finance and marketing in an age of globalisation
There is currently no contemporary textbook for urban design that includes a general history and theory of the subject.
Internationally, urban design is more and more becoming a core subject taught in architecture schools. The AIA (US) and the RIBA (UK) both require undergraduates and graduates to study the urban dimension of architectural design. On a wider scale, in Europe, the EU is developing a common architectural curriculum, which includes an urban component for under-graduates. The situation is similar in schools across Asia and Australia.
Aimed at both students and teachers, this book provides a simple and accessible framework, from the origins of urban design and the main techniques developed to deal with the design of fragments of cities, to participatory planning processes, codes, imagery, finance and marketing. Finally, it proposes an innovative vision of contemporary practice based on the work of leading actors and projects in the field.
- This book is set to become the key textbook at undergraduate and graduate levels
- It is written in an accessible and direct tone, and highly illustrated with many colour and black and white diagrams
- It includes a general history and theory of urban design and provides an up-to-date account of contemporary urban conditions
Praise for Recombinant Urbanism:
"Documents a major intellectual advance…eagerly awaited by academics and practitioners all around the world… should become a standard text for schools of architecture and urbanism
."
Leon Van Schaik, Innovation Professor of Architecture,
RMIT, Australia
" …both unique and instrumentally positive. The book is the result of many years of research and writing, and is a small masterpiece in urban studies. It has already proved its worth in the teaching of urban studies, at Columbia, the AA, the Bartlett School, and Cooper Union, to mention only a few of the universities where Dr Shane has had a powerful influence...It is, indeed, one of the very best manuscripts I have read in the field in the last few years."
Anthony Vidler, Professor and Dean, Irwin S Chanin School of Architecture, Cooper Union, New York, USA
"I can say without hesitation that I fully endorse Grahame’s work…the issues it covers are highly topical and such a book would indeed be widely read by architecture students, urban designers and planners."
Colin Fournier, Professor of Architecture &Urbanism, Bartlett School of Architecture, UCL, UK
"Of great necessity for undergraduate and postgraduate students, scientists and professionals in urban planning and design [This] publication will certainly inspire work with city models in a wide range of practice."
Henrik W Jensen, Associate Professor in Town Planning, Aarhus School of Architecture, The Netherlands
"A very important book. Shane … has made legible and sensible the reams of recent urban discourse for a general college reader. Because of this labor-intensive effort, this book will be accessible by undergrad architecture programs as well as graduate seminars in urban design and planning. Additionally there is a big interest in UD and UP theory in ecology and social science now, and because of Grahame’s generous writing style the book will cross over to these other disciplines. … I can also speak to the international interest in this book; … again Shane has made important urban theories and thinking more widely available to an international student audience. … The legacy the book will have (will be in) convincing people that the design of cities matters, not in the overbearing and over-controlling sense of new urbanism, but in reinforcing the multiple possibilities of contemporary life.
Brian McGrath, Adjunct Associate Professor of Architecture, Columbia University, USA
Customer Reviews:
Stunning Book!.......2006-06-16
If you want the book on urban design, one piece of work that covers it all and gives you depth, insight and outlook on this field like no other - then this is for you! A book that will become a classic in this field. Absoluetly with no competition!
Average customer rating:
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Complementary Themes for Painting Techniques (Complete Course on Painting and Drawing)
Parramon Editorial Team
Manufacturer: Barrons Educational Series Inc
ProductGroup: Book
Binding: Paperback
 General
| Drawing
| Arts & Photography
| Subjects
| Books
General
| Painting
| Arts & Photography
| Subjects
| Books
Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Painting
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
ASIN: 0764102664 |
Book Description
If you can write, you can learn to draw, as this complete course for the beginner demonstrates in ten easy-to-follow lessons. Practical examples, step-by-step demonstrations and finished drawings reveal the whole process in detail, allowing beginners to progress their skills in easy stages and develop their creativity as they go.
Customer Reviews:
It is what it saids!!! A drawing workbook!!.......2001-05-20
This is a Fantastic book to practice drawing and not have to think about what to draw but getting used to the idea of drawing and what steps to take. It is well written and the KEY! EASY TO FOLLOW!!
Book Description
From achieving those first professional strokes to mastering composition, lighting, and color to finishing beautiful still lifes, portraits, and landscapes, here, in one volume, is a course that covers every skill a developing artist needs. Inspiring and instructive images vividly reveal the intricacies of techniques such as shading, tone, contrasts, stumping, contouring; depth effects, and more. Guided drawings include a charcoal of a nude, landscape on gray tone paper, and still life with chiaroscuro.
Customer Reviews:
a fine art approach to drawing.......2007-09-06
The author wrote this book for students who want to go beyond competent realistic rendering. Although he provides a large amount of instruction on technical matters--such as working with different drawing media, value, composition, proportion, color, and perspective--you will not learn precise academic draughtsmanship in these pages. You will, however, get a feel for drawing as a means of inner expression.
The author provides many helpful exercises in each section, with both written and visual instructions. However, I think I have learned the most through looking at the drawing examples which are on every page of this book. They are not signed, and I assume they are all the work of the author, as they are all in a similar style. I've seen other art instruction books in which all the examples were the work of the author-- with disastrous results due to poor workmanship or crude aesthetic standards. But these drawings are beautiful. Some are barely developed--mere scratchings really--and yet they show how much information a few marks can make. Others are more fully realized works. All of them are in a style that combines spontaneity and solidity.
The book was originally published in Spain, and many of the landscape sketches and drawings reflect the architecture and terrain of that country. Drawing buildings has always been a weak point for me, but I've learned a lot from looking at the way this teacher composes building scapes combining loose marks and solid lines. He has a wonderful line quality, and he uses all sorts of smaller marks for textural effects. There are quite a few drawings where there seems to be no negative space, since even the spaces between the main subjects are activited with energetic marks.
This book does not try to address drawing from a modernist or postmodernist viewpoint--it teaches a style that anyone can "read" and make sense of. Its value lies in the combining of disciplined practice with a loose approach to mark making. Anyone who has learned the skills in this book can easily move on to more contemporary types of expression.
Drawing made complete.......2005-01-17
I read this book after I read The New Drawing On The Right Side Of The Brain. The first book is really good for someone who just is not good at drawing and has to develop an artist mode of seeing first to draw- this book - coming second- then is very good at developing drawing skills step by step once the "right brain" for art and drawing is functioning. I can't really say that this book is different or better than other drawing instruction books. However, I bought it because it also dealt with pastels and colored pencils as a drawing medium. So if you like to paint in pastels, but want a drawing perspective to your pastel art- this book was helpful. Basically, the book attended to a comprehensive list of topics- like composition, perspective, light, color drawing, sketching, measuring,line, drawing with different utensils, different subjects- landscapes-stills-interiors, people, nudes. So while the subjects were quite comprehensive- they were not all that detailed. This is both the advantage and disatvantage of the book. So I do not recommend it as guide for the beginner- or for someone who has never drawn as much as I would say it is a good second book for getting a wider perspective what drawing is about and expanding on that. Although some examples from the book I did use in beginner art workshops I gave. Jason Alster- author- Creative Painting For The Young Artist
Book Description
Written and designed for students and amateurs who already have some preliminary art training, this book instructs in a variety of media, including pencil, charcoal, crayon, and ink. Instruction and advice focus on drawing nudes, still life, and portraits. The theory of perspective is clearly presented.
Customer Reviews:
Basics.......2002-04-23
The Basics of Artistic Drawing is an OUTSTANDING book. I have learned so much and whenever I review the materiel I learn even more. There are so many helpful hints. It is a book that keeps teaching; if you have any questions just review the section on that topic and your question will more than likely be answered. With the step by step instructions anyone can learn how to draw, shade, and paint. I am very impressed. This is a well thoughtout course with the student in mind. A lot of course books have the teacher in mind, this book is definately made for me as the student. THANKS!!!
Book Description
The projects in this superb teaching guide not only offer enjoyable drawing exercises, but are also designed to instill good working methods to benefit artists at all levels. Readers are shown different ways to look at a subject by studying shape, form, space, light, texture, and movement as applied to figure drawing, still life, landscape, and abstract subjects. Rather than prescribing a single, absolute technique, the book presents drawing as an act that reflects the complexity of human experience in numerous ways.
Peter Stanyer and Terry Rosenberg, painters who have exhibited their own work in numerous shows, are both dedicated teachers who conduct highly regarded art courses in London for students at all levels.
Customer Reviews:
if you are lucky.......2005-03-21
mr.mary ivens report..all books especially on art are either appreciated or not and the reviews attest to that..in my own case i found this book to be ideal for my needs.....it provided me with many ideas and to the reviewers who did not like try reading from outside your square....i think you will find something....i say buy it .
Just another co-authored.......2004-06-29
"A Foundation Course in Drawing" by PETER STANYER & TERRY ROSENBERG
As a general rule, there are not many "really good" co-authored books out there. This rambling and disjointed introduction to drawing is no exception. It seems as though, when books have two authors, that both persons simply agree to give a half-effort, in hopes that the two of them can put together a whole, dynamic book. It just doesn't seem to work here.
Extreme language on the cover of a book is a *WARNING*
Words like "Complete guide to" or "Ultimate" or "Essential guide to" etc. "Basic" or even "FOUNDATION COURSE" might seem to give the authorship a great deal of liberty. In fact, it requires that an author really cover the basics, the FOUNDATION, in a very clear and well organized manner. This book lays an incomplete FOUNDATION.
It is limited to "Gesture Drawings" in the first 20 pages, and then, after a lot of wordy text, you reach page 41 before you see the SIMPLIFIED FIGURETTE, or BLOCK PUPPET. Only two of them: One drawn with Cylinders, the other with Ovals. That's it. Just two images, and no more.
The book is over-reaching. It outlines more material than it can cover adequately in a FOUNDATION COURSE. There is a bit of an "attitude" in this book. It's as though the authors are saying:
"If you know already how to copy the line drawings in our lessons, FINE! If you are a BEGINNER, and cannot....TOO BAD!"
The book is divided into Five Sections:
Life drawing, Still Life, Landscape, Abstract Drawing (in a FOUNDATION COURSE??????) and Drawing Systems. Neither of the last two sections belongs in a book on FOUNDATION in drawing. See what I mean? The book is "over-reaching".
Allow me to give yet another example. The Back Cover says this:
"Will help artists of all abilities."
Excuse me, but shouldn't a course laying a FOUNDATION, be of help to BEGINNERS? If someone is already an "artist" shouldn't they be using more advanced books? That is why this book is "over-reaching". The authorship has a fuzzy focus about who the intended audience is.
This book does move into INTERMEDIATE material, but sacrifices BASICS to get there. (over-reaching)
The problem with a multitude of these drawing instruction books are flaws that fall into several categories:
(1) they try to cover virtually EVERYTHING in art generally, including PAINTING or COLOR, or COMPOSITION which means they must skip quickly over their DRAWING BASICS for the beginner to do so. A good drawing book must start with DRAWING, and stick with DRAWING only, for at least 3/4ths of its chapters. The really good drawing books do this.
(2) the author is extremely dull and uninspiring to begin with, illustrating the book with ordinary household objects for suggested drawing exercises; objects like can openers, coffee pots, key chains, tables, chairs, bicycles and has no true justification for putting another drawing book on the market (good books are already in print), and copying the same outline for growth that other books have.
(3) the author is too wordy, loading down the book with unnecessary theory and intellectualizations.
With those flaws in mind, it is clear that "A FOUNDATION COURSE IN DRAWING" is too broad in scope and moves too quickly away from basics into intermediate material (flaw 1), is no better than other books on the market (flaw 2) and the drawings and illustrations are among the worst availble in a basic drawing HOW-TO. (they are REALLY BAD!) The text is alternatively overly-simplistic or overly-complex.
"A FOUNDATION COURSE IN DRAWING" is a poor introduction for any beginner, but the book is inexpensive for 276 pages if that's all you want.
Excellent........2004-03-09
One of the best drawing books I have found. Covers a lot.
Novices and Art Teachers Get This Book!.......2001-06-19
This is a great book filled with constructive projects for Drawing. It is good for people who are beginning to draw to Art teachers. If you are an Art teacher the projects are useful for your classroom in developing student's drawing skills. It thoroughly covers the basics of Drawing. It covers drawing from still life to abstract. I highly recommend this book. It is easy to understand and filled with diagrams for those visual learners out there.
only if it is free.......2001-03-24
would I recommend this book. I am a professional artist and I find there are so many good books out there... this is not one of them. The drawings are good but not great, and certainly not great to learn by. The lessons are so, so. Each time I open and close this book, I get hardly anything at all...
Average customer rating:
- Best beginning artist book I ever read !
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Drawing: the complete course
Stan Smith
Manufacturer: Readers Digest
ProductGroup: Book
Binding: Hardcover
Study & Teaching
| Reference
| Arts & Photography
| Subjects
| Books
General
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
General
| Drawing
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Similar Items:
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Learn Calligraphy: The Complete Book of Lettering and Design
ASIN: 0895776200 |
Customer Reviews:
Best beginning artist book I ever read !.......2000-04-18
This is a fabulous book for beginning artists. My 12 year old was inspired to try drawing with other kinds of materials besides drawing pencils. She has now used charcoal sticks, Water-color pencils, graphite sticks, and pastels. The basic instructions are easy to understand and follow. I highly recommend this book.
Book Description
From renowned drawing teacher and author Stan Smith, a comprehensive and inspiring introduction to the techniques of drawing. A must-have resource for budding artists to master drawing's most essential tools and techniques in 3 easy steps-filled with over 600 full-color how-to illustrations.
Book Description
Learn to draw and develop your own style without going to art school. Work through a project to learn the fundamentals, moving on only when you’re ready. Advance from simple still-lifes to landscapes, human figures, and more. Look at key drawings by major artists to understand different approaches—now try traditional and experimental techniques in every available media. What catches your eye? You can draw it!
Average customer rating:
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Drawing for the Terrified!: A Complete Course for Beginners
Richard Box
Manufacturer: David & Charles
ProductGroup: Book
Binding: Paperback
Study & Teaching
| Reference
| Arts & Photography
| Subjects
| Books
General
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
General
| Drawing
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
ASIN: 0715308602 |
Book Description
All in color! Many people don't enjoy art to the fullest just because of fear
--not lack of ability. Stop worrying and start creating. Along with the basic elements of drawing--working in monochrome, tonal values, color and shading--here are a series of techniques designed to uncover hidden talent and increase confidence and motivation. Relaxation exercises will enhance perceptions and reveal creative ways of tapping into your emotions. Each skill comes with full-color illustrations of outstanding examples, an explanation of how the artist achieved the effect, and instructions for you to reproduce it.
Trim size: 7 3/4 x 11.
Customer Reviews:
Basics for beginners........2000-02-04
Richard Box's Drawing For The Terrified! provides an introduction to those who have never attempted to draw. From the basics of using materials and equipment to developing an artist's eye, this creates an inviting format for experimentation.
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