Book Description
In this highly accessible introduction to American art since the 1970's, Linda Weintraub offers a musem goers a readable exploration of some of the most important artists and movements of the past decades.
Customer Reviews:
Out of the box art.......2007-07-03
Read this book for a non-traditional studio class and it was a great introduction to many contemporary artists I did not know.
Terrible writing and terrible art........2007-05-08
I can't believe that there are so many positive reviews for this book. Aside from any personal preferences, did anyone else notice that the text is FULL of grammatical mistakes? Even the artists' names are not spelled consistently the same way throughout an article. If you don't believe me, count the number of times she uses Mesa-Bains and then the number of times she uses Mesa-Baines.
Aside from that, the writing style is simply awful, although I guess with this kind of subject matter, it's hard to do much better. This book, along with my Studio Art class, has helped me to develop a strong disliking for most of the contemporary art that is gaining attention. It is thoroughly disturbing and pointless. None of the artists manage to successfully convey their messages. I am very glad to never have to see this book again.
A little of this and a little of that.......2001-02-03
as a MFA student thats currently being educated by "the institution" i find myself flip flopping between wanting to drop out or drop in...this book didn't save me but it sure put things in perspective, never before in a book have I seen cover such topics where you can find Barbara Kruger and James Luna and Joseph Beuys and Tomie Arai between the same cover's in a book. This book also addresses an important issue for me. race. The art world is racist and if you don't know that just look around, art is life and a reflection of society and if you dont know that its because your a white (sorry but its true). This book may not address it but it surely helps to have some artists of color represented (although they aren't near the best art makers).
An OK overview, but superficial.......1999-09-27
I guess this book is meant as a real "intro" text, but if you do know something about this art, it seems pretty lite. Clearly, lots of people like it, but Weintraub seems to bend so far over to make complex work accessible that she really over-simplifines. And the "art" in the book is so scattered and uneven, you don't get any deeper sense of what is going on, what the historical context of any of this might be.
Granted, there aren't many intro texts on recent art. So if this is one of the "better" ones, it's mostly for lack of competition. I wish there was some accessible middle ground between pop/gossip texts and academic tomes. This feels like it's written from someone really distant to the work, who's not always that well-informed.
Almost a bull's-eye.......1998-11-30
Anyone who wants to become familiar with intricacies of what can be the confusing world of post-modern art should read this book. The author does an excellent job of presenting an interesting cross-section of significant and fascinating collection of atypical artists. Pretty much every artist who is included has done their share of expanding the contemporary definition of Art in the Western and Non-western tradition. Over all, this compendium of essays does much to open the door to widen the reader's perspective on what art can do. The one aspect of this book that is troublesome is that the author often seems to focus on only one or two aspects of an artist's works, a habit that is frustrating at best and misleading at worst. While doing outside research on one of the artists included, Mel Chin, I was convinced there were two artists with the same name, as the perspective provided in the book did not prepare me for the artist's full range of activities. Still, this complaint should not stop an interested party from purchasing the book. I for one did not feel my money ill-spent.
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The Edge of Meaning
James Boyd White
Manufacturer: University Of Chicago Press
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Customer Reviews:
The Edge of Writing.......2002-01-11
James Boyd White has crafted another excellent exploration of the intersections of writing, law, culture, and society. A must read for those interested both in the art of writing well and in enhancing the ability to understand the various meanings contained in specific texts. While his specific areas of interest are Classical Studies and Law, the precise methods he uses apply to writers everywhere. Want to give an edge to your writing? Then read, "The Edge of Meaning."
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Contaminated Land: Reclamation, Redevelopment and Reuse in the United States and the European Union (International Library of Critical Writings in Economics Series)
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