Book Description
This volume provides the opening work in Christopher Alexander's seminal trilogy on architecture (continued in A Pattern Language and The Oregon Experiment). Here he provides a fascinating introduction to the ideas behind the succeeding two books.
Customer Reviews:
Great review here!.......2007-05-19
The book was in fantastic condition. I received it very quickly as well. And so far has been a fantastic read. thank you!!
Great information.......2007-03-09
We are in the process of designing a home. This book was recommended as being good food for thought in planning a future home. It is not an easy read but well worth the effort. It,along with another from the same author,is required reading for college students in architecture. This book establishes the "language" for describing all the elements inside and outside buildings, neighborhoods, towns, etc. "A Pattern Language" is the sequel which explains in great detail how to apply this language. I would recommend both to anyone who is planning a future home - especially a custom-built home.
Tao Te Ching of Architecture.......2007-01-26
In many ways, The Timeless Way of Building remains the best book by Alexander, as it is easily accessible to all readers and provides a wonderful, thought provoking look into building traditions. Alexander searches for examples of a more humane architecture that took its proportions from the nature of building materials and the context in which these structures were built. The book is evocatively illustrated with black and white photos and thumbnail sketches. It has a look and feel like that of the Everyman's Library edition of Tao Te Ching, and in a similar way represents the building blocks of architecture through an insightful series of meditations on place. Alexander built on this series with A Pattern Language and The Oregon Experiment, and has since come out with a new series of books on The Nature of Order, but for many this is all you need to appreciate the sense of balance and order Christopher Alexander finds necessary in the built environment.
Overkill of an Introduction to his Patterns book.......2006-12-13
He is a very whimsical writer. Take time to browse through the 'Search Inside' to see if you really need this long introduction. For content you can actually work with, check out his other book: A Pattern Language: Towns, Buildings, Construction (Center for Environmental Structure Series).
The Mystical Architect.......2006-11-18
One of the most intriguing books I have ever read, The Timeless Way of Building is one part complexity theory, one part architectural and city-planning theory, and one part spiritual treatise. It makes a great contribution to any class on Aesthetics, and resonates with people far and wide. I wish this book were in every library in America.
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Charles M. Russell: Paintings, Drawings, and Sculpture in the Amon Carter Museum (Library of American Art)
Frederick G. Renner
Manufacturer: Abradale/Abrams
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ASIN: 0810980622 |
Book Description
Young Charles Russell wanted to be a cowboy, so just two weeks shy of his sixteenth birthday, the determined Charlie boarded a train heading to the frontier. There, in 1880, in the land of buffalo, Indians, and open prairie, Charlie found his home. And there he became a painter-but not just any painter. Today Charles M. Russell is considered one of the greatest artists of the American West and one who opened its door to so many.
Customer Reviews:
Yeee Haw!.......2002-11-30
If you have read any other Jeanette Winter books, you know the quality and content are excellent. This book is no different. Cowboy Charlie is very special! It is a true Cowboy Story...the story of Charles Marion Russell, the great painter and sculptor, who was a cowboy, too! The sweet story shares how Charlie's parents wisely supported their son's dreams of the West and his artistic talent. The book's illustrations are a rich and colorful quilt that brings warmth to the story. Your budding artist should read this. Your little cowpoke will be encouraged to embrace his cowboy dreams in a new way. This is the stuff of great children's books. Get it.
Childrens book encourages them to follow their dreams.......2000-05-29
This is a delightful childrens book that should be in every school library. The simple story gives the very essence of the kind spirit of Charles M. Russell the Cowboy Artist,who loved children. Follow your Dreams,and use your talents is the theme to this uplifting gem of a book. The illustrations are brilliant and heartwarming...I bought an extra copy just so I could frame the images and hang them up to enjoy....they make me smile!
Book Description
Generally regarded as the most important of the Civil War campaigns conducted in the Shenandoah Valley of Virginia, that of 1864 lasted more than four months and claimed more than 25,000 casualties. The armies of Philip H. Sheridan and Jubal A. Early contended for immense stakes. Beyond the agricultural bounty and the boost in morale to be gained with a victory, events in the Valley would affect Abraham Lincoln's chances for reelection in the November 1864 presidential canvass.
The eleven essays in this volume reexamine common assumptions about the campaign, its major figures, and its significance. Taking advantage of the most recent scholarship and a wide range of primary sources, contributors examine strategy and tactics, the performances of key commanders on each side, the campaign's political repercussions, and the experiences of civilians caught in the path of the armies. The authors do not always agree with one another, but, taken together, their essays highlight important connections between the home front and the battlefield, as well as ways in which military affairs, civilian experiences, and politics played off one another during the campaign.
Contributors:
William W. Bergen, Charlottesville, Virginia
Keith S. Bohannon, State University of West Georgia
Andre M. Fleche, University of Virginia
Gary W. Gallagher, University of Virginia
Joseph T. Glatthaar, University of North Carolina at Chapel Hill
Robert E. L. Krick, Richmond, Virginia
Robert K. Krick, Fredericksburg, Virginia
William J. Miller, Churchville, Virginia
Aaron Sheehan-Dean, University of North Florida
William G. Thomas, University of Nebraska-Lincoln
Joan Waugh, University of California, Los Angeles
Customer Reviews:
Nice collection of essays on the 1864 Shenandoah Valley battles.......2007-04-22
This is an interesting collection of essays on the Shenandoah Campaign of 1864. Gary Gallagher has pulled together a set of essays that, even if they sometimes contend with one another, helps the reader get a better understanding of the 1864 conflict.
The dramatic personae in this action include Lee's "bad old boy," Jubal Early, the combative but capable Confederate commander, versus Phil Sheridan, the hyperactive cavalry commander given charge of the Union forces in the Valley. Key players on the Union side: John Crook, leader of the "Army of West Virginia," William Emory of Sheridan's army, the cavalry (Torbert as head, with Merritt and Custer, and Devin as key subordinates). On the Confederate side: infantry commanders such as Gordon, Rodes and Ramseur and cavalry leaders Lomax, Munford, and Rosser. There was a lot of talent on each side, but Early's army was heavily outnumbered (maybe 40,000 troops under Sheridan and 14,000 or so under Early). Such numbers presaged an almost inevitable defeat of Early, with as combative a Union general as Sheridan on the other side (it can safely be said that prior Valley commanders such as Patterson, Hunter, Sigel, and so on may well have wasted such an advantage; Sheridan, despite his flaws as a combat commander, was unlikely to lose under such conditions).
What is nice about this volume is that the authors of the individuals chapters try to assess what actually happened and how good (or bad) commanders actually were, rather than repeating commonly understood judgments. What about the "Woodstock Races" after the Confederate cavalry's disastrous defeat at Tom's Brook? Confederate ineptitude? Or Union overwhelming force? What about Early versus Sheridan as commander of an army? Gallagher's chapter addresses this in a sensitive manner.
At Cedar Creek, what happened? Did Early's so-called "fatal halt" lose the day? Or were the Confederates so outnumbered and outgunned that--aside from total incompetence in Union leadership--they simply could not triumph? Another essay explores the generalship of the 6th Corps commander, Horatio Wright. The conclusions is that he did a good job as commander after the surprise attack while Sheridan was absent and may not have received the credit due him. Still, his performance in other venues in the Civil War was uneven. Here, however, he probably deserves good grades.
And so on. The essays in this volume provoke some thinking about the Valley Campaign of 1864. This is a good work to look at. The chapters are somewhat uneven (as to be expected from an edited volume), but--all in all--this is a useful examination of the subject.
Great Essays on the 1864 Confederate Collapse in the Valley: Early v. Sheridan .......2006-11-06
Another one of Gallagher's collection of great essays of a campaign while touting the greatest historians on the subject. The authors in this case cover the 1864 Valley situation from Early's arrival to save Lynchburg to his run at Washington to Sheridan's final mobilizing drive that is momentarily derailed by Early's great shock attack at Cedar Creek that crushes the unprepared Federals. But of course, the Union's regrouping at Cedar and counter attack virtually destroys Early's army. The essays cover the key battles and strategies including the make up of Early, Sheridan and a respectful view of the not so flamboyant and thus unappreciated General Horatio Wright who held things together at Cedar Creek when Sheridan arrived on the field. The latter part of the book also includes the social effect the war had on its population particularly as the means to feed the Confederate war machine was destroyed as part of the grand union strategy. Early and the Confederate Army no doubt fought heroically enough to challenge the record of Stonewall; however, they were literally overwhelmed by numbers and better horses and equipment. Of course, once confident, Sheridan keeps the pressure on with his young lions, Custer, Merritt and Torbet. A grand example of that is Robert E. L. Krick's essay on the battle of Tom Brook between the Confederate and Union cavalry that is extremely one sided, resulting in a total crushing of the Confederate horse. It's amazing that the Confederates were able to reorganize and launch what was at first a highly successful attack at Cedar Creek 10 days later. This recovery and attack is a tribute to Early, who unfortunately used his infamous tongue lashing too harshly afterwards demonstrating one of his worst character flaws. The other great aspect of these talented authors is their research, which is so impeccable that they sort out the historical misrepresentations and get to the truth of the matter, albeit at the expense of some such as John Gordon, the great fighter and embellisher. The only negative, I wish there was a summary of the battles in date line fashion along with a map that showed where all the key battles were fought. I also wish the summary of the situation prior to Early's arrival included a discussion of General "Grumble" Jones battle of Piedmont where he lost his life trying to stop General Hunter's attack of the valley. As an additional note, these fine historians get together almost every summer and provide excellent tours of the valley, a treat worth considering.
Another volume in a good series.......2006-06-12
This book of essays covers aspects of the Shenandoah Valley campaign of 1864. As is the case with all the volumes in this series, a number of military, social, and political issues are discussed. The essays are generally well-written and provide insights into some topics not evaluated in general histories of the campaign. Particularly good is the essay comparing the general performances of Sheridan and Early. One is left realizing that, given the resources available to each, Early actually did better than could have been expected and Sheridan made more errors than he should have. Worth the price of the entire volume, is the excellent biographical monograph about General Horatio Wright. This is the first attempt ever to provide a biographical sketch of this important but overlooked officer. The essay is balanced, well-researched, and very worthwhile to the serious student of this period.
This book is not for someone unfamiliar with this campaign but, as is the case with the rest of the series, is of value to the experienced Civil War reader.
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Remington & Russell and the Art of the American West
Kate F. Jennings
Manufacturer: Smithmark Publishers
ProductGroup: Book
Binding: Hardcover
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ASIN: 0831751614 |
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Charles Russell
Sophia Craze
Manufacturer: Crescent
ProductGroup: Book
Binding: Hardcover
Russell, Charles M.
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ASIN: 0517675986
Release Date: 1989-08-02 |
Customer Reviews:
The Old West Remembered.......2003-10-30
This is a classic work of Western nonfiction by a Montana artist whose drawings and paintings helped create the iconography of the early cowboy of the open range. Also a storyteller, Russell wrote this collection of yarns and memories before his death, commemorating frontier life in the closing decades of the nineteenth century. It was published in 1927, with an introduction by Will Rogers in the form of a cowboy eulogy. The original edition featured more than 50 of Russell's illustrations, some of them in color.
Unlike the fairly rollicking account of Teddy Blue Abbott, his cowboy contemporary, Russell's book is a more melancholy view of what he remembers as the good old days. His stories are told in an ironic vernacular by an old-timer cowboy named Rawhide Rawlins. Many concern the adventures of cowboys; many also feature Native Americans, in the early years of the agencies (reservations), portrayed with some complexity of feelings, ranging from fear and distrust to respect. Some are outrageously tall tales. Some are spirited character sketches, capturing something of life on the rough, raw land before settlement and homesteading, the motorcar, and civilization - before the plow broke the prairie sod where buffalo and then cattle and cowboys ranged freely.
One of the finest pieces of Western writing occurs in the last chapter, "Longrope's Last Guard," which describes in vivid detail the experience of riding herd on a pitch dark night as the stillness is shattered by an electrical storm that stampedes the cattle and takes the life of one of the men. The burial of the dead cowboy on the open prairie and the subsequent disappearance of his grave is symbolic of the passing of the brief frontier era Russell's words and pictures embrace.
I recommend this book for its capturing of the historical cowboy as remembered by a man who was there and lived among them. As a companion volume, I also recommend Teddy Blue Abbott's "We Pointed Them North," a well-detailed and more light-hearted recollection of the same time and place.
Trails Plowed Under by Charlie Russell.......2001-11-17
This book is one of my top ten favorites. I bought my first copy in 1972 for my father who passed away a year later. I have re-read this book many times with increased pleasure each time. It not only has Charles Russell's drawings and paintings, it has some of the best short stories I have ever read. I've lived in the West pretty much all my life and the characters he portrays ring so true that you know he knew them. He not only knew them, he was able to capture their essence in a few words. I usually don't laugh out loud at what I'm reading, but many of these stories are just plain "laugh out loud" funny. Anyone who enjoys Cowboy Poetry needs to have this in their library. It's not poetry per se, but gives you the same Western flavor in its writing. Most of the stories can be read in 5 minutes or less. I give it a solid 10 out of 5 stars.
Word pictures from a master painter.......2001-01-05
Will Rogers said Charlie Russell wasn't "just another" cowboy artist, he wasn't "just another" anything. Though remembered mostly for his paintings, this book proves that Charlie Russell was a keen observer of human nature. This is a sentimental look back at a world that disappeared in Russell's lifetime. The stories will leave you nostalgic for a time you never knew.
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The Western Art of Charles M. Russell
Manufacturer: Ballantine Books
ProductGroup: Book
Binding: Paperback
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ASIN: 0345270614 |
Book Description
This first comprehensive biography of Charles M. Russell examines the colorful life and times of Montana's famed Cowboy Artist. Born to an affluent St. Louis family in 1864, young Russell read thrilling tales of the West and filled sketchbooks with imagined frontier scenes. At sixteen he left home and headed west to become a cowboy. In Montana Territory he consorted with cowpunchers, Indians, preachers, saloon keepers, and prostitutes, while celebrating the waning American frontier's glory days in some 4,000 paintings, watercolors, drawings, and sculptures. Before his death in 1926, Russell saw the world change dramatically, and the West he loved passed into legend. By then he was revered as one of the country's ranking Western artist with works displayed in the finest galleries, his romantic vision of the Old West forever shaping our own.
Taliaferro reveals the man behind the myth in his multifaceted complexity: extraordinarily gifted, self-effacing, charming, mischievous, and playful, a friend to rough frontier denizens and Hollywood stars alike. The author also explores Russell's controversial partnership with his fiery young wife, Nancy, whose ambition and business savvy helped establish Russell as one of America's most popular artists.
Customer Reviews:
"THE" COWBOY ARTIST.......2003-09-06
Art critics spend much time arguing about the value of western art and as to whether it can really be classified as art at all. Some of the more snobby critics attempt to discredit western painters by referring to them as "illustrators" as if that changes anything. They argue that if an artist is commissioned by other than the loftiest of patrons or if their work is used primarily to illuminate a story then their art can only be classified as illustration and not as fine art.
As an art student I argued this one ad nauseam with my art professors. And invariably the work of Charles Marion Russell, my favorite ARTIST - period - would arise. But that's enough about small-minded art professors and their unwillingness to accept art wherever they find it.
The work of Charles Marion Russell (hereafter CM Russell) is accepted by thousands as arguably the best of the western genre. It remains the standard against which all other western pieces are judged. Russell also was an accomplished western wit who drew and kept the fast friendship of the king of western wit, Will Rogers. In his book Charles M. Russell: The Life and Legend of America's Cowboy Artist, John Taliaferro not only discusses the art achievements of Russell but also provides a biography that paints the life of the artist and the west Russell knew so well in the most vivid colors possible. And indeed CM Russell was the most colorful of characters.
Read this book and I'll bet you will at least become the owner of a CM Russell print and at most plan a pilgrimage to Great Falls to visit CM Russell's museum, studio and home.
"No one comes close"!.......2003-02-14
As a young boy he heard the words of Horace Greely, and indeed went west to seek fame, fortune, and adventure. After two years with Jake Hoover in the Judith, his dreams of wranglin', and ropin' came true at the O H ranch. Over time the home of the "Big Sky Country" became his perminant domain, and his mother Miss Montana, she blessed her son with a gift that would speek for many of his kind that ventured before him. He illustrated with brush, and canvas. He wrote in scripture, and sculptured in bronze. With his gift, C M Russell was able to protray what it was like to live in a time when spurs, the six-gun, and the feel of leather was a cowhands only cherrished parcel. He became the "Cowboys Cowboy", and the voice of the "Red-Man". Montana's dearest son had done what she wanted him to do. Russell for those who knew him was Loving, Kind, and Loyal. He never forgot his roots, no matter where he traveled. In the end Montana was more than proud of him. For she had raised him as Montanan. Over the years he became a Montanan. And at the end of the trail, he was buried as a Montanan.
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- The Wallace Stevens Case: Law and the Practice of Poetry
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- To Serve and Protect: Privatization and Community in Criminal Justice (Political Economy of the Austrian School Series)
- Treasury of Ironwork Designs: 469 Examples from Historical Sources (Dover Pictorial Archive Series)
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- U.S. Regulation of the International Securities And Derivatives Markets: United States Regulation of the International Securities And Derivatives Markets (2 Volume Set)
- Why Buildings Stand Up: The Strength of Architecture
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